Rock Fest, widely known as the largest three-day rock music and camping event in the United States, is set to return from July 16–18 with what organizers describe as one of the deepest and most diverse lineups in the festival’s history.

Once again taking over the hayfield in Cadott, Wisconsin, Rock Fest 2026 will feature a powerful blend of international headliners, long-standing crowd favorites, and 21 national acts making their festival debut.

According to festival promoter Wade Asher, this year’s lineup reflects the core identity the event has maintained for decades: “This lineup reflects what Rock Fest has always stood for, the artists who helped build this festival alongside bands that continue to carry rock forward”.

He added, “For more than three decades, Rock Fest has been a place where fans come together for loud music and long nights, to amplify their soul. Our MotherFest’n Family keeps this tradition alive year after year, and we’re proud to welcome them back to the hayfield”.

Ticket sales are now underway, offering both three-day and single-day general admission options, as well as individual artist pit passes. Several premium options have already sold out, including VIP packages, Reserved Lawn access, Black Hole Ammo Top Tier Lounge passes, three-day pit passes, Electric Camping, and The Dark Side Campground. The Heathens’ Hwy Campground is close to selling out, with only limited space still available.

For tickets and camping information, visit here.

Thursday, July 16

Gojira
I Prevail
Machine Head
Hatebreed
Set It Off
Magnolia Park
Lacuna Coil

Friday, July 17

Limp Bizkit
Body Count
Insane Clown Posse
Static-X
Des Rocs
Miss May I
Bones UK

Saturday, July 18

The Offspring
Halestorm
The Pretty Reckless
Hollywood Undead
Badflower
Story Of The Year
Ill Niño

Wednesday, July 15 – Bonus Bash (exclusive to three-day ticket holders)

Candlebox
Buckcherry
Dying Wish

+more unannounced artists

The post ROCK FEST Announces 2026 Lineup Featuring GOJIRA, LIMP BIZKIT, THE OFFSPRING And More appeared first on Sonic Perspectives.

Charlotte Wessels and her band The Obsession are stepping into a new creative phase with the release of “After Us, The Flood”. The track marks their first new material following the lengthy The Obsession album cycle in 2024 and highlights the evolution of the project into a fully realized band. The former Delain vocalist once again leans into her strength as a storyteller, pairing vivid themes with a sound that feels both familiar and newly sharpened.

Musically, “After Us, The Flood” unfolds with a slow, atmospheric pull before expanding into a forceful metal finale. Symphonic textures and intimate moments gradually give way to an explosive climax, all anchored by Charlotte Wessels’ expressive and commanding vocal performance. The song carries a sense of urgency, drawing listeners into its emotional arc rather than overwhelming them with excess.

Discussing the meaning behind the track, Wessels explains: “”After Us, The Flood” is a song about climate change, told through the eyes of someone who has convinced himself it isn’t real. He feels protected within the walls of his own home while the world outside quietly begins to fall apart”.

She continues: “As the song unfolds (spoilers!) that sense of safety proves to be an illusion; the decay he’s ignored eventually finds its way inside”.

Expanding on the creative process, she adds: “We poured a lot of heart into this track, shaping a sonic story about denial, dread, and the fragile comfort of looking away. The video doesn’t literally follow the lyrics, but instead imagines the consequences of that mindset, offering a symbolic glimpse of a world where wealth loses all meaning once the planet as we know it is gone”.

Following a busy period on the road with Scandinavian progressive metal outfit Vola and a successful summer festival run, Wessels is preparing to return to live stages. Recent appearances included major events such as Belgium’s Graspop Metal Meeting, France’s Hellfest, Germany’s Summer Breeze, and the Netherlands’ Dynamo, among others.

Live performances resume this Friday, January 16, as Charlotte Wessels’ The Obsession joins Amaranthe and Epica on the Arcane Dimensions tour. The lineup features Charlotte Wessels alongside Joey Marin de Boer on drums, Timo Somers on guitars, Otto Schimmelpenninck Van Der Oije on bass, and Nina van Beelen on keyboards. Kicking off in Cologne, the tour will travel across Europe, stopping in 29 cities before wrapping up in Frankfurt this March.

