Category: news

Former Slipknot drummer Jay Weinberg has officially wrapped his run behind the kit for Suicidal Tendencies, ending a stint that covered roughly a year and a half of shows with the crossover legends.

Jay Weinberg posted a photo dump on Instagram looking back at the run and laid out why he is moving on: a packed start to 2026, a baby on the way, and time set aside for personal creative work. He also made it clear the split is respectful, with a lot of love for the band, the crew, and the diehards he met on the road.

“As an exciting and busy 2026 takes shape, I’d like to thank @suicidaltendencies (Suicidal Tendencies) for bringing me on board for an incredible year and a half of shows! What an absolute blast,” Weinberg wrote.

“With @chloweinberg’s & my first child on the way, I’ve been dedicating time to passion projects like @portraitsofanapparition (Portraits Of An Apparition), a growing series of collaborations, finally building a proper at-home creative space, and some new in-the-works projects that I can’t quite announce just yet. Although there’s a lot of work left to complete over the next five months, it’s been a joy to commit to finally getting these things across their artistic finish lines before my focus naturally shifts to becoming a first-time father,” he continued.

“Though I won’t be jamming with the fellas, I can’t possibly overstate the love and respect I have for them, the Suicidal Army and extended family, and all the cyco fans I’ve met across six continents playing shows with one of my favorite bands! Mike, Dean, @benweinman (Ben Weinman), and @tyetru (Tye Trujillo): you guys picked up a friend when he was down and gave him the opportunity to truly feel the message of “You Can’t Bring Me Down” at a time when he needed it the most. I can’t thank you enough for that, and I can’t wait to see what you all do next,” he added.

“I quite literally can’t conceive of my life as a drummer without the profound influence of Suicidal Tendencies. So many of my drumming heroes have added to the historic legacy of this band, and it’s the honor of a lifetime to contribute to it myself in some way. “To our amazing crew mates @deathtotravis @chris.waiau @coreykoniz @jonrechsteiner @gallowsdrums @ssamhaven @chuckzillathekilla @bradhinds @mrsn_th @rafael_galbes @andrekbelo @andrewrmrtaylor, Brendan, and Mathieu — thank you, guys, so much for everything! ST for life!”

Suicidal Tendencies’ most recent lineup around Jay Weinberg included singer Mike Muir, lead guitarist Dean Pleasants, rhythm guitarist Ben Weinman (also known for The Dillinger Escape Plan), and bassist Tye Trujillo (son of Metallica bassist Robert Trujillo).

Jay Weinberg first hit the stage with Suicidal Tendencies in March 2024 in Osaka, Japan, and spent the run hammering out the band’s catalog in front of crowds across multiple continents.

The post JAY WEINBERG Announces Departure From SUICIDAL TENDENCIES, Explains The Reasons For His Exit appeared first on Sonic Perspectives.

U.S. metallers Vicious Rumors have released the video for “Abusement Park” today. The song is taken from the latest studio album, The Devil’s Asylum. Check it out below.

The Devil’s Asylum was released worldwide (except in Japan) on August 29 uytrthrough Steamhammer in CD digipak, LP, download, and stream. Order it here.

Founder and guitar player Geoff Thorpe says, “In your face! Catchy riffs! Blistering solos, with a heavy metal and punk rock attitude! The new Vicious Rumors single ‘Abusement Park’ from The Devil’s Asylum album has the band at the top of its craft! The idea of a nightmare theme park gone horror that is ‘Abusement Park’ came together during a recording session for the new album with Jimmie Evans. ‘Abusement Park’ is the fourth single from our current album, The Devil’s Asylum.

“The song is one of many standout tracks on the album. Filmed on location in Germany, Sweden, Florida, and Kentucky, and edited by Ingo Spörl. We thought this song had great potential with its machine gun guitars and kick drums with a melodic and harmony-filled chorus in true Vicious Rumors style…after being forced to push back the tours due to my broken shoulder, the guys and I are looking forward to getting the band back on the road. So come and celebrate Heavy Metal with us, performing classics, deep cuts, and new album tracks live worldwide in 2026.”

