Filmed amid their ongoing European tour together.

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Sweden’s Mylingar are a personal favourite in the obscure depths of the black / death metal underground. Now returning with their fourth album, set for release via Amor Fati Productions, I am certain this will be a disquieting experience… To be released on the 17th of April.

Bellowing bass and churning guitars instantly wound with vicious riffing and malign atmospherics. Soon joined by punishing percussive onslaughts and equally mean-spirited vocals; the abhorrent assault of the Swedish entity works in unison to conjure the foulest and most depraved concoctions of black and death metal imaginable. Blending dissonance with hard-rocking grooves and all-out ferocity; the serpentine venom is unique and instantly recognisable as their own distillation that builds upon their majestic prior albums with rejuvenated spectral furore. Chiming cymbals add contrast to the darkened abyssal downpour of malevolent guitars and bass. The mix is quite similar to the previous album, which I am grateful for, as it sounds massive and allows each convulsion of discordant flagellation to be truly felt. Swelling and falling, each moment evokes anguish, curiosity and tension to hold you on the precipice of ecstasy and some sort of nervous breakdown. A supremely strong start for a record I knew I would hold in very high regard before hearing a note.

Dancing in lunacy, the combination of intricate blast-beats with more groove-laden drumming gives a tribal rhythm and more classic feel to the record while upholding this unrelenting extremity that the band effortless build. This combined with the warped and inhuman riffing and disturbed vocals gives a contorting and yet still enjoyable progression to the songs where they feel totally deranged and yet still have these clever hooks with some epic bass lines to hammer the point in like a rusted nail trepanning your skull. Each track washes over you with an odious and nightmarish veil of refreshing and intoxicating vapours. While noisy and chaotic, there is never a second where something feels out of place, rather every bludgeoning note or discordant break a statement of malicious intent to be felt with full force. As the intensity continue to rocket skyward, there is no peak in sight, only more sonic flagellations and psychic upheaval.

Blazing dissonance wraps itself around a core of molten vitriol, riding waves of penetrating hammering to sow seeds of discomfort and anxiety. Burning itself from the inside out, the pungent fumes of a veritable nightmare will bend your mind to its will. Following the “Döda” trilogy was certainly no easy feat, and yet “Út” boldly strides out into the unknown while honouring its predecessors. The infinite layers of reverberate majesty all entwine in such a wonderfully insane way, these hexes are totally unforgettable. The simplicity of the song titles speaks to the band preferring action over statement, yet each being effective. This music is an experience that cannot be described easily, but I cannot recommend it enough to those traversing the wilder tides of extreme metal in search of something genuine, explorative and lethal. Poison your mind with these seven hymns from below, allow their coiling misdeed to unfurl in the depths of your mind and witness the revelations of blood and dirt they bestow upon you.

“Út” is a deranged, unwelcoming and inhospitable soundscape of black and death metal’s most disturbing conjurations distilled into a singularity of spiritual destruction. Few bands reach this pinnacle of being so extraordinarily unique, ferociously unhinged and yet still feeling totally rooted in that pure and uncompromising genre known as metal. There is no sacrificing of the old ways here and yet Mylingar have found an unexplored avenue of sound that is inarguably there own, this recording reaching a tendril that bit further into the abyss than they have ever ventured before. This record punches a crack in reality with such profound aggression that you will either adore it, or be broken by it. A crowning triumph from one of the most interesting bands in black, death or any other corner of the metal underground.

Keanu Reeves looked at his bass and whisper-shouted through gritted teeth, “People keep asking if I’m back, and I haven’t really had an answer. But now, yeah! I’m thinking I’m back!” This is me being stupid. Keanu Reeves probably did not actually do that. But on the subject of rocking out with his reunited ’90s…

The post Dogstar Announce New Album <em>All In Now</em>: Hear The Title Track appeared first on Stereogum.

What Is Sleep Token’s Lore Actually About?

Sleep Token’s lore centers on the masked figure Vessel serving an ancient deity called Sleep through music offered as devotion, but the deeper meaning of the mythology is a symbolic exploration of obsession, worship, love, and emotional surrender rather than a rigid fantasy storyline.

TL;DR:

Sleep Token’s mythology begins with Vessel encountering the deity Sleep in a dream and dedicating his music as offerings in worship. While that premise is real and confirmed by the band’s early presentation, most of the extremely detailed lore circulating online is fan interpretation. The official foundation is intentionally minimal, allowing the albums, symbolism, and emotional themes to expand the story. That restraint is exactly why the mythology works so well — it turns personal struggle and devotion into something that feels ceremonial and mythic.

Where Sleep Token’s Lore Actually Begins

Sleep Token first emerged in 2016 with a deliberately mysterious presentation built around ritual imagery and anonymity. Early descriptions of the project framed the band not simply as musicians but as participants in a devotional act centered on an ancient entity known as Sleep.

