Category: news

  • JOANNE SHAW TAYLOR Embraces Love’s Dangerous Side on Fiery New Single “Bad Boy”

    British blues-rock artist Joanne Shaw Taylor returns today with “Bad Boy,” the latest single from her forthcoming studio album The Trouble With Love, due October 23rd via Journeyman Records. A swaggering, emotionally charged rocker, the song explores the magnetic pull of relationships that are as destructive as they are impossible to resist, pairing Joanne’s unmistakable guitar work with one of her boldest lyrical performances to date.

    “Bad Boy” captures the emotional whiplash of a relationship that’s impossible to walk away from until one day it isn’t. Joanne balances vulnerability with defiance as the song follows its narrator from heartbreak and frustration toward hard-won confidence, transforming a toxic romance into an empowering declaration of independence.

    “Sometimes love is thrilling and destructive at the same time,” Joanne shares. “I wrote this song about those intense, complicated relationships.”

    That emotional tension runs throughout the song. Lines like “Babe I’ve played the fool, but I won’t again” and “I came dressed to kill” reveal a narrator who has stopped waiting for someone else to change and instead takes control of her own story. Rather than dwelling on regret, “Bad Boy” becomes an anthem of resilience, confidence, and reclaiming your own power after a relationship has run its course.

    “Bad Boy” continues the steady unveiling of The Trouble With Love, Joanne’s highly anticipated new studio album produced by Kevin Shirley. On the album, Joanne dives headfirst into the beautiful chaos of the human heart, blending blues, rock, soul, and Americana while exploring love in all its forms: the reckless kind that sweeps you off your feet, the quiet kind that steadies you, the kind that breaks you open, and the kind that puts you back together.

    The new single follows a string of acclaimed releases that have each revealed a different chapter of the album’s emotional journey. The title track, “The Trouble With Love,” featuring Joe Bonamassa, explored the intoxicating highs and lows of romance, while “What Good Is My Love?” featuring Orianthi confronted the ache of love that isn’t returned. “Hell Or High Water” delivered a defiant message of perseverance and self-belief, “This Is Who I Am” reflected on acceptance and self-worth, and “Tired Of Being Right” chronicled the painful realization that sometimes love alone isn’t enough to save a relationship. Together, the songs point toward Joanne’s most emotionally expansive and musically adventurous album to date.

    Produced by Kevin Shirley (Led Zeppelin, The Black Crowes, Aerosmith, Joe Bonamassa), The Trouble With Love builds on the artistic evolution that began with Black & Gold. Rather than telling a single story, the new album examines love from every angle through songs that move effortlessly between blues-rock, soul, Americana, and classic rock, making it Joanne’s most complete songwriting statement yet.

    The release arrives as Joanne continues another busy year on the road. She is currently touring across the United States throughout the summer before launching her Fall 2026 tour across the Southwest, Mountain West, Pacific Northwest, and California. Known for her commanding stage presence, fiery guitar work, and emotionally immersive performances, Joanne continues to captivate audiences with a live show that blends new material from The Trouble With Love with fan favourites from across her acclaimed catalog. For more information and tickets, visit here.

    The post JOANNE SHAW TAYLOR Embraces Love’s Dangerous Side on Fiery New Single “Bad Boy” appeared first on Sonic Perspectives.

  • Danielle Nicole reveals “Take Me Back” featuring Luther Dickinson

    Grammy-nominated artist and 10-time Blues Music Award winner Danielle Nicole has released her new single, “Take Me Back,” featuring North Mississippi Allstars guitarist Luther Dickinson. The song is the latest preview of her forthcoming album, Fireflies, which will be released on August 28 via 40 Below Records.

    Built around a swampy groove that blends blues, soul and Southern roots, “Take Me Back” reflects on Nicole’s upbringing in western Missouri. Joined by Dickinson’s unmistakable guitar work, the song revisits the back porches, railroad tracks and coal fires of her childhood while also paying tribute to her late brother and longtime bandmate, Kris. The recording also features Kris’ drum kit, adding another personal connection to the track.

    “‘Take Me Back’ is about remembering where you come from,” says Nicole. “Those places, those people and those memories become part of who you are forever.”

