Category: news

  • North Carolina Noise Rock Band Cor De Lux Signs To Ipecac Recordings

    Cor de Lux, the North Carolina quartet featuring Dawn Moraga (guitar/vocals), Tim Lusk (guitar/vocals), John Bliven (bass), and Jacob Richardson (drums), have signed with Ipecac Recordings. The band will release their debut album for the label this fall, with more details to be announced soon. “In all parts of the world you can find hidden […]
  • The Warning Unleash Rip-Roaring New Track ‘Kerosene’

    The Warning have shared their second track of 2026, and have never sounded more fantastically fierce than they do right now.


    The song is called ‘Kerosene’ and is modern rock at its most devastatingly bold and belligerent. A sensationally driving riff melts into refrains dripping in confidence and cocksure attitude, as they take down those who talk shit behind their back but would never dare say it to their face. The people who watch their every move, despite the fact that they apparently don’t care about what they are doing. It’s the sort of track you would hate to realise is about you, delivered in a way that will send a cold shiver up your spine.

    It further cements the fact that The Warning aren’t a band you should be messing with. Because they will read you to filth.

    And the video is just as incredible. From doing doughnuts in a supercar to firing flamethrowers into the sky, the girls go on the ultimate roadtrip. Also, how sick is that bejewelled iPod Nano?

    Get stuck into it below.


    The song comes hot on the heels of the band’s recent collaboration with Mexican musician and recent GRAMMY winner Carín León on the country-tinged ‘Love To Be Loved’. Here it is.


    The band are set to support YUNGBLUD across the UK and the US later this year. Those dates look like this:

    APRIL

    11 – SHEFFIELD Arena Sheffield
    12 – LIVERPOOL M&S Bank Arena
    14 – BELFAST SSE Arena Belfast
    15 – DUBLIN 3Arena
    17 – LEEDS First Direct Arena
    18 – CARDIFF Utilita Arena
    20 – GLASGOW OVO Hydro
    21 – NEWCASTLE Utilita Arena
    23 – BIRMINGHAM Utilita Arena
    24 – LONDON The O2
    25 – MANCHESTER AO Arena

    MAY

    15 – SEATTLE WaMu Theater
    16 – PORTLAND Theater of the Clouds
    19 – LAS VEGAS Planet Hollywood Las Vegas Resort & Casino Bakkt Theater
    20 – LOS ANGELES The Rady Shell at Jacobs Park
    22 – LOS ANGELES Greek Theater
    25 – PHOENIX Arizona Financial Theater
    28 – IRVING The Pavilion at Toyota Music Factory
    29 – AUSTIN Moody Amphitheater
    01 – ORLANDO UCF Addition Financial Arena
    02 – HOLLYWOOD Seminole Hard Rock Hotel & Casino
    04 – ATLANTA State Bank Amphitheater at Chastain Park
    05 – RALEIGH Red Hat Amphitheatre
    06 – PHILADELPHIA Mann Center for the Performing Arts
    07 – WASHINGTON The Anthem
    09 – BOSTON Leader Bank Pavilion
    10 – NEW YORK CITY Radio City Music Hall
    13 – CHARLOTTE Skyla Credit Union Amphitheatre

    You can still grab your magazine, poster and exclusive solo member covers from the band’s win at the 2025 Rock Sound Awards at SHOP.ROCKSOUND.TV.

    The post The Warning Unleash Rip-Roaring New Track ‘Kerosene’ appeared first on Rock Sound.

  • The Dead Collective Release New Single & Lyric Video ‘Cracks’

    The Dead Collective have released their new single ‘Cracks‘, and a lyric video which can be viewed below: Stream ‘Cracks‘ – here Debut single ‘Cracks‘ showcases the bands evocative blend of driving riffs with the soaring vocals of vocalist/guitarist Oli Brown. Vocally reminiscent of the likes of Jeff Buckley, Chris Cornell and Shannon Hoon, the […]

    The post The Dead Collective Release New Single & Lyric Video ‘Cracks’ appeared first on ROCKPOSER DOT COM!.