According to the band’s early mythology, Vessel encountered Sleep in a dream and was promised “glory and magnificence.” In return, he now performs music as offerings to that deity. The language surrounding the band — worship, offerings, ritual — comes directly from that foundation.

That is the entire confirmed premise. Everything else fans discuss expands outward from that core idea.

This is an important distinction, because many articles online treat Sleep Token lore like a fully documented fantasy universe. In reality, the band intentionally leaves large portions of the mythology unexplained. The ambiguity is part of the design.

Browse upcoming heavy metal concerts and ticket availability here

Why Worship Is the Central Theme

If you strip away the masks and mystery, the concept of worship is the real engine of the project.

In Sleep Token’s world, worship isn’t only religious. It also represents obsession, desire, devotion, longing, and emotional surrender. The songs often read like confessions of vulnerability or collapse rather than sermons dedicated to a deity.

That dual meaning is why the mythology resonates with fans. Sleep functions both as a supernatural figure and as a metaphor for overwhelming forces in human life — love, loss, addiction, power, longing, and transformation.

Instead of explaining those emotions literally, the band frames them as ritual offerings.

Loaded Radio Recommends – What Genre Is Sleep Token? The Debate Explained

Why the Masks and Anonymity Matter

Sleep Token’s anonymity has become one of the band’s most recognizable elements, but it is not simply a marketing trick.

The masks reinforce the idea that the focus should remain on the message rather than the individuals behind it. Vessel is presented as a conduit rather than a celebrity.

Removing identity does two things:

First, it preserves the mythology.
Second, it allows listeners to project themselves into the narrative.

The audience isn’t supposed to focus on who the musicians are in real life. The attention stays on the emotional experience being communicated through the music.

How the Albums Expand the Lore

Sleep Token’s story unfolds primarily through its albums rather than through explicit narrative explanations.

Sundowning (2019)

The band’s debut album established the ritual structure of the project. The record was released in a unique rollout where songs appeared every two weeks at sundown, reinforcing the ceremonial identity of the band.

Each track introduced symbols and imagery that helped shape the mythology.

This Place Will Become Your Tomb (2021)

The second album expanded the emotional depth of the project. Themes of transformation, self-destruction, and devotion became more intense while the band’s sound grew more experimental.

Instead of clarifying the mythology, the record deepened the emotional atmosphere around it.

Take Me Back To Eden (2023)

This album was officially presented as Part 3 of a trilogy that began with Sundowning. The record ties together many recurring themes of worship, surrender, rebirth, and identity collapse.

Rather than delivering a literal ending to the story, it completes the emotional arc of the trilogy.

Even In Arcadia (2025)

The band’s fourth album begins a new chapter in the mythology following the trilogy, continuing the evolution of the project rather than resetting it.

What the Lore Really Represents

Here’s where the real payoff lies.

Sleep Token’s mythology works not because it provides answers but because it provides language for intense emotional experiences.

Sleep can be interpreted as:

• temptation
• transcendence
• obsession
• surrender
• power
• destruction
• transformation

Vessel becomes the dramatic character through which those forces are explored. The songs then function as ritual expressions of those emotions.

In other words, the lore is less about storytelling and more about turning vulnerability into mythology.

That approach allows fans to interpret the narrative through their own experiences while still maintaining a recognizable framework.

If you’re newer to the band or want some additional context, this article pairs well with our deep dive into 13 Things You Didn’t Know About Sleep Token, which explores some of the lesser-known details behind the band’s rise and symbolism.

Why Sleep Token’s Lore Feels Different From Other Bands

Many bands attempt mystery or anonymity, but few sustain it successfully.

Sleep Token works because the concept isn’t just visual branding. The mythology influences:

• the language around the band
• the structure of releases
• the themes of the music
• the visual aesthetic
• the emotional framing of the songs

Everything supports the same world.

That consistency is why fans don’t simply enjoy Sleep Token — they immerse themselves in it.

Check This Out – The New York Times Names Sleep Token’s ‘Caramel’ The Best Song of 2025: Why the World Is Finally Worshipping at the Altar of Vessel

FAQ

What Is Sleep Token Lore?

Sleep Token lore is the mythology surrounding the band in which the masked figure Vessel serves an ancient deity named Sleep and performs music as devotional offerings.

Who Is Sleep In Sleep Token Lore?

Sleep is the supernatural entity at the center of the band’s mythology. Vessel claims to have encountered Sleep in a dream and now acts as its servant through music.

Is Sleep Token Lore Official Or Fan Theory?

The basic premise of the lore is official, but much of the extremely detailed story interpretation online comes from fan theories expanding on the band’s symbolism.

Is Take Me Back To Eden Part Of A Trilogy?

Yes. Take Me Back To Eden was presented as the third part of a trilogy that began with Sundowning and continued with This Place Will Become Your Tomb.

