Category: news

  • GLENN HUGHES Explains Why Streaming Has Turned Records Into Throwaways: “People Buy An Album, Listen To One Or Two Songs, And It’s Done”

    On a recent episode of Twisted Sister guitarist John “Jay Jay” French’s The Jay Jay French Connection: Beyond The Music podcast, Jay Jay sat down with legendary singer/bassist Glenn Hughes (of Deep Purple, Black Country Communion, and Trapeze) for a 44-minute conversation that stayed focused on real-world artist problems: longevity, writing in public, and what the streaming era does to the album format.

    They also spent time on Hughes’ current output, including the new singles “Voice In My Head” and “Chosen,” and the album Chosen (released September 5, 2025, via Frontiers Music Srl). And when Jay Jay brought up the studio-album cycle, Hughes got blunt about where his head is at right now.

    “Well, you can see I’m kind of smiling and kind of sad because this probably will be my last solo album. Because, as you know, yourself being in the industry, nobody really buys ’em anymore. I don’t like streaming. People buy an album, listen to one or two songs, and it’s done. It’s painful sometimes for me to write these albums. I mean, these songs are very personal to me, these lyrics are very personal. I don’t think I can continue to do that anymore. I think the live work is way more important for me,” Hughes explained (via Blabbermouth).

    “We don’t live in a long-player world anymore, do we, Jay Jay?” Glenn continued. “We don’t live there anymore. Maybe you can release a single here and there, maybe a live thing coming out. Albums don’t really mean anything unless you have a huge fanbase.”

    The idea of live music carrying more weight than the “long-player” album also connects to how Hughes approaches setlists in 2025. He talked about how long he’s leaned into legacy material, and why he’s shifting away from running the same classics on repeat.

    “The way I feel about it, Jay Jay, is, look, I’ve been playing the legacy songs for a couple of years now. I don’t know if you know — I’ve been doing this Deep Purple classic show, and I’ve come to the point, well, I’ve done that now, and I’ve done it years ago. I’m gonna go back to being simply Glenn with all those other great songs. I’ve done 18 solo albums. They’ve done really well. I’ve got [material from] Trapeze, I’ve got Hughes/Thrall, I’ve got other things to play. I’m getting into a new era when I wanna play new songs. I look different, I feel different. I’m happy. I can’t keep regurgitating these old catalog [songs]. I love them — don’t get me wrong — people wanna hear them, but my audience now is ready for something new. They’re ready for something more dangerous and more exciting, and I am the man to do that.”

    For longtime fans, the message is clear: the classics still matter, but Hughes wants the next chapter to move forward with new songs, deeper cuts, and fewer “greatest hits” expectations.

    And for a bit of timeline context, Hughes recorded the follow-up to 2016’s Resonate in June 2024 in Copenhagen, Denmark; work that ultimately fed into the current Chosen era.

    The post GLENN HUGHES Explains Why Streaming Has Turned Records Into Throwaways: “People Buy An Album, Listen To One Or Two Songs, And It’s Done” appeared first on Sonic Perspectives.

  • Happy New Year – Warum mit Traditionen brechen?

    Wir beschließen das Jahr auch in diesem Jahr wieder – wie schon die letzten Jahre – in der Hamburger Markthalle mit dem Jahresabschlusskonzert von EXTRABREIT! Keine Kamera, kein Notizzettel, einfach Konzert! Und solltest Du etwas Extrabreit wollen, höre doch einfach in den Rockcast mit Extrabreit-Drummer Rolf Möller rein. Spannend, lustig und unterhaltsam.

    Wir wünschen Euch ein tolles, gesundes und rockiges neues Jahr! Bleibt gesund und rockig!

    Der Beitrag Happy New Year – Warum mit Traditionen brechen? erschien zuerst auf Rock-Music.net – Live, laut, legendär!.

