Category: news

  • MASTERPLAN – Metalmorphosis (Album Review)

    A new slab of metal bursts out of the cocoon.

    Among the pivotal bands that shaped the European power metal sound in the 2000s, Masterplan holds an especially unique place in history. Originally conceived as a side venture by then Helloween guitar Roland Grapow and Uli Kusch to further pursue the darker and modernized aesthetic of 2000’s The Dark Ride, it quickly morphed into something entirely more substantial following their auspicious and subsequent dismissal from the band.

    The inclusion of up-and-coming Norwegian vocalist Jorn Lande and former Iron Savior bassist Jan-Soren Eckert to the fold created a strong supergroup-style hype behind the Masterplan name that quickly saw their ascent to prominence in the European sales charts and rock/metal media with the release of their 2003 eponymous debut. Though in later years lineup instability led to a fall in prominence for this breakaway melodic metal sensation, the initial impact it made in the mid-2000s was beyond question and was rightly viewed as a game-changer, and now, roughly 20 years later, this same outfit has rekindled the same magic with their latest LP, Metalmorphosis.

    Though of the original lineup that took the European market by storm, only guitarist Roland Grapow and keyboardist Axel Mackenrott remain; this opus is as effective a return to form as could have been achieved with the entire original quintet. The rhythm section, consisting of former Stratovarius bassist Jari Kainulainen and drummer Kevin Kott, seamlessly lays down a massive sonic foundation fitting of the signature thick and forbidding atmosphere that Masterplan established with their hybrid approach of heavy yet hard rock-infused aggression.

    Likewise, vocalist Rick Altzi continues to pour out a similarly gravely and smoky display from the microphone that Lande accomplished on this fold’s early material, though with an extra degree of rawness and grit that makes him easy to distinguish from his predecessor. But more so than anything else, Grapow’s prowess as a studio engineer and producer in approximating and building upon the aesthetic formula popularized by Andy Sneap is on full display, translating a sound that was considerably punchy for 2003 into its 2026 equivalent.

    The familiar sounds of yesteryear come raging forth even before the first pummeling riff out of Roland’s guitar has a chance to take the helm, all but to the point of ushering Metalmorphosis in as the long-awaited sequel to the eponymous debut. The cinematic orchestration that flows out of Mackenrott’s keyboards and the accompanying military snare drum line at the onset of opening anthem “Chasing The Light” bears an uncanny resemblance to how “Spirit Never Die” begins, and the subsequent blend of rapid chugging guitar riffs and swift drumming beneath Altzi’s soaring resound could well be treated as the darker and heavier cousin of the latter, complete with a brilliantly crafted virtuoso solo out of Grapow’s mighty six-string.

    The follow up mid-paced banger “Electric Nights” accomplishes a similar relation to the famed duet entry that helped put this band on the map “Heroes”, albeit with a nimbler presentation and minus the guest vocal services of Michael Kiske, while the chunky, down tempo beast of an entry “Shadow Man” channels pretty heavy comparisons to this band’s original leadoff single “Enlighten Me”, though the guitar and keyboard work is notably more adventurous and the tone even more aggressive.

    The recurring formula of revisiting the early days in a more amped up fashion becomes so pronounced that one can’t help but see this as the album that MK II should have been. Whether it be the bleak, heavy rocking, high-impact bluster of “Bound To Fall”, the Led Zeppelin-like nod to Middle Eastern music with a punchier attack “Pain Of Yesterday,” or the bludgeoning yet earworm melody-steeped “Ghostlight”, it’s all highly reminiscent of the same power-infused format that dominated the debut album and 2005’s Aeronautics.

    Likewise, though speed metal was always a secondary element in Masterplan’s formula, a duo of riveting entries that recall the carryover elements of Grapow’s stint with Helloween in the double bass happy crusher and title entry “Metalmorphosis” and the high octane thrasher “Through The Storm” nearly steal the show early in the second half of the album. Though this mighty LP closes with a raging, mid-paced, riff happy banger in “Rise Again”, the entry that really brings it all home is the colossal 8 minute epic “The Call”, which sees this fold stepping out of their comfort zone a bit in a favor of a more drawn out and progressive approach, and it melds perfectly with their hook-oriented and conventional mode of songwriting.

