Category: news

  • HOSTILIA – Παρουσίασαν το πρώτο single “Lightning Warfare” από το “The Curse of Khamun”

    https://www.metalourgio.com/wp-content/uploads/2026/08/Hostilia-band-photo-768×512.jpg
  • Big Thief Debut Surprise New Triple Album Horsepower With Special Guests At The Ryman

    Adrianne Lenker wasted no time in telling 2,400 Big Thief fans this was not, in fact, the show they expected to see. “We have a special night for you,” she said as Big Thief took seats around a large wooden table onstage, then quipped: “If you had hopes of hearing songs you know, those can be discarded.” Instead, Lenker matter-of-factly explained that Big Thief had convened in Nashville in May to record a triple album called Horsepower. She didn’t divulge any release details, but suddenly the weekend’s shows at Nashville’s hallowed Ryman Auditorium were something else entirely: The band and various guests playing through the whole 29-song album, in a sprawling three-hour show, filmed for future release. 

    The post Big Thief Debut Surprise New Triple Album <em>Horsepower</em> With Special Guests At The Ryman appeared first on Stereogum.

  • Occult Master – Releases Their Debut Album, Combining Elements of 1970s and 1980s Heavy and Prog Rock

    Promo picture by Emil Risto

    The Finnish Occult Master released their self-titled debut album on August 14th 2026 via Inverse Records

    LISTEN to the album on streaming services: https://push.fm/fl/occult-master-album 

    In their heavy music, Occult Master combines elements of 1970s and 1980s heavy and prog rock. The album’s tracks range from more straightforward rockers to massive epics. Running through the entire album is an uncompromising attitude to create harsh and honest heavy rock, with a good song at its core.

    The album’s soundscape is raw and pleasantly authentic. You can hear that the music was played live in the studio, as a band. Unnecessary fussiness and extreme polishing have been left out. This results in the album breathing, sounding fresh and invigorating and human. However, the music itself is not simple; on the contrary, progressive, complex, and surprising parts flow seamlessly, forming an interesting musical journey. Thoughtful lyrics, deviating from the run of the mill, create a mystical aura for the dark-toned music.

    The lineup features Ari Eskola (guitar and vocals), Toni Mäki (bass and backing vocals) and Jussi Risto (drums). The debut album from the Occult Master trio, signed to Inverse Records, does not disappoint and promises quality music in the future: the next album’s worth of material is already almost ready. 

    WATCH Heavy Metal Madness music video: https://youtu.be/Yx7hdD6Mu5c

    Occult Master – Occult Master (Album 2026) Cover art by Jarno Vesa

    Track-list:

    1. Just Another Nail in the Failier’s Coffin
    2. Island of Leper
    3. Heavy Metal Madness
    4. Lucifer’s Henchman
    5. Ground of the Damned
    6. Who Is Our Enemy
    7. Sorry Soul
    8. Soothing Swamp
    9. Gnarly Geezer

    Recorded by Jussi Risto
    Mixed & mastered by Kimmo Lukkari

    CD ORDERS from HERE. 

    BIOGRAPHY:

    Occult Master was founded in 2012 in Oulu, Finland, first starting as a heavy rock/doom band. After a line‑up change in 2020, the musical style turned faster, more rhythmic and more complex. Occult Master’s music is heavy, versatile and full of nuances, ranging from full‑throttle metal blasting to quiet, subtle and beautifully eerie musical landscapes.

    The band’s roots lie strongly in the classic heavy metal of the 1970s and 1980s. The songs are delivered in a hardy, straightforward and no‑nonsense style. In the dark‑toned music, the lyrics deal with different matters of life and the world in general, and at times even horror stories told with a devilish grin.

    Links: 

    https://www.facebook.com/occultmasterband

    https://occultmaster.bandcamp.com

  • SHADES OF BLACK: ENSLAVED, WOLVES IN THE THRONE ROOM, FIRTAN, URNA, SELENOPLEXIA, STOFLONG

    Enslaved – photo by Chantik Photography (written by Islander) I’ve been knocked askew by a bout of forgetfulness. Yesterday I forgot that I’d committed to join my spouse at an event that lasted all afternoon and into the evening. I also forgot another commitment I’d made for later this morning; I don’t always check my […]

    The post SHADES OF BLACK: ENSLAVED, WOLVES IN THE THRONE ROOM, FIRTAN, URNA, SELENOPLEXIA, STOFLONG appeared first on NO CLEAN SINGING.

