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Soulfly has announced a 25-date fall U.S. tour, and the support lineup makes this one a genuine family event: Max Cavalera’s rarely-performing side project Nailbomb joins for select dates, alongside his son Richie Cavalera’s band Incite for the full run. The tour kicks off with a festival slot at Louder Than Life on September 18 and wraps with a hometown finale in Tempe on October 15. General admission tickets go on sale July 15 at 10 a.m. local time.

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A Genuine Cavalera Family Affair

This isn’t just a Soulfly tour with a couple of support bands — it’s close to a full family reunion on wheels. Richie Cavalera’s Incite has been a recurring presence on Cavalera-related tours for years, and Nailbomb’s rotating modern lineup has included Max’s son Igor Amadeus Cavalera since its 2024 return. Soulfly’s own drummer, Zyon Cavalera, co-produced the band’s current album. Three generations of the same musical bloodline, on the same bill, is not a common thing in touring metal.

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Nailbomb’s Rare Return

Context matters for just how big a deal Nailbomb’s involvement actually is. Max Cavalera formed Nailbomb in 1993 with Fudge Tunnel’s Alex Newport, releasing one studio album — 1994’s cult classic “Point Blank” — and playing exactly one live show, at the 1995 Dynamo Open Air Festival, before the project went dormant for 29 years. Nailbomb didn’t perform again until a one-off “Max Cavalera Dynasty Show” in Tempe in November 2024, with Newport sitting out (he gave his blessing but has moved on to a production career) and Igor Amadeus Cavalera stepping into his role. Since that reunion, Nailbomb has played only a handful of festival dates, including Wacken and Bloodstock in 2025 — meaning U.S. fans have had almost no chance to see it. This tour changes that.

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‘Chama’ And What’s New From Soulfly

Soulfly’s thirteenth studio album, “Chama” — Portuguese for “flame” — arrived October 24, 2025 via Nuclear Blast, co-produced by Zyon Cavalera and Arthur Rizk and featuring guest spots from Fear Factory’s Dino Cazares, Arch Enemy’s Michael Amott, and Nails’ Todd Jones. The tour will showcase “Chama” cuts including “Favela Dystopia,” “No Pain = No Power,” the title track, and lead single “Storm The Gates,” alongside the band’s catalog of classics. Guitarist Mike DeLeon, who’s held down the second guitar slot for three years, previously played in Philip H. Anselmo & The Illegals and briefly filled in for Zakk Wylde at a Pantera rehearsal in 2022.

The Full Tour Schedule

Sep. 18 – Louisville, KY @ Louder Than Life **
Sep. 19 – Columbia, MO @ The Blue Note
Sep. 20 – Tulsa, OK @ Boman Twin
Sep. 21 – Austin, TX @ Come and Take It Live
Sep. 22 – San Antonio, TX @ Paper Tiger
Sep. 23 – Dallas, TX @ Trees
Sep. 24 – Kansas City, MO @ Warehouse on Broadway
Sep. 25 – Iowa City, IA @ Wildwood
Sep. 26 – McHenry, IL @ The Vixen
Sep. 27 – Sioux Falls, SD @ BIGs
Sep. 29 – Casper, WY @ Oil City Beer Company
Sep. 30 – Cheyenne, WY @ The Lincoln
Oct. 01 – Denver, CO @ Levitt Pavilion
Oct. 02 – Salt Lake City, UT @ Aces High
Oct. 04 – Sacramento, CA @ Aftershock**
Oct. 05 – San Jose, CA @ The Ritz
Oct. 06 – San Luis Obispo, CA @ SLO Brew
Oct. 07 – Palmdale, CA @ Transplants Brewery
Oct. 08 – West Hollywood, CA @ Whisky A Go-Go
Oct. 09 – Las Vegas, NV @ Swan Dive
Oct. 10 – Costa Mesa, CA @ The Wayfarer
Oct. 11 – Pomona, CA @ The Glass House Concert Hall
Oct. 12 – San Diego, CA @ Soda Bar
Oct. 14 – Yuma, AZ @ Arizona Marketplace
Oct. 15 – Tempe, AZ @ The Marquee

**Soulfly only (festival dates, no Nailbomb or Incite)

TL;DR

• Soulfly announced a 25-date fall U.S. tour, September 18 through October 15
• Max Cavalera’s Nailbomb joins for select dates — only their second run of U.S. shows since reuniting in 2024 after a 29-year gap
• Richie Cavalera’s Incite supports the full tour
• General admission tickets go on sale July 15 at 10 a.m. local time
• The tour showcases Soulfly’s 13th album, “Chama,” released October 2025 via Nuclear Blast
• The run kicks off at Louder Than Life and closes with a hometown show in Tempe, Arizona on October 15

FAQ

A Cavalera family tour with a rare Nailbomb reunion built in — who’s catching this one live? Let us know in the comments. Follow Loaded Radio for daily rock and metal news.

