Category: news

  • Saliva Releases “Too Broke To Fix” Featuring Austin John Winkler

     

    ROCK GIANTS SALIVA RELEASES “TOO BROKE TO FIX” FEATURING THE FOUNDER VOCALIST 

    AUSTIN JOHN WINKLER

     

    NEW SINGLE DIVES INTO MENTAL HEALTH, IDENTITY AND THE FEELING OF LIVING ON THE EDGE OF CONTROL

     

     

    After wrapping up a string of dates with earshotthe Founder featuring Austin John Winkler and LYLVC, rock giants Saliva have joined forces with Austin John Winkler once again on the release of their latest single, “Too Broke To Fix”, via Judge & Jury Records, available across all digital streaming platforms.

    Vocalist Bobby Amaru shares “The song dives into mental health, identity, and the feeling of living on the edge of control. It’s about masking pain, feeling lost, and trying to find meaning in the chaos. Having Austin on this track was a blast. I’ve always been a fan of his voice, and getting him involved just made total sense. He brings so much raw energy and emotion to the song. He’s got something to say, and I’m here for it.

    Austin Winkler adds “‘Too Broke To Fix’ was a song I knew I’d be into right away, just based on the title alone. I’ve felt that way many times in my life. When Bobby sent it to me and I listened to the opening guitar riff, I was in 100%! It was amazing collaborating on it with him and I think our voices really capture the rawness of the message in the song and we delivered a fire track for the world to get down to! I can’t wait to play it live!”

     

     

    Saliva’s career launched in 2001 with the release of Every Six Seconds, a certified Double Platinum-selling album, containing the hits, “Click Click Boom” and 2002 Grammy nominated, “Your Disease.” Saliva’s in-your-face, anthemic writing style continued with a certified Gold-selling album Back In To Your System that contained top singles “Always,” “Raise Up,” and the Nikki Sixx co-written, “Rest In Pieces.” Despite original vocalist Josey Scott leaving the band in 2011, the addition of Bobby Amaru brought a contemporary feel to the band, all while staying true to the band’s blue collar roots. Amaru has been the Saliva frontman for the past decade plus and was featured on the most recent releases; Rise UpLove Lies and Therapy10 LivesEvery Twenty Years EP, and Revelation.

     

    Shortly before the release of the most recent album, Saliva guitarist Wayne Swinny passed away unexpectedly. The “Come Back Stronger” video was notably filmed just days before Swinny’s death, and was dedicated to the fallen guitarist . The album went on to be highly acclaimed by critics and the singles “Crows” & “High On Me” charted Top 20 on Billboard’s Active Rock chart. The band continues to honor ‘Uncle Wayne’ at every show.

     

    The post Saliva Releases “Too Broke To Fix” Featuring Austin John Winkler appeared first on Mayhem Music Magazine.

  • Founding Kiss Guitarist Ace Frehley has Died

     

    Ace Frehley, the original lead guitarist of the band Kiss, died on October 16, 2025, at the age of 74 due to complications from a recent fallHis family announced that the fall led to injuries that resulted in his death in a hospital in Morristown, New Jersey. He had canceled the rest of his 2025 tour dates in October due to “ongoing medical issues” that followed the fall.  

     

     

    Rest In Peace Spaceman

     

    The post Founding Kiss Guitarist Ace Frehley has Died appeared first on Mayhem Music Magazine.

  • Entheos Unveils “Empty on the Inside” Video / Single

    – October 16th, 2025 –

    First Ever North American Headlining Tour To Commence October 30th!

    Photo by Rachel Craig

    Today, alternative metallers ENTHEOS unveil a brand new, standalone single, “Empty On The Inside” and an accompanying video directed by Malcolm Pugh.

    Comments vocalist Chaney Crabb, “‘Empty On The Inside’ is a raw, cathartic song about pouring your entire soul into something that you thought would bring fulfillment to your life, but it only makes you feel empty in return. It is ENTHEOS in our purest form, expanding on our grunge and alternative metal sound. This track truly marks the beginning of a new era for our band.”

