Category: news

  • Project Smit Brothers – Glory Days

    Project Smit Brothers tap into something timeless with their latest alt-rock release, “Glory Days”. Fueled by gritty guitar riffs and a steady, driving rhythm section, the track leans into nostalgia without ever feeling stuck in the past. There’s a raw quality in the vocals that cuts through the mix, giving the song an anthemic touch that’s both personal and universal.

    It thrives on contrast with melodic verses that build into the explosive chorus that feels like it was crafted for the world to hear. It reflects on youth, memory, and the bittersweet passage of time, striking a chord to make it more relatable than ever for the masses.

    The production keeps things clean but not overpolished, allowing the band’s energy to shine through. Project Smith Brothers prove here that they know exactly how to balance emotion and edge, to deliver a true smash!

    Check out Project Smit Brothers “Glory Days” below. Stay Global my Friends!

    The post Project Smit Brothers – Glory Days appeared first on .

  • New Lady Gaga & Doechii Song “Runway” Previewed In The Devil Wears Prada 2 Trailer

    The Devil Wears Prada 2 premieres in theaters on May 1. The sequel to the 2006 movie features an appearance from fashion icon Lady Gaga, though details about her role are still scarce for now. But where there’s a Gaga cameo, there’s often a Gaga song: Today’s new trailer for The Devil Wears Prada 2 includes a snippet of “Runway,” a new song Lady Gaga made with Doechii.

    The post New Lady Gaga & Doechii Song “Runway” Previewed In <em>The Devil Wears Prada 2</em> Trailer appeared first on Stereogum.

  • NEAL SCHON Clarifies He Didn’t Force ARNEL PINEDA Onto JOURNEY’s Farewell Tour: “No One Was Ever Prevented By Me From Making Their Own Personal Decisions”

    Journey guitarist Neal Schon has issued a response to claims made by vocalist Arnel Pineda that he was effectively pushed into participating in the band’s Final Frontier farewell tour against his wishes — and while Schon stops short of dismissing Pineda‘s account entirely, he points to the real reason the singer had little room to walk away: a contract with touring giant AEG that specifically requires Pineda‘s participation for the tour to proceed.

    The situation has been building quietly for a while. Pineda, who joined Journey in 2007 at age 40 after being discovered via YouTube, has recently gone public with a string of personal difficulties — including a divorce proceeding that has produced serious allegations — and with his growing concern about his voice holding up over a demanding tour schedule, particularly in cold outdoor conditions.

    He says he raised the alarm twice before the Final Frontier dates launched in late February. “If you’re planning to do a farewell tour, you better tell me,” he reportedly told the band (via Ultimate Classic Rock), “because my issues and my personal problems are getting more intense and I don’t know if I want to go with you.” He says he prepared a formal resignation. He never received a reply.

    “As they say, silence can be louder than explaining,” Pineda said. “I said to them I wanted to retire because of my personal problems. No answer. Obviously, they don’t want to find another singer.”

    He also revealed that he skipped rehearsals entirely and only discovered the full scope of the Final Frontier format — two extended sets per night — when he returned from the Philippines. His current position is that of someone who knows exactly what leverage he doesn’t have: “They can fire me any time they want,” he said, “but they’re not.”

    Schon‘s official response is measured and stops short of directly addressing Pineda‘s version of events. “For clarity, no one was ever prevented by me from making their own personal decisions,” he wrote. “At the same time, we were all advised by our representatives that there are contractual obligations tied to touring that need to be honored.”

    He added, “Touring at this level involves many moving parts, and decisions are made collectively with our team, including management, agents, and promoters. Like any long-running band, there are moments where people feel the pressure differently. I respect that, and I have nothing but appreciation for what everyone brings to the stage.”

    His closing line had the tone of a man trying to move the conversation forward: “My focus has always been — and remains — delivering the best possible experience for our fans and keeping the music alive.”

    What the setlists make plain is that Journey has been quietly adjusting the show to accommodate the reality on stage. From opening night in Hershey, Pennsylvania, through early April dates in Wichita, Kansas, other singers have been handling six songs per show. By the most recent run of dates, that number has crept earlier in the set, with four of the first ten songs now being taken by stand-ins.

    The tour is not a short one. Journey has 60 confirmed Final Frontier dates in the US for 2026, with reports of at least another 40 shows to be announced for 2027. Whatever the internal tensions, Pineda appears set to remain on that stage for the foreseeable future — one way or another.

    The post NEAL SCHON Clarifies He Didn’t Force ARNEL PINEDA Onto JOURNEY’s Farewell Tour: “No One Was Ever Prevented By Me From Making Their Own Personal Decisions” appeared first on Sonic Perspectives.

  • Top 10 Eric Carmen Songs

    This Top 10 Eric Carmen songs list looks at the solo work of ex-Raspberries band member Eric Carmen. Eric Carmen was the driving force in many ways in The Raspberries. As time went on, it became apparent that Eric Carmen’s ability to write great songs, juxtaposed with his beautiful tenor voice, would lead to a successful solo career. After releasing four albums with The Raspberries from 1972 to 1974, Eric Carmen went out on his own in 1975. Eric Carmen’s solo career began with incredible success. His first solo album, titled Eric Carmen, proved more successful than anyone would have

    The post Top 10 Eric Carmen Songs appeared first on ClassicRockHistory.com.