  • Singer SILJE WERGELAND Parts Ways With THE GATHERING After 16 Years

    After a long run at the mic for Dutch rock institution The Gathering, Norwegian singer Silje Wergeland has announced she’s leaving the band. She has been fronting The Gathering since early 2009, and she shared the news in a statement posted on her social media on Sunday, December 28.

    “It’s a new dawn and a new year. After 16 years of creating and playing great music with The Gathering, it’s time to move on to new ventures. I have had so many awesome experiences and made great memories with this band that will stay with me for the rest of my life. I wish my bandmates all the best for the future. Thanks for all the great support and the lovely conversations with all you wonderful [The Gathering] fans around the globe. Lots of love.”

    Before stepping into The Gathering, Wergeland sang for the Norwegian band Octavia Sperati.

    The band also issued a statement, thanking her and wishing her well: “We’d like to thank Silje for her contribution to the band over the past 16 years. We’re very proud of the wonderful records we’ve made together (from The West Pole to Beautiful Distortion), and all the shows we’ve played. We will miss her as a fantastic vocalist and a dear friend. We wish her all the best in the future!”

    Her departure also lands during a busy period for the band’s legacy-era activity. To mark the 30th anniversary of Mandylion, the The Gathering lineup that recorded the album — including singer Anneke Van Giersbergen — regrouped for multiple shows in the Netherlands this past summer. That same Mandylion lineup already has more than two dozen dates lined up for 2026, with concerts announced across Europe and South America, plus a slot at the ProgPower USA festival in Atlanta in September.

    The post Singer SILJE WERGELAND Parts Ways With THE GATHERING After 16 Years appeared first on Sonic Perspectives.

  • Top Connecticut Albums of 2025

    When I was first asked to put this list together for the Hartford Courant almost a decade ago I thought it was one of the hardest writing tasks I had ever been assigned. All these years later and the difficulty of putting this year-end list together hasn’t changed. That’s a testament to a local music scene that continues to not only survive but thrive.

    I found this year’s list  particularly hard to whittle down to 20 albums. (Hence the extra long list of honorable mentions this year.) As a reminder this list is not necessarily a “best of” list so much as a list of my personal favorite albums from 2025. For example, if this list seems metal heavy this year (see what I did there), you would be correct. I’ve waxed poetic multiple times on the Metal Dad Radio Show about what a stellar year the CT metal scene has had. Regardless, I hope you find something on this list that you’ll love as much as I do, and as always click the links provided and support the bands listed. On to the list in pseudo-alphabetical order.

     

    The Almighty Yellow Star – The Almighty Yellow Star
    Featuring two New Haven scene vets who’ve been on this list multiple times (Kierstin Sieser of Tiny Ocean, and Paul Belbusti of Mercy Choir), The Almighty Yellow Star are the perfect amalgamation of those two acts – one part dreamy folk that wisps along Americana lines, and one part experimental outlet that smashes genre barriers. Combined it’s a unique concoction that’s best listened to with headphones and your full attention.
    https://thealmightyyellowstar.bandcamp.com/album/the-almighty-yellow-star

     

    Andy Wakeman – Late Bloomer
    I love when an artist takes their own sound and successfully expands it without losing the essence of what made their music so enjoyable to listen to in the first place. Case in point, the new full-length from singer-songwriter Andy Wakeman. Wakeman has appeared on this list before for albums that were solidly within that Americana label. On Late Bloomer, Wakeman adds a pop/synth element that’s as refreshing as it is interesting. A handful of these songs could easily find homes on current pop radio stations, yet there’s a nostalgia quietly buried here as well that hearkens back to Wakeman’s earlier works and equally, a simpler time. All told it’s a fantastic journey.
    https://open.spotify.com/album/1xPqJAXwzmz6ODxoS4UusJ

     

