Korn showed up at the Sick New World Festival on Saturday, April 25 and did what seasoned bands do: debuted new music.
The post Korn Just Played ‘Reward the Scars’ Live for the First Time Ever appeared first on Audio Ink Radio.
Korn showed up at the Sick New World Festival on Saturday, April 25 and did what seasoned bands do: debuted new music.
The post Korn Just Played ‘Reward the Scars’ Live for the First Time Ever appeared first on Audio Ink Radio.
The Indio, California country music festival Stagecoach was initially founded in 2007 as a sister festival to Coachella, and in recent years, it too has become a pressure cooker of celebrity sightings and brand sponsorships. Case in point: Sydney Sweeney’s lingerie brand, which is called SYRN but pronounced like “siren” for some reason, had a karaoke bar at Stagecoach, where the Euphoria actor spent her weekend singing with the likes of Diplo, Lance Bass, Ashton Kutcher, and her boyfriend Scooter Braun. There were some country artists there too, though, like Chase Rice, Riley Green, Dan + Shay, and Bailey Zimmerman.
The post Stagecoach 2026 Had Sydney Sweeney, 3OH!3, Theo Von, Chet Haze, & More Of Your Favorite Country Stars appeared first on Stereogum.
Reviewed by Oli Gonzalez
2026 has already been a solid year for death metal releases with the likes of Immolation, Vomitory, and Six Feet Under to name but a few releasing new material! Italy’s Fulci add themselves to this mix, perhaps a smaller band but one that’s punching above it’s weight as a regular on the extreme metal circuit, whilst extreme metal fans in the UK will have had chance to become acquainted with the bands most recent tour with Sanguisugabogg.
Fulci aim to follow up 2024’s release “Duck Face Killings” with “Risorsero dalla Tomba e Fu…L’Apocalisse”. This is short. Very short. Eleven minutes of three songs, depending on which tariff you use. And even then, the first is a short cinematic style instrumental opening. One that’s as austere as it is intimidating, guaranteed to raise pulses and intrigue. Then we get into the meat and potatoes of the EP with ‘Paura che Uccide’. The guitars make an appearance; slow, marauding, laying down a solid neck snapping groove. Then vocalist Fiore asserts himself with the most demonic of guttural growls. That combination of the low and slow meaty groove infused riffs combined with the blistering pace of the double kick drum gives us shades of Suffocation and Obituary, with a guarantee of the most savage of pits when this eventually gets unleashed on the live arena. It’s easy to see why they’re becoming such a respected name with this kind of talent at their disposal.
Before things can really get going, we’re into the final song, ‘Apoteosi Del Mistero’. Now you’d be forgiven for thinking you’re listening to a Candlemass track given the epic doom metal feel, with the blistering lead guitars and cathedral style greeting you in the early stages of the song. Though Fiore returns with his distinct growls and then everything feels right again. The contrast and juxtaposition of this vocal style imprinted on an epic doom background really is quite something! Something seldom seen within the death metal genre; this speaks to Fulci’s desire to push boundaries and demonstrate what death metal can and should be!
So, there we go, this was an introduction to Fulci. A very short introduction at that. Though there’s no denying this has sparked a curiosity and desire to delve deeper into the band’s discography. Rather than being overwhelmed with 9,10,11, or even more songs spread across an hour. Yep, little and often is the modern way to release music and Fulci understand this.
The post EP Review: Fulci – Risorsero dalla Tomba e Fu… L’Apocalisse! appeared first on The Razor's Edge.
Right now, Rosalía is in the midst of a massive global arena tour behind her stunning 2025 album LUX. She also recently released a LUX deluxe edition, featuring a few bonus tracks that were previously only available on physical versions. In the midst of all that, Rosalía is currently starring in the long-awaited new season of HBO’s tawdry blockbuster Euphoria. She plays Magick, a stripper who wears a bedazzled neck brace, and she got her first big showcase scene on Sunday night’s episode.
The post Rosalía Pole Dances in Bedazzled Neck Brace On <em>Euphoria</em>, Reflects On Acting Debut appeared first on Stereogum.
Bright Monday mornings don’t exactly evoke the spooky and macabre, but that changes in an instant whenever cult rock outfit Uncle Acid and the Deadbeats put out new music. And this morning, they released a new single titled “Don’t Let It Control You.”
Teased as a “blood-soaked taster from their forthcoming studio album,” this new release is just under four minutes of fuzz-laden psycho rock. It’s got all the trappings of an Uncle Acid tune, including the almost lo-fi production and a dab of ’70s grit thrown into the mix. It’s the kind of song that can easily embed itself into your head like an icepick in Leon Trotsky’s skull.
Though the band mentioned a new album, there are no new details about that bad boy included with this track’s release. Just the fact that it’s coming soon.
“Don’t Let It Control You” will be released as a single on 7″ vinyl — the first time the band’s doing that since they put out Pusher Man back in 2016. If you’d like to make sure you get your hands on one of those, preorders are now open.
In addition to the new single, Uncle Acid is heading out on tour this summer. You can find the full list of tour dates below and get your tickets today.