  • Live Review: Hollywood Vampires – Birmingham

    Live Review: Hollywood Vampires – Utilita Arena, Birmingham

    19th August 2026
    Support: The Jesus and Mary Chain
    Words & Photos: Tim Finch

    The Utilita Arena Birmingham was packed for an evening built around rock royalty as Hollywood Vampires brought their theatrical, hard-hitting celebration of rock ‘n’ roll history to the city.

    As gloom descended upon the arena, fog pumping from the dry ice machines, The Jesus and Mary Chain opened with ‘Jamcod’, immediately establishing an atmospheric mood. Jim Reid and the band moved through ‘April Skies’, ‘Head On’ and ‘All Things Must Pass’, balancing the abrasive edge of their sound with the melodic hooks that have made them such an influential band. ‘Some Candy Talking’ provided another standout moment before Simone Marie Butler joined them for ‘Venal Joy’, adding another dimension to the performance.

    The set continued with ‘Blues From a Gun’, ‘In a Hole’, ‘Cracking Up’ and ‘Between Planets’, keeping the intensity despite the band’s characteristic cool detachment. Butler returned for ‘Sometimes Always’ and ‘Just Like Honey’, both of which were warmly received, before The Jesus and Mary Chain closed with ‘Reverence’.

    Hollywood Vampires wasted no time making their presence felt, opening with ‘I Want My Now’ before launching into ‘Raise the Dead’. The band immediately demonstrated the chemistry between Alice Cooper, Joe Perry, Johnny Depp and Tommy Henriksen. ‘I’m Eighteen’ brought the first major classic of the evening, followed by ‘My Dead Drunk Friends’ and ‘The Boogieman Surprise’. Rather than simply playing a greatest-hits set, the Vampires continued to dig into their own catalogue along side fielding classic from across the genre.

    The covers became increasingly prominent as the set developed, with ‘Venus in Furs’ and ‘People Who Died’ both featuring Johnny Depp on lead vocals. Depp’s contribution was particularly effective on these darker, more atmospheric numbers, while Joe Perry took the microphone for Johnny Thunders’ ‘You Can’t Put Your Arms Round a Memory’. ‘Who’s Laughing Now’ then gave way to Aerosmith’s ‘Livin’ on the Edge’ and The Who’s ‘Baba O’Riley’, keeping the audience, who are fans of their their respective bands, fully engaged. Perry returned to lead ‘Bright Light Fright’, while ‘Beck’s Bolero’ provided a powerful instrumental tribute to the late Jeff Beck.

    The latter stages of the main set became a full-scale celebration of rock history. The Doors ‘Roadhouse Blues’ was followed by Killing Joke’s ‘The Death and Resurrection Show’, with Depp once again taking the lead vocal. David Bowie’s ‘Heroes’ provided another emotional highlight, before Tommy Henriksen stepped forward for AC/DC’s ‘Highway to Hell’.

    Aerosmith’s ‘Walk This Way’ kept the momentum building, leading into a closing combination of ‘School’s Out’ and ‘Another Brick in the Wall’. It was loud, energetic and packed with songs that the Birmingham crowd knew inside out.

    There was still time for an encore, with ‘The Train Kept A-Rollin’’ bringing the band back to the stage before they closed the night with ‘Hi Ho Silver Lining’, along with a huge crowd sing along.

    With Alice Cooper commanding the stage, Joe Perry delivering the guitar firepower and Depp and Henriksen stepping into the spotlight throughout the set, this was a celebration of rock history delivered with genuine energy and plenty of attitude.

    Photo credits: Tim Finch

    For all the latest newsreviewsinterviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebooktwitter and instagram.

    The post Live Review: Hollywood Vampires – Birmingham appeared first on The Razor's Edge.

  • Live Gallery: Hollywood Vampires – Birmingham

    Live Gallery: Hollywood Vampires – Utilita Arena, Birmingham

    19th August 2026
    Support: The Jesus and Mary Chain
    Photos: Tim Finch

    We look back at the epic Hollywood Vampires show through the eyes of our photographer Tim Finch!

    Hollywood Vampires

    The Jesus and Mary Chain

    Photo credits: Tim Finch

    For all the latest newsreviewsinterviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebooktwitter and instagram.

    The post Live Gallery: Hollywood Vampires – Birmingham appeared first on The Razor's Edge.