    Apathy – Mom & Dad
    CT hip-hop legend Apathy seems to make annual appearances on this list, but one listen to his new album Mom & Dad will give credence as to why this prolific rapper shows up once again. As a fellow Gen Xer an album soaked in ’80s nostalgia, both lyrically and sonically, already has my interests piqued. But beyond the stories of being raised up in the shadows of Reaganomics, this album touches on a personal journey that every generation that’s come after Gen X can also relate to. Combined with Apathy’s flawless delivery, this album was easily one of the best hip-hop albums to emerge from Connecticut in 2025.
    https://apathy.bandcamp.com/album/mom-dad

     

    Balkun Brothers – Two Leather Jackets
    I’ve thoroughly enjoyed the musical journey that sibling-fronted act Balkun Brothers has partaken over the last decade plus of their careers. From blues rock stalwarts (heavy on the blues part) to a hard rock tank blasting through every brick wall that dares stand in their way. Their newest album Two Leather Jackets has completed their transition to an act that can hold the stage alongside fellow metal and punk acts in their home state. It shouldn’t be shocking to see either Balkun brother wearing a Motorhead t-shirt on stage, as that might be the closest musical comparison I can come up with here. Just as Lemmy and his crew did, the Balkun Brothers have successfully melded metal, punk, and a dash of heavy blues to perfection.
    https://balkunbrothers.bandcamp.com/album/two-leather-jackets

     

    The Bargain – Smile and Smile
    2025 started off with a bang as one of Connecticut’s finest dropped an absolutely stellar album just after the New Year parties were finally cleaned up. Coming out firing with a full band accompaniment, The Bargain delivered one of the catchiest albums you’ll here from this corner of the world, and this particular corner of the Americana universe. These three scene vets  – Frank Critelli, Shandy Lawson, and Muddy Rivers – somehow keep getting better and better with each album, which is astonishing when you go through their entire discography. With each album you think, ‘they can’t possibly top this one’, yet Smile and Smile may actually be their best and most complete album to date. Furnished with toe-tapping melodies and beautifully introspective lyrics, this is an album that will stick with you for a long time.
    https://thebargain.bandcamp.com/album/smile-and-smile

     

    Bone Church – Deliverance
    One of Connecticut’s finest metal exports over the last half decade or so is stoner rock outfit Bone Church. I’ve always felt that stoner rock was the most accessible sub-genre of metal for non-fans of the genre. Chock full of chunky riffs, clean vocals, and driving rhythm sections, stoner rock is the logical successor of all the proto-metal/classic rock bands of the ’60s and ’70s. Sometimes a band of that ilk will take their sound even further across the divide and closer to their riffing ancestors. Such is the case with the new Bone Church album. It’s hard for a band to make an album that’s catchier and more accessible for the average music fan than their previous material while still maintaining the heaviness and grittiness that made them darlings of the stoner rock world. Yet here we are. Turn this one up to 11 and keep it there.
    https://ripplemusic.bandcamp.com/album/deliverance

     

    Brian Dolzani – The Endless Sky
    One of CT’s most well-traveled singer-songwriters also happens to thankfully be one of the state’s most prolific recording artists as well. Brian Dolzani writes music that is not only inherently catchy, but it’s a deep well of emotive, contemplative sounds, filled with rich lyrics and the kind of old-soul vibes you can only gain with experience. His newest album The Endless Sky is easily one of his best, which is no small feat to these ears considering how often Dolzani has shown up on this year-end list in the past.
    https://briandolzani.bandcamp.com/album/the-endless-sky

     

    Brian Larney – Scrambler
    Bridgeport’s Brian Larney is not the first artist to cull together a year’s worth of singles into a full album, but he’s one of the few to do it in a way that said album flows seamlessly. Larney’s knack for writing pop and indie-infused folk songs is truly uncanny, and this album in particular sees Larney lean hard into the pop and indie parts of that equation. There’s a glean of sunshine and smiles infused into these songs that give them a wonderful upbeat feel without falling into syrupy ridiculousness that too many songwriters unfortunately drift into. Play this album immediately, but then revisit it in the springtime when the the thaw hits and the birds start chirping again. You’ll be glad you did.
    https://brianlarney.bandcamp.com/album/scrambler

