Category: news

  • Leyendas del Rock 2026 Completes Its Line-Up for a Historic 20th Anniversary Celebration

    Leyendas del Rock has officially unveiled the complete line-up for its 2026 edition, marking the 20th anniversary of one of Europe’s most respected and beloved rock and metal festivals. Taking place from August 5–8, 2026, in Villena, Alicante (Spain), the festival promises its most ambitious edition to date, bringing together legendary names, exclusive performances, and long-awaited debuts.

    Leading the anniversary bill are Helloween, In Flames, Savatage, Godsmack, Arch Enemy, Slaughter To Prevail, WarCry, Sepultura, Black Label Society, and Saurom, alongside dozens of additional acts representing the full spectrum of heavy music, from classic heavy metal and power metal to melodic death metal, metalcore, and hard rock.

    One of the most anticipated performances of the festival will come from Arch Enemy, who will make their first Spanish appearance with new vocalist Lauren Hart. Following her appointment as the band’s new frontwoman, Hart’s debut in Spain is expected to draw significant attention from fans eager to witness the beginning of a new chapter for the Swedish melodic death metal giants. Their appearance at Leyendas del Rock will be one of the defining moments of the festival and one of the most talked-about performances of the summer.

    Another major attraction will be Godsmack, who are set to make history by performing their first-ever concert in Spain. Led by Sully Erna, the multi-platinum American hard rock and metal band will finally make their long-awaited Spanish debut after decades of international success. For many fans, this announcement alone represents one of the biggest highlights of the entire festival. Audiences can expect a powerful set featuring some of the band’s most iconic songs, including I Stand Alone, Awake, Voodoo, and Whatever, in what promises to be a landmark moment for both the band and Spanish rock fans.

    Finnish power metal legends Stratovarius will also deliver a special performance focused on some of the most celebrated releases in their catalogue. The band has announced a setlist highlighting material from Episode, Visions, Destiny, and Infinite, offering longtime fans a rare opportunity to revisit some of the defining albums of European power metal.

    The latest wave of additions further strengthens an already impressive bill, with acts such as dArtagnan, returning by popular demand, Thundermother, Guilt Trip, Lèpoka, and many more joining the anniversary celebrations. Festival-goers will also enjoy a special late-night appearance from Jordi Wild, adding a unique entertainment element to the event.

    Chez Kane, Employed To Serve, Against Myself, and Xeria will hit the New Rock Stage on Friday, August 7th.

    The post Leyendas del Rock 2026 Completes Its Line-Up for a Historic 20th Anniversary Celebration first appeared on FemMetal – Goddesses of Metal.

  • TOTAL REVERENDS Where is God Review

    TOTAL REVERENDS Where is God Review

    The song begins with a bass line set to a very fast tempo. The vocals are layered, featuring both low and high pitches accompanied by a reverb effect. This creates an atmospheric and somewhat dystopian introduction. The music gains momentum around the 25-second mark. The rhythmic pace picks up, showcasing a crunchy guitar that delivers long notes, arpeggios, and chord progressions, enriching the arrangement.

    TOTAL REVERENDS Where is God

    The track is an intense alternative song that plays with dynamics perfectly. In the second verse, it retreats to the initial atmosphere, leaving only the bass, vocals, and groove. The guitar accentuates the push and pull of the arrangement. When it re-enters, the energy of the song surges dramatically.

    This track has a hypnotic quality that draws the listener in. Both Francesco Forni on guitar and vocals and Piero Monterisi on drums engage the audience once more with music that prompts reflection. The thematic essence of the song is reminiscent of “One of Us” by Joan Osborne. While Osborne’s 1995 hit was more of a Christian anthem, this song holds a more intriguing question. It inquires about the whereabouts of God, suggesting that He could inhabit anyone. Yet, the song leaves a mysterious point of inquiry.

    Where is God – Sound and Atmosphere

    The album cover, showing a decaying suburban landscape, complements this theme, suggesting that when we look around, the world can sometimes feel as though it has been forgotten by God. At 1:55, there’s a delightful guitar break that effectively disrupts the hypnotic progression. The outro concludes beautifully with a melodic riff, solidifying the overall impression of a well-crafted song.

    This single employs dynamic contrasts that keep the listener engaged throughout. The fast-paced bass and varied vocals set a compelling foundation. Then, the layering adds richness to the listening experience.

    The band’s ability to provoke thought through their lyrics enhances the depth of the track.

    Where is God – Performance and Production

    The song’s themes resonate deeply, suggesting a search for meaning and connection. The execution is tight, revealing the musicianship of TOTAL REVERENDS, with each instrument complementing the others.

    The mechanics of the song serve the message, reinforcing a blend of existential questioning with a personal touch. They achieve a balance between intensity and subtlety, showcasing their skills as songwriters.