  • Turkish-Sardinian Punk Rockers Gentilesky Announce New Album “Dream,” Out On April 3rd Via Slovenly Recordings

    Gentilesky, the powerhouse Italian-Turkish punk collective, officially announces the April 3 release of their second full-length album, Dream, via Slovenly Recordings. Accompanying the announcement is the premiere of their latest single, “Chasing The Light.” Gentilesky’s commitment to the punk rock ethos is evident in every track. Taking their name from the Baroque master Artemisia Gentileschi, the band bridges the gap between […]
  • Inside Harry Styles’s ‘Kiss All the Time. Disco, Occasionally.’ With Kid Harpoon

    The producer and songwriter has been responsible for some of this century’s biggest hits. His greatest skill may be remaining curious.
  • Spread Eagle Announce ‘The Brutal Divine UK Tour ’26’

    American hard rockers Spread Eagle are excited to announce ‘The Brutal Divine UK Tour ’26‘, consisting of 11 shows across England, Scotland and Wales. Support on the tour will be rising UK rockers Star Circus. Tickets are on sale NOW! Tour Dates: September 23rd – Southampton, England – The Brook September 24th – St Albans, […]

    The post Spread Eagle Announce ‘The Brutal Divine UK Tour ’26’ appeared first on ROCKPOSER DOT COM!.

  • Live Gallery: Grind Before Death

    Live Gallery: Grind Before Death – The Alma Inn, Bolton

    28th February 2025
    Featuring: Golem of Gore, Vast Slug, Mordhau, Nagasaki Birth Defect, Dreor

    Photos: Rich Price

    We look back at the epic Grind Before Death show through the eyes of our photographer Rich Price!

    Golem of Gore

    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography

    Vast Slug

    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography

    Mordhau

    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography

    Nagasaki Birth Defect

    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography

    Dreor

    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography

    Fans

    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography

    All photo credits: Rich Price Photography

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Gallery: Grind Before Death appeared first on The Razor's Edge.

  • Live Review: Grind Before Death

    Live Review: Grind Before Death – The Alma Inn, Bolton

    28th February 2026
    Featuring: Golem of Gore, Vast Slug, Mordhau, Nagasaki Birth Defect, Dreor

    Words: Dan Barnes
    Photos: Rich Price

    Turning on to Bradshawgate I’m greeted by the sight of a full-blown fun fair, which leads me to think one of three things to be true: a) Grind Before Death has gone all Download Festival and put on extra-musical entertainment for the kids; b) that I’ve walked into a sort of Something Wicked This Way Comes type thing; or, and bear in mind it’s still February at this point, c) the good people of Bolton are nuttier than squirrel poop and will do anything not to have to endure Saturday night television.

    As the warm-up to May’s Grind After Death, this curtain-raiser to the 2026 festival season takes place inside the almost two-hundred-year-old Grade 2 listed Alma Inn, with half the room given over to the stage and the other to punters. The reason for the Grade 2 listing is due to a large and historic fireplace and range, which just so happens to be in the area allocated to the audience. Heritage England may well be having an aneurism later when the pit gets feisty.

    The carnival is in full swing across the road when Nottingham trio, Drēor take to the stage with their unsettling fascination with both cooking and death metal. It’s a recipe – pardon the pun – for disaster combining those two, I’m sure. Early on the band create some brooding atmospherics with groove and melody on openers, Living Cadaver and Three-Man Roast, the latter indulging itself in some serious cymbal abuse. Newbie, The Portal comes with some virtuoso bass tapping and a crawling creepy a feeling of dread, while older tune, 2023’s Buried, from The Terror Rises EP, is surprisingly sedate for such an evening as this.

    Blood & Bourbon has some serious old school death metal energy and inspires the evening’s first participation in the form of a jaunty jig from a solitary attendee. Primitive Beatings hits with a blast of punk vigour, and set closer, Pan-Fried Man rumbles low and has a progressive vibe. Grind Before Death is up and running.

    Photo Credit: Rich Price Photography

    Fellow east-Midlanders, Nagasaki Birth Defect, have a more direct grinding approach, but the presence of Tom Reynolds of Foul Body Autopsy – sporting a guitar so complex looking that you’d be best off trying to suss out the workings of a fusion reactor – means there’s a fair amount of technicality to be found. Boasting just a single full-length, the 2015 self-titled, you may think NBD would base their set largely around that material, but no! Early on we get a host of tunes not on the debut: State Enforced Euthanasia, Victim Mentality, and Fuck Off with Your Witchy Bullshit blast and rage as good old-fashioned grind should. A small room in a pub and a bunch of rabid maniacs is just what the Dr ordered.