    Metalmorphosis is not an album that dwells upon the past, but it definitely takes heavy cues from where Masterplan has been, takes stock of what worked at the height of their career, and builds something substantially new out of a pre-existing template. Along for the ride is a renewed sense of energy and drive that has not been seen out of this band since their initial run with Jorn Lande at the helm, becoming most apparent in just how insanely poised and ambitious Roland Grapow’s guitar performance unfolds, but is clearly spread across the entirety of the arrangement.

    With more than a decade’s worth of time having passed since the last time any original studio material came out from this outfit and nearly a decade since their 2017 LP covering Helloween material penned by Grapow dubbed PumpKings, to call this a monster comeback would be putting it mildly.

    Those who have ridden the Masterplan train since it first pulled out of the station will find plenty of familiar themes at work here, but those who have yet to discover their unique niche of dark, heavy rocking power metal will also find as good a starting point here as they would going back to where it all began.

    Release Date: June 26th, 2026
    Record Label: Frontiers Music Srl
    Genre: Power Metal

    Musicians:

    • Rick Altzi / Vocals
    • Roland Grapow / Guitars
    • Jari Kainulainen / Bass
    • Axel Mackenrott / Keyboards
    • Kevin Kott / Drums

    Metalmorphosis Track-list:

    1. Chase The Light
    2. Electric Nights
    3. Shadow Man
    4. Bound To Fall
    5. Pain Of Yesterday
    6. Metalmorphosis
    7. Through The Storm
    8. Ghostlight
    9. The Call
    10. Rise Again (Album version)

    Order the album here.

    The post MASTERPLAN – Metalmorphosis (Album Review) appeared first on Sonic Perspectives.

  • C.O.F.F.I.N – Sleep In It


    Children of Finland Fighting in Norway (C.O.F.F.I.N) are back with a new single, released today, called “Sleep In It,” which delivers earth-shaking guitar hooks and fierce vocal snarls from Ben Portnoy, perfectly contrasted by Beach Boys-style background harmonies. 

    The track is the first glimpse of their fourth studio album, called Out In Oslo, and it bursts with energy, a killer rhythm section (gotta love the drum intro!), and a no-frills attitude, topped off with fiery guitar solos and heaps of swagger. “Sleep In It” is definitely worth a listen. 

    Give it a go by clicking on the Spotify/YouTube player below and follow C.O.F.F.I.N as well, if you like what you hear.

  • Brandon Flowers Announces New Countrified Solo Album Thrasher

    The guy from the Killers caught the country music bug. Killers frontman Brandon Flowers has released a couple of solo albums over the years, the most recent of which was 2015’s quietly excellent The Desired Effect. We last heard from the Killers when they released Pressure Machine in 2021. In 2023, Flowers said that he’d scrapped an entire halfway-done Killers album. After teasing something new, Flowers is now ready to announce the new solo LP Thrasher, which he’s explicitly framing as his “country/western” album.

    The post Brandon Flowers Announces New Countrified Solo Album <em>Thrasher</em> appeared first on Stereogum.

  • System Of A Down Share Details Of European Fan Stores To Coincide With Tour Dates

    System Of A Down are due to make their way around Europe on a stadium tour alongside Queens of The Stone Age over the coming weeks, and they are bringing some special merch with them too.

    The band will set up shop in five cities across the continent; Stockholm, Paris, Berlin, Düsseldorf and London. Each store will feature, “custom apparel, accessories, and collectibles, including tees, hoodies, track jackets, jerseys, shorts and more – with the football tops in collaboration with sportswear brand, hummel. Additionally, the stores will offer commemorative posters and exclusive tour-edition coloured vinyl formats of Toxicity. Each store will have its own limited-edition coloured pressing, produced exclusively for each city”.

