Category: news

  • Tardigrade Inferno – Hush Review

    In 2019, I accidentally stumbled upon St. Petersburg’s wacko dark cabaret metal freaks Tardigrade Inferno’s debut Mastermind, depicting an adorable evil water bear as mascot. You can imagine that I was immediately hooked. Their legitimately heavy riffs and whimsical songwriting kept me coming back for more when Burn the Circus dropped four years later. That release doubled down on original material backed by a more focused metallic spirit, and all the better for it. Initially, it sounded like third installment, Hush picked up right where Burn left off. However, gone is my beloved little tardigrade. What could this mean?

    While Tardigrade Inferno’s sonic formula remains largely the same as it was on Burn the Circus—albeit with the addition of accordions and kazoos and one very unexpected burst of blast beats (“I Am Eternal”)—it’s clear that they moved away from their titular character on Hush. A darkness follows that disappearance, reflected in the dour and morbid attitudes imparted throughout Hush’s 45 minutes (“Dead Fish Smile”). Absent the maniacal main character that gave Tardigrade Inferno’s music life, direction, and purpose, Hush’s storytelling feels aimless and shallow. Thankfully, those trusty hooks, bouncy riffs, and infectious choruses entertained me just enough as I navigated through an uncomfortable grieving period for the Tardigrade Inferno I once cherished.

    After a time, I felt ready to embrace Hush, knowing it wasn’t going to offer the same wacky storyline as previous records spun. However, I never escaped my disappointment that Tardigrade Inferno chose an album of vignettes, pulling from a wide gamut of fairy tales and ubiquitous monsters, as their solution. Cuts like “Deadly Fairytales” and “Goor” hammer that generic storytelling home musically as well, though there are small moments in each that make for a great idea or an ear-catching setup (see the howling vox and silent rests in “Goor”). Others like “All in Your Head” and “I.C.D.,” in contrast, expound upon the natural horrors that plague the human mind in the real world. While that topic works quite well in metal writ large, Tardigrade Inferno don’t sell it with the same compelling gravity or subversion as other acts who adopt this exuberant cabaret influence (like Pensees Nocturne or Sanguine Glacialis). Consequently, Hush lacks substance and excitement for a good chunk of its duration.

    However, there are a number of cool ideas, new tricks, and fun details found here that Tardigrade Inferno could, and should, take advantage of on future endeavors. The title track is a certified bop, with a bouncy riff backed by fun synths and a sticky chorus that I can’t stop involuntarily repeating. “Subatomic Heist” is a bizarre little number that brims with vibrancy and energy as well, and it’s no surprise that it also calls back to those virtually unkillable microscopic creatures of past installments. Similarly, the proggy and doomy closer “I Am Eternal” foreshadows a tardigrade resurgence inside off-kilter melodies, unorthodox songwriting (for this band, at least), and gorgeous lead guitar work. Naturally, returning to the critters and characters that gave Tardigrade Inferno its primary appeal also gave this song the backbone and direction it needed to feel worthy and interesting. This, in turn, further exemplifies the issues that plague all of the songs on Hush that make no such return.

    I’m not normally one to recommend a band revisit past ideas or themes. In fact, I am a firm proponent of a band sticking to their guns and finding their way whenever they make a potentially divisive shift from past work, either musically or thematically. In this case, however, I think killing off their main character and the silliness that came with it—not to mention the dearly missed conceptual storytelling—doomed Tardigrade Inferno’s third outing. Hush isn’t unsalvageable, as it has nifty ideas and some new songwriting tricks and fun instruments that fit well into Tardigrade Inferno’s sound, but it’s missing the direction and compelling arcs that made their first two records successful. My wish for Tardigrade Inferno is therefore to ditch the horror stories and rebuild the circus, for the show must go on!


    Rating: Disappointing
    DR: 5 | Format Reviewed: 320 kb/s mp3
    Label: Self-Released
    Websites: tardigradeinferno.bandcamp.com | facebook.com/tardigradeinfernomusic
    Releases Worldwide: March 5th, 2026

    The post Tardigrade Inferno – Hush Review appeared first on Angry Metal Guy.