    Just Stop Being a Cunt pretty much says everything it needs to in its title; Take Your Stupid Gimmick and Kindly Fuck Off and an untitled new tune tease another record, though the leaking of a previous recording seems to have soured that idea. Shotgun Blast Castration and the idea of feeding wrong ‘uns through a woodchipper on Woodchipper Death Sentence seems to get tacit approval around the Alma; Cycle Paths are to Blame and Spin Kicks Are For Cunts are big ticks from me. Tom’s “Thar she blows” intro to A Day at the Beach is the first of just three songs from 2015, the other two arriving at the close: Oxygen Thief and Fuck! end the set of blitzkrieg grinders played at a rip-roaring pace. Someone calls for Deicide’s Lunatic of God’s Creation, but the guitars have been unstrapped by that point.

    Photo Credit: Rich Price Photography

    Not to be confused with the US Black Metal band of the same name, Scarborough’s Mordhau find themselves in the usual position of replacing Dychosis, who themselves were replacements for Repel. All that really matters is Mordhau is here and ready to take on Bolton. You can tell before a note had been struck that this is going to be a trip down Memory Lane with the strapping on of a Flying-V guitar. It’s a gothic sounding build up then straight into Bereft of Rotting Flesh from the band’s sole album, 2020’s Immaculate Massacre. Machine gun riffing fires the crowd into life and puts that fireplace in mortal danger. Matty Andrews’ choppy barks go directly into the faces of the front row, Temporal Insanity comes with the incessant toiling of a bell, and it appears the band have their very own cheerleader, who’s perched on the lip of the stage for the duration.

    It’s rapidly becoming a full-contact environment in the pit, bodies slamming into each other with reckless abandon, yet it’s safe as houses in there; good friendly violent fun, as Exodus once said and the ladies are certainly holding their own in this battle of the sexes. Through Religion Denied, Duty Be Done and set closer, Pig Society, the floor is a mass of colliding figures, with not a single person willing to quit before the band run out of time and the curtain is drawn on the show. ‘Tis but a temporary ceasefire, with hostilities to be resumed upon the arrival of the next band.

    Photo Credit: Rich Price Photography

    That next band is Norwich grinders, Vast Slug, whose thirty-track debut album, Driving Music, was one of the finest slabs of extremity in musica from last year, in my humble opinion. Former Nervewrecker vocalist, Ed Bell, compares the Slug’s set with the perfect amount of confrontation, both to the music and the crowd. Early tunes include the minute-long Flat Earth Fuckwit, You Don’t Believe in the Theory of Evolution So I Hope the Theory, and You Act Like Butter Wouldn’t Melt, Bitch. Ed calls Bolton, Bristol, much to the chagrin of the locals, dedicates Your Boyfriend has a Micro-Penis to the Annotations of an Autopsy guitarist, Sean Mason – maybe beef, maybe an East Anglia thing…

    Further colourful subject areas getting the Vast Slug treatment today come in the form of Chris Beniot’s Family Values, Phillip Schofield is a Fucking Nonce, and Harold Fish N’ Chipman; and Lolita Express: Under 16’s Fly Free couldn’t be more current if it tried. The crowd are strangely subdued early on, but that changes after a cajoling from Mr Bell, which seems to whip them back into the Mordhau frenzy of earlier. You’re a Fucking Cunt is dedicated to Dani Filth, there’s a cover of Napalm Death’s You Suffer and the set closes with a ride with the Vengaboys.

    The pit gets fierce, putting the blood pressure of any English Heritage officer through the roof; there’s the smallest of circle pits and it all ends with Ed recommending we check out the band on “MySpace, or wherever.” The Slug play the role as special guest to perfection, cranking the enjoyment level to the maximum, yet leaving the crowd with just enough energy for the headliner.