     

    Cemetery Moon – Dominion of Ashes
    Released just in time for Halloween, one of CT’s best metal exports, Cemetery Moon, dropped their newest album of powerful, unadulterated black metal this year. More melodic than their previous releases, Cemetery Moon opted for a fuller, more approachable recording on this album. Yet, that doesn’t mean this will be accessible to the mainstream masses. On the contrary, the slight alterations to their sound created an even more overall vicious and frost-bitten affair. It’s an album that’s worthy of repeat listens, especially on these long, cold winter nights.
    https://cemeterymoon.bandcamp.com/album/dominion-of-ashes

     

    Christopher Cavaliere – Self Checkout
    Few indie folk artists infuse as many varied influences into their work as Bridgeport’s Christopher Cavaliere, and even fewer do it as successfully. His newest album, Self Checkout, is a masterwork of musical intricacies woven into a sonic tapestry that’s as stunning as it is listenable. Mixing indie and alt-rock with elements of folk, blues, jazz, country, and even a little funk for good measure, Cavaliere has created an album designed to take listeners on a journey through the the great Americana pantheon and back again. It’s a beautiful, wild, inspiring ride.
    https://christophercavaliere.bandcamp.com/album/self-checkout

     

    Fjord Pony – The Last Green Valley
    A couple years ago Middletown’s Fjord Pony crept up on me and dropped an album I was absolutely enamored with. I wasn’t going to let them sneak up on me again. My patience was rewarded back in April when they released newest effort The Last Green Valley. I think what I like most about this band is that their sound is not easily definable. It’s alt rock at its core, but there are indie and pop elements at play, there’s a bit of prog rock sizzling under the surface, and it’s guitar driven while still allowing the other instruments to breathe. All told their sound, and this album, are wholly memorable and worthy of your attention.
    https://fjordpony.bandcamp.com/album/the-last-green-valley

     

    Inner Groove – Momentary Glance
    I don’t go into each year thinking about lists like this, but inevitably there’s a moment or a record that hits and I think for the first time, ‘oh this has to make whatever year-end list I decide to put together.’ In 2025 it was Momentary Glance by Inner Groove. I’ve always liked the music that Denise Jones and Tom Sekscenski have put together under the Inner Groove moniker, but this is easily their best album to date. The songs are introspective and personal, yet built to be played blasting through a car stereo with the windows down on some back country roads. There’s a richness and familiarity to these songs that make them feel like the welcoming arms of an old friend. Embrace the embrace and give this album multiple spins.
    https://open.spotify.com/album/17ovF9bZ4ixrbO1vnGOTH7

     

    Intercourse – How I Fell In Love With The Void
    I don’t get out to as many shows these days as I used to, but I did have the pleasure of seeing noise rock titans Intercourse open a show at The Space Ballroom in Hamden, CT this year and it was easily one of my top three live sets in 2025. Part of the reason why is how absolutely killer the new material from this record sounded on stage. I’ve been an Intercourse fan for longer than I can remember and count some of their releases among my favorites of the last decade plus. But How I Fell In Love With The Void is special, even for a band that’s this good at what they do. This is a violent, vicious album that never really relents enough for you to ever catch your breath, and that’s exactly how Intercourse likes it. Make sure you give at least one listen with headphones on so you can pay close attention to some of the best, and most biting lyrics you’ll see this year as well. Just an all-around stellar effort from a band that keeps getting better with age.
    https://intercourse.bandcamp.com/album/how-i-fell-in-love-with-the-void

     