  • Album review : NIGHT RANGER Best Of

    NIGHT 150 RANGER BestFrontiers Music [Release date : 28.08.26] Quintessential white middle class rock band from the past, Night Ranger continues to make great melodic rock music in the present. Meantime, this remastered, retrospective collection might satisfy the band’s fans and more. It … Continue reading

    The post Album review : NIGHT RANGER Best Of appeared first on Get Ready to ROCK!.

  • Drummer Chris Slade (AC/DC, David Gilmour) Announces Retirement

    The revered musician shared the news "with a heavy heart" on social media over the weekend. Continue reading…
  • MEGATON COMMUNION Talk New Album ‘THREE OF CUPS,’ Working With CURRAN MURPHY, Doom Metal, Gear And More – @thebeast

    MEGATON COMMUNION Talk New Album ‘THREE OF CUPS,’ Working With CURRAN MURPHY, Doom Metal, Gear And More

    MEGATON COMMUNION recently joined The Zach Moonshine Show on Metal Devastation Radio for an extensive conversation covering the band’s upcoming sophomore album, Three Of Cups , working with Curran Murphy of VENOM INC., their evolving lineup, recording techniques, gear, songwriting, Delta Doom Fest, and the increasingly bizarre world of social media.
    The band is preparing to release Three Of Cups on September 11, 2026 through Black Doomba Records , with the pre-order and pre-save campaign scheduled to launch August 28.
    The first taste of the album arrived with the single “Evil Speak,” a track that immediately caught Zach Moonshine’s attention.


    “The riffs, the vocals, the drums, the bass, the guitar, everything, man. The production. It’s just on another level.”


    According to MEGATON COMMUNION, several important changes took place between the band’s previous release and Three Of Cups , including a change behind the drum kit and a different approach to recording.
    WORKING WITH CURRAN MURPHY

    One of the biggest elements of Three Of Cups is the involvement of Curran Murphy , known for his work with VENOM INC. and his extensive career as a guitarist, producer and gear builder.
    Murphy produced the new MEGATON COMMUNION album, contributing not only behind the console but also helping the band rethink portions of its recording process.
    “He doesn’t want to take over,” MEGATON COMMUNION explained. “He doesn’t try to tell you exactly what to do. But when you’re in there, he’s like, ‘I think maybe you should do this. Maybe we approach it this way.'”
    That collaborative approach proved to be a perfect fit.


    “Nine times out of 10, it’s exactly what we’re looking for.”


    The band also described Murphy as incredibly humble despite his extensive experience and accomplishments.
    “He’s just one of the guys, man, just hanging out,” the band said.
    The recording process itself was also approached differently than on MEGATON COMMUNION’s previous album.
    The drums were recorded live, once again without a click track, in an effort to preserve the organic feel of the band’s music. From there, guitarist Derek tracked his rhythm parts using two different amplifiers, while the lead tones were created using two additional amps.
    For the rhythm guitars, the band used a Mesa/Boogie Rectifier and a Marshall Vintage Modern . The leads featured a Fender Pro Sonic and a Soldano SLO-100 , with the latter combination running in stereo.
    The resulting approach helped give Three Of Cups a guitar sound that combines modern punch with vintage atmosphere.


    “The Mesa delivers a modern kind of dry low end… but for our style, we have a lot of airy ambient guitar in our music as well. And the Marshall carries over that vintage tone.”


    The band also revealed that the bass was recorded with an equally elaborate setup, including an Orange rig, a 2×15 cabinet and an 8×10, with moving blankets used to capture and contain the low-end energy in the recording room.
    “YOU DON’T REALLY NEED A LOT OF HIGH GAIN”

    Despite MEGATON COMMUNION’s doom and stoner-metal leanings, guitarist Derek doesn’t rely on a traditional fuzz-heavy setup.
    In fact, there isn’t a fuzz pedal on his board.
    There isn’t even a distortion pedal.
    Instead, the band relies on amplifier gain and drive pedals to create its crushing sound.


    “You don’t really need a lot of super fast and high gain to make heavy music. You just got to write the heavy riffs.”