    Photo Credit: Rich Price Photography

    Italian three-piece, Golem of Gore, is the epitome of the goregrind ethos. Playing tonight without a bassist gives the set a raw and uncultivated sound, meaning Grumo, Logic of Denial and Psychostasy guitarist, Marco Carboni, is covering both bases. Making a swift return to English shores after their British debut at last year’s Chimpyfest, these goremeisters ensure things get real spicy, real quickly with the opening salvos of Supportive Necro-Parotitis In my Dying Little Girlfriend and Esophagus Obstructed by Loneliness and Purulent Fecal Matter, both taken from the 2021 debut, Madness Is the Beginning: Beyond the Darkness of the Brightest Gore. Interspersed are tracks from last year’s Ultimo Mondo Cane full-length: Withdrawal Crisis – Through the Keyhole of Madness and the insanely titled, In the Cold Room of my Restaurant, You are Dog Food.

    Vocalist Riki barks and snarls his way through such delightful ditties as Sucking the Abscess and Savouring the Necrotic Material, Chronic Obstructive Vomit and A Prayer from the Filthy Creatures of the Deep. Brutal slams and ruthlessly effective grinding wring the last drops of energy out of the Saturday night crowd; someone waves a shoe at the band as the Golems turn their attention to their vast number of splits. The 2022 record with US goremerchants, Lipoma provides An Open Wounded Corpse and Secreting Sperm into…; Septic Shock Factor, Ripped By Fury and closer Crippling Vomit Hydrocephalus come from the disc shared with pathology obsessed Texans, Ischemic Necrosis.

    Photo Credit: Rich Price Photography

    Italian three-piece, Golem of Gore, is the epitome of the goregrind ethos. Playing tonight without a bassist gives the set a raw and uncultivated sound, meaning Grumo, Logic of Denial and Psychostasy guitarist, Marco Carboni, is covering both bases. Making a swift return to English shores after their British debut at last year’s Chimpyfest, these goremeisters ensure things get real spicy, real quickly with the opening salvos of Supportive Necro-Parotitis In my Dying Little Girlfriend and Esophagus Obstructed by Loneliness and Purulent Fecal Matter, both taken from the 2021 debut, Madness Is the Beginning: Beyond the Darkness of the Brightest Gore. Interspersed are tracks from last year’s Ultimo Mondo Cane full-length: Withdrawal Crisis – Through the Keyhole of Madness and the insanely titled, In the Cold Room of my Restaurant, You are Dog Food.

    Vocalist Riki barks and snarls his way through such delightful ditties as Sucking the Abscess and Savouring the Necrotic Material, Chronic Obstructive Vomit and A Prayer from the Filthy Creatures of the Deep. Brutal slams and ruthlessly effective grinding wring the last drops of energy out of the Saturday night crowd; someone waves a shoe at the band as the Golems turn their attention to their vast number of splits. The 2022 record with US goremerchants, Lipoma provides An Open Wounded Corpse and Secreting Sperm into…; Septic Shock Factor, Ripped By Fury and closer Crippling Vomit Hydrocephalus come from the disc shared with pathology obsessed Texans, Ischemic Necrosis.

    Photo Credit: Rich Price Photography

    As the final notes fade, so too does the opening shots of the 2026 festival season. The main Grind After Death event takes place on 30 May 2026, out in the main arena – aka, the beer garden – which will play host to Sublime Cadaveric Decomposition, DeathCollector, Berenice and many more. Celebrating the festival’s fifth anniversary, if this warm-up show – and last year’s event – is anything to go by, then that is one not to miss.

    Will the fun fair be there? Who knows… if Michael McIntyre or Ant & Dec are on the telly that night, it could be a real possibility.

    Photo Credit: Rich Price Photography

    Photo Credits: Rich Price Photography

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Review: Grind Before Death appeared first on The Razor's Edge.

  • EARTHBLOOD – Στην δημοσιότητα το νέο τους single “Ape Warrior”

    https://www.metalourgio.com/wp-content/uploads/2026/03/Earthblood6-768×576-1.jpg
  • Top 20 Heavy Metal Cover Versions Ranked

    Top 20 Heavy Metal Cover Versions Ranked - Rainbow - Los Angeles - June 1977.

    In writing this article, I was more than a little surprised at just how many Heavy Metal bands have done cover versions over the years. Then I was even more surprised at the sheer breadth of songs that have been re-imagined. The hardest thing was actually narrowing the list down to twenty, and the second hardest thing was putting them into some kind of order of preference.