The post CHARLOTTE WESSELS Shares New Single “After Us, The Flood” From Her Latest Album “The Obsession” appeared first on Sonic Perspectives.

Satellite Touring and GLM Artists have confirmed that British/American metal trio Raven is heading back to North American stages for a wide-ranging tour scheduled to run from March through May this year. The outing will include more than 35 dates across the continent, with Slackjaw set to provide support throughout the run.

Emerging from the early ’80s New Wave of British Heavy Metal movement, Raven carved out a reputation that extended well beyond the U.K. The band became especially known in the United States for its relentless touring during that era, helping introduce American audiences to rising acts such as Metallica and Anthrax, who gained some of their earliest touring experience alongside them.

Much of Raven’s legacy is tied to a run of influential releases that helped shape heavier styles of metal. Albums like Rock Until You Drop, Wiped Out, and All For One played a key role in laying the groundwork for both speed metal and power metal. Throughout those records, the band consistently pushed boundaries while maintaining a distinct sound and aggressive edge — qualities that translated even more powerfully to their live performances.

The group’s most recent release is the EP Can’t Take Away The Fire, which arrived in February 2025 through Silver Lining Music. The project marked a fresh chapter for the band and set the stage for their return to touring.

Looking ahead to the upcoming shows, Raven vocalist and bassist John Gallagher states:
“After our medical gap year of 2025, we are hungry and itching to get back to doing what we do best — cranking out the megawatts and putting on a Raven metal show for the lunatics out there”.

He continues: “We have a killer band Slackjaw out with us as special guests on these shows and it’s gonna be a take-no-prisoners full-out affair!”

With a long history of high-energy performances and a renewed drive to hit the road, Raven’s latest North American tour is shaping up to be a notable moment for longtime fans and new listeners alike.

Dates Announced With More To Come:

March 18 – Louisville, KY @ Goodwood Whiskey Row
March 19 – St. Louis, MO @ Red Flag
March 20 – Kansas City, MO @ Westport Brewery
March 21 – Oklahoma City, OK @ 89th Street Live
March 22 – Dallas, TX @ RBC
March 26 – West Hollywood, CA @ The Whisky
March 28 – San Francisco, CA @ Above DNA
March 29 – Reno, NV @ Club Underground
March 31 – Portland, OR @ Dante’s
April 1 – Vancouver, BC @ Rickshaw Theatre
April 2 – Seattle, WA @ The Funhouse
April 4 – Salt Lake City, UT @ Aces High Saloon
April 5 – Denver, CO @ The Federal Theatre
April 7 – Lincoln, NE @ 1867 Bar
April 8 – Cudahy, WI @ X-Ray Arcade
April 9 – Chicago,IL @ Reggie’s Rock Club
April 10 – Columbus, OH @ The King of Clubs
April 11 – Lakewood, OH @ Mercury Music Lounge
April 12 – Hamtramck, MI @ Sanctuary
April 14 – New Kensington, PA @ Preserving Underground
April 16 – Toronto, ON @ Horseshoe Tavern
April 17 – Ottawa, ON @ Rainbow Bistro
April 18 – Quebec City, QC @ L’Anti Bar & Spectacles
April 19 – Montreal, QC @ Piranha Bar
April 21 – Albany, NY @ Empire Underground
April 22 – Old Town, ME @ The Old Town Theatre
April 23 – Manchester, NH @ Jewel Music Venue
April 24 – Clifton, NJ @ Dingbatz
April 25 – Harrisburg, PA @HMAC
April 26 – Richmond, VA @ Ember Music Hall
April 29 – Raleigh, NC @ Chapel Of Bones
April 30 – Greenville, SC @ Radio Room
May 1 – Nashville, TN @ Exit/In
May 2 – Atlanta, GA @ Boggs Social & Supply
May 3 – Bradenton, FL @ Oscura

The post RAVEN Announces North American 2026 Tour “Can’t Take Away The Fire” appeared first on Sonic Perspectives.

