Posted on July 31st 2026, 6:08pm
Category: news
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Judiciary Announce September Headlining Shows
Playing four stops on their way to linking up with Killswitch Engage, Machine Head & Rivers Of Nihil this fall.
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Blues Rock Weekly – July 31, 2026
Blues Rock Weekly highlights new music from Ben Poole, Eric Steckel, Ruthie Foster, Texas Headhunters, and Hannah Wicklund.
The post Blues Rock Weekly – July 31, 2026 appeared first on Blues Rock Review.
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The Black Queen Announce UK Leg For Their “Fever Daydream” 10th Anniversary Tour
With Lohner and Pennie in tow.
The post The Black Queen Announce UK Leg For Their “Fever Daydream” 10th Anniversary Tour appeared first on Theprp.com.
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MISS MAY I Announce New Album “No Place For Me” & Shares Music Video For “Hand Me A Halo”
Miss May I will release their new album No Place For Me on October 2 through Solid State Records. The Ohio metalcore outfit—Levi Benton (vocals), Jerod Boyd (drums), Ryan Neff (bass) and Elisha Mullins (guitar)—has also premiered the video for the new single “Hand Me A Halo”.
“Hand Me A Halo” puts the focus on heavy riffs, aggressive vocals and a strong melodic hook, while lyrically exploring identity struggles and the weight of intrusive thoughts.
“‘Hand Me A Halo’ tells the self-narrative of losing one’s sense of self and dealing with the intrusive thoughts that come with it,” says Benton. “This song came from our own confusion and loss of identity through the changing seasons of life. The fear can be constant, leaving you to question if you just want someone to hand you a halo.”
According to Benton, writing No Place For Me became a deeply personal experience that helped him process years of emotions and self-reflection.
“No Place For Me is everything I’ve felt for a long time but never had the words for. Writing it taught me who I actually am even when that hurt to look at. It’s a full journey: Where it started, what I discovered, and where I am today.”
The new record continues Miss May I‘s approach of channeling difficult emotions into melodic metalcore built around technical riffing, hardcore grooves and memorable choruses. Since forming in 2007, the band has built a loyal following by combining intensity with emotionally driven songwriting.
Their breakthrough came with 2012’s At Heart, which reached No. 32 on the Billboard 200. They followed that with Deathless (2015) and Shadows Inside (2017), both of which landed in the Top 10 of Billboard’s Top Independent Albums and Top Rock Albums charts.
The band’s most recent studio album, Curse Of Existence, arrived in 2022 and earned strong reviews across the metal press. Alternative Press wrote: “Miss May I have penned one of their strongest records yet.” V13 described it as “packed full of emotion and heartfelt rage,” while Outburn praised “their fast, aggressive, thrashy metalcore mixed with powerful lyrics.”
Over the years, Miss May I have also amassed hundreds of millions of streams while sharing stages with acts including Killswitch Engage, Parkway Drive and Motionless In White.
The post MISS MAY I Announce New Album “No Place For Me” & Shares Music Video For “Hand Me A Halo” appeared first on Sonic Perspectives.
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Skrapegoat Enlist Veterans Of The Union Underground, Dope, Sw1tched & More For Their Lineup
That outfit exist as a spiritual successor of sorts to Skrape.
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Shaven Primates Kill The Algorithm Review
Shaven Primates Kill The Algorithm Review
The EP opens with “Saviour,” an introduction that creates a sense of suspense. It toys with the listener, leaving them uncertain about its direction. After 14 seconds, the raw and direct sound of this band hits hard. Psychedelic guitar riffs characterize the alternative rock approach. The vocals enter as the song pauses, giving space for melody. The atmosphere transforms into a hypnotic, psychedelic experience. This track fully reveals the essence of the band, blending 90s influences with a contemporary twist. There are shades reminiscent of the Smashing Pumpkins throughout.
Following “Saviour” is “Pioneer Way.” This song features an intricate rhythm, similar to that of Queens of the Stone Age. It embodies a visionary chaos that fills the listener with energy. The band’s ability to play with bold rhythmic and harmonic choices is impressive. Their musical decisions are both daring and intriguing, maintaining a fresh vibe throughout.
Next up is “Feed,” which feels like a dreamlike journey. The sound is kaleidoscopic, with an innovative vision that sets this band apart. Their shifts in rhythm and harmony keep the listener suspended in an otherworldly atmosphere. “Feed” exemplifies their unique ability to create an immersive experience, holding attention through its diverse musical elements.