    It certainly was not an exact science, and as I was writing this piece, the pecking order changed repeatedly. By no means exhaustive and definitely not authoritative, here is my best pick for the Top 20 Heavy Metal Cover Versions.  

    20. Take On Me – Vision Divine – Send Me An Angel (2002).

    Italian rockers Vision Divine took A-ha’s ’80s pop classic and turned it into a very credible Metal track. It’s still got a poppy feel, and yes, keyboards as well, but the galloping guitars and drums announce this version’s genre trip, and Fabio Lione’s vocals absolutely nail this. 

    19. Live And Let Die – Guns N’ Roses – Use Your Illusion Part 1 (1991).

    There are stranger songs for a Metal band to cover than a Bond theme performed by Wings, but maybe not many. Guns N’ Roses really go for it with their version of this song, much less restrained than the original, and with a fabulous pre-grunge over-the-top-ness that made the late ’80s and early ’90s a great place to be for Metalheads.

    18. Black Sheep of the Family – Rainbow – Ritchie Blackmore’s Rainbow (1975).

    This is a cover of the Quatermass original version, which actually gave the original artists a shot in the arm and shifted an extra twenty thousand copies of their album. Anyway, Rainbow really let rip with their version of this song, with lots of nice bluesy licks from Blackmore, and on-point vocals from Ronnie James Dio.

    17. Something ‘Bout You Baby I Like – Status Quo – Never Too Late (1981).

    Much like the Quo themselves, this is a song that’s been around the block, and then some. Previously recorded by Tom Jones, and then as a duet by Glen Campbell and Rita Coolidge, the Frantic Four’s incarnation is by far the most, well, frantic. This song really sits well with Status Quo’s signature sound, and it’s no surprise that A: it was released as a single, and B: it did rather well in the charts.

    16. Tantric – The Chain – After We Go (2004).

    Tantric really updated and beefed up this Fleetwood Mac classic from the ’70s. Deeper, more threatening vocals, dirty guitar and tight, encircling drumming keep this song intense and an absolute pleasure to listen to. And while the original always seemed to me to be two songs stitched together, this version effortlessly combines both acts into one awesome whole.

    15. Set Me Free – Saxon – Crusader (1984).

    Biff and the boys from Barnsley crank up the volume and do what they do best with this reworking of an old Sweet song. And that’s not to say the original wasn’t chock-full of jumping beans. It was. And sure, I may be showing my bias here, but Saxon took that hot rocking powderkeg that is this song, gave it an added kick in the guts, and sent it into orbit, in a very good way.

    14. Born To Be Wild – The Cult – Electric (1987).

    The Cult went right back to Heavy Metal basics with this album, and especially so with this song, with the riffs even more pared down than the original, although the solo is immense. Covering a bona fide Metal classic is always taking a risk, but The Cult hit gold with this one, combining respect for the original with a twist all of their own.

    13. Sweet Dreams (Are Made Of This) – Marilyn Manson – Smells Like Children (1995).

    The Eurythmics original was an edgy, synthy ’80s song that showed that pop music could still have real depth. Marilyn Manson took that canvas and gave us a truly terrifying, slime-soaked, gruesome version in a way that only he can. Combine that with the visuals of the video, and you’ve got a truly phenomenal musical statement. 

    12. Saturday Night’s All Right For Fighting – Nickelback – The Long Road (2003).

    Elton John playing the original was a real curveball, but in a good way, and so Nickelback’s galloping Metal version is, in some ways, more predictable. The foursome from Hanna really let rip on their version, playing it in their very familiar style. Nickelback are truly, really awesome, and turning their talents to this song proves why. 

    11. Evil Woman – Black Sabbath – Black Sabbath (1970).

    Black Sabbath covered this on their debut album, and it sits perfectly alongside their own songs. It’s doomy, it’s stark and dark. It’s an ideal complement to the Sabbath sound, and in 1970, it allowed the band to make their mark in a truly original way.    

    10. Ride Like The Wind – Saxon – Destiny (1988).

    Saxon took this Christopher Cross song and gave it one almighty injection of late-’80s Metal. In fact, it was so damn catchy it was released as a single, and jolly good it was too. A lot heavier than the original, it really fitted in with Saxon’s style, and unusually for our down-to-earth Yorkshire lads, even their music video was, well, pretty cool for its time.