  • NO/MÁS: “NO PEACE”

    (Below is Wil Cifer’s review of No Peace, a new album by D.C.-based No/Más that’s set for release on March 13th by Redefining Darkness. The cover art was created by Brian Sheehan.) There could never be a more fitting soundtrack for the world today than this album. NO/MÁS are angry as fuck. They are not […]

    The post NO/MÁS: “NO PEACE” appeared first on NO CLEAN SINGING.

  • From 2011: Amy Winehouse, British Soul Singer With a Troubled Life, Dies at 27

    A British singer who found worldwide fame with her sassy, hip-hop-inflected take on retro soul, she became a tabloid fixture because of addiction problems.
  • Martin Barre Brings Forth Electric And Acoustic Stage Report

    Martin Barre Brings Forth Electric And Acoustic Stage Report

    Since he and parted ways, has released not only a slew of studio works but also no less than four concert albums, his latest being from 2021, and there’s a new one on the way, titled “The Acoustic Trio & … Continue reading

    The post Martin Barre Brings Forth Electric And Acoustic Stage Report appeared first on DMME.net.

  • AMONGRUINS – Κυκλοφόρησαν το video “Into The Flame” από το άλμπουμ “Advent of Chaos”

    https://www.metalourgio.com/wp-content/uploads/2026/01/AMONGRUINS-melodic-death-metal-band-e1767999060594-768×399.jpg
  • From 2018: Aretha Franklin, Indomitable ‘Queen of Soul,’ Dies at 76

    With hits like “Respect” and “Chain of Fools,” she defined a female archetype: sensual and strong, long-suffering but ultimately indomitable.
  • BRADY EBERT Launches New Band EVIDENCE After Being Fired From THE S.E.T.

    A photo of Brady Ebert, formerly of Turnstile and The S.E.T.

    Brady Ebert forms new project Evidence with Ben Rogers and Bobby Faithful, planning an EP after departing The S.E.T. over divisive comments.

    The post BRADY EBERT Launches New Band EVIDENCE After Being Fired From THE S.E.T. appeared first on Metal Injection.

  • Neuronspoiler Hit Hard with The House Always Wins

    Album Review: Neuronspoiler Hit Hard with The House Always Wins, a Heavy Metal album packed with soaring vocals, killer riffs, hooks and standout tracks.

    Move over Ian Gillan, there’s a new “hairy scream” in town and his name is JR Vox. The mighty Neuronspoiler are back with a new album and the boys have done us mere mortals proud with their latest offering, The House Always Wins.

    Neuronspoiler – The House Always Wins

    Release Date: Out Now

    Words: Steve Kenton

    Within this absolute banger of an album, their fourth to date, there are ten well-crafted tracks with something for everybody. It is fair to say that you will want to listen to this album over and over again. Make no mistake, though. Although this album feels like a NWOBHM vehicle with a modern twist, none of the tracks are hackneyed or clichéd. There is originality in abundance along with top-quality musicianship. 

    Neuronspoiler - The House Always Wins - Out 28th February 2026
    Neuronspoiler – The House Always Wins – Out 28th February 2026

    Produced by Guillermo ‘Will’ Maya at Los Rosales studio in Madrid, Spain and featuring JR Vox on vocals, David Del Cid and Adam Breyer on guitars, Loki on bass and Francesco Giorgianni on drums, you have a bit of everything here, from the 1980’s imbued, radio friendly, Crazy Love, to the brilliantly original Crimson Tales, with its off-kilter timing and killer riffs.

    However, The House Always Wins is not just about the incredible musical talents of these Neuronspoiler guys. Lyrically, they are at a level that puts them at the top of the game, too.

    One of the stand-out tracks, Witness, is a rather intriguing track that leaves you wanting more. A tale of murder and mystery always makes good listening, and this track is no exception. Again, it has that ’80s feel with its tight, heavy drumming and frenetic guitar solo, but there is a freshness about the number.

