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Virginia-based songwriter Caleb L’Etoile delivers Gun as a charged, rallying indie anthem that channels urgency into collective resolve, pairing punchy, direct production with a chorus built for communal shout-alongs; framed as a unity song rather than a call to chaos, it leans into the tension of the current moment while emphasizing accountability, solidarity, and the power of voices raised together, with the accompanying performance video amplifying the track’s confrontational energy and sense of shared conviction, resulting in a bold, unapologetic statement that aims to transform frustration into focused, collective momentum.

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L.A. indie-punks Jacob the Horse crank the tension to full volume on Tympanis, a driving, panic-fueled blast that fuses desert-rock heft with sharp-edged punk urgency. Built on pounding four-on-the-floor drums and riff-heavy propulsion, the track feels like a scream into the void that refuses to stay internal. The vocals teeter between accusation and self-doubt, while the guitars surge with dynamic hooks that keep the chaos tightly wound.

It’s anxious, abrasive, and cinematic in scope—a raw nerve of a song that captures emotional spiral and cathartic release in equal measure.

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Leon claims he left the band due to unprofessionalism, toxicity and more, the band claim otherwise.

The post Bassist Mike Leon Announces He Has Quit CKY, Band Claim They Fired Him appeared first on Theprp.com.

Mason Hill have released a new video for single ‘Twisted’, out now on 7Hz Productions.  “’Twisted’ started with James‘ straight-killer riff that you hear at the start of the track, and I wanted to write something that would really do it justice. The song is about a relationship that’s so wrong that it’s right – toxic […]

The post Mason Hill Release New Video For Single ‘Twisted’ appeared first on ROCKPOSER DOT COM!.

Swedish garage-horror outfit The Dahmers unleash Underdog as the punchy focus track from their third full-length Creature Feature, delivering a sharp, hook-loaded blast of punk, powerpop, and dark indie swagger; tight guitars, driving rhythms, and an anthemic chorus collide with the band’s signature slasher-cinema aesthetic, balancing outsider grit with undeniable melodic lift, proving once again that The Dahmers know how to wrap misfit attitude in radio-ready immediacy, crafting a track that feels rebellious, cinematic, and primed for repeat spins without losing its underground edge.

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Brooklyn-based electropunk force PAULA T turns provocation into empowerment on Sugar Tits, a sharp, bedroom-born electronic banger that flips objectification into defiant self-authorship. Built in a single night, the track pulses with gritty synths and unapologetic attitude, balancing satire, anger, and catharsis in equal measure. What could’ve stayed a private joke becomes a larger statement about reclaiming identity, rejecting repression, and weaponizing projection into art. It’s bold, playful, and confrontational—an electrified release valve that proves vulnerability and fire can coexist on the same explosive frequency.

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Manchester-based Spire Circle blur eras and moods on Velveteen, a brooding dark wave cut that stitches together futurepop pulse, 90s alternative grit, and post-punk tension into something sleek yet emotionally charged; nervous synth textures shimmer beneath driving rhythms while atmospheric layers build a cinematic undertow, allowing the hook to surface without sacrificing depth, resulting in a track that feels both nostalgic and forward-facing, balancing shadowy introspection with a sharp, modern edge that lingers long after the final note fades.

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Listening to Goat Mountain by GEV feels like stepping into open air after being indoors too long. The hypnotic guitar lines circle patiently while the drum-driven pulse grounds everything in something almost ritualistic. I love how it doesn’t rush; it lets the mood stretch and breathe, pulling in subtle desert and Middle Eastern textures that make the journey feel expansive and transportive.

It’s meditative without drifting off, cinematic without being dramatic—just a steady, immersive climb that rewards anyone willing to lose themselves in it.

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Seattle’s own Shadowpool channel their city’s overcast mood on Enemies, a reflective cut that navigates the quiet collapse of a relationship with restrained intensity and shadowed beauty; anchored by John Mills’ slightly world-weary vocal delivery and layered with chiming, atmospheric guitars, the track captures the internal solitude and emotional disassociation that follow a breakup, balancing melancholy with a subtle undercurrent of hope, as if light is pushing through the Pacific Northwest fog, resulting in a dark yet surprisingly luminous indie rock meditation on endings and the fragile optimism that trails behind them.

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Steve Perry responds to rumours that he’ll be rejoining Journey for their final tour