    The Lonesome While – The Lost of Us
    It’s been at least five years since Hartford’s The Lonesome While has released any new music, and they themselves state on their Bandcamp page that these are songs they never thought would see the light of day. Thankfully for all of us they did. I’ve always thought The Lonesome While were one of Hartford’s underrated gems and this collection of songs proves why. Various shades of punk and indie rock collide in spectacular fashion on The Lost Of Us. The songs on this album waver back and forth from the catchy pop side of the punk spectrum to something much more biting. Either way this album was meant to be played loud and often, which would also be my personal recommendation. Here’s to hoping The Lonesome While continues to gift us songs they didn’t think they’d release.
    https://thelonesomewhile.bandcamp.com/album/the-lost-of-us

     

    The Meadows Brothers – In The Land of Steady Habits
    Another on of the first truly great albums of 2025 came from The Meadows Brothers. Readers of this blog (or listeners of Wrong Side of the Tracks on Cygnus Radio) know my love for the brothers Meadows. There are few acts in the world who can put out as many albums as these guys have and claim not one stinker among the bunch, or for that matter not one album that has any filler on it either. In The Land of Steady Habits (Connecticut’s unofficial/official nickname) is another gem of an album, filled with top tier Americana. Each song on this record is a snapshot of what the Meadows Brothers do best – songs that stick with you long after they stop playing, and ones that make you long to hear them again.
    https://open.spotify.com/album/6GuAKTvooacebL7oKmNevf

     

    Michael Suddes – Out Of My Hands
    Some debut albums are worth the long wait. Michael Suddes has been a top-notch guitar player both as a solo artist, as well as with other people’s projects for quite a while now. Out Of My Hands is the culmination of years of honing his craft as a songwriter and live performer, and what we are left with is an album’s worth of material that takes indie folk to new and interesting places. Unafraid to mix in elements of jazz, pop, and alt rock, Suddes creates music that seems to float and flutter in and out of various influences, yet never feels forced or contrived. His music seems designed to get the listener into a relaxed, contemplative state of mind, one where the world is filled with possibilities and challenges are easily bested with pure positivity. That’s a world I’m here for.
    https://open.spotify.com/album/4qfWEQpxu9TEQ9vzast9vd

     

    Ponybird – Fire & Stars
    After multiple electronic releases as her WEAREBISON alter-ego, Ponybird mastermind Jennifer Dauphinais returned to her ethereal alt-folk roots with Fire & Stars. It had been roughly a decade since Ponybird released a full-length’s worth of material that floated along Americana lines like 2014’s Modest Quarters (still one of my all-time favorite CT albums), however the comparisons between the two albums are really superficial at the end of the day. This record, while rooted in folk aesthetics, is more experimental when it needs to be and at times truly stretches the boundaries and limits of Americana music in the best ways possible. While there may only be five new studio tracks here, coming close to breaking our full-length albums only rule, the demo and live material that’s been included is excellent enough to count.
    https://ponybird.bandcamp.com/album/fire-stars

     

    Various Artists – James
    There has never been a tribute record on this list before but there is possibly no other artist in the history of CT music more deserving  of having a tribute record show up here or any other year-end list. For anyone reading this from outside of Connecticut, New Haven’s James Velvet was an absolute legend in this state’s music scene. Through various projects over the course of several decades Velvet’s name was synonymous with the New Haven scene, and through his work with The Local Bands Show the greater statewide scene as well. This tribute to Velvet reads like a who’s who of the Connecticut shoreline including Shellye Valauskas & Dean Falcone, Anne Castellano & The Smoke, American Elm, Shandy Lawson, Frank Critelli, A Pallet For The Shoal, The Lost Riots, Brian Slattery, Stephen Peter Rodgers, Christine Ohlman & Jim Chapdelaine, and over a dozen more acts. A truly fitting tribute to a guy who absolutely deserves one.
    https://jamesvelvet1.bandcamp.com/album/james

     