    Watch the video for “Empty On The InsideHERE.

    Stream/purchase the track at: metalblade.com/entheos

    ENTHEOS‘ latest single comes in advance of their first ever North American headlining tour! The month-long trek will commence on October 30th in New Orleans, Louisiana and run through December 6th in Nashville, Tennessee. Support will be provided by Fallujah, The Zenith Passage, and Tracheotomy.

    Tickets are on sale now at entheosofficial.com. See all confirmed dates below.

    ENTHEOS w/ Fallujah, The Zenith Passage, Tracheotomy:
    10/30/2025 Southport Hall – New Orleans, LA
    10/31/2025 The Secret Group – Houston, TX
    11/01/2025 RBC Deep Ellum – Dallas, TX
    11/02/2025 Come And Take It Live – Austin, TX
    11/04/2025 Launchpad – Albuquerque, NM
    11/05/2025 Nile Underground – Mesa, AZ
    11/06/2025 Brick By Brick – San Diego, CA
    11/07/2025 The Moroccan Lounge – Los Angeles, CA
    11/08/2025 Backstage Bar – Las Vegas, NV
    11/09/2025 Neck Of The Woods – San Francisco, CA
    11/11/2025 Dante’s – Portland, OR
    11/12/2025 El Corazon – Seattle, WA
    11/13/2025 The Big Dipper – Spokane, WA
    11/14/2025 Metro Music Hall – Salt Lake City, UT
    11/15/2025 HQ – Denver, CO
    11/16/2025 Bottleneck – Lawrence, KS
    11/18/2025 Lefty’s – Des Moines, IA
    11/19/2025 Cabooze – Minneapolis, MN
    11/20/2025 Reggies – Chicago, IL
    11/21/2025 Sanctuary – Detroit, MI
    11/22/2025 Lees Palace – Toronto, ON
    11/23/2025 Foufounes – Montreal, QC
    11/25/2025 Palladium (Upstairs) – Worcester, MA
    11/26/2025 Empire Underground – Albany, NY
    11/28/2025 The Meadows – Brooklyn, NY
    11/29/2025 Underground Arts – Philadelphia, PA
    11/30/2025 Hangar 1819 – Greensboro, NC
    12/02/2025 Orpheum – Tampa, FL
    12/03/2025 Conduit – Orlando, FL
    12/04/2025 Masquerade (Purgatory) – Atlanta, GA
    12/05/2025 Eulogy – Asheville, NC
    12/06/2025 The End – Nashville, TN

    ENTHEOS Live Lineup:
    Chaney Crabb – vocals
    Navene Koperweis – drums
    Scott Carstairs – guitar
    Michael Stancel – guitar

    https://www.facebook.com/entheosband
    https://www.instagram.com/entheosofficial
    https://www.tiktok.com/@entheosofficial
    https://x.com/entheosofficial
    https://entheosofficial.bandcamp.com

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  • 5 Key Moments in the John Lennon Controversy

    Few figures in rock history have sparked as much debate as John Lennon. As one of the founding members of The Beatles, Lennon’s outspoken personality, rebellious attitude, and social commentary made him both a hero and a target. The John Lennon controversy continues to echo decades after his tragic death, reminding fans of the complex blend of genius, idealism, and contradiction that defined his legacy.

    From his outspoken political statements to his personal relationships, Lennon never shied away from attention — even when it came with backlash. His words often stirred as much outrage as admiration, particularly when he challenged religion, authority, and even his own bandmates.

    In this article, we’ll explore 5 pivotal moments that shaped the John Lennon controversy. Each one reveals a different side of Lennon — the artist, the activist, and the provocateur who refused to conform to expectations.

    One of the most infamous moments in the John Lennon controversy came in 1966 when Lennon remarked that The Beatles were “more popular than Jesus.” The quote, taken from an interview with Maureen Cleave of the London Evening Standard, wasn’t meant to provoke. Lennon was reflecting on how society seemed to value pop culture over religion.