    The band compared its approach to the classic sound of SOUNDGARDEN, pointing out that some of the heaviest guitar tones aren’t necessarily built around extreme amounts of gain.
    The bass setup is similarly stripped down. The bassist uses a Rickenbacker , an Orange bass head and an EarthQuaker Devices Plumes boost, keeping the rig deliberately simple.
    The conversation naturally turned into a celebration of the Rickenbacker bass, with Moonshine recalling the influence of players like Lemmy Kilmister and Cliff Burton .
    A NEW DRUMMER AND A SPINAL TAP RECRUITMENT PITCH

    MEGATON COMMUNION’s new drummer Ken joined the band in March 2025 following the departure of Ryan.
    The lineup change turned out to be a major positive for the band.
    Ken brought a different drumming style to the group and had already been familiar with the band’s material. He quickly learned the songs and stepped into the lineup, eventually contributing heavily to the new material that would become Three Of Cups .
    But the story behind his recruitment is something straight out of a SPINAL TAP movie.
    Ken had previously been unable to join the band because he was caring for his wife, who was battling cancer. She ultimately passed away, and after taking time to deal with the loss, Ken eventually reached back out.
    His message to MEGATON COMMUNION was simple:


    “If anything ever happens to your drummer, a Spinal Tap happens and he spontaneously combusts or dies in a freak gardening accident, I want that guy’s job.”


    Not long afterward, the band and Ryan parted ways due to differences regarding touring commitments.
    Ken was ready.
    He jumped into rehearsals, learned the material and hit the road with MEGATON COMMUNION.
    The band also praised Ken’s personality, describing him as hilarious and suggesting that he could have a future in stand-up comedy.
    Fans can even catch him showing off that personality in the video for “Evil Speak.”
    THE MEANING BEHIND ‘THREE OF CUPS’

    The title Three Of Cups comes from the tarot card of the same name, and its meaning became a major inspiration for the album.
    The card represents friendship, celebration, community, teamwork, belonging and the bonds that develop between people.
    For MEGATON COMMUNION, those themes became especially meaningful following the band’s lineup changes and the challenges involved in creating the new album.
    The band described the record as a celebration of everything that came together to make the album possible, including the members’ talents, personalities and shared commitment.


    “It’s a celebration of all the stuff that comes together, our talents, our personalities and everything.”


    Although the songs explore darker subjects, the overall message isn’t one of surrender.
    The album deals with hardships, betrayal, toxic relationships, manipulation and the struggles of modern life, but the band says the larger message is about overcoming those challenges.


    “Even though the songs on the album touch on some dark topics and some struggles in life, at the end… brighter days ahead and celebrating is always going to be the thing that drives us forward.”


    DARK THEMES AND A DESERT CENTIPEDE

    One of the album’s more unusual songs is “Desert Centipede.”
    The idea came from MEGATON COMMUNION’s fascination with videos created by people who deliberately allow dangerous insects and animals to bite or sting them for internet views.
    After seeing a video featuring a desert centipede, the concept stuck.
    But the song isn’t literally about an insect.
    Instead, the desert centipede becomes a metaphor for getting involved with something or someone you probably shouldn’t.


    “If I didn’t tell you, that’s what the song was about. If you read the lyrics, it’s about somebody you probably shouldn’t have a relationship with.”


    Other songs on Three Of Cups tackle themes including betrayal, people talking behind your back, two-faced relationships and the feeling that a small group of people in positions of power can make life unnecessarily difficult for everyone else.
    The result is an album rooted in real-world frustrations while still maintaining the band’s heavy, riff-driven identity.
    “ECHOES IN TIME” IS NEXT

    Following “Evil Speak,” MEGATON COMMUNION is preparing to release another video for “Echoes In Time.”
    The band filmed the video in early August following a short run of shows.
    While “Echoes In Time” remains heavy, the band says it highlights another side of MEGATON COMMUNION.


    “It’s heavy, but it’s got melody.”


    The group sees “Evil Speak” and “Echoes In Time” as complementary introductions to Three Of Cups , giving listeners a better idea of the range contained throughout the album.
    DELTA DOOM FEST COMES TO MEMPHIS

    MEGATON COMMUNION will also make its Memphis debut at Delta Doom Fest , taking place October 17 at Growlers in Memphis, Tennessee.
    The lineup includes Tommy Stewart’s Dyerwulf, Ninja Witch, Red Sun Sermon, Stonewielder, Ponddigger, Megaton Communion, Burnt Witch and Ruined God .
    The band said it immediately wanted to be involved once the event began coming together.


    “We’ve never played Memphis. I’ve heard great things about playing all these shows in Tennessee, so we weren’t going to pass up on that.”


