Category: news

Lost Asylum, UK Hard Rock Band have announcend the release of their new single and music video for the song ‘Dark Passenger‘, to be out on July 18th, 2025. The song is taken from their forthcoming EP ‘Shock Treatment‘, which will be released on November 21th, 2025. A promo video teaser can be viewed here: https://youtu.be/g4yV_ri8MfY Lost Asylum bring high energy performance’s with soaring vocals, Hard hitting powerful guitars, Solid pounding rhythm’s and hypnotic song writing. Lost Asylum is: Steve […]

SERPICO – Finish hard rock band, have released the 2nd single and music video for ‘Rock n Roll is Not Dead‘, the track is taken from their upcoming album ‘Dressed in flesh‘, which is set to be released September 12, 2025 via Golden Robot Records. The video can be viewed here: https://youtu.be/R1sxAxlhkDc The single can be streamed here: https://orcd.co/rock-n-roll-is-not-dead The phrase “Rock n’ roll is not dead” has always been close to my heart and plays such a big part […]

A crew of Boston music veterans find themselves living and hanging out in Hollywood. The spark was Jonathan Anastas (DYS, Slapshot). He snagged bassist Jaime Sciarappa (SSD, Slapshot), drummer Al Pahanish (DYS, Powerman 5000), guitarist Johnny “Rock” Heatley (Half Cocked) and a special guest solo or three from Adam Porris (DYS, Far From Finished, Wax, The Calamatics), adding vocalist, bassist and keyboard player Mark “Muddy” Dutton (LA Guns, Chris Robinson Brotherhood, Dwight Yokum). 

Aside from the obvious Boston hardcore connection, the core group of friends also shared a deep love for that dirty L.A. Sunset Strip mythology and great American rock and roll. After a few sweaty jam sessions in the legendary rooms of S.I.R, the outcome was recorded. Anastas wrote the music, swapping his bass for an arsenal of vintage Gibson guitars. The guys holed up for a weekend in a dark Hollywood recording studio. Paul Mars Black (Founding member of both LA Guns and the Mau-Mau’s) engineered the session while Josh Fields mixed all the tracks. Mark “Muddy” Dutton produced, and even threw down some keyboards. The tracks were mastered by legend Howie Weinberg. 

The story doesn’t get much deeper than that. A love letter to pre-Instagram, no-iPhone, sweaty high octane rock and roll nights on the Sunset Strip before an after-hours party at some Von Dutch and Juicy-wearing teen starlet’s place in the Hills. 

Detailed and boasting a lot of authenticity, this is the latest from L.A. (by way of Boston) band DYSBANDED. Having brushed up on the band’s history a bit brings a fresh appreciation and understanding for what they’re trying to accomplish with their sound. A little bit grimy, a little bit sexy, and a lot laid back, Bitter is a ode to the rock of yesteryear and evokes all of the stylish imagery inherent in the era that is the subject of worship for this band. A fresh take on a classic genre and beautifully rebellious within the context of today’s music scene, don’t sleep on this gem.

Hear for yourself below!

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Self-described as “desert death metallers”, this track is the latest from death metal outfit Cursed Bloodlines. Dynamic in both sound and structural composition, Corpser starts off slow with a sound bite of marching footfall before diving headfirst into the deep end with eviscerating vocal performances and rolling guitar instrumentals. From there, this track keeps the energy high and consistent, with melodic chord changes and persistent metronomic drum work. An instant hit for any death metal fan!

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Progressive metal from Salem, Ohio, this dynamo track is the latest drop by midwest metal band Iravera. Built out of pure intensity and grime, the main attraction for Bowing Out is its raw approach to vocals, diverse instrumental range, and detailed composition throughout. Never a dull moment, this track boasts over 6K views on Youtube since its release just 2 weeks ago. This is not a release to sleep on!

Hear for yourself below!

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Lostvoy emerged from the vibrant underground music scene of Toronto, Canada, with a raw-ish and emotionally charged sound that blends emo, punk, and hardcore elements. In our brief two-year journey, we have released eight compelling singles, each exploring themes of love, loss, and the struggles of everyday life. 

