PROX Intake

Category: news

  • TesseracT postpone UK and Germany tour to March 2027

    The band announced the postponement on social media today

    Source

  • VENOM Founder Cronos Dead At 63, Leaving Black Metal Without Its Namesake Architect

    Conrad “Cronos” Lant, the bassist and vocalist who steered black metal pioneers Venom for more than four decades, has died at 63.

    Venom confirmed the news in a post on the band’s official social media, which reads, “IN MEMORIAM — Conrad ‘Cronos’ Lant. It is with profound sadness and broken hearts that we share the news that Conrad ‘Cronos’ Lant has passed away.

    “For more than four decades, Conrad‘s voice, bass and vision were at the heart of Venom. From the first dark rumblings of Welcome To Hell, through Black Metal, At War With Satan, Possessed and beyond, he created something that changed heavy music forever.

    “Venom never followed the rules. They forged their own path. And Conrad was there at the centre of it all — uncompromising, fearless and unmistakable.

    “The Legions have always been an important part of Venom. To everyone who stood with the band through the years, bought the records, came to the shows, wore the shirts, shared the music and kept the flame burning — Cronos was always grateful for your loyalty and support.”

    Nathan Lant, Conrad Lant‘s son, also paid tribute, saying, “I want to thank all of the Legions for all of the support you have given my dad over the years. I know he really appreciated you all. He has laid down his soul, and his music will live on. The legend of Cronos will never die.”

    Venom‘s latest studio album, Into Oblivion, landed in May through Noise/BMG. It is the band’s sixteenth full-length and its first batch of new material since 2018’s Storm The Gates. The most recent lineup paired Conrad Lant with guitarist Rage (a.k.a. Stuart Dixon) and drummer Danté (a.k.a. Danny Needham).

    Before his death, three separate outfits were working the Venom name on stage. Conrad Lant led the version featuring the last original-era member. A new collaboration between co-founders Jeff “Mantas” Dunn and Anthony “Abaddon” Bray has announced festival appearances in 2026 to mark 45 years of 1981’s Welcome To Hell. Then there is Venom Inc., headed by Tony “Demolition Man” Dolan, who was in Venom from 1989 to 1992 and played on Prime Evil (1989), Temples Of Ice (1991) and The Waste Lands (1992).

    The classic Venom trio of Dunn, Conrad Lant and Bray cut four studio albums, Welcome To Hell (1981), Black Metal (1982), At War With Satan (1984) and Possessed (1985), plus the live record Eine Kleine Nachtmusik (1986). Metallica, Behemoth, Celtic Frost and Mayhem are among the acts that have named the band as a major influence, and it remains one of the most revered of its generation.

    The post VENOM Founder Cronos Dead At 63, Leaving Black Metal Without Its Namesake Architect appeared first on Sonic Perspectives.

  • Nightwish share ‘Tribal’ live video from 30th anniversary collection

    ‘The Greatest 30 Years On Earth’ drops December 11 through Nuclear Blast Records

    Source

  • SHOGUN MOJO, Featuring KISS Guitarist TOMMY THAYER & DAN REED, Shares New Single “Gonna Raise Hell”

    Today, Shogun Mojo, an exciting new collaboration between legendary Kiss guitarist Tommy Thayer and acclaimed singer-songwriter Dan Reed of Dan Reed Network fame, is thrilled to share their new single and official video, “Gonna Raise Hell,” taken from the self-titled debut album, out on October 30, 2026 via Frontiers Music Srl.

    Dan Reed comments: “The new single ‘Gonna Raise Hell’ is a straight-up invitation to give a hundred and ten percent to everything you put your mind to… from the obvious of partying into the night, but also to romance, to celebration, even to whatever your passion is for in life… and accept that sometimes what we believe are angels in our lives come with a dark side, and sometimes the people we have hatred for may be in our path to bring us insight and wisdom. So let’s raise hell together… starting with tonight… see what tomorrow brings!”

    Backed by a Sweden-based and exceptionally tight lineup featuring drummer Robert Mehmeti Kizilcay, guitarist Roger Öjersson, and bassist Jake Nyman, the band delivers a debut album packed with towering hooks, driving energy and electrifying performances.

    Tommy Thayer comments on the record: “I’ve always loved doing projects like this because they give me a chance to step outside of my usual world and just create, play guitar, and have fun making music. Dan and I go back a long way, and it’s been great getting to know Bengt and Ikiz over the past year and discovering the chemistry we have together. Shogun Mojo really came from that shared energy, getting in a room, playing, writing, and seeing where it took us. There’s a great spirit and camaraderie in this band that comes through in the music, and I’m excited for people to finally hear what we’ve created together.”

    “This debut album is a reflection of all the rock records that Tommy, Bengt, Ikiz, and I grew up listening to! Even Brion James from my band Dan Reed Network has a co-write on the album called Funk Party! What we captured in the studio is playing live together like bands did in the 70s, and the outcome is a record that’s a groovy, rowdy funk rock celebration of life. At least that was the goal”, added Dan Reed. “In a world of AI music, we took it back to the roots of having fun writing in a room together and recording in a room together. We hope you feel what we attempted to capture. We are often told, ‘People don’t want to hear guitar solos anymore’… so Tommy has a guitar solo in every song!”

    Musically, Shogun Mojo channels the infectious melodic punch of classic late ’70s and early ’80s hard rock, blending the anthemic spirit of Kiss with the soulful intensity and unmistakable swagger of Dan Reed’s vocal style. Fans of Dan Reed Network’s Slam will immediately connect with the album’s vibrant mix of massive choruses, funk-infused grooves, and feel-good rock energy – but with a warmer, more organic, and timeless sound that recalls the golden era of analog-driven rock records.