    The festival will also give MEGATON COMMUNION an opportunity to debut new songs from Three Of Cups that audiences haven’t heard yet.
    The band is planning to bring new merchandise to the event, including shirts and special items connected to the new album.
    One particularly cool piece of merchandise will be a deck of playing cards featuring the Three Of Cups artwork, tying directly into the album’s tarot inspiration.
    WHEN FACEBOOK BANS YOUR BAND NAME

    Perhaps one of the most frustrating stories discussed during the interview involved the band’s battle with Facebook.
    MEGATON COMMUNION’s Facebook page was repeatedly restricted, eventually forcing the band to delete the original page and attempt to start over.
    When the band created a new page using the name MEGATON COMMUNION, it was immediately flagged.
    Facebook’s eventual response?


    “Megaton Communion, the name itself implies violence and it’s permanently banned from the Meta platform.”


    As a result, the band lost its Facebook, Instagram and TikTok presence.
    The group eventually created MTC Music as its Facebook presence and launched its own website, megatoncommunion.com , ensuring the band would have a platform it actually controlled.
    The situation led to a larger discussion about the importance of social media for independent musicians, even when artists are increasingly frustrated with the platforms themselves.
    For an underground band, social media isn’t simply about posting memes and collecting followers. It’s also about giving media outlets, radio stations, promoters and fans an easy way to find and tag the band.
    As MEGATON COMMUNION put it, if you make your information too difficult to access, you’re doing yourself a disservice.
    A BAND THAT IS STILL HUSTLING

    MEGATON COMMUNION has a busy schedule ahead, including shows in Grand Rapids, Michigan; Meadville, Pennsylvania; Youngstown, Ohio; Spartanburg, South Carolina and additional dates throughout the remainder of the year.
    Some of those appearances are benefit events supporting families dealing with cancer and programs helping veterans.
    The band emphasized that supporting veterans and charitable causes is important to them, particularly because the sacrifices made by service members affect not only the individuals who serve but their entire families.
    Meanwhile, the band is balancing touring and recording with their regular day jobs.
    “We should probably get like a Red Bull sponsorship,” they joked.
    With Three Of Cups arriving September 11, another video on the way, Delta Doom Fest on the horizon and more touring being planned for 2027, MEGATON COMMUNION has plenty of momentum heading into the next chapter.
    And through all the lineup changes, recording challenges, social media headaches and miles on the road, the band says the most important thing remains simple:


    “We stay true to ourselves in the way that we write.”


    That’s exactly what makes Three Of Cups worth watching.
    MEGATON COMMUNION isn’t trying to reinvent heavy music for the sake of it. They’re taking the riffs, atmosphere, groove and heaviness they already do well, adding new chemistry, new ideas and a carefully constructed production approach, and pushing it forward.
    Three Of Cups arrives September 11 through Black Doomba Records .
    Until then, crank up “Evil Speak,” keep an ear out for “Echoes In Time,” and catch MEGATON COMMUNION on the road.
    The underground is alive and well.
    And apparently, Facebook still thinks the name MEGATON COMMUNION is too fucking dangerous.
    MEGATON COMMUNION:
    Three Of Cups
    September 11, 2026
    Black Doomba Records
    Delta Doom Fest:
    October 17, 2026
    Growlers, Memphis, Tennessee
    Check out the full show now on Mixcloud: 
    Track List: 
    Battle Of The Bands Top Six Winners:
    1 – Okl’s FruitLoops – Scream Of Silence – (1,092,857 votes)
    2 – Soul Of Sheol – Paradise Is Not For Us – (111,437 votes)
    3 – Rage of Justice – Digital Prison – (13,556 votes)
    4 – Heidbekka – Völva – (7,162 votes)
    5 – Leach – Serpent Of Time – (6,109 votes)
    6 – Mistress – Terrified eyes – (5,647 votes)
    The Zach Moonshine Intro
    7 – Ozzy Osbourne – Never Say Die
    8 – Ola Englund – DOGMA PROGMA
    9 – Smoulder – Water Wars
    10 – DOWN – Blood Oath
    11 – Megaton Communion – Evil Speak
    Megaton Communion – Interview featuring Evil Speak/DisBelief
    12 – Narcotic Wasteland – Fentanyl Zombie Apocalypse
    13 – Maidenhead – Maximum Clonage
    14 – Tårfödd – Totalt Mörker
    15 – Burnt Witch – We Hate You – (Electric Wizard Cover)
    16 – Surtur’s Awakening – Yggdrasil i Flammor/Helvetets Revenanter
    17 – Hellripper – Blakk Satanik Fvkkstorm
    18 – Korpse – Now You_ve Got Something To Die For
    19 – Necrocene – Ordinary Enemy
    20 – Thy Legacy – Seven Witches
    21 – HKSPK – rot in despair
    22 – Watain – Angel Of Disease (Morbid Angel Cover)/Morbid Visions (Sepultura Cover)/Stellarvore Live
    23 – Brutal Death Fuck – Sodomized On The Crucifix/Elizabeth/The Devils Whiskey