    So that’s exclusive merch, special footy shirts, and pressings of ‘Toxicity’ that you’re not going to find anywhere else? Yeah, that’s ace.

    Here are the places you will be able to find the stores and what dates they will be open:


    STOCKHOLM

    Vasagatan 11, 111 20)

    JUNE 27 – JUNE 30

    PARIS

    23 Rue du Sentier, 75002

    JULY 01 – JULY 05

    BERLIN

    Bismarckstraße, 103, 10625 Berlin-Bezirk Charlottenburg-Wilmersdorf)

    JULY 06 – JULY 09

    DUSSELDORF

    Galerie Voss Mühlengasse 3 40213

    JULY 08 – JULY 11

    LONDON

    56-57 Eastcastle Street, W1W 8EQ

    JULY 10 – JULY 16

    And here are the shows that the band will be playing.

    JUNE

    29 – STOCKHOLM Strawberry Arena

    JULY

    02 – PARIS Stade De France
    06 – MILAN Ippodromo Snai La Maura
    08 – BERLIN Olympiastadion
    10 – DÜSSELDORF Open Air Park Düsseldorf
    13 – LONDON Tottenham Hotspur Stadium
    18 – WARSAW Narodowy

    The post System Of A Down Share Details Of European Fan Stores To Coincide With Tour Dates appeared first on Rock Sound.

  • Venom Reveal Exclusive Recording, “Nevermore (Full Length Version),” via the Decibel Flexi Series!

    Despite their 46 years of recording history, black metal forefathers Venom have somehow never officially released a flexi disc (save an unofficial sketchy Russian bootleg). That’s about to change courtesy of the Decibel Flexi Series. We’re honored to release “Nevermore (Full Length Version),” which is, unsurprisingly, the complete unedited version of the Into Oblivion track “Nevermore,” as part of our ever-expanding flexi discography!

    So stream “Nevermore (Full Length Version)” below and then make sure to snag your copy of the July issue of Decibel, which includes this exclusive piece of floppy vinyl. But you gotta act fast upon the way of the dog, or risk scorn defeat!

     

    The post Venom Reveal Exclusive Recording, “Nevermore (Full Length Version),” via the Decibel Flexi Series! appeared first on Decibel Magazine.

  • Sony’s LX Series turntables are known for their smooth action, smart looks and amazing value vs spec – now with up to $150 off, your search for a new deck is over

    The home hi-fi system has changed a lot over the years, from turntables and radio receivers to cassettes, CDs and wireless streaming – and right back round to turntables again. The vinyl revival’s old news by now, but turntables are still a new addition to many an audio set-up, from baby’s first hi-fis to well-established living-room stacks.

    If you’ve been umming and ahhing about adding a turntable to your own setup, you can take a look at our guide to the best Prime Table turntable deals – but if you want something straight off the bat, there’s money off both the Sony PS-LX3BT and Sony PS-LX5BT wireless Bluetooth turntables over at Amazon.

    Sony’s PS-LX3BT is the cheapest in the range, and a compelling entry-level turntable for those new to the world of wax. It shares much in common with its big-sibling LX5BT – fully automatic mechanism, aptX Adaptive Bluetooth transmission, built-in phono preamp fuss-free setup – but it rocks a simpler tonearm assembly with a cheaper, softer-sounding stylus. As entry-level record players go, it’s a very swish thing indeed. And it can be yours for less this Prime Day!

