It makes sense. Tony Iommi wanted to bring a little bit of Black Sabbath history into his upcoming solo album.
The post Black Sabbath’s Tony Iommi Wanted Geezer Butler on His New Solo Album appeared first on Audio Ink Radio.
Category: news
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THRESHOLD Release Report From Rock Hard Festival
There’s no shortage of THRESHOLD concert recordings – in fact, their live-to-studio albums ratio is 7:12 and is about to become 2:3 with the issue of “Live At Rock Hard 2025” on September 4th, which will nevertheless be a special … Continue reading
The post THRESHOLD Release Report From Rock Hard Festival appeared first on DMME.net.
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Review TEMPLE OF DREAD “Dreadspawn Dominion”
Temple Of Dread have firmly established themselves as one of Germany’s leading death metal bands. Hailing from Spiekeroog, one of the East Frisian Islands, the band has been proving since 2017 that outstanding metal doesn’t have to come from major cities only. Their debut album, Blood Craving Mantras, marked the first step for the five-piece from… Continue Reading → -
SIGH Team Up With OPETH For New Track
Japanese metal pioneers Sigh are back today ‘Unputenpu’, the first single to be taken from their upcoming new studio album ‘Goh-ka’, alongside a stunning new music video created by Costin Chioreanu. Speaking about the new track, frontman and Sigh mastermind Mirai Kawashima said “Honestly, I have no idea at all how the song sounds to other people. Shuffle […] -
Kelly Osbourne Seemingly Calls Out Her Ex Sid Wilson Over Child Support & More In Cryptic Social Media Posts
Another wrinkle to metal’s current biggest mystery.
The post Kelly Osbourne Seemingly Calls Out Her Ex Sid Wilson Over Child Support & More In Cryptic Social Media Posts appeared first on Theprp.com.
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“All This Time I’ve Been Hurting for You” — Mareux and The Drums Collaborate on New Single “It Didn’t Matter”
And all this time I’ve been hurting for you
Whatever I tried, it didn’t matter
And all of my heart has been aching for you
Gave all of my love – did it even matter?
There is something fitting about Jonny Pierce opening his new label Abysmal Records with a song about emotional nullification. The Drums have spent fifteen years turning romantic injury into bright, economical pop, yet It Didn’t Matter, a collaboration with Mareux, carries a colder sense of aftermath. Its title lands with the bluntness of a verdict delivered after the argument has ended, when language has been exhausted, and the abandoned person is left to rearrange the evidence.
Mareux’s presence is immediately legible. Aryan Ashtiani supplies synthesizers that glide with severe elegance, placing Pierce’s voice inside a glassy architecture of drum-machine momentum and bruised pop chords straight off the 80s pop charts. The production remains clean without becoming sterile; each element has room to move, while the song’s forward motion suggests somebody walking quickly through a city to avoid calling the person they are trying to forget. Pierce sings with the fragile directness that has long defined The Drums, though age has added a finer grain to his delivery. Foolishness, need, and disbelief are presented without disguise.
The collaboration grants Mareux increasing space to move beyond the viral mythology of his Cure cover, “The Perfect Girl,” showcasing him as a composer whose precise synthesizer skills elevate another artist’s songwriting and emotion. A disciplined bassline, succinct percussion, and sighing keys anchor Pierce’s confession here, letting the melody carry the emotional weight that the production keeps in elegant balance.
Watch the visualizer for It Didn’t Matter below:
It Didn’t Matter‘s autobiographical charge belongs to a lineage of synth-pop where polished surfaces intensify private collapse, but Pierce and Ashtiani avoid empty period detail. Their shared instincts meet in the space between romantic candour and formal restraint, producing a track that feels immediate without sounding disposable.
As the first entry in a six-month series of collaborations, it gives Abysmal Records a persuasive opening statement. More importantly, it suggests that Pierce’s next phase may be built through exchange rather than isolation. It Didn’t Matter turns rejection into motion, carrying its unanswered question forward with poise, clarity and a quietly devastating hook.
Catch Mareux live this autumn:
- 09/19 — Santa Ana, CA — Observatory Festival Grounds with AFI, Kumo 99, and L.A. Witch
- 10/30 — London, UK — Hootananny Brixton
- 10/31 — Paris/Montreuil, France — Bal Chavaux
- 11/03 — Athens, Greece — Floyd Live Music Venue
- 11/05 — Istanbul, Turkey — IF Performance Hall Beşiktaş
- 11/07 — Tbilisi, Georgia — Academy
Follow The Drums:
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The post “All This Time I’ve Been Hurting for You” — Mareux and The Drums Collaborate on New Single “It Didn’t Matter” appeared first on Post-Punk.com.
Iridium have just signed to Napalm Records.
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