Vicious Rumors 2026 US Tour Dates

• 2/25 —Orlando, FL — West End Trading Co.
• 2/26 — Tampa, FL — The Brass Mug
• 2/27 — Fort Myers, FL — Stet’s Bar
• 3/1 — Atlanta, GA — 529
• 3/3 — Wichita, KS — John Barleycorn’s
• 3/4 — Oklahoma City, OK — 89th Street
• 3/5 — Dallas, TX — Haltom Theater
• 3/6 — Austin, TX — Kickbutt Coffee
• 3/7 — San Antonio, TX — Fitzgerald’s
• 3/9 — Albuquerque, NM — El Rey Theater
• 3/10 — Phoenix, AZ — Rhythm Room
• 3/12 — San Francisco, CA — DNA Lounge
• 3/13 — Reno, NV — Alturas Center Stage
• 3/14 — Salt Lake City, UT — Aces High Saloon
• 3/15 — Colorado Springs, CO — LuLu’s Downtown
• 3/17 — Lincoln, NE — 1867 Bar
• 3/18 — Iowa City, IA — Wildwood
• 3/19 — Chicago, IL — Reggie’s
• 3/21 — Kent, OH — The Outpost
• 3/24 — Providence, RI — Alchemy
• 3/25 — Rochester, NY — Photo City
• 3/26 — Catonsville, MD — Morseburgers Tavern
• 3/27 — Newark, NJ — Halftime Sports Bar
• 3/28 — Bristol, CT — Bleachers
• 3/29 — Harrisburg, PA — HMAC
• 9/12 — Brooklyn, NY  — Rage Of Armageddon Festival
• 9/18 — Madison, WI — Blades Of Steel Festival

The post VICIOUS RUMORS Announce U.S. 2026 Tour, Release Music Video For “Abusement Park” appeared first on Sonic Perspectives.

Stahlstadt Metal par excellence…

Linz is not only one of the major cities in Austria, but it’s also a veritable spawning ground for metallic talent in a variety of shapes and forms; now this exciting concoction here might actually be one of the city’s finest offerings in recent years. Iskariot was just formed a few years ago, but has already delivered an impressive second EP with Zelot. Rooted in the rather loosely defined genre description of blackened death metal, this 25-minute mini-opus switches gears and influences pretty regularly, with a few more obvious references poking through the perfectly adequate mix.

Opener „Lied der Stille“ grabs some old-school Mediterranean black metal tropes and weaves them into a splendid mixture of early Mercyful Fate motifs, tastefully simplistic, harmonized palm-muted grooves, and atmospheric tremolo-picked melodies reminiscent of that other band with an „…Iscariot“ in their moniker. The inclusion of a high/low double attack in the vocal department further increases the difficulties in shoehorning this band into pre-baked categories. Some more modern elements pop up later, with „Verlorene Welt“ offering Gojira-like dynamic chugs in the rhythm attack and the tribalistic drumming in „Zeit“ trading blows with Blut aus Nord-esque tremolo sadness, painting a bleak picture, put to words in well-versed German poetry.

Generally, as the record progresses, the mood shifts into darker territory with every passing minute, leading into the great closer – the aforementioned „Zeit“. The lyrics – while never particularly uplifting overall – now deal with the gruesome passing of time and the metaphysical effects on the ailing body and mind. The quality songwriting turns this into a well-measured blend of epicism and depressive undertones, right until the final riffs and drum kicks ultimately nail the coffin shut.

Not every single note or chord progression on Zelot might seem fresh and entirely original, but the way Iscariot has crafted these songs is highly engaging, and the EP breezes by in what feels like mere minutes. Their best ideas and motifs are probably packed into the opener and closer, but not a single track here should be missed by fans of melodic extreme metal that could be described as immersive, rather than casual.

A great, substantial chunk of Austrian metal.

https://www.facebook.com/iskariot.official/

***

Sex Mex – Down in the Dump Trucks

EP, Candy-O Records, 2 January 2026

[garagepop]

In one sentence: Rarely has a year started so well as with an EP that automates garage pop in this way.

***

Shallowater – God’s Gonna Give You A Million Dollars

LP, 5 September 2025

[alt rock]

In one sentence: In the great tradition of Jets to Brazil and other melancholic bands of the 1990s, Shallowater invites us back to a moment of introspection.

***

Death Party – Haunted

LP, Alien Snatch! Records, 31 October 2025

[garage pop]

In one sentence: How about a little garage pop to kick off 2026?

***

T.Y. – Hot Wheel City

Single, Under The Gun Records, 5 December 2025

[garage pop]

In one sentence: This band is starting to string together strong releases; a real hope for 2026.

The post Delusions of January 2026 – Part 1 appeared first on Still in Rock.

HORROR SCENE is back—and they’re coming straight for the pulse. The band unleashes their latest single, “Yeah You,” is a relentless, high energy track that blends aggression, attitude, and hooks that hit like a gut punch. Fueled by dark intensity and raw emotion, the song captures that moment when you stop explaining yourself and let the music do the damage. Produced by Dan Malsch, “Yeah You” delivers crushing power, sharp precision, and a sound that refuses to be ignored.”

“Yeah You’ is a middle finger wrapped in melody loud, unapologetic, and aimed straight at anyone who ever doubted us.” – HORROR SCENE

Fueled by driving riffs, pounding rhythms, and a vocal delivery that balances menace with undeniable charisma, “Yeah You” is confrontational in the best way possible. It’s a song that doesn’t hide in metaphor—it locks eyes with the listener and calls them out. Loud. Direct. Unfiltered.

