Category: news

U.K.Ć. is a solo project created by Łukasz “Icanraz” Sarnacki, known for his work with Corruption, Devilish Impressions, Virgin Snatch, Hermh, and Christ Agony.Due to its one-man nature, the project and its music were never intended to leave the confines of the recording studio. The music is infused with a strong emotional charge, woven from the most sincere feelings. U.K.Ć. is a form of […]

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With Download now booking everything from Scooter to Five, here are eight other out-of-the-box ideas for artists that could be booked for next year

He previously underwent a highly publicized vocal cord reconstructive procedure. Continue reading…

Following the devastating impact of the first advance track, MEGASCAVENGER now unveils “Shallow Grave Overflow”, the 2nd single taken from the upcoming album “Toxic Noxious Undeath”, this time accompanied by an official lyric video and featuring special guest vocals by Dave Rotten (AVULSED).     Once again driven by the tireless creativity of Rogga Johansson, this new track delivers another descent into […]

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“For I have only two doors left in this house. One leading to soothing sleep. The other to death.” (Niilo Sevänen) “Shadowlife” marks the compelling first glimpse of Finnish melodic death metal visionaries INSOMNIUM’s forthcoming album that will be out in October. Refusing to dwell in familiar territory or rely on well-worn formulas, the band […]

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Drummer Mikkey Dee tells Loudwire about his King Diamond years and why he kept turning down Lemmy Kilmister's invitations to join Motorhead. Continue reading…

Few musicians have had a greater impact on European power metal than Kai Hansen. Through his work with Helloween and later Gamma Ray, the German guitarist, vocalist and songwriter helped establish many of the genre’s defining characteristics.

Now Hansen is stepping back into the spotlight with Born With A Hammer, his first solo album since XXX – Three Decades In Metal, released under the Hansen & Friends banner. The new record is scheduled to arrive on September 18 through earMUSIC.

Spanning ten tracks, Born With A Hammer draws from the many influences that have shaped Hansen throughout his career. The album blends traditional heavy metal, hard rock, punk-inspired energy and melodic songwriting, all driven by his recognizable guitar style and vocal delivery.

According to the announcement, the material was written without compromise and reflects a straightforward approach centered on a passion for heavy music. The result is a record that presents Kai Hansen in a direct and personal setting while staying firmly rooted in metal.

Production duties were handled by Eike Freese, who also contributes guitar work to the album. The lineup further includes Alexander Dietz of Heaven Shall Burn on guitar, Dan Wilding of Carcass on drums and Tim Hansen of Induction on guitar. Wilding previously worked alongside Hansen on XXX – Three Decades In Metal.

Coinciding with the album announcement, Kai Hansen has released the first single, “Feeding The Beast”. Serving as the opening track on Born With A Hammer, the song arrives with an accompanying music video and offers an early preview of the album’s direction. Built around sharp guitar riffs, strong melodies and a fast-paced approach, the track delivers a classic heavy metal feel while showcasing the energy behind the new project.

The release follows a particularly active period for Hansen, who has spent recent years touring globally as part of Helloween‘s reunion-era lineup. While those performances reconnected him with one of the most celebrated chapters of his career, Born With A Hammer gives him space to focus on material under his own name.

Born in Hamburg in 1963, Kai Hansen first gained attention in the late 1970s when he joined forces with future Iron Savior co-founder and producer Piet Sielck in the band Gentry. He later co-founded Helloween alongside guitarist Michael Weikath in 1983, contributing to the band’s formative years and helping create landmark releases including Keeper Of The Seven Keys Part I and Keeper Of The Seven Keys Part II.

After leaving Helloween in 1989, Hansen launched Gamma Ray, a band that would become one of Germany’s most respected and long-running power metal acts. Over the decades, he has also collaborated with artists and bands including Blind Guardian, Angra, Michael Kiske, Hammerfall, Storm Warrior and Unisonic.

Having returned to Helloween in 2016 and once again performing on major stages worldwide, Kai Hansen continues to balance his role within the legendary band while pursuing new creative outlets. With Born With A Hammer, he adds another chapter to a career that has influenced generations of metal musicians.

The post HELLOWEEN And GAMMA RAY Legend KAI HANSEN Opens A New Chapter With New Solo Album “Born With A Hammer” appeared first on Sonic Perspectives.