The post Soulfly Announce Fall Tour With Nailbomb And Incite appeared first on Loaded Radio.

The Turkish epic metal band Dragonborn (can't help but think of Skyrim) released their latest EP "No Mercy" on May 3rd. Founded in 2024 by Ekrem Kani, Dragonborn is a completely original creative universe centered on a war between fire and ice dragons, as well as the armies that they command. The project is also in the works as a standalone book.

The EP begins with "Ash Before Dawn," and it is my first introduction to the band. Very quickly, you can hear the expertise of the arrangement as massive orchestral elements, percussion, and choirs build a truly cinematic sound that feels like the opening to a fantasy epic like The Lord of the Rings. The 3-minute intro perfectly sets the scene for a huge, fantasy world filled with magic and battle.

Next is "Warhorns For Liars," which kicks off the album as dark horns are soon met by explosive guitar chugging, booming wardrums, and powerful choirs. Dragonborn manages to keep the same level of theatricality as the intro track while introducing heavy metal and screaming vocals. Dragonborn reminds me of power metal with the dramatic fantasy elements, but feels more authentic and goes a step further into the cinematic vibe with their music.

"Execution" starts with booming wardrums as the cadence of an army's footsteps landing with a thud can be heard in the distance. Soon, loud cheering, bright strings, and soaring guitar leads cut through the heavy metal, creating a sense of intrigue and interest through the heaviness.

The fourth track, "Revenge Of Pagan Storms," starts with brutal synchronized guitar chugging and double bass drumming after a pause for the dramatic unsheathing of a sword. Stoccato string hits add impactful hits as screeching guitar leads create a classic heavy metal sound alongside powerful screams. Throughout their music, Dragonborn perfectly balances intensity and melody as melodic elements are always contrasted by equal symphonic elements to create a sense of balance.

"Valexus, Lord Of Ice" starts with distorted guitar and slamming drums as rising trumpets fill the background. As the song builds, energetic screaming, strings, and electrifying guitar solos are brought into the fray. In a bridge that slows things down to change up the dynamics, clean guitar builds a strong atmosphere as a female narrator begins to speak. A shredding guitar solo builds back into galloping tempos and blaring trumpets as the full gusto of the band is brought back.

The final song, "When Steel Forgot Fire," starts with an atmospheric acoustic guitar that layers atop itself. The dramatic guitar work reminds me of a medieval nighttime campfire tune as dark choirs hold the low-end in the background. Just as the first song acted as a powerful introduction to set the stage for the music, "When Steel Forgot Fire" ends the EP in an equally epic and grandiose fashion.

Overall, Dragonborn has a very unique and meticulously thought-out sound. The band perfectly encapsulates the magic and feeling of fantasy; their music feels cinematic, theatrical, and epic, and is followed by a complex world that has been designed around the music. You can stream "No Mercy" on all platforms now.

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The new album arrives October 9 via their own Pentagrammaton Records

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Kronos Mortus News, the English-language platform of Kronos Mortus, has received international recognition by being included in FeedSpot’s Top 100 Metal Music Blogs list for 2026. FeedSpot is an RSS reader that allows users to subscribe to blogs, news sites, and other websites they want to follow in one place. The selection features metal magazines, […]

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Complete with a juggalo.

The post Queens Of The Stone Age Team With Nikki Lane For “Easy Street” Music Video appeared first on Theprp.com.

Lido Pimienta releases her new album Caribenya this Friday. So far the Colombian Canadian musician has shared the singles “Tóxica” and “Talento,” and today she’s back with “Marea.”

The post Lido Pimienta – “Marea” appeared first on Stereogum.

Featuring stops across the country, including Louder Than Life and Aftershock Festival appearances

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In the past few days, Josh Homme has appeared on two extremely different new songs, Shania Twain’s “Faded Blue Jeans” and Mastodon’s “Snakes For Dinner.” Now, his band Queens Of The Stone Age return with a surprisingly gorgeous and non-heavy new single called “Easy Street,” which doesn’t sound anything like “Faded Blue Jeans” or “Snakes For Dinner.” Perhaps Homme has more range than we realized.

The post Queens Of The Stone Age – “Easy Street” (Feat. Nikki Lane) appeared first on Stereogum.