  • Astral Spectre – Cosmic Mirage Review

    Read it in the stars: an Astral Spectre is upon us. German multi-instrumentalist Tenebros has spent the past six years mixing up a potent blend of black and heavy metal across three long players that take the NWoBHM energy, blackened aggression, and the occultic flair of 70s hard/prog rock.1 Astral Spectre’s third revelation, 2026s Cosmic Mirage, is poised to be the project’s most ambitious record, taking their established sound and putting it through “more sophisticated arrangements” and utilizing “professional mixing for the first time.” It all looks good to me, but are Astral Spectre the real deal, or is Cosmic Mirage just that?

    Astral Spectre’s sound is indebted to the proto-metal and progressive rock of the 1970s, but Cosmic Mirage is no mere exercise in nostalgia. Take Nite and give them Blue Öyster Cult’s guitar tone, longer songs, a meaner blackened rasp, a Hammond organ, and (sometimes) a clarinet, and you’d get Cosmic Mirage. Black metal manifests in Tenebros’ aforementioned rasping, foreboding tones and odd blast beats (“Chronomancer,” “Dancing with Ghosts”), but Astral Spectre’s bread and butter is warm, lively rock n’ roll. NWoBHM twin guitars soar over most tracks, dominating “Stardrifter” and “The Witch’s Waltz” while keys fill out the middle ranges where a rhythm guitar typically would. The organ towers over Cosmic Mirage, adding weight and texture to Astral Spectre’s sound while lending Cosmic Mirage a deeper gothic edge (“The Witch’s Waltz”). Astral Spectre also use clarinet on certain tracks, imbuing snaky, sultry leads to “Death of Osiris” while trading solos with the guitar on “The Demon’s Offer.” Overall, though Cosmic Mirage evokes a specific scene and era of music’s past, Astral Spectre stand on their own through creative utilization of its various pieces.

    Cosmic Mirage is at its best when Astral Spectre simply floor it. The opening duo of “Stardrifter” and “Chonomancer” bubble over with energetic hooks, roaring with Iron Maiden gallops and punchy, off-kilter keys that don’t let up and make for one of the best one-two punches I’ve heard this year. Tenebros’ drumming deserves recognition, as he can lend songs like “Cosmic Mirage” and “Stardrifter” ridiculously propulsive energy while laying down serious groove over the Opeth-meets-Maiden “Death of Osiris.” The drumming is brisk, but so slick that it feels laid back, working nicely with Tenebros’ thrumming yet reserved bass playing. But where Cosmic Mirage shines brightest is in its solos, where fast, classically-influenced and highly melodic playing evoke the likes of Adrian Smith (“Stardrifter”), Ritchie Blackmore (“Dancing with Ghosts”) and Eddie Van Halen (“Death of Osiris”). When it all comes together, Astral Spectre sounds like a souped-up Kansas or Blue Öyster Cult crushing it with Tribulation. And that’s just beautiful.

    The only knock against Cosmic Mirage is when Astral Spectre’s progressive tendencies come at the expense of hookiness. Astral Spectre flexes their songcraft on longer cuts “Death of Osiris” and “Cosmic Mirage,” and though both songs have good moments, they are bogged down by slow passages that aren’t as vital as the faster, more rockin’ tunes. “Death of Osiris” in particular languishes in repetition for its first half, riffing on a thoroughly cliché “Egyptian” melody before sliding into an Iron Maidenesque bass-plucked build-up to the clarinet solo, where things finally take off.2 “Cosmic Mirage” starts strong with a driving beat and strong hooks before dropping into a spacey, Pink Floyd-like passage that just doesn’t demand your attention as much, and by the time Astral Spectre get their momentum back, the song is basically over. Also, Cosmic Mirage’s clarinet, while it weaves compelling melodies and lends the album a uniquely mellow mood, is always way upfront in the mix and tends to drown out the guitar. This and an understated bass presence are the only gripes I have with the otherwise warm and open mix of Cosmic Mirage, just as Astral Spectre’s few hiccups regarding their longer songs are the only real problems I have with the album at large.

    Cosmic Mirage has more going on than it seems at first glance. Besides some missteps in the longer songs, Astral Spectre crafted an ambitious, engrossing, and deviously fun album that anyone with a love for twin guitars should get behind. Tenebros is a phenomenal musician and the fact that Astral Spectre aren’t signed baffles me. As rich as it is immediate, Cosmic Mirage has grown on me with every listen, and I wouldn’t be surprised if it continues to grow well into the year. Chase the mirage!


    Rating: Very Good!
    DR: 10 | V0 VBR mp3
    Label: Self-Released
    Websites: astral-spectre.bandcamp.com | facebook.com/OfficialAstralSpectre
    Releases Worldwide: April 10th, 2026

    The post Astral Spectre – Cosmic Mirage Review appeared first on Angry Metal Guy.