Sleep Token Band Bio

Sleep Token are an anonymous British band centered around the masked figure Vessel, whose mythology presents him as a conduit for the ancient deity Sleep. The group first appeared in 2016 and quickly gained attention for blending metal, post-rock, R&B, and atmospheric music with ritualistic imagery and anonymity.

Their first three albums — Sundowning (2019), This Place Will Become Your Tomb (2021), and Take Me Back To Eden (2023) — form a connected trilogy exploring devotion, identity, and transformation. The band later began a new chapter with their fourth album Even In Arcadia. Sleep Token’s unique mixture of genre experimentation, symbolism, and mystique has helped them become one of the fastest-rising bands in modern heavy music.

The post Sleep Token Lore Explained: The Story Most Fans Only Half Understand appeared first on Loaded Radio.

A trio of headlining performances are now booked amid their festival appearances.

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Our friends across the pond are going to once again get hit with a sonic barrage, courtesy of our favorite mad cap mathcore act out there, The Callous Daoboys.

Earlier today, the band took to social media to announce their intentions and let Europe know they’ll be penetrating their borders in a couple months’ time. The run of shows will take place through part of June and into July, with a couple festivals like Roskilde and Tuska on the itinerary. The dates are as follows:

06/24 Gothenburg, SWE – Monumen031
06/25 Oslo, NOR – Vaterland
06/27 Helsinki, FIN – Tuska Festival
06/29 Nantes, FRA – Cold Crash
06/30 Bordeaux, FRA – Le Salem
07/02 Viveiro, SPA – Resurrection Festival
07/04 Roskilde, DEN – Roskilde Festival

Tickets are on sale now, so if you’re looking to get into one of these gigs, you can get yours today.

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The post The Callous Daoboys to Tour Europe This Summer appeared first on MetalSucks.

Good Day Noir Family,
Sean Tweedley’s “Hazy Daze” unfolds with a quiet confidence that immediately draws you in. An acoustic guitar introduces the track with a gentle yet purposeful touch.

Hazy Daze is Sean Tweedley’s Single Out Now

 Shortly after, the rhythm section steps in and nudges the song forward, creating a steady pulse that feels natural rather than forced. The groove doesn’t rush; instead, it invites you to settle into its pace.

However, what truly commands attention is the voice. Tweedley delivers his lines with a grounded, distinctive tone. He leans into the lower register, allowing each word to resonate fully. Rather than pushing for dramatic effect, he holds back, and that restraint gives the performance depth. His voice arrives almost like an oracle speaking softly in the dark, calm yet certain. As a result, the emotional weight builds gradually without ever tipping into excess.

Moreover, the atmosphere carries a subtle nostalgia. The arrangement feels nocturnal, reflective, almost like flipping through old Polaroids tucked away in a drawer. Each chord progression unlocks a memory, while the melody lingers just long enough to leave a mark. The song grows slowly, layer by layer, and that patient structure becomes one of its strengths. You sense that every element has been placed with intention.

When the chorus arrives, it opens up the track beautifully. It lifts the mood while maintaining the introspective tone established earlier. The contrast between verse and chorus highlights Tweedley’s clear understanding of songwriting dynamics. He knows how to let a song breathe and when to let it expand.

Furthermore, the production remains clean and balanced. Nothing overwhelms the vocal, and yet the instrumental backing never fades into the background. The acoustic foundation anchors the piece, while subtle rhythmic accents add movement. Even so, the overall feel remains intimate.

“Hazy Daze” stands as a thoughtful, well-crafted single that reveals an artist with a strong sense of direction. It’s reflective without being heavy, melodic without being predictable. In the end, Sean Tweedley offers a track that feels personal yet universally relatable.

Hazy Daze is Sean Tweedley’s Single Out Now!

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Reflective!

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Hazy Daze is Sean Tweedley’s Single Out Now

Sean is a Toronto, Canada–based singer-songwriter known for his honest and emotionally direct approach to music. On this heartfelt, intimate track about a relationship destined to fail, Sean performed all the instruments and vocals himself, bringing a raw, personal depth to every note.

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Find Sean Tweedley Here:

Spotify
Youtube

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Walsall-born, London-based artist Wesley Joseph is dropping his debut album Forever Ends Someday on April 10. Today, he has shared the newest single from the forthcoming LP. It’s called “Pluto Baby” and it comes with a video directed by Lokmane. The press release notes that the visual was filmed at the Paris Communist Party Headquarters. Well,…

The post Wesley Joseph – “Pluto Baby” appeared first on Stereogum.

Recording sessions have been mapped out for their debut EP.

The post Weeks After Being Fired From The S.E.T., Ex-Turnstile Guitarist Brady Ebert Has A New Band Called Experience appeared first on Theprp.com.