Having already garnered over 7K views on Youtube in the brief 2 weeks since its release, this is the latest banger from Canadian metal outfit Lostvoy. Catchy but face-melting, GET OUT combines melodic hardcore, screamo, and metalcore into a complexly layered and emotionally delivered composition. Each layer builds on the last like a fever dream to create a dynamic example what the band’s lates EP, titled 4GUD, has to offer.

Hear for yourself below!

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Vihilija is a Belarusian post-black metal band from Minsk, blending the sonic landscapes of post-metal, shoegaze, and black metal.

The group’s music is characterized by its use of the Belarusian language, adding a unique cultural depth to their sound. Inspired by the likes of Alcest, Møl, Deafheaven as well as Cult of Luna and Neurosis, Vihilija’s music is a testament to the band’s ability to craft a distinctive sound that resonates with fans of atmospheric and introspective metal.

Complexly layered instrumentals and an almost mournful approach to pacing and tempo, this is the newest release from Belarusian band Vihilija. Though it keeps with some key characteristics of Black Metal, Kachanaja is beautifully composed with the perfect amount of “breathing room” to allow the emotional melodies to really open up. This track is like a fine wine for your ears.

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Couch Slut is a band from NYC that has played a strain of druggy, pissed off hardcore noise rock since 2013. Led by Megan Osztrosits’ infernal roar and subversive, vitriolic lyrics, they’ve released three full lengths; My Life As A Woman (2014), Contempt (2017), and Take A Chance On Rock ‘n’ Roll (2020). The band has shared the stage with the likes of Virus, Chat Pile, Wolf Eyes, KEN mode, Krallice, The Body and Melt Banana. 

Described as “filthy noise rock from NYC, not for the faint of heart” and I couldn’t agree more. Couch Slut Lewis is a grimy, gritty venture into musical brutality that tears your face off from the first verse. Slow and deliberate instrumentals are the backbone of this composition, with eviscerating vocal styles providing the face-melt factor throughout. The story-telling subject matter is even heavier and is where the heart of the track really lives.

Hear for yourself below!

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The American hard rock trio, Inside The Trojan Horse, channels that unfiltered chemistry into their new EP Origins — a collection that captures the fire that set it all off. The first single, “Dogs,” is nothing short of fucking around and finding out. Unrelenting, sharp-edged, and unapologetic, the track sets the tone for what’s to come. The band self-directed the official music video, which premiered Friday, May 23, 2025.

And it already has an absolutely staggering 18K views on Youtube in the few weeks it’s been live! This grimy gritty new release from hard rock band Inside The Trojan Horse, who were fresh on the heels of their release Blood and Teeth when we last heard from them, is a multi-tiered heavy-hitter and an aggressive reminder that this band isn’t messing around. Concise and perfectly formulated, Dogs is overflowing with charisma and fire courtesy of electrifying guitar progressions, pounding drum work, and raucous choruses. Don’t walk – RUN!

Check it out for yourself below!

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Karfagen are a stunning band from Ukraine, the brainchild of  multi-instrumentalist Antony Kalugin. One of the most prolific acts I’ve ever known (21 studio albums during their first 19 years!), they produce mostly instrumental tracks, but this one, coming from their 2026 album “Spektra”, also includes a choir section. As usual for Karfagen, this seven movement suite is simply unpredictable and deliciously varied. Classical music inspires many parts of “Phase 1” and if keyboards prevail all along the track, there is a good choice of instruments , such as violin, acoustic and electric guitars, some unusual percussions and, of course, a vocal trio, singing in latin. 

This is Karfagen’s eighth studio album.

As you can imagine, tempos, moods and  arrangements are in a perpetual change, spanning from atmospheric to rock moments, including some very good guitar and keyboard solos and many lively interplays. Nonetheless, this is not a collection of sparse compositions. On the contary, there is a strong pattern all along the suite and each passage is there for a good musical reason, enriching the previous one and preparing in a way the next one. A beautiful, invigorating experience.