    However, when the comment reached America, particularly the southern states, it ignited public outrage. Radio stations banned The Beatles’ music, and fan groups staged mass burnings of their records. Some Christian leaders even accused Lennon of blasphemy.

    In response, Lennon held a press conference in Chicago, clarifying that he wasn’t comparing himself to Christ but commenting on how religion had lost influence among youth. Despite his apology, the damage was done. This incident showed the world just how powerful — and dangerous — a single statement from a global icon could be.

    The controversy marked a turning point in The Beatles’ career. It made Lennon more cautious in interviews but also more determined to express his views openly, regardless of backlash.

    2. The Yoko Ono Backlash

    Another defining moment in the John Lennon controversy was his relationship with Yoko Ono. When Lennon began dating Ono in the late 1960s, many fans blamed her for the breakup of The Beatles. The public’s reaction revealed deep-rooted racism, sexism, and a resistance to change.

    Ono, an avant-garde artist, became a constant presence during the band’s recording sessions — especially during the creation of The White Album. Fans and even some of Lennon’s bandmates resented her involvement. Rumours spread that she was manipulating Lennon or controlling his decisions.

    In reality, Lennon and Ono shared a deep artistic and emotional connection. They collaborated on projects like “Two Virgins” and “The Ballad of John and Yoko”, pushing boundaries in both art and music. Despite the criticism, Lennon defended her fiercely, stating that she gave him new creative freedom and spiritual direction.

    The backlash not only tested Lennon’s relationship but also exposed how fans projected their frustrations onto her. This chapter in the John Lennon controversy continues to be re-evaluated, as modern audiences recognise the unfair treatment Ono faced in the public eye.

    3. Political Activism and the U.S. Government

    The John Lennon controversy took a political turn in the early 1970s when Lennon used his fame to support peace movements and protest the Vietnam War. Songs like “Give Peace a Chance” and “Imagine” turned him into a symbol of activism. But they also attracted the attention of the U.S. government — particularly President Richard Nixon’s administration.

    Lennon’s outspoken opposition to the Vietnam War and his support for left-wing figures like John Sinclair alarmed authorities. The FBI began monitoring him, compiling a detailed file on his activities. In 1972, the U.S. government tried to deport him, claiming a 1968 cannabis conviction in London as grounds.

    Despite intense surveillance and pressure, Lennon refused to stay silent. He and Yoko Ono staged “bed-ins for peace”, spoke at anti-war rallies, and encouraged young people to challenge the system. His message of peace and unity contrasted sharply with the political climate of fear and control.

    The U.S. eventually dropped the deportation case in 1976, but this era exposed how Lennon’s voice was powerful enough to be seen as a threat to those in power. It remains one of the most significant political episodes in the John Lennon controversy.

    4. The “Lost Weekend” Period

    From 1973 to 1975, Lennon entered what he later called his “Lost Weekend.” During this time, he lived apart from Yoko Ono and had a relationship with May Pang, his personal assistant. This turbulent period added another complex layer to the John Lennon controversy.

    Lennon’s behaviour during these two years was erratic and self-destructive. He drank heavily, got into public altercations, and struggled to balance fame with personal pain. One of the most infamous incidents occurred at The Troubadour Club in Los Angeles, where a drunken Lennon heckled The Smothers Brothers and was thrown out.

    Despite the chaos, the “Lost Weekend” was also creatively productive. Lennon recorded “Walls and Bridges” and worked with artists like Elton John, who helped him score a No. 1 hit with “Whatever Gets You Thru the Night.” His brief reunion with Ono in 1975 marked the end of this phase, symbolising personal growth and reconciliation.

    This chapter humanised Lennon. It revealed his vulnerabilities, insecurities, and struggle to find peace within himself — all central to understanding the ongoing John Lennon controversy.

    5. The Legacy and Murder of John Lennon

    The final moment that defines the John Lennon controversy is his tragic death in 1980. Lennon was shot and killed outside his New York apartment by Mark David Chapman, an obsessed fan. The murder shocked the world, leaving millions grieving the loss of a cultural icon.