Closing the EP is “Kill The Algorithm,” the track after which the album is named. The concept of this song resonates deeply. It emphasizes that this is authentic music, performed by real people. It stands in stark contrast to the plastic sounds generated by AI, which have begun to flood the music scene. This is genuine music, overflowing with human emotions and visions that machines cannot imitate.
Kill The Algorithm – Sound and Atmosphere
While some elements may sound futuristic, they represent a strong statement. The music created by humans surpasses any machine-generated counterpart. This EP is a fantastic offering that I recommend to anyone who appreciates true music. The band showcases a remarkable talent and a unique artistic voice.
“Kill The Algorithm” captures a range of emotions and sounds, effectively bridging rock’s past and future. The EP provides a cohesive listening experience that remains engaging from start to finish. Each track brings something fresh, showcasing the band’s range and innovation.
The combination of lyrical depth and instrumental craftsmanship creates a rich listening experience. The repertoire transitions between intense rock moments and reflective, slower passages. This variety highlights the band’s versatility and artistic vision. Each song contributes to a broader commentary on music’s evolution in the modern age.
Kill The Algorithm – Performance and Production
In a landscape increasingly dominated by artificial creativity, Shaven Primates make a bold declaration. They reaffirm the importance of human artistry and emotional depth in music. This EP is not just a collection of songs; it is a rallying cry for the authenticity of human expression through sound.
“Kill The Algorithm” is an extraordinary showcase of Shaven Primates’ talent. Fans of genuine rock music will find much to appreciate here. The band’s commitment to their craft is evident, and their ability to create engaging music is remarkable. This EP represents a significant statement within today’s musical landscape.
Engage with this record, and you will hear not just music, but a passionate plea for the significance of genuine human expression in art.
Surreal
If you love this music: Discover More
For fans of:
Smashing Pumpkins • Queens of the Stone Age
The post Shaven Primates Kill The Algorithm Review appeared first on Edgar Allan Poets – Noir Rock Band.
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SILVERTOMB, Featuring Former TYPE O NEGATIVE & AGNOSTIC FRONT Members, Returns With “The Interpretation Of Nightmares”
Seven years after the release of Edge Of Existence, Silvertomb are back with a new record. The band, featuring former Type O Negative/Danzig members Kenny Hickey (vocals, guitar) and Johnny Kelly (drums), alongside Joe James (guitar, ex-Agnostic Front), Hank Hell (bass, Sheer Terror), and Aaron Joos (guitar, keyboards, vocals)—returns with The Interpretation Of Nightmares, ending a lengthy break that began after their debut.
The new album arrives after a difficult stretch for the band. Looking back on the years between 2020 and 2024, Hickey explained what kept Silvertomb off the radar.
“Just as things were really beginning to take off for Silvertomb, our hands were suddenly tied for a number of years due to the pandemic and its long-lasting aftermath; on top of that, I had a drinking problem that urgently needed sorting out,” says Hickey, looking back at the period between 2020 and 2024.
Before that interruption, Edge Of Existence had been released in 2019 and received strong support from both fans and critics. The band also had plans to hit the road with Monster Magnet, but the global pandemic brought those shows to a halt and stalled the group’s momentum.
Now, Silvertomb are ready to move forward. The Interpretation Of Nightmares is scheduled for worldwide release through Steamhammer on Friday, November 13, 2026. The band presents it as a stronger follow-up that expands on the foundation established by its predecessor while leaning further into its atmospheric doom metal sound.
The first taste of the record comes with the single “No Way To Live”, one of the album’s faster tracks. It provides contrast to the slower and darker material on the record, with lyrics centered on rejection and pain.
The post SILVERTOMB, Featuring Former TYPE O NEGATIVE & AGNOSTIC FRONT Members, Returns With “The Interpretation Of Nightmares” appeared first on Sonic Perspectives.
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Sigh Joined By Opeth’s Mikael Åkerfeldt On New Track “Unputenpu”
An animated video for the collab has just dropped.
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AN NCS PREMIERE: MINDVILE — “BITE BY BITE”
(written by Islander) Today we’re helping announce that the black/death metal band Mindvile (Spain/U.S.) have signed with Satanath Records (Georgia) and Paragon Records (U.S.) for the release of their debut album, Old Continent, scheduled for September 25th. The album is described as “the first chapter of “Stories No Tongue Should Tell“, a planned five-album conceptual […]
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