Lyrically, “Yeah You” thrives on confrontation and confidence, capturing that moment where frustration turns into fire and silence turns into action. HORROR SCENE channels that raw, electric tension into an anthem built for packed clubs, midnight drives, and anyone who’s ever felt underestimated or overlooked.

Sonically, the band sharpens their edge, blending gritty industrial textures with infectious modern rock energy. The result is a track that feels both dangerous and accessible—dark enough to haunt, catchy enough to stay stuck in your head long after the final chorus fades.

With “Yeah You,” HORROR SCENE proves they’re not here to play it safe. They’re here to make noise, shake rooms, and leave a mark. This single signals a band fully locked into their identity—confident, confrontational, and unafraid to push forward at full volume.

This is HORROR SCENE at their most focused and ferocious.

“Yeah You” is available now on all major streaming platforms.

Turn it up. Let it hit. And don’t look away—HORROR SCENE talking to you.

LISTEN ON:

APPLE MUSIC

SPOTIFY

The post HORROR SCENE Ignites A New Era With The Explosive Single “YEAH YOU” appeared first on Antihero Magazine.

Written by Anselm Anderson

Photo Credit: Chuck Brueckmann

SISTER KILL CYCLE is back—and this time, they’re staring straight into the storm as they take the iconic Creedence Clearwater Revival classic song and is reborn as a crushing anthem for uncertain times.

The industrial rock provocateurs have released a ferocious new cover of “Bad Moon Rising,” transforming the legendary CCR anthem into a menacing, modern-day prophecy drenched in distortion, grit, and raw intensity. Where the original warned of trouble on the horizon, SISTER KILL CYCLE turns that warning into a full-scale sonic uprising.

From the first pulse to the final note, “Bad Moon Rising” is reimagined through the band’s signature blend of industrial aggression, dark atmospheres, and unrelenting rhythm.

Grinding guitars collide with pounding electronics, while the vocals deliver the song’s ominous message with a snarling urgency that feels eerily relevant in today’s fractured world.

SISTER KILL CYCLE has long been known for pushing boundaries and refusing to play it safe, and this release is no exception. By taking a timeless rock classic and injecting it with industrial firepower, the band bridges generations—connecting the paranoia and unrest of the past with the volatile energy of now.

Perfect for fans of hard-hitting industrial rock, dark alternative, and fearless reinterpretations, “Bad Moon Rising” stands as both a tribute and a warning: the moon is rising, the tension is building, and SISTER KILL CYCLE is here to soundtrack the fallout.

APPLE MUSIC

YOUTUBE

The post SISTER KILL CYCLE Unleashes A Dark, Industrial Reckoning of CCR’s Classic “BAD MOON RISING” appeared first on Antihero Magazine.

Gabrielle Ornate steps confidently into pop rock’s philosophical lane with her latest release, “Metaphysical”. A high-energy track that blends big hooks with even bigger ideas.

Built around the concept of life’s origins, the song reminds us that we’re all formed from the same matter a unifying message delivered with urgency and style.Driven by crisp guitar work and polished pop-rock production, “Metaphysical” strikes a balance between introspection and momentum. The track never feels heavy, even as it tackles cosmic themes.

Ornate’s vocals shine with clarity and conviction, guiding listeners through lyrics that feel both scientific and spiritual without losing their emotional punch, coming to life in the chorus is instantly memorable, designed for repeat listens with its big time energy shining through in a real way.

Gabrielle Ornate proves that pop rock can be smart, uplifting, and radio-ready all at once on this fresh reminder that meaningful music doesn’t have to sacrifice energy to make its point.

Check out Gabrielle Ornate “Metaphysical” below and follow her on Instagram. Stay Global my Friends!

The post Gabrielle Ornate – Metaphysical appeared first on .

“There is no one else can take your place”

By 1973 Free had reached the end of the road. The departure of bassist/songwriter Andy Fraser and a diminished contribution from troubled guitarist Paul Kossoff was too much for a band that made a virtue of its magical musical chemistry. But their last album Heartbreaker proved the UK rockers could still get it together with the help of bassist Tetsu Yamauchi and keyboardist John ‘Rabbit’ Bundrick. The album’s second track Come Together In The Morning is a great example of Free at their best, with their soulful feel and mastery of heavy emotion still intact. The lyrics are a touch trite but the verses have a wintery melancholy that contrasts wonderfully with the more uplifting, Beatlesque chorus. My favourite part of the song comes at the tail of the chorus where Paul Rodgers sings “see the world the same as me”. Rodgers’ sublime delivery and the aching harmonies makes for a blissful hook that pops into my head regularly and necessitates giving the album another visit. Come Together In The Morning is the sound of a band channelling the sadness of its final days into a beautiful, bittersweet classic.

HMO salutes Tetsu Yamauchi who recently passed away, aged 79.