    In the years that followed, Lennon’s image evolved. To some, he became a saint-like figure — the ultimate symbol of peace and love. To others, his flaws, including his past aggression, infidelity, and contradictions, complicated his legacy. Biographers and critics have since debated how much of Lennon’s persona was idealised versus authentic.

    His songs like “Imagine”, “Instant Karma!”, and “Working Class Hero” still inspire generations to speak out, dream, and challenge authority. The John Lennon controversy endures because his life was filled with paradoxes — love and anger, peace and rebellion, fame and isolation.

    The Bottom Line

    The John Lennon controversy remains one of the most fascinating in rock history. It reveals not only the power of celebrity but also the price of speaking one’s mind in a world quick to judge. Lennon’s story wasn’t one of perfection but of evolution — a man constantly challenging himself and society.

    His influence stretched far beyond The Beatles, shaping how musicians and fans think about art, politics, and personal truth. While his words and actions sparked outrage, they also inspired empathy, creativity, and self-reflection.

    Even today, the John Lennon controversy serves as a mirror for the public’s expectations of fame and morality. Lennon’s courage to confront the uncomfortable, to question authority, and to live authentically ensures that his impact — and his controversies — will never fade from rock history.

    The post 5 Key Moments in the John Lennon Controversy appeared first on Rock Informer.

  • Alice Cooper 2025 Photo Gallery

     

    Photographs of Alice Cooper at FirstBank Amphitheater in Franklin, TN. – photos consist of Alice Cooper, guitarist Ryan Roxie, guitarist Tommy Henriksen, guitarist Nita Srauss, bassist Chuck Garric, and drummer Glen Sobel.

    Photographs taken by Dwayne Cavanas for Mayhem Music Magazine

     

    Click on photos to enlarge

     

     

    The post Alice Cooper 2025 Photo Gallery appeared first on Mayhem Music Magazine.

  • Alice Cooper Ignites the Night with a Shock-Rock Spectacle

     

    Shock-Rock Royalty Delivers a Theatrical Masterclass With a Fearless, Virtuoso Band Behind Him

    LIVE NATION PRESENTS:

    JUDAS PRIEST LIVE AT FIRSTBANK AMPHITHEATER IN FRANKLIN, TN ON 10/7/25

     

    Alice Cooper transformed FirstBank Amphitheater into a twisted, theatrical playground, proving yet again why he’s the reigning king of shock rock. From the chilling opening sequence to the triumphant finale, Cooper delivered a performance packed with horror-inspired visuals, razor-sharp musicianship, and the darkly comedic swagger that has defined his career. But what made this show truly electrifying was how seamlessly his powerhouse band elevated every moment.

     

     

    The night ignited early with “No More Mr. Nice Guy,” where Cooper strutted out in full villainous glory—cane in hand, sneer on his face—while his band erupted with precision and attitude. Guitarists Nita Strauss and Ryan Roxie commanded the stage with an undeniable chemistry, their riffs bouncing off each other with a mix of classic rock crunch and modern metal fire. Strauss, fresh off extensive touring and solo work, tore through solos with athletic intensity, while Roxie delivered the swaggering tone and rhythmic anchoring that long-time Cooper fans have come to expect.

     

     

    Guitarist Tommy Henriksen added a darker, grittier flavor to the triple-axe attack, rounding out one of the strongest guitar lineups Cooper has ever toured with. His rhythm work injected punch into the heavier tracks, and his stage presence—equal parts cool confidence and playful menace—made him a standout throughout the set. Meanwhile, bassist Chuck Garric provided thunderous low-end power, locking in tightly with drummer Glen Sobel, whose explosive fills and machine-like precision drove the entire show with adrenaline-pumping force.