    When the Deadbolt Breaks – In The Glow of the Vatican Fire
    One of my favorite metal bands coming out of CT today are the trio known as When the Deadbolt Breaks. Mixing doom and sludge metal with atmospheric and experimental elements When The Deadbolt Breaks create a truly unique sound unlike even other outfits of the same ilk. In The Glow of the Vatican Fire is their most ambitious album to date, yet may also be their most accessible as well. Usually in the metal world when you hear a band has not only toyed with their sound but made it seemingly more digestible (albeit a relative term to non-metal fans) that usually doesn’t bode well, yet for When The Deadbolt Breaks it not only works, the final result is exceptional.
    https://whenthedeadboltbreaks.bandcamp.com/album/in-the-glow-of-the-vatican-fire

     

    Xavier Serrano – Enantiodroma
    It’s been five long years since New Haven’s Xavier Serrano has gifted us with a full-length album, and Enantiodromia was well worth the wait. Serrano has always been the master of writing ethereal chamber folk, yet on this record he’s expanded his sound to a fuller, richer one. It would not be hyperbole in the least to say that each song on this album is cinematic in scope, complete with abundant and carefully curated orchestration. This album showcases Serrano at the absolute top of his craft as both a songwriter and a master of atmospherics. Drop the shades, light some candles, and settle in with this album. You will not be disappointed.
    https://xavierserrano.bandcamp.com/album/enantiodromia

     

    Honorable Mentions:

    A Pallet For The Shoal – The Trembling Ground
    Afghan Haze – Sermons of Filth and Disgust
    All The Pretty Horses – hammersmashedface
    Greenholt – The Neighborhood
    Isaac Monts – Since the Beginning
    Jason LaPierre – There Are Things I’d Like To Say
    Jim LoPresti – Life As Liquid
    Kevin MF King – Looking at a Screen of Someone Else’s Dreams
    Mourn The Light – Sorrow Feeds The Silence
    Old Milk Mooney – Darlin’
    Post-Modern Panic – To the Silence
    Shawn Taylor – The Last One
    Showrocka – From CT With Love
    The Ambulance Chasers – Too!
    The Lil Guy – Great & Terrible
    The Problem With Kids Today – Take It!
    Whatnot – Whatnot

  • Cavalera Brings Chaos A.D. to Anaheim

    Cavalera Conspiracy, shortened to Cavalera on Sepultura-related re-recordings and tours, brought the Chaos A.D. tour to the House of Blues Anaheim on Tuesday, October 7. The lineup was stacked with LA metal band Thrown into Exhile, Relapse Records’ DC death metal band Genocide Pact, and tourmates from the original Chaos A.D. tours, Prong and Fear Factory.

    Prong

    East Coast thrash groove metallers Prong took the stage third on the lineup with the packed crowd primed and ready to go.  Mainstay vocalist/guitarist Tommy Victor and company opened the set with “Broken Peace” off 1994’s Cleansing and stuck to that album for most of the set including the crusher “Snap Your Fingers, Snap Your Neck.” Their latest release State of Emergency is out now.

    Fear Factory

    In the direct support slot were Fear Factory with their signature progressive industrial metal. Not only did Fear Factory tour with Sepultura during the original Chaos A.D. tour cycle, but they also received help from Max Cavalera to get their Roadrunner Records deal. “Demanufacture” opened the set, and the album made up the bulk of the setlist for the 30th anniversary of the album’s release.

    Fear Factory

    Guitarist Dino Cazares, the only remaining original member, played custom 7 and 8 string custom headless Ormsby guitars. New frontman, the Italian Milo Silvestro, proved he’s not just a young Burton C. Bell clone. He commanded the stage with his own style and talent. Bassist Tony Campos is out with Static-X on the Mudvayne L.D. 50 tour, so Butcher Babies’ Ricky Bonazza filled in. Havok’s Pete Webber became an official member in 2023 with Silvestro and held his own behind the drumkit.

    Cavalera

    The Cavalera brothers, Max and Iggor, are still considered by many to be the core of Sepultura even decades after their respective departures. The younger Igor Cavalera on bass solidifies that this was as much the Cavalera show as it was a Sepultura show. Chaos A.D. has been credited by many musicians as opening the door to groove metal and nu-metal.