    Fireflies is Nicole’s fourth solo album and was recorded live to analog tape in Kansas City with producer Tony Braunagel, guitarist Brandon Miller and keyboardist Jim Pugh. The album explores themes of loss, resilience, empowerment and hope through a blend of blues, classic soul and Americana.

    Written largely in the wake of her brother’s passing, Fireflies finds Nicole expanding her collaborative songwriting while remaining rooted in the music that first inspired her. The album balances deeply personal storytelling with groove-driven performances and features some of the strongest songwriting of her career.

    “Take Me Back,” featuring Luther Dickinson, is available now. Fireflies will be released on August 28 via 40 Below Records.

    TOUR DATES

    July 18 – Alameda Hermanas – 27th Festival La Isla del Blues
    July 19 – Madrid – Sala Villanos
    July 21 – Brezoi – Camp Brezoi
    July 23 – Keler, San Sebastian – Jazzaldia 2026
    Aug. 4 – Rockford, IL – Anderson Japanese Gardens
    Aug. 6 – Middlesboro, KY – Levitt Amp Middlesboro
    Aug. 22 – Sacramento, CA – The Sofia
    Aug. 23 – Livermore, CA – Almost Famous Wine
    Aug. 25 – San Francisco, CA – Biscuits & Blues
    Aug. 26 – Santa Cruz, CA – Moe’s Alley
    Aug. 27 – West Hollywood, CA – The Peppermint Club
    Aug. 28 – Phoenix, AZ – Rhythm Room
    Aug. 29 – Phoenix, AZ – Rhythm Room
    Aug. 30 – Tucson, AZ – 191 Toole
    Sept. 2 – The Woodlands, TX – Dosey Doe Big Barn
    Sept. 3 – Fort Worth, TX – Billy Bob’s Texas
    Sept. 4 – Austin, TX – 04 Center
    Sept. 5 – Tulsa, OK – Vanguard
    Sept. 10 – Las Vegas, NV – Big Blues Bender 2026
    Sept. 22 – Sellersville, PA – Sellersville Theater
    Sept. 23 – New York, NY – Drom
    Sept. 24 – Turners Falls, MA – Shea Theater Arts Center
    Sept. 25 – Thomaston, ME – Watts Hall Community Arts
    Sept. 26 – Old Saybrook, CT – The Kate
    Sept. 27 – Boston, MA – City Winery Boston
    Sept. 30 – Buffalo, NY – Sportsmen’s Tavern
    Oct. 1 – Cleveland, OH – Music Box Supper Club
    Oct. 15 – Columbia, MO – The Blue Note
    Oct. 16 – Des Moines, IA – Wooly’s
    Oct. 18 – Lincoln, NE – Bourbon Theatre
    Nov. 3 – Leiden, Holland – Qbus Club
    Nov. 4 – Verviers, France – Spirit of 66
    Nov. 6 – Joldelund – Gerd’s Juke Joint
    Nov. 7 – Rheine – Stadthalle Rheine
    Nov. 8 – Weert – De Bosuil
    Nov. 9 – Kassel – Theaterstübchen
    Nov. 10 – Hamburg – Nica Jazz Club
    Nov. 12 – Šumperk – House of Culture
    Nov. 13 – Wien – Reigen Live
    Nov. 14 – Budapest – Analog Music Hall
    Nov. 16 – Salzburg – Rockhouse
    Nov. 18 – Helmbrechts – Oberfränkisches Textilmuseum
    Nov. 19 – Fulda – Kulturkeller
    Nov. 20 – Oss – Groene Engel
    Nov. 21 – Gaildorf – Eugen Haberlen OHG Brauerei
    Nov. 22 – Alten – LSmusic
    Nov. 27 – Wichita, KS – The Cotillion Ballroom
    Nov. 28 – Kansas City, MO – Uptown Theater
    Jan. 31 – Fort Lauderdale, FL – Legendary Rhythm & Blues Cruise 2027
    Feb. 17 – London – 100 Club
    Feb. 18 – Manchester – Manchester Academy
    Feb. 19 – Glasgow – Oran Mor
    Feb. 20 – Leeds – Brudenell Social Club
    Feb. 21 – Newcastle upon Tyne – The Cluny

    The post Danielle Nicole reveals “Take Me Back” featuring Luther Dickinson appeared first on Blues Rock Review.