    Visually, the production was as vivid and macabre as ever. Cooper cycled through his iconic props—guillotine, straightjacket, serpents, and more—with the timing of a seasoned actor, while the band played the role of his sinister counterparts. The lighting bathed the stage in a rotating palette of eerie greens, blood-red strobes, and gothic purples, perfectly complementing the theatrical madness unfolding with each song. Whether the band was interacting with Cooper’s antics or headbanging through galloping riffs, their commitment to the spectacle never wavered.

     

     

    Fan favorites like “Poison,” “I’m Eighteen,” and “Hey Stoopid” sparked massive crowd reactions, amplified by the band’s dynamic performance. Strauss delivered one of the evening’s most technically spellbinding moments with a blazing solo during “Poison,” while Sobel’s thunderous drum breaks turned “I’m Eighteen” into a stadium-sized anthem. Garric’s snarling bass tone added weight to the darker tracks, giving songs like “Only Women Bleed” a monstrous presence that matched the onstage theatrics perfectly.

    One of the most gripping moments arrived during “Ballad of Dwight Fry,” where Cooper, strapped into a straightjacket, staggered across the stage in a performance that bordered on theatrical insanity. Behind him, the band played with dramatic restraint, slowly building the tension until the song erupted into chaos. Henriksen’s atmospheric guitar layers and Sobel’s simmering percussion gave this classic moment renewed emotional depth.

     

     

    As the show powered toward its climax, the band kicked into higher gear. “Cold Ethyl” were played with infectious energy, showcasing the band’s tightness and the seamless interplay between its members. Every musician brought personality and edge to their performance, reinforcing that Cooper’s show isn’t just about theatrics—it’s about world-class players delivering arena-sized rock with conviction.

    The night ended in explosive fashion with “School’s Out,” a celebration complete with confetti, giant balloons, and a playful detour into “Another Brick in the Wall.” The band stretched out the finale with improvisational flair, Strauss and Roxie trading licks while Sobel and Garric locked into a groove that had the crowd singing at full volume.

     

     

    As Alice says “May all your lovely dreams… Become Nightmares”! It was the perfect close to a night where Alice Cooper, backed by one of the fiercest bands in rock, delivered a spectacle that was equal parts performance art and pure musical muscle.

     

    ALICE COOPER Photo Gallery Click HERE

     

     

    The post Alice Cooper Ignites the Night with a Shock-Rock Spectacle appeared first on Mayhem Music Magazine.

  • Judas Priest 2025 Photo Gallery

     

    Photographs of Judas Priest at FirstBank Amphitheater in Franklin, Tn. – photos consist of vocalist Rob Halford, guitarist Richie Faulkner, guitarist Andy Sneap,  bassist Ian Hill, and drummer Scott Travis.

    Photographs taken by Dwayne Cavanas for Mayhem Music Magazine

     

    Click on photos to enlarge

     

     

     

     

     

    The post Judas Priest 2025 Photo Gallery appeared first on Mayhem Music Magazine.

  • Judas Priest Prove the Metal Gods Still Reign Supreme on Their 2025 Tour

     

    Four decades after first witnessing the Priest live, one fan reflects on how the band continues to evolve without surrendering an ounce of power

     

    LIVE NATION PRESENTS:

    JUDAS PRIEST LIVE AT FIRSTBANK AMPHITHEATER IN FRANKLIN, TN ON 10/7/25

     

     

    When the originally scheduled Judas Priest show in September in Franklin was postponed due to a storm, I figured the chance to catch them again might not come until 2026. By the grace of the Metal Gods, the band rescheduled less than three weeks later. This show marked my own four-decade milestone of seeing the band. I say that because Judas Priest’s 2025 tour isn’t just another victory lap — it’s a defiant statement that the heavy metal’s godfathers still command the throne they built. From the moment the lights dropped and Black Sabbath’s “War Pigs” blasted through the speakers as the crowd sang along, you knew it was time for the band to hit the stage. Priest delivered a set that honored their 50-plus-year legacy while reminding us that age has done little to dull their bite. The show was a full-on sensory assault, blending high-voltage precision with the theatrical flair that made them icons in the first place.