    The contrasts throughout the song allow for moments of reflection, as well as bursts of energy. It is a piece that feels vital, combining the personal and the universal in a discourse on belief. As we search for answers, the statement of the song remains unresolved, leaving the listeners contemplating.

    This is a song that suggests a search for divinity and a reflection on our human condition.



    Hypnotic

    🔥 If you love this music: Discover More


    Find TOTAL REVERENDS here:
    Spotify | Instagram

    The post TOTAL REVERENDS Where is God Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • The Muster Point Project Goodbye America Review

    The Muster Point Project Goodbye America Review

    The song begins intensely with an acoustic guitar and vocals. It is right away clear that this will be a profound piece. The lyrics reveal the struggles facing America today. They paint a picture of a divided nation grappling with its politics. The dream often feels suspended, while reality presents a stark contrast.

     The Muster Point Project Goodbye America

    Musically, the song possesses a nostalgic feel. It combines American and folk vibes that envelop the listener. While the lyrics focus on problems, they simultaneously create expansive spaces for thought. The United States is more than just its politics. It embodies vast landscapes and endless roads, where one can feel a part of the world. Turning off the television for a moment could evoke a sense of freedom and relief.

    The Eagles’ influence can be felt in the harmonies and structures. The background vocals are striking, adding layers to the overall sound. These harmonies elevate the emotional quality of the song. When the piece shifts to an a cappella finale, it delivers a heartfelt farewell to America. This conclusion is powerful, prompting deep reflection.

    Goodbye America – Sound and Atmosphere

    As the single progresses, it articulates an emotional landscape seldom explored in contemporary music. It raises questions about identity, belonging, and hope within a complex socio-political environment. Listeners are invited to ponder their place within this narrative.

    This single stands out for its ability to blend topical issues with universal emotions. The arrangement skillfully balances emotional intensity with musical elegance. It encourages listeners to feel rather than merely to think, inviting a visceral response.

    Goodbye America – Performance and Production

    In the chorus, the repetition of key phrases reinforces the emotional weight of the message. The fusion of acoustic instrumentation with heartfelt vocals amplifies the sentiments expressed. Each line resonates with clarity, making the song an anthem for the times.

    This single does not shy away from uncomfortable truths but rather embraces them. The encounter with the song can lead to deep introspection. The music creates a space where feelings are validated and explored.

    The emotional journey embarked upon in this song is essential. It captures the zeitgeist with authenticity and grace. Each element, from the guitar to the vocals, contributes to a rich experience. “Goodbye America” stands as a significant work deserving of attention and respect.



    Deep

    🔥 If you love this music: Discover More


    Find The Muster Point Project here:
    Spotify | Instagram

    For fans of:

    The Eagles


    The post The Muster Point Project Goodbye America Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Dragony – New Music In The Making

    Following Hic Svnt Dracones album, Austrian power metal collective Dragony have begun the work on the successor and also started crowdfunding campaign to help with production of it.
    Read more…
  • pMad NineFortyFive Review

    pMad NineFortyFive Review

    The track “NineFortyFive” begins with a sly yet intense riff that hooks you right away. As the music unfolds, the artist’s signature deep and reverberated voice enters the mix. This combination invites listeners to immerse themselves in the atmospheric and nocturnal style that characterizes this artist’s work. The rhythm is relentless, featuring an infectious bouncing bass line and sharp drumming that compels listeners to dance.

    pMad NineFortyFive

    The sonic quality of this single offers a sense of nostalgia, echoing influences reminiscent of bands like Killing Joke and Echo & the Bunnymen. The sound achieved here is truly fantastic; it evokes images of watching the reflections of neon signs glimmer off wet asphalt after a rain. The experience suggests contemplation of the raindrops trickling down a window, tapping into themes of urban life and introspection.

    “NineFortyFive” carries a mysteriously enchanting quality. The artist is well-regarded for sophisticated composition, synthesizing sounds that effectively recall the 1980s while simultaneously conjuring visions of dystopian futures. The gothic, post-punk influences present in the track envelop the listener, creating an addictive auditory experience.

    NineFortyFive – Sound and Atmosphere

    Throughout this song, the instrumental arrangement is fantastic. The bass line serves as an anchor, providing a danceable groove that drives the rhythm forward. The drumming is sharp and precise, creating a steady pulse that demands engagement. The clever layering of instruments adds depth to the overall sound.

    Moving into the verse, the lyrical content delves into themes of longing and reflection. The lyrics complement the music’s atmosphere, enhancing the immersive experience.  The depth of the voice contrasts beautifully with the instrumentation, fostering a rich auditory palette.

    Listeners are treated to dynamic shifts that maintain interest. Moments of intensity are balanced by quieter passages, creating a layering effect musically and emotionally.

    NineFortyFive – Performance and Production

    The craftsmanship found in “NineFortyFive” is a hallmark of pMad’s work. By thoughtfully blending 1980s influence with modern sensibilities, the track feels forward-looking. This tune transcends mere listening; it becomes an experience, inviting listeners on a journey through sound and emotion.