    You can also hear just the interview on YouTube, Spotify and Apple: 


    Super massive shout out and thanks too the 309,856 metal maniacs from all over the world that tuned in Friday for the live broadcast of devastation! 

    Listen to “Evil Speak” here:
    https://distrokid.com/hyperfollow/megatoncommunion/evil-speak



    Connect with the band: 
    https://linktr.ee/megaton_communion
    https://linktr.ee/BlackDoomba
    Contact:
    blackdoombarecords@gmail.com
    megatoncommunion@gmail.com
  • Carmine Appice names the forgotten rock drummer who “started everything”: “The playing, the showmanship, the twirling – he was a monster player and never got credit”

    Vanilla Fudge’s Carmine Appice can lay claim to being the father of hard rock drumming – just ask Led Zeppelin’s John Bonham, Deep Purple’s Ian Paice or Black Sabbath’s Bill Ward, all of who cited him as an inspiration. Sure, The Who’s Keith Moon and Ginger Baker of Cream were both doing wild things on their instrument, but neither was the pure powerhouse the New Yorker was during his late 60s pomp.

    His secret? “No PAs. That simple,” he tells Classic Rock in a new career-spanning interview, which covers everything from his time in Rod Stewart’s band to his unlikely link to mobster and Goodfellas inspiration Henry Hill. “I beat the hell out of the drums so I could be heard. The bass drum was so small, so I figured if I got a bigger bass drum it would be louder, and it was. So I made everything bigger, which was much louder. But you really had to hit them hard to get the sound out.”

    But Appice says there’s one of his drumming contemporaries who deserves to be way better know than he is. Asked to rank Bonham, Baker, Moon and himself in order of greatness, he throws in another name entirely.

    “We’re all so different,” he says. “Bonzo was great cos the band was great – they [Led Zeppelin] kept him up there. If he was in another band, I don’t know if he’d have stayed up there. Ginger Baker was there at the beginning of rock with that double bass drum. Keith Moon was just so unusual. I took what I did and made it really powerful. And I’d add Dino Danelli from The Rascals.”

    Danelli was the drummer and co-founder of New York band The Rascals, originally known as The Young Rascals. Coming through on the same circuit as Vanilla Fudge, they notched up a run of hit US singles between 1965 and 1969, including three US No.1s. While they weren’t as heavy as Vanilla Fudge, Appice says that Danelli – who died in 2022 – should be better know.

    “He started everything in rock drumming – the playing, the showmanship, the twirling,” he tells Classic Rock. “He was a monster player and never got credit.”

    Appice, who still leads a modern incarnation of Vanilla Fudge, also recalls helping give Led Zeppelin their first break in the US when Zeppelin made their Stateside debut supporting Appice’s band in Denver, Colorado on December 26, 1968.

    “We knew Jimmy Page from The Yardbirds, and we had the same attorney,’ the drummer remembers. “They sent us an acetate of the first album and we listened to it and went: ‘Whoah…’ I heard Bonzo on Good Times, Bad Times and went: “This guy’s really good.” So we were ready for them. We became great friends. I do remember walking down the street and telling Robert Plant he should move around more.”

    Vanilla Fudge’s Carmine Appice performing onstage in 2016

    Carmine Appice in 1968 (Image credit: Rick Diamond/Getty Images)

    However, Appice shoots down the rumour that he was in line to replace Bonham in Zeppelin after the drummer’s death in 1980.

    “I heard that rumour,” he says. But I never got a call. Matter of fact I was with Rod [Stewart] at the time. He said: “Are you joining Led Zeppelin?” I said: “That’s what the rumours are, I haven’t heard nothing.” He said: “There’s rumours I’m going to retire. Keep the rumours going, we’ll sell more tickets that way.”

    Read the full interview with Appice in the new issue of Classic Rock, on sale now. Order it here.

    The cover of Classic Rock 357, featuring Pink Floyd's The Wall

    (Image credit: Future)