Category: news

Finnish melodic metal act After Infinity continue the journey toward their upcoming album “Beyond Eternity” with the release of the new single “Infinite Feeling“, accompanied by an official visualizer. Following the heavy riffs and themes of rebellion explored on the previous single “King With No Crown“, the band now reveals a brighter and more uplifting side of […]

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Tixel has partnered with Placebo to offer fans an opportunity to snag a seat in an exclusive and limited series of Pitchblack Playback listening premieres of PLACEBO RE:CREATED (the recreation of their self-titled debut album), ahead of its official release on 19th June. The opportunity to register (for all cities/dates) is via this page, which […]

Progressive alternative metal outfit Stellar Circuits have continued their recent run of new material with the release of “Wounded Healer”, their latest standalone single. The track follows closely behind last month’s “Spotlight”, with both songs arriving in the aftermath of the North Carolina band's third studio album, “Phantom :: Phoenix”…. Read More/Discuss on Metal Underground.com

Fresh from a breakthrough start to 2026, Mongolian folk metal collective UUHAI announce their full European headline tour, taking place in March and April 2027 in support of their debut album, Human Herds. Following their highly acclaimed appearances on the “Motocultor Across Europe Tour” in early 2026 with Napalm Records label mates NANOWAR OF STEEL, a run that […]

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Band:	Genghis Tron
Release:	Signal Fire
Genre:	Cybergrind, Electronica, Metal
Country:	America
Release Date:	12th of June, 2026
Released via	Relapse Records

Genghis Tron is planning in half-centuries, Signal Fire is the successor to 2021’s Dream Weapon, which I loved and still hold very dearly to my heart. It was a strong stylistic turn the band took, but it paid tenfold (in my humble opinion). An upgrade no one anticipated, but welcomed with open arms. Taking the updated line-up for another round and enhancing it even further by adding another “real” instrument with Kenny Szymanski (The Armed) on bass, Genghis Tron are ready to improve their Software even further.

This latest chip added to the circuit board equips the band with a more organic pulse. Purists and stubborn fans of the early days may argue that Genghis Tron is gradually giving up one of its defining traits—the strong electronic focus and clinical sound. What they overlook, however, is that the songs the band writes today are far more coherent and simply better than those from its chaotic beginnings. Tracks such as the opener “I Am All” and the epic “Tomorrow Mirage” effortlessly build bridges between Genghis Tron, Nine Inch Nails, and The Armed—sometimes within minutes, sometimes within seconds. The latter thoroughly defragments the hard drive over the course of seven minutes before restoring everything to harmonious order in its closing section.

A brief system reboot arrives in the form of the instrumental “Without Form” before “Born Prey” pushes every system—creative and aggressive alike—to full capacity once again. That particular track is perhaps the best showcase of Genghis Tron’s new sonic identity. Chaos has returned more prominently, yet without erasing the atmospheric elements that have integrated so seamlessly into the band’s universe. The pairing of “Signal Fire” and “Future Worship” brings longtime fans back on board while giving newer listeners exactly what they loved about Dream Weapon.

With Signal Fire Genghis Tron follow their newly forged path and take some elements of their own past back into their sound. Signal Fire may be more aggressive and fierce than Dream Weapon but it still contains those great spheric passages of its predecessor. At times they even sound like a sequel to the 18 years old Board up the house. Genghis Tron have restored some features from their old version to their newly established firmware. The system continues to run freely and without stylistic constraints. The update has been a success, the machine is running smoothly, and it is ready to be admired by a new audience.

Mexican speed/thrash metal force PHANTOM have released the official animated music video for “Out of the Mausoleum”. The track is taken from the band’s upcoming third full-length album, Not Midnight Yet, which will be released on June 26 via High Roller Records. Watch the video here:https://www.youtube.com/watch?v=Z7zeNuXAQ70 Following the reissue of their back catalogue through High […]

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Black Wilson’s Midnight Focus is a calming ambient composition designed to encourage relaxation, concentration, and reflection. Built around spacious textures and gentle sonic layers, the track unfolds with patience, creating an atmosphere of quiet stillness and balance. Its minimalist approach allows the listener to settle into the music naturally, making it well suited for meditation, study, or moments of introspection. Rather than relying on dramatic shifts, the piece maintains a consistent and soothing mood throughout, emphasizing subtle detail and tonal warmth. Midnight Focus is a thoughtfully crafted instrumental work that demonstrates Black Wilson’s ability to create immersive and restorative ambient soundscapes.

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Buddy Wynkoop’s Nouveau Riche is a sharp and engaging post punk track that pairs angular guitar work with a compelling rhythmic drive. Built around spoken-word vocal delivery and an evolving arrangement, the song balances immediacy with thoughtful thematic depth. Its exploration of impermanence, value, and modern consumer culture gives the lyrics a reflective quality, while the energetic instrumentation prevents the track from becoming overly cerebral. The dynamic progression keeps the listener engaged, culminating in a powerful second half that highlights the band’s knack for tension and release. Nouveau Riche showcases Buddy Wynkoop’s distinctive artistic voice and reinforces their reputation for crafting intelligent, emotionally charged post punk.

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Fabrice Aboulker and Pascal Stive deliver a refined and evocative cinematic composition with L’Or Bleu. Built around delicate piano melodies and immersive orchestral textures, the piece unfolds with patience and emotional depth, creating a sense of movement that feels both intimate and expansive. Its gradual development balances moments of tension and release, drawing the listener into a contemplative and atmospheric soundscape. As the main theme of the television series of the same name, the composition successfully conveys a narrative quality while remaining compelling as a standalone work. L’Or Bleu is a graceful neoclassical piece that showcases the composers’ ability to create music of subtle beauty, elegance, and emotional resonance.

Audiovoid’s DAT-D is a bold and meticulously crafted electronic track that thrives on tension, atmosphere, and rhythmic precision. Built around a powerful low-end foundation, the composition combines intricate textures, glitch-infused details, and evolving sonic layers to create an immersive listening experience. Rather than following predictable structures, the track unfolds through a series of carefully controlled shifts that keep the listener engaged from start to finish. Its production is sharp and confident, balancing experimental elements with a strong sense of momentum. DAT-D showcases Audiovoid’s ability to merge technical sophistication with creative risk-taking, resulting in a compelling and distinctive piece of contemporary electronic music.

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