    The vocal delivery is especially noteworthy. The artist utilizes their range effectively, fluctuating between powerful declarations and more subdued reflections. This versatility enhances the song’s emotional impact, connecting with listeners on multiple levels.



    Deep

    🔥 If you love this music: Discover More


    Find pMad here:
    Spotify | Instagram

    For fans of:

    Killing Joke • Echo & the Bunnymen


    The post pMad NineFortyFive Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Gig review: SISTERS DOLL- Cart and Horses, London, 4 June 2026

    SISTERS DOLL- Cart and Horses, London, 4 June 2026Aussie melodic glam rockers Sisters Doll have been around for a while, their first album released as long ago as 2012, but over the past year or two seem to be making a concerted effort to break the UK. I’d … Continue reading →

    The post Gig review: SISTERS DOLL- Cart and Horses, London, 4 June 2026 appeared first on Get Ready to ROCK!.

  • DEAD VOID’s Cranial Devastation Out Now

    Copenhagen death/doom entity DEAD VOID has unleashed their newest album, Cranial Devastation. 

    The album is out now on CD, vinyl and digital formats via Dark Descent Records and Me Saco Un Ojo Records.

    Order Cranial Devastation at:

    darkdescentrecords.bandcamp.com

    darkdescentrecords.com/shop

    mesacounojo.bandcamp.com

    On Cranial Devastation, DEAD VOID returns not with reinvention, but refinement of their singular, suffocating vision. Where the band’s debut Volatile Forms introduces a band steeped in cavernous atmosphere and psychological unease, their newest outing showcases something more deliberate, violent and far less forgiving.

    Across five sprawling tracks, DEAD VOID invoke a form of doom-laden death metal that shuns clarity in favor of chaos. The album collapses inward under its own weight, lurching between glacial crawl and frantic rupture, with unearthly vocals screaming out like transmissions from beneath layers of sediment. The end result is controlled descent – oppressive, disorienting and relentless.

    Recorded mostly live by Marcus Ferreira Larsen at No Master’s Voice, Cranial Devastation faithfully preserves DEAD VOID’s raw presence without sacrificing their dynamic range. The approach lends a sense of instability that permeates throughout the entire record. The album ends with a crushing Adrian Borland and The Sound cover.

    Track list:
    1. Regurgitation of Ancient Manifestations
    2. Isolation’s Hold
    3. Phantosmial Stench of Decay
    4. Cranial Devastation
    5. Jeg Kan Ikke Flygte Fra Mig Selv

    Mastered by James Plotkin at Plotkinworks and featuring the artwork of French symbolist Odilion Redon, the album’s presentation mirrors its sound: surreal, decaying and steeped in tension.

    All songs by Dead Void, except track 5 originally by Adrian Borland and The Sound. Track 5 lyrics translated by S. Boesen and K.

    DEAD VOID:
    A.: drums, bass, vocals
    K.: guitars, bass, vocals

    facebook.com/TheDeadVoid

    instagram.com/deadvoidband

    www.darkdescentrecords.com

    darkdescentrecords.bandcamp.com

  • All 12 of John Deacon’s Queen Songs Ranked

    He may not have written as many as the others, but the ones he did are impressive. Continue reading…
  • What Has Rush Done Since Their Last Concert?

    This weekend, the band will return to the stage for their first show since 2015. Continue reading…
  • TJ Cabot – Palm Stings EP


    You may be wondering why I reviewed only Canadian artists today. Is it coincidence, or is there conspiracy afoot? Am I so salty that two Southern teams are playing in the Stanley Cup final that I had to resort to passive-aggressive protest? Is it perhaps some kind of holiday you didn’t know about? Did I finally forgive Joe Carter for all those years of emotional anguish? If a few cases of beer and a secret poutine recipe happened to cross the border and wind up in my possession, would that be a national scandal? My lips are sealed. I can tell you that it has been a few years (three, to be exact) since TJ Cabot has released an EP’s worth of home-recorded tracks, so the arrival of Palm Stings is highly welcomed in my world. 

    These four demos are likely not destined for further refinement and eventual inclusion on the next Real Rejects album, so we can enjoy them strictly as TJ Cabot solo tracks in all their poorly recorded but expertly mastered glory. Anyway, this is pretty much what everyone has been longing for since the spring of 2023: blown-out smart-aleck garage punk that reeks of dingy basements and room temperature leftover pizza. If you’re going to release home-recorded solo demos, they ought to be as raw and primitive as these. You can totally visualize TJ blasting out the drums, guitar, and bass like some mad scientist of budget rock. These are all really good tunes, but I’m especially partial to the garage rock-inspired “Firm Back Hand” and the punk-as-frick “Artificial All Along.” Five Canadian dollars for this thing is a good value. That won’t even buy you a gallon of gas these days. Stay home today and support the arts!