Category: news

  • Biff Byford reveals why he thinks Metallica have never covered a Saxon song – and it involves at incident at their second ever show: “They must have realised it was a bit stupid”

    Metallica have never been shy of wearing their influences on their sleeves. Over the course of their 40-plus year career, the US band have paid tribute to many of the bands that inspired them by covering their songs, Countless artists have got the Metallica treatment, from household names such as Deep Purple, Iron Maiden and Motörhead to lesser-known bands like Diamond Head, Misfits and Budgie.

    Yet one major band have missed out on the Metallica stamp of approval – British metal warhorses Saxon. It’s not as if Lars Ulrich and co weren’t aware of them. The drummer cited the band’s Strong Arm Of The Law as one of his favourite records from his formative years.

    Heavy Metal Thunder is just an anthem,” said Lars, who saw Saxon play in 1981 when he spent time in England. “Whenever you listen to the song, you were there, you were in the thick of it, you were a part of what was going on.”

    Yet despite that, Metallica never got around to covering Saxon on record – and singer Biff Byford has a theory why.

    In the early 80s, Saxon were one of the most exciting heavy metal bands in Britain. Formed in the South Yorkshire town of Barnsley in 1975 as Son Of A Bitch, they helped spearheaded the NWOBHM movement that also produced the likes of Iron Maiden and Def Leppard. In fact, Saxon’s second album, 1980’s Wheels Of Steel, had crashed into the UK Top 5 two weeks before Maiden’s self-titled debut album achieved the same feat.

    “We were big in Britain, no argument,” Biff told Classic Rock in 2018. “Probably the biggest of our generation of metal bands at the time. We’d done it through hard graft and killer songs; none of that trendy image rubbish.”

    Having conquered their home country, America was next in their sights. Saxon’s first experience of touring the US was as opening act for Rush in late 1980. But it would be another 18 months before they returned to the US as headliners in their own right – which is where they first crossed paths with Metallica.

    On March 26 and 27, Saxon played two shows at LA’s Whisky A Go Go club – their very first shows in the city. The band themselves had picked the support band for each night after sifting through tapes of potential candidates. The band they picked to open on the first night were future 80s rock superstars Ratt, at the time carving out a name for themselves on the Sunset Strip scene. And for the second night, they’d come across a tape from a brand new band who had played just one gig to date. Their name? Metallica.

    “It was the quality of the demo and the tunes that stood out,” Saxon guitarist Graham Oliver told Classic Rock in 2018. “The others were rubbish.”

    A buzz surrounded the two Whisky shows. Several other musicians turned up in the dressing room, including Ozzy Osbourne, who was still reeling from the death of guitarist Randy Rhoads just a week earlier, and a hot new band named Mötley Crüe. “Our tour manager said, ‘Their favourite song is Motorcycle Man, they really want to meet you,’” recalled Biff. “We said, ‘Bring ’em in!’ Eighteen months later we were supporting them!”

    Unlike Ozzy and Crüe, no one really knew who Metallica were, to the point where Saxon didn’t bother watching them soundcheck. Still, the singer did catch their set later that evening. “I remember watching them, thinking, ‘They’re gonna be huge.’” the singer told Classic Rock in 2018 (coincidentally, the other band playing that night were Trauma, featuring future Metallica bassist Cliff Burton).

    The two shows Saxon played were both triumphs, even if they never really made the US breakthrough they should have. On the other hand, Metallica’s star was in the ascendency – just over a year later, they released their landmark debut album, Kill ’Em All, ushering in a new chapter in metal history.

    Over the subsequent years and decades, Metallica repaid the debt they owed to the bands that inspired them by covering their songs, most famously Diamond Head’s Am I Evil?. Yet a Saxon cover never materialised – and according to Biff, the reason why stemmed from a petty incident at that Whisky A Go Go show.

    “We had a fan onstage, built into a wedge – we used to get hot,” Biff told Classic Rock. “The fan used to come on every so often to cool us down. I think one of the Metallica guys asked if they could use it and our tour manager said no. I think that’s why they never did a Saxon song, or we never played with them again. We didn’t really talk to Metallica again until after my book [Biff’s 2007 autobiography Never Surrender] came out.”

    Biff humorously addressed the ‘fan incident’ in the book. “I said, ‘Look, if you want to use the fan in the future, it’s no problem.’ They got in touch with me after that. They must have realised it was a bit stupid.”

    Metallica have never explained why they didn’t record a Saxon cover, but any beef, real or imagined, has long since been squashed. In 2009, Biff joined Metallica onstage in Paris to sing Saxon’s 1980 biker anthem Motorcycle Man, and again in 2011 during the American band’s 40th anniversary gigs in San Francisco. “We’ve become really good friends,” the singer told Classic Rock. “So there’s a happy ending to it all.”