Two of Europe’s most distinctive rock acts, Within Temptation and Smash Into Pieces, have unveiled the official Pavel Trebukhin–directed music video for their collaborative new single, “Somebody Like You.” The release marks a notable moment for both bands, bringing together their contrasting styles in a track built around emotion rather than spectacle.

Blending cinematic orchestration with modern rock intensity, the song unfolds as a deeply felt ballad centered on vulnerability, longing, and the universal need for connection. Its tone is restrained but impactful, allowing the emotional weight of the lyrics and performances to take center stage.

Built around a 22-piece orchestra, “Somebody Like You” shifts naturally between intimate passages and sweeping, expansive moments. The orchestral arrangements add depth without overwhelming the song, while the distinct vocal approaches from each band complement one another, creating a balance that feels both delicate and grounded.

The collaboration bridges two musical worlds: Within Temptation’s long-standing symphonic sensibility and narrative-driven approach, and Smash Into Pieces’ contemporary, dramatic edge. Rather than competing for space, the bands meet at the emotional core of the track, resulting in a song that feels open, sincere, and resonant.

As a joint effort, “Somebody Like You” stands out as a defining moment for both artists and is already being viewed as one of the year’s more memorable rock ballads. Its cinematic scale is matched by an emotional clarity that lingers after the final note fades.

Within Temptation frontwoman Sharon Den Adel states: “We are excited and looking forward to release “Somebody Like You” together with Smash Into Pieces. We have known each other for a long time and have been on tour together. This is the perfect song to also finally join forces. Adding an orchestra to this song felt like a small trip down memory lane for us, while at the same time blending perfectly with a more modern rock sound. We’re proud of what this song has become and grateful for the collaboration that brought it to life”.

Smash Into Pieces adds: “18 years ago, we started our careers with one simple goal: to help others, through music, find their own engine, their inner drive, and pursue their dreams. That engine is, and always has been, what makes Smash Into Pieces what we are. Today, we get to share a song with a band that has inspired us, that we’ve experienced some of our toughest and grandest moments live with, and that has ultimately helped form our sound. For the people who change us forever, who carry us through our darkest moments, and leave a mark that can never be replaced, we give you “Somebody Like You””.

They continue: “We want to direct a very special thanks to Sharon Den Adel for her beautiful performance in the video and to Within Temptation for sharing this marvel of a song with us”.

Meanwhile, Within Temptation is also marking a milestone in its career, celebrating the 25th anniversary of its second album, Mother Earth. Described by the band as the “very first chapter of this journey,” the celebration began with a newly recorded acoustic version of “Ice Queen,” the original album’s second single. That track served as the band’s commercial breakthrough and remains one of Within Temptation’s most successful songs across Europe.

The post WITHIN TEMPTATION And SMASH INTO PIECES Drop Official Video For Their New Collaborative Single “Somebody Like You” appeared first on Sonic Perspectives.

The heavy metal visionaries collectively known as AVATAR — vocalist Johannes Eckerström, guitarists Jonas Jarlsby and Tim Öhrström, bassist Henrik Sandelin, and drummer John Alfredsson — unleashed their latest masterwork Don’t Go in the Forest  last year on Halloween — how fitting! Listen and get the album HERE.

Avatar then hit the road for their massive North American headline run.

And that was just the beginning of their Herculean international touring schedule.

Avatar will spend the foreseeable future (if not forever) on the road. 

Today, the band announces a Spring 2026 headline tour of North America. It kicks off on April 16 in Sacramento and runs through May 20 in Hampton Beach, NH. It includes stops at Welcome to Rockville and Sonic Temple. 

Fleshgod Apocalypse and Frozen Soul will serve as support.