    Neuronspoiler - The Old Library, New Cross Gate - 28 February 2026. Photo: Steve Ritchie/MetalTalk
    Neuronspoiler – The Old Library, New Cross Gate – 28 February 2026. Photo: Steve Ritchie/MetalTalk

    Now, if you want anthems to get those musical juices flowing, just ask, and ye shall receive in abundance. Neuronspoiler have been exceedingly generous here and delivered not one, but two absolute barnstormers to get your hair flying and your fist punching the air.

    Spoils Of War is a chunky bass and drum-driven call to arms, interspersed with some fiery fretwork from Breyer and Del Cid, and is imbued with a ridiculously catchy chorus. But let’s talk about JR Vox’s vocals. Holy nuts in a vice, Batman! How on earth he reaches some of those high notes is a mystery only shared by him and Ian Gillan. It’s quite likely that every dog within a mile radius of the recording studio were left whimpering, given the pitch that Vox reaches.

    New Thing replicates aspects of Spoils Of War, with its catchy chorus and rousing lyrics. Of course, the guitar work is brilliant, and absolutely, the engine room throbs like a 1967 Mustang, but the beauty of these two numbers is the fact that they are both memorable and rollickingly good fun.

    Crazy Love and Hundred Years are the two most radio-friendly numbers, with the former being an unapologetic nod to 1980’s heavy metal. You can read the review of Crazy Love here.

    Neuronspoiler gave an insight into why Crazy Love was selected as the group’s new single in the video at the top of the page. “Crazy Love is one of the shorter songs,” JR told MetalTalk. “We’ve always been told you need a radio edit, and we get very upset. Why do you want to chop my song to three and a half minutes? So we thought, OK, Crazy Love is the shortest one. It’s got some chorus repetition, it gets in the brain and lodges in the brain like an earworm, so it was quite clear that this would be the second single.”

    Hundred Years is a hard-rocking love song that, despite its slow build-up, eventually reaches a crescendo that blows out the speakers. This really is a feel-good number with some rather uplifting chord changes and stunning vocals, which makes this quite a mainstream rock number.

    The other standout track on this album is Crimson Tales. With a rather unique AI driven video, I asked the band how the concept for the video came about. “It’s cheaper and faster,” they said. “Poverty is poverty. We thought we would do a lyric video, and then we said, we could do it faster, maybe we could do something more dynamic or more like a story. We thought it would be a bit better using AI.”

    The track is an unexpected classic, with its left-field timing and key changes. Breyer and Del Cid, once again, prove that they are an exceptional pair of axemen. Launched last November, this was the first release from the new album. You can read the review of Crimson Tales here.

    Self Afflicted has a chugging, driving rhythm to it with a raw, animalistic feel to it, and the two guitar solos are absolutely exquisite.

    Neuronspoiler - The Old Library, New Cross Gate - 28 February 2026. Photo: Steve Ritchie/MetalTalk
    Neuronspoiler – The Old Library, New Cross Gate – 28 February 2026. Photo: Steve Ritchie/MetalTalk

    Let The Sun is another track which features some highly intelligent lyrics. It could be argued that the subject matter of the song is rather bleak, but do not let that fool you into thinking that it is not a great song. It is a cracker. There is almost a Middle Eastern flavour to some of the guitar work. There is also the dichotomy of JR Vox’s soft melodic vocals, suddenly bursting into high octane octaves. With some nice bass fills and some pretty awesome drumming, this is a masterpiece of a track.

    With Barren Soil and Ascend To Death, making up the final two tracks on the album, you have a fine mix of different Metal styles on this album, and it is not just the different styles that make this offering a vital part of your music collection.

    Neuronspoiler - The Old Library, New Cross Gate - 28 February 2026. Photo: Steve Ritchie/MetalTalk
    Neuronspoiler – The Old Library, New Cross Gate – 28 February 2026. Photo: Steve Ritchie/MetalTalk
    The post Neuronspoiler Hit Hard with The House Always Wins first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.