  • Sheila Chandra Issues Live Record To Bid Farewell To Music

    Sheila Chandra Issues Live Record To Bid Farewell To Music

    Criminally underrated on a mass level yet revered by connoisseurs, Sheila Chandra might be known to the public today mainly as a writer, rather than a musician she used to be, but her back catalogue never ceases to amaze listeners, … Continue reading

    The post Sheila Chandra Issues Live Record To Bid Farewell To Music appeared first on DMME.net.

  • MYSTIC PROPHECY Announces New Album, In Metal, Slated For November 27, 2026, Via Perception

    German heavy metal torchbearers MYSTIC PROPHECY have announced their brand-new studio album, In Metal, set for release on November 27, 2026, via PERCEPTION – Powered by Reigning Phoenix Music. Marking the beginning of an exciting new chapter for the band, the album announcement arrives alongside the release of its first single, “Robots,” accompanied by an official music video.

    With more than two decades of history behind it, MYSTIC PROPHECY has long established itself as one of the driving forces of the German and international heavy metal scene. Following the success of its acclaimed albums Metal Division and Hellriot, the quintet surrounding charismatic frontman R.D. Liapakis, also known for his work as a vocalist with Michael Schenker, now returns with renewed energy, a strengthened lineup and a record built to hit with maximum impact.

    The first taste of In Metal comes in the shape of “Robots,” a hard-hitting statement that turns its attention to one of the defining questions of our time: In an age increasingly shaped by technology, how much control over our own humanity are we willing to surrender?

    Vocalist R.D. Liapakis and Dan Baune (guitars) comment on “Robots”:
    “In this age of technology our future seems uncertain. We must ask ourselves: How do we keep/protect our humanity? Who decides for us? Or is it too late and we are all Robots already?”

    Stream “Robots here: 

    https://mysticprophecy.rpm.link/robots

    Following Hellriot, MYSTIC PROPHECY is entering its next era with three powerful new additions to the fold. Tommy Gun takes over bass duties, while guitarist Dan Baune, known from NWOBHM act Monument, and drummer Christophe de Combe of Belgian metallers FireForce complete the renewed lineup. Together, they inject even more power, precision and fire into the unmistakable MYSTIC PROPHECY sound.

    In Metal Tracklist:
    01. Robots 
    02. In Metal 
    03. March or Die 
    04. Don’t Run Away 
    05. Warhead 
    06. Angels Are Falling
    07. When the Hammer Will Fall 
    08. My Inner Innocence 
    09. Devil’s Son 
    10. Warrior of Asgard 

    In Metal was produced by Dan Baune and R.D. Liapakis, with mixing and mastering handled by Henrik Udd. The album stays true to everything that has made MYSTIC PROPHECY a force for more than 20 years while pushing its sound firmly forward. Fans can expect powerful, concise hooks with instant shout-along appeal, technically brilliant riffs and a hard-hitting, monstrous sound. A modern production gives the songs weight, depth and unstoppable headbanging force without sacrificing the band’s classic heavy metal spirit.

    In Metal will be released on November 27, 2026, via PERCEPTION. Pre-order the album at: https://mysticprophecy.rpm.link/inmetalPR

    Whether on stage or on record, MYSTIC PROPHECY has always treated heavy metal as a passionate ultimate fight: no compromises, no holding back, just pure power. With In Metal, the band is ready to prove once again why it remains at the forefront of international heavy metal. In support of their upcoming album, MYSTIC PROPHECY will hit the road in late 2026, joined by special guests IRON SAVIOR and GENERATION STEEL. Find all dates listed below!

    MYSTIC PROPHECY:
    R.D. Liapakis – Vocals
    Markus Pohl – Guitar
    Dan Baune – Guitar
    Tommy Gun – Bass
    Christophe de Combe – Drums

    MYSTIC PROPHECY live:
    13.11. (DE) Siegburg | Kubana Live Club
    26.11. (DE) Nürnberg | Hirsch
    27.11. (DE) Lindau | Club Vaudeville
    28.11. (DE) Freiburg | Crash
    03.12. (DE) Aschaffenburg | Colos-Saal
    04.12. (DE) Bochum | Matrix
    05.12. (DE) Oldenburg | MTS
    10.12. (BE) Kortrijk | DVG Club
    11.12. (DE) Osnabrück | Hyde Park
    12.12. (DE) Köln | MTC
    13.12. (DE) Mannheim | 7er Club

    Connect with MYSTIC PROPHECY:
    https://www.mysticprophecy.net 

    https://www.facebook.com/mysticprophecy 

    https://www.instagram.com/mysticprophecy_official 

    https://www.youtube.com/@MysticProphecy 

    Source: C Squared Music

  • RARE RECORDS Celebrates 35 Years With Halloween Bash

    Thirty five years is a long time to keep anything alive in the music business. A record store? That’s bordering on miraculous. Doug Bear started Rare Records in Melbourne in 1991 as a mail-order business run from home, which quickly moved to a regular weekend market stall in Cheltenham. If an independent artist wanted Rare […]
  • AERMST Release New Single ‘Penetration Of Hate’