    Cavalera

    Arguably a fan favorite from not just Chaos A.D., but the entire Sepultura catalog, “Refuse/Resist” opened the set. While the album was played in full, the tracklist was shuffled after the blistering opening song. A cover of Black Sabbath’s “Symptom of the Universe” was also added to the setlist. The performance was as strong as a Sepultura performance back in 1993 during the album’s release. The tour ends of October 18 in Dallas. 

  • Patrik’s Favorite Releases of 2025

    It’s that time of year again. And as always, there’s no particular order, just the albums I think are the best of the year.

    OST Clair Obscure: Expedition 33

    Not only is it the best game of recent years, it also sets a new benchmark for soundtracks. Music perfectly tailored to the game, which not only accompanies the game, but actively shapes it and tells its own story. Some of the songs still give me goosebumps when I listen to them today.

    Mantar – Post Apocalyptic Depression

    The two Bremen natives deliberately freed themselves from the ballast of recent musical developments and wanted to get back to their roots, becoming more brutal, harder and more fun. They have succeeded in doing so completely.

    Deafheaven – Lonely People with Power

    If I had to choose the best metal album of 2025, there’s no way around Deafheaven, in my opinion. Hard and impressive, but with just the right touch of emotion. The band will be playing at several festivals next year, so don’t miss them.

    Messa – The Spin

    With this album, Messa not only deliver an excellent album that blends doom with various other genres, it is also the perfect introduction for curious listeners. Wonderfully coordinated instruments, a near-perfect voice and great songwriting immediately captivate the listener. It’s no surprise that the album has landed on many top lists this year. A big exclamation mark from the four Italians.

    Der Weg einer Freiheit – Innern

    The best post-(black) metal album comes from Germany. With Innern, the band has once again delivered an absolute musical smash hit. The brutal elements are repeatedly accompanied by wonderfully arranged synth and post-rock passages that keep you hooked on the album from start to finish.

    Spurv – Brefjære

    Spurv falls into the category of ‘Most positively surprised me’. The Norwegians have created a wonderful concept album that primarily serves and beautifully captures the orchestral layers of post-rock. Although the songs work individually, they unfold their power within the album’s overall concept of the album. Highly recommended.

    Autrest – Burning Embres, Forgotten Wolves

    Atmospheric black metal has a hard time winning me over, but when it does, it always has a special place in my heart. This is the case with Autrest’s second album, one of the best offshoots of its genre. Wonderfully written compositions, rich in detail and soulfully crafted with just the right amount of anger.

    We Lost the Sea – A Single Flower

    The post-rock heavyweights have once again produced an excellent record. 70 minutes of the finest music the genre currently has to offer. Some of the album’s excesses might be bit too much for some, the overall quality remains brutally high. An absolute must for fans of the genre.

    The Night Flight Orchestra – Give Us The Moon

    My guilty pleasure band with a guilty pleasure nomination. Of course, the album has its weaknesses, but it was my feel-good album of 2025. What this band does best is being absolutely catchy. And if you regularly find yourself dancing around your flat to their songs and singing along, then they must be doing something right.

  • Kontraster (Jordsjø, 2025)

    Here you are another Norwegian brilliant band, progging away between pure symphonic rock, folk hints and some experimental, even dissonant moments. Jordsjø released their first album in 2015 and this track comes from a 2025 split record including this Jordsjø’s title track on vinyl version side A and another side-long track by Breidablik, an electronic prog project by Morten Birkeland Nielsen on side B. “Kontraster” (“Contrasts”, in English) does as its title says and offers an awesome variety of moods, arrangements, instruments and musical ideas. 

    This is the second joint venture of Jordsjø and Breidablik.

    It is a rather low tempo collection – maybe a suite – of inner reflections and by such a rich palette you could hardly guess that  Jordsjø is formed by just two musicians: multi-instrumentalist Håkon Oftung and percussionist Kristian Frøland. Be as it may, this duo leads the listener through a fantastic and unpredictable trip, flowing very deep inside their souls (our souls, I daresay). It is an enriching and entertaining listening, something you won’t easily find nowadays.