     

    Rob Halford of Judas Priest

     

    Back in the ’80s, Judas Priest shows were beautiful chaos. With the “New Wave of British Heavy Metal” hitting the U.S., their concerts turned into leather, spikes, roaring motorcycles, and sound so loud your chest rattled. You didn’t just watch Priest — you survived them. The difference now is focus. That wild energy of youth has evolved into a masterclass in precision. In 2025, the chaos is controlled — not weaker, just sharpened. It’s like watching warriors who’ve seen every battle and still walk into a venue with fire in their eyes. The Metal God himself, Rob Halford, may not sustain those piercing falsetto notes like he once did, but he’s still a commanding presence on stage, putting on one hell of a show. At this point in the band’s career, the performances are less about proving themselves and more about celebrating a legacy carved into stone decades ago.

     

    Ian Hill of Judas Priest

     

    The twin-guitar attack that Glenn Tipton and K. K. Downing built in the ’70s became the backbone of Priest’s live arsenal. Sadly, neither is part of the current lineup, but the music and the mission carry on. Back then, Priest’s sound was raw and loud enough to shake the seats loose. Fast-forward to now, and that same fire burns—just sharper, cleaner, and powered by decades of mastery. The danger is still there; it’s just wielded with more control. In the current version of the band, Richie Faulkner and Andy Sneap carry the torch with honor. Faulkner, once the “new guy,” now plays with the swagger of a lifer, shredding with a ferocity that would make Downing proud. Sneap’s rhythm work locks everything down, letting Faulkner soar. Together, they bridge the classic and modern eras seamlessly, with “Solar Angels” hitting just as hard as “Freewheel Burning.” And though founding bassist Ian Hill rarely steps into the spotlight, his thunderous low end still anchors the band he helped create.

     

    Richie Faulkner of Judas Priest

     

    Rob Halford remains a force of nature. Even in his 70s, he commands the stage like the metal messiah he is. Thinking back to the first time I saw him in the ’80s — leather from head to toe, arms wrapped in spikes — he was a badass with a golden voice. Decades later, he still dons the leather and studs, now refined for a new generation. He uses more sustain and echo in his delivery, but it’s all live — no backing tracks here. His voice may not soar quite as high as it once did, but every growl and sustained note carries more grit and gravity. It’s not about perfection anymore; it’s about power, and Halford still has it in spades.

     

    Andy Sneap of Judas Priest

     

    The ’80s shows relied on pyrotechnics and lasers; today’s performances embrace cinematic visuals and dynamic lighting that rival anything on the road. Halford seems more at ease than ever, pacing center stage in slow circles as he belts out “All Guns Blazing,” “You’ve Got Another Thing Coming,” and “Breaking the Law.” Perhaps the most powerful part of a Judas Priest concert now is the unity across generations. You’ll see metalheads shoulder to shoulder — older fans who saw the band in ’82 beside teenagers in Firepower shirts. It feels like a torch being passed, proof that this music isn’t just surviving; it’s thriving. Judas Priest helped define heavy metal’s DNA, and they’re still teaching a masterclass on how it’s done live.

     

    Scott Travis of Judas Priest

     

    One of the night’s most emotional moments came during “Giants in the Sky.” As the song played, images of Ronnie James Dio, Lemmy, Freddie Mercury, Eddie Van Halen, Chris Cornell, and Ozzy Osbourne appeared on the screen — a powerful tribute to rock’s fallen icons from one of its greatest surviving bands. Then came the encore, as Halford roared onto the stage on his motorcycle to tear through “Hell Bent for Leather” and “Living After Midnight.” By the end of the night, one thing was clear: Judas Priest have adapted to the modern age without compromise, matured without mellowing, and proven once again that true metal never dies — it just gets louder.

     

    JUDAS PRIEST Photo Gallery Click HERE

     

    The post Judas Priest Prove the Metal Gods Still Reign Supreme on Their 2025 Tour appeared first on Mayhem Music Magazine.