UNCLE ACID AND THE DEADBEATS LIVE:
EUROPE + FESTIVALS:
6/4 — Norje, SE — Sweden Rock Festival
6/6 — Netphen, DE — Freak Valley Festival
6/7 — Strasbourg, FR — La Laiterie
6/10 — Bilbao, ES — Kafé Antzokia
6/12 — Lisbon, PT — LAV
6/13 — Madrid, ES — Sala Mon
6/14 — Barcelona, ES — Razzmatazz 2
6/16 — Toulouse, FR — Le Rex
6/17 — Bordeaux, FR — Le Rocher de Palmer
6/18 — Clisson, FR — Hellfest
6/20 — Dessel, BE — Graspop Metal Meeting
6/22 — Groningen, NL — Vera
6/24 — Leipzig, DE — UT Connewitz
6/26 — Stuttgart, DE — Im Wizemann
6/27 — Wiesbaden, DE — Sol Sonic Ride
6/28 — Bourlon, FR — Rock in Bourlon
7/2 — Roskilde, DK — Roskilde Festival
7/3 — Donje Primišlje, HR — Bear Stone Festival
UK DATES:
11/19 — Wolverhampton, UK — KK’s Steel Mill
11/20 — Manchester, UK — New Century Hall
11/21 — Glasgow, UK — The Garage
11/22 — Leeds, UK — Brudenell
11/24 — Bristol, UK — Trinity
11/25 — Southampton, UK — Engine Rooms
11/27 — Brighton, UK — Concorde 2
11/28 — Norwich, UK — Waterfront
11/29 — Nottingham, UK — Rescue Rooms
The post Uncle Acid and the Deadbeats Warn “Don’t Let It Control You” with New Single appeared first on MetalSucks.


The heavy metal world just witnessed a moment forty years in the making. Last night in Bogota, Colombia, Dave Mustaine finally reclaimed his seat at the high table of thrash history. For the first time ever, Megadeth performed their studio-polished version of the Metallica classic “Ride The Lightning”—a track Mustaine co-wrote before his infamous 1983 departure—live on stage.
This isn’t just a cover; it’s a calculated, high-octane “closing of the circle” that sees Mustaine putting his own jagged DNA on the song that helped launch the biggest metal band on the planet. If you thought the Mustaine vs. Metallica saga was over, think again—it just got a lot louder.
When Dave Mustaine appeared on The Loaded Radio Podcast circuit via SiriusXM earlier this year, he didn’t mince words about the pressure of re-recording a Metallica staple. Mustaine’s mission was clear: “If we’re gonna do this, let’s make sure that we do it as good as the original or better.”
To achieve that, Megadeth didn’t just copy-paste the 1984 classic. They “beefed it up,” sped up the tempo, and let drummer Dirk Verbeuren go wild on the fills. Mustaine also highlighted his signature technical flairs—the “spider chords” and “grunting” slides—that he claims were his primary guitar influences on the original writing sessions. While he admits his voice is nothing like James Hetfield’s, Mustaine embraced the challenge of breaking down James’s vocal parts and rebuilding them in his own snarl.
Despite decades of strained emotions and public barbs, Mustaine’s motivation for this performance was surprisingly sentimental. He has spent the last year publicly praising James Hetfield’s rhythm playing and Lars Ulrich’s songwriting arrangements.
“I wanted to pay my respects to James Hetfield, who I think is an amazing guitar player,” Mustaine told Guitar World. “It wasn’t really that I wanted to do my version… it was about respect. I wanted to do something to close the circle on my career right now.” By performing “Ride The Lightning,” Mustaine is effectively making peace with his own ghost, acknowledging that while the emotions were “ruined” over the years, the music they created together changed the world.

One of the most talked-about aspects of the new Megadeth version is the guitar solo. Mustaine has long suggested that Kirk Hammett essentially played “note-for-close-note” versions of Dave’s original demos on Kill ‘Em All and Ride The Lightning.
For the live debut, Mustaine and current Megadeth shredder Teemu Mäntysaari split the leads. While they stayed respectful to the iconic 1984 phrasing, they modernized the attack. Mustaine admitted he didn’t even remember exactly what he played on the original 1983 demos, so he and Teemu “tossed it back and forth” to create a version that bridges the gap between 1984 and 2026.
Fans interested in seeing Megadeth live can find available tickets here.
Dave Mustaine performing “Ride The Lightning” feels like the final boss level of a 40-year quest. Whether you’re a Megadeth loyalist or a Metallica lifer, you have to respect the stones it takes to reclaim a song this legendary at this stage of the game. Dave isn’t riding off into the sunset; he’s riding the lightning one last time, and he’s doing it on his own terms. Bogota was just the beginning—expect this to be the centerpiece of the setlist for the rest of the year.
The Bottom Line Dave Mustaine and Megadeth made history in Bogota on April 26, 2026, by performing their version of Metallica’s “Ride The Lightning” for the first time. Mustaine, who co-wrote the track, described the move as a way to show respect to James Hetfield and Lars Ulrich while “closing the circle” on his legendary career.
The post 40 YEARS IN THE MAKING: Dave Mustaine Shreds Metallica Classic “Ride The Lightning” Live For The First Time In Megadeth History appeared first on Loaded Radio.