    And if you’re in the UK, don’t despair as the LX3BT is also on sale at Amazon – down from £299 to just £223.25, a nice 25% discount.View Deal

    Sony’s PS-LX5BT is a marriage of great sound and foolproof operation, being a fully-automatic turntable equipped with a decent built-in MM cartridge and aptX Adaptive Bluetooth transmission. No set-up needed, either – just slide its sleek form slickly into your system and you’re off to the races. Prime Day has made it something of a steal, too, with a US-only discount of 20%. That’s about $100 off, and a low barrier of entry to the world of quality wireless vinyl. View Deal

    The Sony PS-LX series comprises two variants of Bluetooth-enabled automatic turntable. The LX3BT is the cheaper of the two and is a very user-friendly affair, with full auto playback controlled by some slick buttons at the front. It’s a functionally plug-and-play device, with no calibration or counterweighting necessary. Even the moving-magnet cartridge with which it’s equipped is a fully built-in thing, furnished with a warm-sounding replaceable stylus.

    The LX3BT is the more expensive of the two but that extra dough buys you a few functional upgrades, a smarter-looking aluminium platter and a better tonearm, replete with a more detailed cartridge/stylus assembly. Both turntables share the same design language, and, more or less, the same essential features – features which make them extremely attractive for newbies to the vinyl revival.

    The automatic mechanism is one such feature, as is the built-in phono preamp that makes plugging into existing hi-fi systems a breeze. More important, though, is the Bluetooth connectivity. Both the LX3BT and LX5BT support aptX Adaptive Bluetooth transmission, so you can cast hi-res audio of your records to a Bluetooth receiver of your choosing. It’s nifty stuff, and dynamite for the hybrid hi-fi.

    I’ll be the first to admit that Sony’s prices are a little pricey, generally – and that here, the LX series faces stiff competition from a suite of the best budget turntables. But with Amazon Prime Day, Sony gets the upper hand thanks to these lovely deals.

    Want more? Want something to play on your new turntable? Take a look at our Prime Day vinyl deals and for everything else, check out Louder’s hand-picked Prime Day music deals.

  • The Pineapple Thief release new single “Hold The Ashes”

    Marking their first release with InsideOutMusic

    Source

  • Tygers Of Pan Tang – Reveal Details Of Upcoming Record

    NWOBHM crew Tygers Of Pan Tang are all set to return with their new album, Electrifyed, on the 11th of September 2026 via Mighty Music. A couple of new tunes can be listened via Bandcamp player below.
    Read more…
  • Leaked Deftones ‘Eros’ Material Sparks Debate Amongst Fans

    Material from Deftones' long-shelved 'Eros' album briefly leaked online, leaving fans with some internal debate on whether they should listen to the unfinished tracks. Continue reading…
  • Endseeker: German Death Metal Horde Unleashes David Hasselhoff Cover, “True Survivor”

    – June 23rd, 2026 –

    Farewell EP, “Coffin Born”, Out Now On Metal Blade Records

    Watch/stream ENDSEEKER’s “True Survivor” (David Hasselhoff cover feat. Lord Of The Lost) HERE

    German death metal horde ENDSEEKER are pleased to unleash a special cover and accompanying video of their rendition of David Hasselhoff’s “True Survivor,” featuring Lord Of The Lost. The track appears on the band’s fiery farewell EP, Coffin Born, released on June 19th via Metal Blade Records.

    Photo by FlorianLübke

    In the first place, we just love this song,” the band elaborates. “It’s from the movie Kung Fury which absolutely everyone must watch, because it’s a fucking masterpiece and this song is probably the best performance of Hasselhoff ever. We asked our friends in Lord Of The Lost if they would like to join us for this song because we felt like it needed some extra glitter. We think it turned out amazing! Two bands from Hamburg from different genres united in an unexpected cover song. Super-fun project and quite outside the box for a death metal band.

    Watch ENDSEEKER‘s “True Survivor” video HERE.

    Watch ENDSEEKER‘s previously released video for “Enemies of PeaceHERE.

    We’ve accomplished more than we have ever imagined in our wildest dreams,” reflects the band on their final release. “We played with fantastic bands, played super-cool festivals, and released four albums and two EPs of which we are extremely proud. We were blessed with great and loyal fans and managed to stay a consistent lineup throughout our whole career. But after grinding for more than a decade and dedicating so much time and energy to this band, we feel like it’s time to move on to other projects. We wanted to end this band like we started – as very good friends. We started with an EP and we end it with an EP. It just feels right to do this now, while we still have the power to deliver a great farewell performance as well in the studio as on stage.