  • Kontraster (Jordsjø, 2025)

    Here you are another Norwegian brilliant band, progging away between pure symphonic rock, folk hints and some experimental, even dissonant moments. Jordsjø released their first album in 2015 and this track comes from a 2025 split record including this Jordsjø’s title track on vinyl version side A and another side-long track by Breidablik, an electronic prog project by Morten Birkeland Nielsen on side B. “Kontraster” (“Contrasts”, in English) does as its title says and offers an awesome variety of moods, arrangements, instruments and musical ideas. 

    This is the second joint venture of Jordsjø and Breidablik.

    It is a rather low tempo collection – maybe a suite – of inner reflections and by such a rich palette you could hardly guess that  Jordsjø is formed by just two musicians: multi-instrumentalist Håkon Oftung and percussionist Kristian Frøland. Be as it may, this duo leads the listener through a fantastic and unpredictable trip, flowing very deep inside their souls (our souls, I daresay). It is an enriching and entertaining listening, something you won’t easily find nowadays.

  • Playlist: Sirius XM’s “Dark Wave” — hosted by Slicing Up Eyeballs (12/28/25)

    This week’s “Dark Wave,” hosted by Matt Sebastian, featured music by Gene Loves Jezebel, Lard, The Jesus and Mary Chain, The Sisters of Mercy and more.
  • Roman’s Favorite Releases of 2025

    Ultrablut: Tja

    When Teneriffa was released in 2024, I was already late to the game and only realized after quite a lot what a release I missed. Luckily, I followed the release of Tja afterwards only to find out that Ultrablut did it again and delivered one of the most versatile releases of 2025 with their full-length debut.

    Finistère: Am Grauen Meer

    There is not a lot I still have to say about this album. We talked about it numerous times and I also reviewed Am Grauen Meer. What a release, this is Black Metal I’m looking for. Check the review for further information!

    Review

    Haexler: Talkshow

    Sometimes, 8 minutes can last quite long. When talking about Haexler’s latest release Talkshow, this surely is a perfect fit. What an album, what a blast! Haexler should have been on your scope before already, but with this release it should be a shame to not be aware of this name!

    Müde: Therapie

    When having set up the demos and EPs list of 2024, I already included the first output of Dorsten-based Punk Rock outfit Müde. With the release of their debut LP Therapie, these Punks showed that they are capable of writing highly memorable music set on the length of an entire full-length.

    Hæresis: Si Vis Pacem Para Bellum

    What a debut record! I was eagerly waiting for the release of this album and what can I say except that I was not at all disappointed. Both regarding the music and the content of this album, I repeatedly fell for this release.

    Döll: weg vom Weg

    After the groundbreaking release of Nie oder Jetzt in 2019, German Rapper Döll regained ground with his current (and fully self-distributed!) full-length weg vom Weg. Having adressed deepest insights into pathological gambling on the 2019 release, weg vom Weg now dives into the subject matter of mental healing.

    Silver Knife: Silver Knife

    cover of silver knife - silver knife

    Silver Knive released their self-titled album early this year and it immediately caught my attention specifically because of the guitar sound that is present from the first second on.

    Review

    Winselmutter: Schattentod in der Leibeswelt

    Much has been said about this release already, which is why it probably does not come as a surprise that Winselmutter’s full-length debut appears on this list. The raw demo already showcased where we were heading, but the ferocious sound that is present on Schattentod in der Leibeswelt is heavily refreshing.

    Teen Mortgage: Devil Ultrasonic Dream

    When I came across Teen Mortgage only shortly before the release of this album (thanks to Nino) I was very happy to be awaiting an upcoming release. And – boy – was I surprised by Devil Ultrasonic Dream that delivers absolutely innovative Punk with a strong memorable edge on every track.