Regarding their return to the States, Eckerström offers, “USA. It started off innocently enough. Hiking along on a trail. Sunny. Pleasant. Safe. Then night came, and the trail slowly faded. You can’t go back, as you don’t know where you came from. You don’t even dare to turn around, as you can feel someone, or something, watching. What you were, all the way back in the warm embrace of civilization, doesn’t matter. Here. it’s just you and the trees.”

He adds, “We will be seeing you.”

Tickets go on sale on Friday, January 16 at 10am local time. Get tickets here. 

AVATAR ON TOUR: “DON’T GO IN THE FOREST ’26”: WITH FLESHGOD APOCALYPSE + FROZEN SOUL:
4/16 — Sacramento, CA — Channel 24
4/17 — Los Angeles, CA — Novo
4/19 — Tucson, AZ — Rialto Theater
4/20 — Albuquerque, NM — Revel
4/22 — San Antonio, TX — Aztec
4/23 — Oklahoma City, OK — Criterion
4/25 — Omaha, NE — Steelhouse Omaha
4/26 — Des Moines, IA — Val Air
4/28 — Lawrence, KS — Liberty Hall
4/29 — Moline, IL — The Rust Belt
4/30 — Grand Rapids, MI — GLC Live at 20 Monroe
5/1 — Milwaukee, WI — Eagles Club Stage
5/2 — Fort Wayne, IN — The Clyde
5/4 — Huntsville, AL — VBC Mars Music Hall
5/5 — Atlanta, GA — Tabernacle
5/6 — Knoxville, TN — Mill & Mine
5/7 — Myrtle Beach, SC — House of Blues
5/9 — Daytona Beach, FL — Welcome to Rockville*
5/10 — Raleigh, NC — The Ritz
5/12 — Richmond, VA — The National
5/13 — Philadelphia, PA — Franklin Music Hall
5/15 — New York, NY — Palladium Times Square
5/16 — Buffalo, NY — Buffalo Riverworks
5/17 — Columbus, OH — Sonic Temple Weekend*
5/19 — Wallingford, CT — The Dome
5/20 — Hampton Beach, NH — Hampton Beach Casino
*= Festival

FESTIVAL DATES — 2026:
1/25—1/31 — ShipRocked 
3/15 — Mexico City, MX — Vive Latino 
5/9 — Daytona Beach, FL — Welcome to Rockville 
5/17 — Columbus, OH — Sonic Temple
6/7 — Trondheim, NO — Trondheim Rocks 
6/20 — Dessel, BE — Graspop Metal Meeting

2026 EUROPEAN HEADLINE TOUR:
2/5 — Stockholm, SE —  Fållan
2/7 — Helsinki, FI — Kulttuuritalo
2/9 — Oslo, NO — Sentrum Scene
2/10 — Copenhagen, DK — Vega
2/11 — Osnabrück, DE — Die Botschaft
2/12 — Brussels, BE — A.B. [SOLD OUT] ^
2/14 — London, UK — Exhibition ^
2/15 — Manchester, UK —  Academy ^
2/16 — Glasgow, UK — Barrowland ^
2/17 — Nottingham, UK — Rock City ^
2/18 — Bristol, UK — O2 Academy ^
2/20 — Amsterdam, NL —  AFAS Live ^
2/21 — Esch-Sur-Alzette, LU — Rockhal ^
2/22 — Zürich, CH — Komplex ^
2/24 — Barcelona, ES  — Razzmatazz ^
2/25 — Madrid, ES — La Riviera ^
2/27 — Lisbon, PT — LAV ^
2/28 — Bilbao, ES — Santana 27 ^
3/2 — Lyon, FR — Le Cube ^
3/3 — Milan, IT — Alcatraz ^
3/4 — Vienna, AT — Gasometer ^
3/5 — Munich, DE — Tonhalle ^
3/6 — Cologne, DE — E-Werk ^
3/7 — Paris, FR — Le Zenith ^
3/9 — Wiesbaden, DE — Schlachthof
3/10 — Zlin, CZ — Sports Hall Datart
3/11 — Warsaw, PL — Stodola
3/12 — Berlin, DE — Columbiahalle
3/13 — Hamburg, DE — Docks
^ Support: Witch Club Satan

