Category: news

Daddy would you like some hot dog flavored water?

The post Limp Bizkit Brought Out Tom Green For “Rollin’ (Air Raid Vehicle)” At The 2026 ‘Ottawa Bluesfest’ appeared first on Theprp.com.

Venture Palace delivers an immersive blend of psychedelic and indie rock on Payload, pairing hypnotic grooves with lush, atmospheric production. Dreamy guitars, hazy synth textures, and a steady rhythmic pulse create a mesmerizing backdrop for introspective songwriting that questions ambition and fulfillment. The track unfolds patiently, revealing subtle sonic details and melodic flourishes that reward repeat listens. Entirely self-crafted, from performance to production, Payload reflects a clear artistic vision and impressive attention to detail. Moody, cinematic, and emotionally resonant, it stands as a compelling showcase of Venture Palace’s ability to merge thoughtful songwriting with expansive sonic landscapes.

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FOR IMMEDIATE RELEASE 

Dallas Toler-Wade of Narcotic Wasteland Joins The Zach Moonshine Show for an In-Depth Conversation Ahead of the Fentanyl Zombie Apocalypse Tour

Metal Devastation Radio delivered another unforgettable night of underground metal as The Zach Moonshine Show welcomed legendary guitarist, vocalist, and songwriter Dallas Toler-Wade of Narcotic Wasteland and former Nile fame for an exclusive live interview.
The evening kicked off with an explosive lineup of Battle of the Bands winners, featuring Trivan , Soul Of Sheol , Rage of Justice , Heidbekka , Mistress , and Oezys , before Dallas joined the show to discuss everything from the upcoming Fentanyl Zombie Apocalypse Tour to the future of Narcotic Wasteland.
During the conversation, Dallas revealed that the band is preparing to release a brand new single ahead of the tour and confirmed that a new full-length album is officially in the works. After spending the past few years focused on touring and building momentum, the band is now shifting its attention toward writing and recording new material.
The interview also explored Dallas’ longtime partnership with Solar Guitars, where he explained why the instruments have become his go-to choice both on stage and in the studio, even joking that he’d welcome the opportunity to someday have his own signature model.
One of the night’s most engaging discussions centered around artificial intelligence in music and artwork. While acknowledging AI has practical applications, Dallas made it clear that he prefers genuine human creativity over machine-generated content.


“I think what we do is much more interesting than just plugging in a bunch of stuff… You’ll never see me using it.”


The conversation also touched on the provocative title of the upcoming Fentanyl Zombie Apocalypse Tour . Rather than backing away from difficult subject matter, Dallas explained why heavy music has always served as an outlet for confronting uncomfortable realities.


“As a band or an artist, I think you should be able to do whatever the hell you want.”


Fans of old-school metal will especially appreciate the show’s deep dive into Dallas’ musical roots. From Black Sabbath, Uriah Heep, Judas Priest, Iron Maiden, Metal Church, Bolt Thrower, Deicide, Cannibal Corpse, and beyond, the interview became a celebration of the albums, bands, and record store discoveries that helped shape one of death metal’s most respected musicians.
The discussion also highlighted the current state of death metal, with Dallas noting that the genre is arguably stronger than ever, pointing to the continued growth of major tours, packed festivals, and the enduring popularity of bands like Cannibal Corpse.
Before signing off, Dallas thanked metal fans around the world for decades of unwavering support, calling heavy metal “the most innovative and awesome music on the planet.”
If you missed the live broadcast, don’t worry.
🎧 Listen to the full episode, featuring music and the complete interview, now on Mixcloud.
1 – Trivan – Abyss Of Crawling Shadows
2 – Soul Of Sheol – Paradise Is Not For Us
3 – Rage of Justice – Digital Prison
4 – Heidbekka – Völva
5 – Mistress – Terrified eyes
6 – Oezys – Altar (Your Sacrifice)
The Zach Moonshine Intro
7 – Black Sabbath – War Pigs
8 – Distant – All Will Be (N)One (feat. Ricky Myers of Suffocation)
9 – CARCERAL – Archaic Law
Narcotic Wasteland – Interview featuring Barbarian/Morality and the Wasp/VICTIMS OF THE ALGORITHM
10 – Nile – Black Seeds Of Vengeance
11 – IATT – Walk Amongst
12 – Visitant – Fodder
13 – Yotuma – The Traveler
14 – Monochromatic Black – Turn the Tides
15 – Tim Cappello – I Still Believe
16 – Eaten By Sharks – In Tidal Chaos
17 – SOOTHSAYER – FAILURE
18 – Green Jelly – Three Little Pigs/Silence Of The Squarepants
19 – Starved of Light – Cut Into Moonlight
20 – Stalemate of Wills – Existence Denied
21 – NORCVLT – Celestial Tearfall
22 – Castle – Carry Chains
23 – Laconist – VERMIFORMING
24 – Gallowglass Scourge – Doomwalker
25 – Flight of Odin – I Traveled The Crooked Path
26 – Brutal Death Fuck – The Devils Whiskey/Alcohol – Remastered

▶️ The full interview is also available on YouTube.
🎙️ You can also stream the interview on Spotify, Apple Podcasts, and other major podcast platforms.

Be sure to follow Narcotic Wasteland as they prepare to unleash their new single and hit the road for the Fentanyl Zombie Apocalypse Tour , bringing one of the heaviest live shows of the summer to stages across the country.
Stay tuned to Metal Devastation Radio for more exclusive interviews, premieres, and the heaviest music from the underground and beyond.