    Raw, dynamic and unapologetically alive, Shogun Mojo’s debut is a celebration of big riffs, earworm melodies and the enduring power of classic hard rock reinvented for a new generation.

    Pre-order Shogun Mojo here.

    The post SHOGUN MOJO, Featuring KISS Guitarist TOMMY THAYER & DAN REED, Shares New Single “Gonna Raise Hell” appeared first on Sonic Perspectives.

  • Comeback Kid share ‘Yesterday’s Gone’ video feat. Incendiary’s Brendan Garrone

    From their upcoming album, ‘Chosen Hell’

    Source

  • Radio Free Alice – “Big Ideas” (Feat. Rachel Brown)

    Radio Free Alice are a Melbourne indie rock band with a sound that can make you feel instantly nostalgic. Depending on when you had your formative experiences, they might remind you of ’00s blog-rock. ’80s college rock, or any combination of those things. Their full-length debut What’s In Between comes out later this month, and we’ve already posted singles like “Rule 31” and “Kick In The Shins.” They’ve got another new song out today, and it’s got a special guest.

    The post Radio Free Alice – “Big Ideas” (Feat. Rachel Brown) appeared first on Stereogum.

  • The L.I.F.E. Project (Stone Sour, Etc.) Release Their Cover Of Led Zeppelin’s “Immigrant Song”

    Following their recent takes on Suicidal Tendencies and Blondie.

    The post The L.I.F.E. Project (Stone Sour, Etc.) Release Their Cover Of Led Zeppelin’s “Immigrant Song” appeared first on Theprp.com.

  • PONS Unleash a Carnival of Freaks and Ghouls in Video for “IF NOT NOW…”

    Halcyon eyes, kind of gloomy in-between

    (If not now, then when we gonna do it, baby?)

    Holy pledge, Nostradamus said we’re clean

    (If not you, then who is gonna teach it to me?)

    PONS have somehow made a song that sounds as though a demon discovered stimulants, bought an expensive string section, read half a book about Roman emperors, and immediately decided he ought to run for king of hell.

    IF NOT NOW… is five-plus minutes of Brooklyn dance-punk delirium built around repetition as both engine and psychological hazard. Jack Parker and company plant a krautrock riff in the floorboards, then proceed to furnish the room with strings, horns, electronic abrasion, post-punk angles, and enough manic forward motion to make stopping seem medically inadvisable. Somewhere between Suicide, Brainiac, Liars, Sextile, and Ecce Schnak, after several catastrophic decisions, PONS turn excess into an organizing principle.

    Parker admits that excess comes naturally. “I have a really maximalist impulse when I’m writing music that I’ve recently been trying to get away from.” You can hear him losing that argument in spectacular fashion. The Eclectica String Quartet enters the picture alongside arrangements refined with Steve La Rosa, and suddenly the song has the air of an espionage film whose secret agent has misplaced the microfilm and joined a Dionysian cult instead.

    The repetition is crucial. PONS keep worrying the central figure until familiarity starts producing strange side effects, with each return carrying another detail, another escalation, another reason to suspect somebody has slipped something questionable into the punch. Parker wanted “something as repetitive and hypnotic as possible,” and the band stretches that idea toward absurdity without losing its grip on the dance floor.

    Lyrically, appetite keeps mutating. Sex, ambition, prophecy, intoxication, history, conquest, divine entitlement, and cultural memory pile together until the speaker begins sounding less like a romantic opportunist than somebody preparing to annex a small republic before breakfast. Desire becomes destiny; destiny develops an ego problem. By the closing stretch, bravery, brutality, providence, and personal mythology have become indistinguishable enough to suggest that civilization may have been a clerical error.

    Animator Arturo Baston pushes the same madness into the accompanying video. “Arturo had the idea of animating some sort of nightmare carnival bumper car ride filled with freaks and ghouls,” says Parker. From there, Parker becomes a Ghost Rider-like figure traveling through the underworld on his way toward infernal royalty, because apparently ordinary professional advancement was unavailable.

    Watch the video for If NOT NOW… below:

    IF NOT NOW… belongs to the forthcoming RACECAR, out November 5 via Casa Gogol Records, Eugene Hütz’s new label. If this single represents the album’s governing philosophy, PONS have built themselves a machine whose accelerator has been welded permanently to the floor. Normies should probably stand clear.

    Listen to IF NOT NOW… below and order the single here.  You can pre-order RACECAR here.

    Catch PONS live:

    Follow PONS:

    The post PONS Unleash a Carnival of Freaks and Ghouls in Video for “IF NOT NOW…” appeared first on Post-Punk.com.

  • Courtney Marie Andrews, Cornelia Murr, Lola Kirke, & Katie Pearlman Debut New Supergroup Tommy

    There’s a new supergroup in town. Courtney Marie Andrews, Cornelia Murr, Lola Kirke, and Katie Pearlman have joined forces to form Tommy, and they played their first show in Nashville earlier this week.

    The post Courtney Marie Andrews, Cornelia Murr, Lola Kirke, & Katie Pearlman Debut New Supergroup Tommy appeared first on Stereogum.

  • Set Your Goals Debut Their Second Comeback Single “Big Couch”

    Their second new song in over 15 years.

    The post Set Your Goals Debut Their Second Comeback Single “Big Couch” appeared first on Theprp.com.