SUPPORTING METALLICA — SUMMER 2026:
5/24 — Frankfurt, DE — Deutsche Bank Park 
6/11 — Budapest, HU — Puskas Arena
6/19 — Dublin, IE — Aviva Stadium 
7/5 — London, UK — London Stadium 

The post Avatar Announce Spring 2026 Headline Tour appeared first on Go Venue Magazine.

In the summer of 1518, the city of Strasbourg became the stage for one of the most disturbing episodes in European history. There was no war, no invasion, no natural disaster. Instead, the city was seized by something far harder to explain: a compulsion to dance.

The Dancing Plague of 1518: When People Danced to Death

It began quietly. A woman known as Frau Troffea stepped into the street and started dancing. There was no music, no celebration, no audience. She simply moved—hour after hour, day after day—unable or unwilling to stop. What seemed at first like an isolated oddity soon escalated into a full-blown crisis.

Within a week, dozens of people had joined her. By the end of the month, hundreds of citizens were dancing uncontrollably. Contemporary accounts describe scenes of exhaustion and despair: dancers collapsing, crying out in pain, their feet swollen and bleeding. Some reportedly died from heart failure or sheer physical collapse.

City officials were baffled. Guided by the medical beliefs of the time, they concluded that the afflicted suffered from “overheated blood” and that the only cure was to dance it out. In a decision that would later seem tragically misguided, authorities hired musicians and built wooden stages, encouraging the dancing rather than stopping it. Predictably, the situation worsened.

Only when the death toll began to rise did officials reverse course. Musicians were banned. The dancers were taken to a shrine dedicated to St. Vitus, believed to have the power to cure dancing manias. There, rituals, prayers, and enforced rest were used to calm the sufferers. Slowly, the outbreak faded.

To this day, no single explanation fully satisfies historians. The most widely accepted theory points to mass psychogenic illness, triggered by extreme stress. Strasbourg had endured famine, disease, and social unrest, creating a psychological pressure cooker. Other hypotheses include religious hysteria and ergot poisoning caused by mold-contaminated rye bread, though evidence for the latter remains weak.

What makes the Dancing Plague of 1518 so unsettling is not just its strangeness, but its credibility. This was no oral legend—city records, physicians, and church officials recorded the events in detail. It happened in plain sight, to ordinary people, in a functioning European city.

More than five centuries later, the Dancing Plague remains a chilling reminder that under the right conditions, reality itself can fracture—and entire communities can lose control together.

Listen to Edgar Allan Poets The Noir Rock Band

The post The Dancing Plague of 1518 When People Danced to Death appeared first on Edgar Allan Poets – Noir Rock Band.

The Black Dahlia Murder will return to stages this Spring on a US headlining tour. Spring Fling 2026 will commence on April 2nd in Indianapolis, Indiana, and run through May 2nd in Milwaukee, Wisconsin. Support will be provided by The Acacia Strain, Disembodied Tyrant, and Corpse Pile.

Comments vocalist Brian Eschbach, “This is set to be a massively heavy trek that will undoubtedly be recounted in the history textbooks for centuries to come. Don’t miss out!”

The “Blastfiend” artist presale begins Wednesday, January 14th at 10:00 AM ET, where exclusive merch bundles will be available. Fans can RSVP at this location. General on-sale date is Friday, January 16th at 10:00 AM ET. See all confirmed dates below.