    Since their 2015 debut EP Corrosive Revelation, each release has hoisted the Hamburg quintet further up the death metal mountain, with Mount Carcass (2021) and Global Worming (2023) receiving widespread acclaim.

    Produced by the band with drums engineered by Eike Freese (Deep Purple, Alice Cooper, Helloween), Coffin Born stands as ENDSEEKER‘s swan song, shaped by the intense bond of a lineup that remained together throughout their whole career.

    Coffin Born is out now on digipak CD (w/ 12-page booklet) and digital formats as well as vinyl in the following color variants:

    180g black (EU)
    Silver Black Merged (EU – Ltd.250)
    “Royalty Metallic” Vintage Gold Marble (EU – Ltd. 250)

    Find orders at: metalblade.com/endseeker

    Coffin Born Track Listing:
    01. Enemies of Peace
    02. No After. No Before.
    03. Coffin Born
    04. Life Breeds Death
    05. True Survivor (David Hasselhoff Cover)

    ENDSEEKER Live:
    7/10/2026 M.U.R. Open Air – Königsee, DE
    7/11/2026 Pure Fucking Metal FestEvil – Laberweinting, DE
    7/24/2026 Burning Q – Osterholz-Scharmbeck, DE
    11/06/2026 Club From Hell – Erfurt, DE w/ Milking The Goatmachine
    11/07/2026 Live Music Hall – Weiher, DE w/ Milking The Goatmachine
    11/13/2026 Helvetic – Oberhausen, DE w/ Milking The Goatmachine
    11/14/2026 Urban Spree – Berlin, DE w/ Milking The Goatmachine
    11/27/2026 LA Cham – Cham, DE w/ Milking The Goatmachine
    11/28/2026 Backstage – München, DE w/ Milking The Goatmachine
    12/12/2026 Knust – Hamburg, DE w/ Stillbirth, Slaughterday

    Musically, the nearly 23-minute Coffin Born follows seamlessly in the footsteps of Global Warming (2023), delivering that signature low-end HM-2 grind, snarling aggression, and captivating melodic passages across varying tempos…” – Metal Hammer

    …five angry, crusty songs that feel like a pummeling…” – Metal Injection

    …one last powerful statement… Driven by that quintessential HM-2 sound, the hardcore/crust-infused ‘Enemies Of Peace’ ruthlessly steamrolls over any fascists, while the Hamburg quintet continues to champion the old-school Swedish sound with expert impact on mid-tempo tracks like ‘No After. No Before…’” – Rock Hard

    ENDSEEKER doesn’t do anything that others haven’t done before, but the instrument handling, the sound, the mixing and the compositions are so impressive that the miss will be even greater when the band retires later this year…” – Metalized

    ‘Enemies Of Peace’ conjures images of tanks cresting the hill, but you’re in the valley and doomed. …Witness ‘No After. No Before,’ where off-time rhythms and riffs careen into the title track, sirens and slaughter surrounding your twitching, pleading forms. ‘Life Breeds Death’ grants no reprieve, and a David Hasselhoff cover drives the final nail into Coffin Born. ENDSEEKER lived hard and now dies the same way – on its own terms.” – Rebel Extravaganza

    Expect four original songs plus an outside the box cover song featuring guests from the local Hamburg heavy music scene – going out as aggressive and energetic as they came into the movement over 12 years before.” – Dead Rhetoric

    ENDSEEKER:
    Lenny Osterhus – vocals
    Ben Liepelt – guitar
    Jury Kowalczyk – guitar
    Torsten Eggert – bass
    André Kummer – drums

    https://www.instagram.com/endseeker_official
    https://www.facebook.com/endseekermusic
    https://endseeker.bandcamp.com/music

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