    From its origins as a shared jamming duo to its current life as a studio-driven project, Swiss death metal outfit Aermst‘s sound has remained true to the Gothenburg style. By collaborating with talent from across the globe, the project crafts distinctive tracks that bridge the gap between nostalgia and modern sonic punch. Check out Penetration […]
  • ESCAPEINOUT Deliver New Track ‘As Above, So Below’

    Born in chaos – reborn with purpose. Escapeinout originally surfaced in 2011 with a debut album that left a mark in the metal scene, being featured on MetalItalia and Metal Hammer Italia magazines. After years of silence and scattered paths, 2023 sparked a resurrection: two founding members brought in new blood — a vocalist with […]
  • “It’s with a heavy heart that I’m announcing my retirement from drumming.” Former AC/DC man Chris Slade calls time on career at 79

    Former AC/DC drummer Chris Slade has announced his retirement at the age of 79.

    The Welshman most famously appeared on AC/DC’s hugely successful 1990 album The Razors Edge and he also performed with Tom Jones, Manfred Mann’s Earth Band, Asia and Uriah Heep.

    The announcement comes seven years after Slade suffered “a small stroke”, the effects of which have worsened over time.

    Slade says:  ”Hello, everybody. It’s with a heavy heart that I’m announcing my retirement from drumming.

    “I’m near enough 80 years old. I’ve been drumming professionally since I was 16 with Tom Jones. I’ve had a good innings. And thank you all for coming to the shows.

    “So, what happened was that I had a stroke, as you probably know, about seven years ago. A small stroke, but it’s got worse.

    “And I’m afraid that has screwed me up. I’m really jealous of people like The Stones or Paul McCartney who are going well into their 80s, and I wanted to do that.

    “But it looks like I can’t. So, as I say, with a heavy heart, it’s bye for now.”

    Despite the success of The Razors Edge, AC/DC brought back Phil Rudd in 1994.

    When Rudd ran into legal trouble, Slade returned to AC/DC in 2015 for the Rock or Bust tour.

    Slade admitted he was stung by the decision to replace him with Rudd. Malcolm Young called him and asked him to stay on as Rudd’s understudy, which Slade refused.

    He said: “I wasn’t very happy about it. Who would be, right? They wanted to keep me on in case.”

  • Watch a young Black Sabbath confuse the hell out of stoned European hippies one week before Paranoid became a hit single

    Black Sabbath’s Paranoid is such a timeless classic heavy metal anthem that it’s almost possible to forget that there was a time when it was box-fresh and startling to virgin ears.

    For instance, when Sabbath played the Jazz Bilzen festival in Belgium on August 21, 1970, their signature song had yet to break into the UK charts, or trouble European radio airwaves, so it’s easy to imagine how confusing it was for an audience of stoned hippies gathered to see the likes of Cat Stevens, The Kinks and Dizzie Gillespie, to find Ozzy Osbourne wailing about insanity, depression and suicidal thoughts over that Tony Iommi riff.

    Actually, you don’t have to imagine, because there’s priceless footage of Sabbath’s performance on the band’s official YouTube channel. And it’s a wonderful snapshot of heavy metal history.

    Famously, Sabbath knocked out Paranoid in 30 minutes purely to add another three minutes of music to their second album. Ozzy Osbourne and Geezer Butler initially didn’t want to jam on Tony Iommi’s ‘throwaway’ riff at all because they considered it a Led Zeppelin rip-off.

    “Ozzy and I thought it was too close to Communication Breakdown by Led Zeppelin,” Butler recalled. “We always loved Zeppelin in them days, sitting round on the floor smoking dope and listening to that first album. So when Tony came up with the riff to Paranoid me and Ozzy spotted it immediately and went, ‘Naw, we can’t do that!’ In fact we ended up having quite a big argument about it. Guess who was wrong?”

    “I remember going home and I said to my then-wife, ’I think we’ve written a single’,” Ozzy recalled. “She said, ‘But you don’t write singles.’ I said, ‘I know, but this has been driving me nuts on the train all the way back’.”

    Paranoid reached number 4 on the UK singles chart on August 29, 1970. Its parent album, Paranoid, became Sabbath’s only number 1 album of the decade one month later.

  • THE DAMNED’s CAPTAIN SENSIBLE Reflects On 50 Years Of Punk Chaos Ahead Of Australian Tour

    Interview by Angela Croudace Fifty years after helping ignite the UK punk movement, Captain Sensible still sounds pleasantly surprised that The Damned are standing strong. Speaking ahead of the band’s Australian 50th Anniversary Tour this September, the guitarist reflected on a career that has taken the group from playing tiny pubs to prestigious venues that […]