The Black Dahlia Murder  w/ The Acacia Strain, Disembodied Tyrant, Corpse Pile:  

• 04/02 – Vogue – Indianapolis, IN
• 04/03 – The Intersection – Grand Rapids, MI
• 04/04 – Bogart’s – Cincinnati, OH * no Disembodied Tyrant
• 04/05 – Roxian Theatre – McKee Rocks, PA
• 04/07 – Town Ballroom – Buffalo, NY
• 04/08 – Archer – Allentown, PA
• 04/10 – The Webster – Hartford, CT
• 04/11 – The Strand – Providence, RI
• 04/12 – Starland Ballroom – Sayreville, NJ
• 04/14 – The Queen – Wilmington, DE
• 04/15 – The NorVa – Norfolk, VA
• 04/17 – Mercury Ballroom – Louisville, KY
• 04/18 – Pop’s – Sauget, IL
• 04/19 – Brooklyn Bowl – Nashville, TN
• 04/21 – Tower Theatre – Oklahoma City, OK
• 04/23 – Rialto Theatre – Tucson, AZ
• 04/24 – House Of Blues – Anaheim, CA
• 04/25 – House Of Blues – San Diego, CA
• 04/26 – UC Theater – Berkeley, CA
• 04/28 – Sunshine Theater – Albuquerque, NM
• 04/29 – Black Sheep – Colorado Springs, CO
• 05/01 – Capitol Theatre – Davenport, IA
• 05/02 – The Rave – Milwaukee, WI

The Black Dahlia Murder will be touring in support of their critically acclaimed tenth studio album, Servitude, released in 2024 via Metal Blade Records.

The post THE BLACK DAHLIA MURDER Announces 2026 U.S. Headlining Tour With THE ACACIA STRAIN, DISEMBODIED TYRANT & CORPSE PILE appeared first on Sonic Perspectives.

The heavy metal visionaries collectively known as Avatar — vocalist Johannes Eckerström, guitarists Jonas Jarlsby and Tim Öhrström, bassist Henrik Sandelin, and drummer John Alfredsson — unleashed their latest masterwork Don’t Go in the Forest last year on Halloween and right after they decided to hit the road for their massive North American headline run.

And that was just the beginning of their Herculean international touring schedule.

Avatar will spend the foreseeable future (if not forever) on the road.

Today, the band announces a Spring 2026 headline tour of North America. It kicks off on April 16 in Sacramento and runs through May 20 in Hampton Beach, NH. It includes stops at Welcome to Rockville and Sonic Temple.

Fleshgod Apocalypse and Frozen Soul will serve as support.

Regarding their return to the States, Eckerström offers: “USA. It started off innocently enough. Hiking along on a trail. Sunny. Pleasant. Safe. Then night came, and the trail slowly faded. You can’t go back, as you don’t know where you came from. You don’t even dare to turn around, as you can feel someone, or something, watching. What you were, all the way back in the warm embrace of civilization, doesn’t matter. Here. it’s just you and the trees.”

He adds: “We will be seeing you.”

Tickets go on sale on Friday, January 16 at 10am local time here.

Avatar’s “Don’t Go in the Forest” Tour with Fleshgod Apocalypse & Frozen Soul Dates:

4/16 — Sacramento, CA — Channel 24
4/17 — Los Angeles, CA — Novo
4/19 — Tucson, AZ — Rialto Theater
4/20 — Albuquerque, NM — Revel
4/22 — San Antonio, TX — Aztec
4/23 — Oklahoma City, OK — Criterion
4/25 — Omaha, NE — Steelhouse Omaha
4/26 — Des Moines, IA — Val Air
4/28 — Lawrence, KS — Liberty Hall
4/29 — Moline, IL — The Rust Belt
4/30 — Grand Rapids, MI — GLC Live at 20 Monroe
5/1 — Milwaukee, WI — Eagles Club Stage
5/2 — Fort Wayne, IN — The Clyde
5/4 — Huntsville, AL — VBC Mars Music Hall
5/5 — Atlanta, GA — Tabernacle
5/6 — Knoxville, TN — Mill & Mine
5/7 — Myrtle Beach, SC — House of Blues
5/9 — Daytona Beach, FL — Welcome to Rockville*
5/10 — Raleigh, NC — The Ritz
5/12 — Richmond, VA — The National
5/13 — Philadelphia, PA — Franklin Music Hall
5/15 — New York, NY — Palladium Times Square
5/16 — Buffalo, NY — Buffalo Riverworks
5/17 — Columbus, OH — Sonic Temple Weekend*
5/19 — Wallingford, CT — The Dome
5/20 — Hampton Beach, NH — Hampton Beach Casino