The masked, hyperactive UK dance duo Two Shell released a surprise album called IIcons last summer, and they followed it with a pair of double-sided singles earlier this year. Now, Two Shell announce the impending release of their new album Infinite Now. It’s got some memorably ridiculous ultra-retro cover art that honestly does suggest the duo’s supercharged Y2K pop sound; you can really hear that on their new single “Thing About You.”

The post Two Shell Announce New Album <em>Infinite Now</em>: Hear “Thing About You” appeared first on Stereogum.

Somebody put them back together.

The post Billy Gould Confirms Faith No More Reunion Tour: “I Think That We Can Do It For A Few More Years, And We Can Do It The Right Way, So We’re Gonna Give It A Go” appeared first on Theprp.com.

Few luminaries in metal can suckerpunch you right in the feels quite like Patrick Walker of 40 Watt Sun and the legendary Warning. Seriously, he could be singing to you about proper chinchilla care, and many would be left a sobbing, blubbering mess as he caterwauls about what treats and bathing clay to get for your new furry little friend. If you need proof of this, go give 2006’s sorrowful masterpiece (and recent Yer Metal is Olde inductee) Watching from a Distance 45 minutes of your time, and when you’re done splashing cold water on your face to remove the tears and redness, you’ll be hard-pressed to disagree. No one could predict that Walker would resurrect the project, as he seemed happy(?!) and content to continue with 40WS, but with its 2016 resurrection and now new album Rituals of Shame, all eyes are on Walker and crew to deliver.

And deliver, they did. Just like its immediate and legendary predecessor, Rituals is 45 minutes of a band taking its dear, bittersweet time to wrest every milliliter of sadness out of you. From the opening seconds of the title track, Walker and 40WS bandmate Wayne Taylor smother you flat with subdued riffs and simplistic yet effective melodies, even before a single word is muttered. But once Walker begins singing, ho-boy, that familiar yearning ache returns in full depressing force. Weathered by years of life experiences, Walker’s bellowing vibrato haven’t lost an ounce of effectiveness. In fact, they’ve become more potent over time, channeling that feeling that can only be delivered by someone who’s been through various wringers and back through honest conviction. It feels like they never disbanded, only resting until the time is right.

The other four songs also ensure that no light escapes or gets in. Closer “Teacher” hits with the same level of effectiveness as “Bridges” and “Footprints” did on Watching, but not taking as long to do so. Returning bassist Marcus Hatfield and new drummer Andy Prestidge (also of 40WS) added just enough variations of fills, rhythms, and flourishes, but mostly kept to a simple, heavy, and driving sound, again amplifying the anguish conveyed by Walker, his lyrics, and voice. And that’s the key to the effectiveness of Rituals and Warning as a whole; you don’t need flashiness, technical proficiency, or tricks and studio wizardry to be effective. Sometimes, brutally transparent honesty, wide-open space for your instruments to breathe and reverberate, and your emotions in the here and now are more than enough to get your message across.

It doesn’t hurt that Rituals is a massive improvement in some areas in terms of mastering and production. You can hear and feel Hatfield’s bass, and Prestidge’s drums don’t have that annoying “My Dying Bride in an empty bathroom” sound¹ that permeated on Watching, so kudos to Tom Dring for engineering the drums perfectly. Thankfully, Chris Fullard and Adam Gonsalves left the guitars and Walker’s voice alone, as what wasn’t broken sure as hell didn’t need fixing. The only drawback to Rituals is this isn’t something I could listen to all that much. Not because of the quality, which is stellar, but it hurts to listen to on an emotional level. If you were in a good mood before listening to this, you sure as shit won’t be when you’re done. That said, if you need to purge and get whatever the fuck is making you sad out, I can’t think of a better album to do so with.

And that’s the… I refuse to say “appeal,” but I’m at a loss for words otherwise, of Warning. You don’t go into their music for gains at the gym, to romance your significant other, or to bask in someone’s ability to up and down a fretboard as fast as humanly possible. You listen to Warning to reflect, to purge, and to feel. And if you’re anything at all like me, you’ve been waiting a damn long time for a worthy follow-up to Watching from a Distance. Thankfully, Warning gave us exactly that. Welcome back.

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Rating: 4.0/5.0
DR: 6 | Format Reviewed: 256 kbps mp3
Label: Relapse
Websites: warningdoom.bandcamp.com | facebook.com/warningdoom | instagram.com/warningdoom
Releases Worldwide: June 19th, 2026

The post Warning – Rituals of Shame Review appeared first on Angry Metal Guy.