And no, Blood For Blood isn’t booked.
The post Slaughter To Prevail, Black Label Society, Crowbar, Etc. Set To Play Alex Terrible’s New Bare Knuckle Fighting/Music Festival ‘Blood4Blood’ appeared first on Theprp.com.
And no, Blood For Blood isn’t booked.
The post Slaughter To Prevail, Black Label Society, Crowbar, Etc. Set To Play Alex Terrible’s New Bare Knuckle Fighting/Music Festival ‘Blood4Blood’ appeared first on Theprp.com.
Ozzy Osbourne is getting a six-meter statue at this year’s Hellfest, and Sharon Osbourne has confirmed the whole family plans to be there for the unveiling.
The annual open-air festival in Clisson, France — one of Europe’s largest metal events — runs 06/18 through 06/21, with the statue set to greet attendees near the entrance on opening day.
Sharon revealed the first image of the sculpture during a 02/06 appearance at MIDEM 2026 at the Palais des Festivals in Cannes. Her reaction on seeing it left little room for interpretation: “Oh, there he is. Look at him, a rock god. That is going to debut at Hellfest, and that is June 18th. And the whole family will be there to see it.”
She also directed praise toward Hellfest director Ben Barbaud: “It’s such a great tribute. It’s amazing. So, I can only thank Ben. Just bless you. It’s an amazing piece of art.”
The move puts Ozzy in notable company at the festival grounds. Back in June 2022, Hellfest unveiled a statue of Mötörhead frontman Lemmy Kilmister — a replacement for an earlier sculpture of the bassist that had been erected six years prior but had deteriorated badly due to crumbling plaster.
The post OZZY OSBOURNE’s Six-Meter Statue To Be Unveiled At Hellfest – SHARON OSBOURNE Says “It’s An Amazing Piece Of Art” appeared first on Sonic Perspectives.

Progressive metal titans deliver powerhouse performance in Walton-on-Trent, featuring Nick Johnston and a Black Sabbath cover.
The post MASTODON Streams "Blood And Thunder" Live At Bloodstock 2025 appeared first on Metal Injection.

Indigenous solo black metal project returns March 6 with standalone EP featuring new songs and an acoustic experiment.
The post BLACKBRAID Announces Nocturnal Womb EP, Streams New Single "Celestial Bloodlust" appeared first on Metal Injection.
Not creatively — but financially and structurally, yes. The cost of staying on the road has exploded, margins are thinner than ever, and even legacy acts are questioning whether it’s sustainable.
Touring isn’t dead, but the traditional model is under serious pressure. Rising production costs, insurance spikes, inconsistent ticket demand, festival instability and artist burnout are forcing even major metal acts to rethink what the road looks like in 2026 and beyond.
I’ve watched this industry long enough to know when something feels off.
Metal isn’t declining. The passion is still there. The crowds still show up. But behind the curtain, the economics are getting ugly — and artists are starting to say it out loud.
When Trent Reznor told a crowd he didn’t know if Nine Inch Nails would tour again after this run, that wasn’t theatrics. It sounded like a man doing math.
And that’s the part nobody wants to talk about.
Production has never been more expensive.
Fuel costs. Crew wages. Bus rentals. Insurance. Freight. Visa fees. Venue percentages. Merch cuts.
The fan sees the stage. The band sees the spreadsheet.
Margins that used to be healthy are now razor thin — even for bands playing large rooms.
For mid-tier metal bands, it’s worse. If you’re not moving serious ticket volume, you’re gambling every night.
That’s not drama. That’s logistics.

We’ve also seen instability creeping into the festival circuit.
Cancellations. Lineup reshuffles. Reduced capacity. “Scaled back” editions.
Promoters are being cautious. Sponsors are tightening budgets. Fans are more selective.
And here’s the tension: festivals used to subsidize the ecosystem. They gave bands large paydays that justified the road grind.
If those payouts shrink, the whole system shifts.
Ticket prices are higher. Everything is higher.
Fans are choosing carefully.
Instead of five shows a year, maybe it’s two.
Instead of mid-tier tours, maybe it’s only the must-see legacy act.
That changes routing math fast.
Metal fans are loyal — but they’re not immune to inflation.
Trent Reznor has hinted at touring uncertainty before. That’s true.
But context matters.
Nine Inch Nails are not struggling to sell tickets. They are not irrelevant. They are not coasting on nostalgia.
If a band at that level is openly questioning the viability of continuous touring, it tells you something about the backend reality.
And it’s not just them.
More artists are:
• Doing shorter runs
• Limiting production
• Skipping secondary markets
• Pivoting to residency-style models
• Exploring one-off events instead of full circuits
That’s not collapse.
That’s adaptation.

For decades, the touring model was simple:
Record → Tour → Record → Tour
Now?
Streaming gutted record revenue. Touring became the primary income engine. Then touring costs exploded.
That creates a dangerous squeeze.
If touring becomes financially risky instead of reliable, the foundation shifts.
Metal will survive. It always does.
But the scale and structure of touring might look very different five years from now.
More curated events.
Fewer sprawling runs.
Bigger cities prioritized.
Selective appearances.
Less grind. More strategy.
Broken might be too dramatic.
But stressed? Absolutely.
Unsustainable at old scale? Increasingly.
And if major acts are quietly adjusting while fans are still buying tickets, that’s the phase you need to watch.
Because the public usually notices last.
The fuse doesn’t explode overnight.
It burns quietly.

Rising production costs, higher insurance, increased venue fees, inflation impacting ticket buyers, and shrinking festival margins are all pressuring profitability.
He recently told a crowd he wasn’t sure if they would tour again after this run, sparking renewed discussion about touring sustainability.
Some festivals have faced cancellations or scaling back due to financial pressures, though the market remains active overall.
No. Engagement remains strong, but the economics of touring are more complex than ever.
Likely more strategic runs, fewer extended tours, residency-style shows, and carefully curated festival appearances.
The post Is Touring Broken in 2026? Why Major Metal Bands Are Quietly Struggling to Stay on the Road appeared first on Loaded Radio.
Looks like we’re in for a weird year.
The post Watch Gorilla Biscuits Cover 80s Hit “867-5309 / Jenny” With Tommy Tutone’s Own Tommy Heath Live In Portland appeared first on Theprp.com.
In January of 2025 Ringo Starr released the country album Look Up, which he made in collaboration with a ton of Americana, bluegrass, and country veterans like T Bone Burnett, Alison Krauss, Billy Strings, and Molly Tuttle. He must’ve enjoyed that experience, because the former Beatle already back with the follow-up Long Long Road. Out this April, it was also co-written and produced by Burnett, and features guest appearances from Strings, Sheryl Crow, St. Vincent, and more. Its lead single “It’s Been Too Long” is out now.
The post Ringo Starr Announces Another Country Album Feat. St. Vincent, Billy Strings, & More appeared first on Stereogum.