*= Festival

Festival Dates — 2026:

1/25—1/31 — ShipRocked
3/15 — Mexico City, MX — Vive Latino
5/9 — Daytona Beach, FL — Welcome to Rockville
5/17 — Columbus, OH — Sonic Temple
6/7 — Trondheim, NO — Trondheim Rocks
6/20 — Dessel, BE — Graspop Metal Meeting

The post AVATAR Announces 2026 North American Tour With FLESHGOD APOCALYPSE & FROZEN SOUL appeared first on Sonic Perspectives.

Kings of extreme metal Behemoth will return to lay waste to American venues this spring. The band has announced its North American Spring 2026 headline “The Godless IV Tour,” kicking off April 14 in San Diego and running through May 21 in Los Angeles. It includes Welcome to Rockville and Sonic Temple festival appearances.

Joining Behemoth for this run is a trio of fellow extremists — Deicide, Rotting Christ, and Immolation. This trek marks the band’s first tour of North America in support of the critically acclaimed new opus The Shit Ov God, out now via Nuclear Blast.

Tickets go on sale on Friday, January 16, at 10 AM local time. Get tickets and information on VIP packages here.

“We announce this coming campaign alongside Deicide, Rotting Christ, and Immolation — a convergence of legends, a true communion of extreme metal’s most resolute forces,” the band declares. “This tour is not merely a series of performances; it is a rite, forged in decades of defiance, conviction, and sonic blasphemy. Each band carries its own altar of destruction, its own scripture written in blood, sound, and will. Together, we summon something greater—an unstoppable procession of darkness across the lands. This is the extreme metal underground standing tall, unbroken, and merciless. Prepare yourselves.”

“The Godless IV Tour” Dates:

04/14 – San Diego, CA – The Observatory North Park
04/15 – San Francisco, CA – The Regency Ballroom
04/17 – Boise, ID – Knitting Factory
04/18 – Portland, OR – Roseland Theater
04/19 – Seattle, WA – Showbox SoDo
04/21 – Salt Lake City, UT – Union Event Center
04/22 – Denver, Co – The Fillmore
04/24 – Milwaukee, WI – The Rave
04/25 – Chicago, IL – The Vic Theatre
04/26 – St. Louis, MO – The Pageant
04/28 – Norfolk, VA – The NorVa
04/30 – Silver Spring, MD – The Fillmore^
05/01 – Worcester, MA – Palladium&
05/02 – New York, NY – Palladium Times Square
05/04 – Buffalo, NY – Buffalo RiverWorks
05/05 – McKees Rocks, PA – The Roxian Theatre
05/07 – Daytona Beach, FL – Welcome To Rockville *
05/09 – Charlotte, NC – The Fillmore
05/11 – Toronto, ON – HISTORY
05/12 – Montréal, QC – L’Olympia
05/14 – Columbus, OH – Sonic Temple *
05/15 – Nashville, TN – Brooklyn Bowl
05/16 – Atlanta, GA – The Masquerade
05/18 – Dallas, TX – The Bomb Factory
05/20 – Phoenix, AZ – The Van Buren
05/21 – Los Angeles, CA – Hollywood Palladium

* Festival date
^ No Rotting Christ
& No Deicide

The post BEHEMOTH Announce Spring 2026 Headline North American Tour With DEICIDE, IMMOLATION & ROTTING CHRIST appeared first on Sonic Perspectives.