  • What It’s Like Opening For Metallica (Ft. Evanescence’s Amy Lee)

    Amy Lee tells Loudwire about what it was like opening for Metallica on the M72 tour. Continue reading…
  • The Olivia Tremor Control Announce First New Album In 27 Years The Same Place

    The idea of a new Olivia Tremor Control was basically unthinkable, but it’s happening anyway. The lo-fi psychedelic pop band was a key driving force in Athens, Georgia’s Elephant 6 collective in the ’90s, but they only released two cult-beloved albums, 1996’s Dusk At Cubist Castle and 1999’s Black Foliage: Animation Music Volume One, before breaking up. Years later, the band got together to play reunion shows, and co-leaders Bill Doss and Will Cullen Hart both passed away — Doss in 2012, Hart in 2024. But Doss and Hart’s bandmates have finished work on the massive double album that the two of them started work on 20 years ago, and now it’s coming out.

    The post The Olivia Tremor Control Announce First New Album In 27 Years <em>The Same Place</em> appeared first on Stereogum.

  • Why Did System of a Down Change the Title of a ‘Toxicity’ Track?

    System of a Down have changed the title of the 'Toxicity' track 'Arto' to 'Der Voghormia' because it's an Armenian hymn. Continue reading…
  • Mark Morris: A Little Bit Country, a Little Bit Jazz

    Morris’s dance troupe presents “Dances to American Music,” three programs at the Joyce Theater.
  • Mark Morris: A Little Bit Country, a Little Bit Jazz

    Morris’s dance troupe presents “Dances to American Music,” three programs at the Joyce Theater.
  • “I would go, I’ll take Nirvana and Soundgarden and you can have Limp Bizkit and Korn.” Melvins frontman Buzz Osborne loves annoying Mike Patton by blaming Faith No More’s vocalist for inspiring the birth of nu metal

    Melvins frontman Buzz Osborne has revealed one of his favourite methods of trolling and upsetting his friend and Fantômas bandmate Mike Patton: he simply ‘credits’ Patton for inspiring the birth of nu metal via his ground-breaking work with Faith No More.

    Faith No More – and specifically their breakthrough album The Real Thing (1989), Patton’s debut with the San Francisco band, plus it’s bold and brilliant follow-up Angel Dust (1992) – have long been cited as a major influence by members of Slipknot, Deftones, System of a Down, Korn and Limp Bizkit. But Patton has never been shy about expressing his disdain for nu metal, refusing to accept any responsibility whatsoever for the music made by artists who cite him as an inspiration.

    “Faith No More spawned an awful lot of shitty bands,” the singer joked to Kerrang! in 1999. “Most of those bands I don’t like at all, and I’d hate to take credit for what they’re doing. I think you have to have a very vivid imagination to link them and Faith No More.”

    “Do you think I listen to any of that stuff at all?” he once asked Metal Hammer. “No, it’s for 13-year-old morons!”

    Nevertheless, the association is never going to go away, which is why Buzz Osborne, a musician forever identified as a pivotal influence upon Seattle’s grunge scene, delights in using the link to wind up Patton.

    Speaking with Patton’s Tomahawk bandmate Duane Denison (also the guitarist with The Jesus Lizard) in an interview hosted by Consequence, Osborne said, “I used to have a joke with Patton, ’cause he’s called influential as well. And I would go, I’ll take Nirvana and Soundgarden and you can have Limp Bizkit and Korn. He’s like, ‘Fuck you.’ [laughter] That was always funny. But I mean the whole nü-metal thing to me it all sounded like Helmet ultimately.”

    “I think that the word influence is misused,” Denison says. “I think maybe we inspire them to play, but I don’t think we influence their music. I think that, you know, people, they tend to name-drop when they use the word influence. And they, ‘Oh I’m influenced by Stockhausen and Miles Davis.’ And then you go to their house and it’s all Mott The Hoople and Bob Seger.”

    Tomahawk and Melvins are touring North America this summer on their amusingly-titled A Huge Waste of Your Time and Money tour, which kicks off in Nashville on July 18.

    “In the spirit of the Olympics, Team Tomahawk has decided to rise up and go for the gold once again,” Denison said when the tour was announced.