Dmc Reigns‘ The Box is a bold fusion of abstract hip-hop and Afro-inspired rhythms, wrapped in a hypnotic, genre-fluid sound. The production leans into textured percussion, immersive atmospherics, and inventive beat programming, creating a space where introspective lyricism and rhythmic experimentation coexist naturally. Dmc Reigns delivers a compelling vocal performance that balances confidence with vulnerability, reinforcing the song’s themes of confinement and personal transformation. Unpredictable yet cohesive, The Box stands out through its adventurous sonic palette and fearless artistic identity, offering a refreshing take on contemporary alternative rap.

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The band will be back onstage in November.

The post Taproot Confirm Their Lone Show Of 2026 appeared first on Theprp.com.

Bart is back! Out on Big Neck Records, Brats Being Brats is the 7th 7″ record from La Rochelle, France’s one-man wrecking crew Bart and the Brats. The title says it all. You should expect nothing different than usual from Bart. He’s not attempting five-minute epics or trying to learn a fourth chord. He’s not singing about his feelings. He’s here to deliver four more tracks of thumping meat and potatoes rock ‘n’ roll that bridges the 1977 punk explosion to the ’90s budget punk heyday. Expect vocals drenched in attitude, lyrics that tell it like it is, pummeling power chords, rapid-fire drums and bass, and songs that never overstay their welcome. Who can’t relate to songs about killing your TV and needing three coffees before noon? As always, Lo’Spider was on hand to catch this madness on tape at Swampland, Toulouse. As France shows the whole world that it’s unbeatable on the football pitch, Bart and the Brats would make one hell of a run if there were a World Cup of punk rock. Vinyl is limited and sure to go fast!

In addition to holding the record for being the most frequently reviewed band on Faster and Louder (today they surpass Roger Maris with write-up #62), Vista Blue is also the only band that I’ve ever reviewed both twice on the same day and on back-to-back days. The back-to-back day part of that has been accomplished today, and I know a lot of you are speculating about any improper benefits I may have received in exchange for facilitating such a milestone. Let me reiterate that it would be unlawful for me to accept any shipment of alcoholic beverages brought into the Commonwealth of Pennsylvania from an unlicensed entity. The truth is that I just really love this band and really love writing about this band. I will go as far as to vow that I will continue to write about music for as long as Vista Blue continues to exist as a musical entity. So yeah, if Vista Blue releases a song in 2050 to celebrate Pete Crow-Armstrong’s Baseball Hall of Fame induction, I’ll almost surely be there to write a review that you can download from a microchip in your eyeball and read in your flying car. 

Just when I was starting to wonder how nearly every band I love releasing an album in 2026 would impact the musical offerings of 2027, I get my first “I can’t wait until next year!” moment. In March of 2027, Vista Blue will release an epic project titled 50 Stories. The album will include 50 songs, which will all be inspired by books and short stories Mike has enjoyed over the years. Given that I’m a book geek when I’m not busy being a music geek and a sports geek, I’m really stoked about this release. The brand-new single “Wooden Horse” is a sneak preview of the album. Leave it Vista Blue to take inspiration from Homer’s Odyssey and come up with a love song! The song’s release, of course, coincides with The Odyssey hitting movie theaters this week. It’s something a little different for Vista Blue. It features strings arranged and recorded by Nicolas Ocampo and falls closer to pure majestic pop than it does to punk rock. That said, it still feels like a classic Vista Blue song. 

Obviously, when you’re putting 50 songs on an album (I still can’t believe they’re doing that!), there’s going to be a lot of variety in terms of musical style. So this is just a little taste of what’s to come. Mike and Mark really knocked this one out of the park, and I appreciate that the use of strings actually fits the song. They didn’t say, “Let’s put strings on this track because we can!” They put a lot of thought into this one, and I feel like the folks at Universal Pictures will be pretty upset they didn’t know about the song in time to put it in the movie. This tune has bigtime closing credits energy! The connection to the Odyssey is undeniable, yet the song’s relatability transcends any particular work of literature. Will this be on Christopher Nolan’s personal playlist by year’s end? I wouldn’t be surprised!

Bree Mae‘s CYANIDE is a gripping slice of dark pop that thrives on tension, vulnerability, and cinematic atmosphere. Her expressive vocal performance effortlessly shifts between restraint and emotional release, while brooding production layers moody textures over a steady, hypnotic pulse. The songwriting explores themes of heartbreak, obsession, and self-destruction with striking honesty, avoiding melodrama in favor of genuine emotional weight. Polished yet raw, CYANIDE balances haunting melodies with contemporary pop sensibilities, resulting in a compelling track that lingers long after its final chorus.

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Maciejmusik‘s shake yo body is an infectious dancefloor cut that lives up to its title from the very first beat. Built around punchy rhythms, vibrant electronic production, and irresistibly catchy hooks, the track radiates feel-good energy without overcomplicating its formula. Crisp synth work and driving grooves keep the momentum high, while the playful vocal delivery adds to its carefree charm. Designed to get listeners moving, shake yo body strikes a satisfying balance between club-ready appeal and accessible pop sensibility, making it a fun, upbeat addition to any party or workout playlist.

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Robin Katz‘s Floating World is a beautifully understated instrumental that thrives on nuance rather than excess. Delicate nylon-string guitar melodies unfold with remarkable grace, weaving through spacious arrangements that evoke both intimacy and quiet wonder. Every phrase feels carefully considered, allowing subtle harmonic shifts and organic textures to breathe naturally. Rather than chasing virtuosity, Katz focuses on atmosphere and emotional resonance, crafting a cinematic listening experience that invites reflection. Elegant, immersive, and effortlessly expressive, Floating World showcases refined musicianship and a compositional maturity that lingers long after the final note fades.

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