    9. Lollipop – Framing Hanley – The Moment (2007).

    Framing Hanley covered this Lil Wayne rap song and played like it was only ever a rock song. It appears as a bonus track on their debut album, The Moment. It’s a great, thoroughly entertaining song, and the video will raise a smile to every under-thirty who watches it, and remind everyone over thirty just what it meant to be young.

    8. Helter Skelter – Rob Zombie and Marilyn Manson – Twins Of Evil (2018).

    This song has long been regarded as proto-Metal, one of the first Heavy Metal songs ever, recorded by none other than The Beatles. Then, after fifty years of Heavy Metal, Misters Zombie and Manson gave us their own take on it.

    The end result is deeper, slower, and oh so much heavier. Take nothing away from the original, but the revamped version remains something very special. 

    7. The Real Me – W.A.S.P. – The Headless Children (1989).

    The Headless Children was most definitely W.A.S.P.’s first grown-up album, showing a depth and maturity that remains a pleasure to hear. None more so than this, their cover of The Who’s classic from Quadrophenia.

    You can feel Blackie Lawless’ paranoia and desperation as he sings the tortured lyrics. Overall, it’s not that much heavier than the original, but it’s a whole lot darker.

    6. Stairway to Heaven – Far Corporation – Division One (1985).

    I’ll hold my hands up and say that this was the first version of Stairway that I heard. Yes, I also heard all of the outrage from my mates, many of whom were Led Zep fans, who, like quite a few Prem League footie fans, probably took things a bit too seriously.

    Let’s face it, Far Corporation treated this song with respect and delivered it in the mid-’80s style. In and of itself, it’s a really good version of the song, and I loved the video, which, if I remember rightly, had two drummers. Rock on!

    5. Cats In The Cradle – Ugly Kid Joe – America’s Most Wanted (1992).

    Ugly Kid Joe went very deep with this cover of Harry Chapin’s song. It’s a heartbreaking song about a boy who resents not being able to spend time with his father, and then turns out to be the very same father himself when he grows up.

    You can’t help but be hit between the eyes by this song, and Ugly Kid Joe gave it a whole load of feeling with their version. Excellent stuff!

    4. Whiskey In The Jar – Thin Lizzy, (1973).

    Not so much a cover of a specific band’s song, more of a traditional Irish folk song that had been sung by The Dubliners and then The Highwaymen before Phil Lynott’s legendary band took hold of it, way back in the ’70s.

    This version is electrifying, and simultaneously takes you back in time to the Cork and Kerry mountains, and also front and centre at a rock concert.

    3. Mony Mony – Billy Idol – Vital Idol (1985).

    This is a reworking of the Shondells’ song from way back in ’68 (a very good year). Billy Idol recorded a studio version and then released a live version, which absolutely cleaned up in ’87.

    Complete with some corrosive Steve Stevens guitaring, Mr Idol absolutely took this song into another dimension, and all of it was Metal.

    2. I Love Rock ‘N’ Roll – Joan Jett And The Blackhearts – I Love Rock ‘N’ Roll (1981).

    This was one of the first Heavy Metal songs I ever heard, and I was sold from that moment on. This song was first recorded by The Arrows, with whom Joan Jett toured during her time in The Runaways. Joan Jett’s version is one hundred per cent Heavy Metal.

    It’s dirty, it’s sleazy, it’s truly addictive. It’s got a riff that will stay with you forever, and if you get to see the video, there’s a bona fide neck bend on the guitar.

    1. Still I’m Sad – Rainbow – Rainbow On Stage (1977).

    Rainbow did an instrumental cover of the Yardbirds’ song on their debut album, but they absolutely owned it with their live album. Literally everything about this version is on point, from the soaring vocals to the sublime guitar attack, and just when you think it’s all over, the drum reprise at the end is just absolute Heavy Metal heaven.  

    And there we have it, a short, very short list of the many excellent Heavy Metal cover versions that are out there. You could so easily have a top 40, and you would still just be scratching the surface.

    Of course, a list like this will only ever be subjective. Any one of us could have a whole different 20 songs as their pick, and that’s always something to celebrate.

    The post Top 20 Heavy Metal Cover Versions Ranked first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.