FOR IMMEDIATE RELEASE
Fahrenheit Paradox, Devil In Disguise, Balistic, Banished Truth, The Prodigal Son, Nocturnal Ceremony, Shiny New Toyz, and Creeper Featured in Decibel Magazine Issue #262 

Metal Devastation PR is proud to announce its latest feature advert in Decibel Magazine Issue #262 , highlighting eight incredible artists from the underground metal scene.
This month’s Metal Devastation PR spotlight showcases:
Fahrenheit Paradox
Devil In Disguise
Balistic
Banished Truth
The Prodigal Son
Nocturnal Ceremony
Shiny New Toyz
Creeper
Metal Devastation PR continues to bring attention to the hard-working bands pushing heavy music forward, giving these artists additional exposure among one of metal’s most dedicated audiences.
Issue #262 of Decibel Magazine features “Transformers: 40 Years of Metal’s Gateway Soundtrack” on the cover, celebrating the legendary soundtrack that introduced generations of fans to the power of heavy metal. The issue also includes an exclusive Spirit Adrift limited edition flexi disc, the Decibel Hall of Fame feature on Crumbsuckers’ Life of Dreams , reviews of Maryland Deathfest XXI and Northwest Terror Fest 2026 , plus features on Mortiis, Warning, Nunslaughter, Junius, Tzompantli, Frozen Soul, Solace, Extinction of Mankind, Ripper , and more.
Metal Devastation PR is honored to continue supporting independent artists and providing opportunities for the underground metal community to be heard on a global level.
Grab a copy here at this link and support https://store.decibelmagazine.com/collections/back-issues/products/august-2026-262a-with-optimus-prime

Review & photos by Ron Lyon

The Pacific Amphitheatre in Costa Mesa was nearly full long before Willie Nelson took the stage. Merchandise lines were busy, cowboy hats filled the aisles, and a crowd spanning multiple generations settled into their seats knowing they were about to see one of the last true giants of American music.

This wasn’t part of Nelson’s larger Outlaw Music Festival tour. Instead, it served as the first stop of a short California run before he resumes a busy summer schedule. That distinction gave the evening a more intimate feel. Fans weren’t there for a multi-artist festival. They were there for Willie Nelson & Family.

Opening the evening was Oklahoma singer-songwriter Caroline Grace, making her first California appearance. Grace and her four-piece band drove nearly twenty hours from Fort Worth to reach Costa Mesa, but there was little evidence of road fatigue during their energetic 40-minute set.

Blending traditional country influences with modern Americana, Grace quickly won over an audience that with her music. Songs such as “Blue Mountain Highway,” “Old Cowboy,” and the standout “The Man with the .45” showcased both her songwriting and vocal abilities. Her version of “Blue Moon of Kentucky” connected particularly well with the crowd, earning one of the night’s earliest standing ovations. By the time she exited the stage, she had gained more than a few new fans and proved herself a worthy choice to open this California run.

At 9:15 p.m., anticipation finally gave way to reality.

A large Willie Nelson banner covered the front of the stage, concealing the band from view. When it dropped, there was no dramatic walk-on or elaborate entrance. Nelson was already seated at center stage on a small, cushioned stool, surrounded by his Family band and holding his legendary guitar, Trigger. The crowd immediately rose to its feet in appreciation.

The first thing most fans likely noticed was Nelson’s physical condition. At 93 years old, he appeared frail and remained seated for the entire performance. Yet within moments it became clear that what matters most remains intact. His voice still carries the unmistakable phrasing, warmth, and emotional honesty that have made him one of the most recognizable singers in American music.

The show opened with “Living in the Promise Land.” From there, Nelson led the audience through a 21-song journey that touched nearly every chapter of his remarkable career.

Among the evening’s highlights was “Still Is Still Moving To Me,” which brought a burst of energy and showcased Nelson’s enduring ability to command a crowd with little more than a guitar and a melody. “Mammas Don’t Let Your Babies Grow Up to Be Cowboys” inspired one of the loudest audience singalongs of the night, while “On the Road Again” delivered exactly the joyful reaction one would expect from a Southern California crowd seeing Willie Nelson in person.

“Georgia on My Mind” demonstrated that Nelson’s interpretive gifts remain as strong as ever. Meanwhile, “Me and Bobby McGee” and “Roll Me Up and Smoke Me When I Die” reminded fans why he became one of the defining voices of the outlaw country movement.

Perhaps the evening’s most emotional moment arrived during “Always on My Mind.” Slower and more reflective than some earlier versions, the song transformed the amphitheater into a sea of quiet attention. Thousands sang along softly, creating one of those rare concert moments where performer and audience seem completely connected.

Visually, the stage setup for the show had a pared-down look and feel. There were no elaborate stage effects or over-produced video screens competing for attention, just a giant American flag backdrop behind the band, creating an image that felt perfectly suited to an artist whose career has become woven into the fabric of American culture itself.

The Family band once again proved why it remains one of the most respected groups in live music. Harmonica master Mickey Raphael, who has been a key part of Nelson’s sound since 1973, delivered the signature harmonica lines that fans know by heart. Bassist Kevin Smith, drummer Billy English, and keyboard legend Booker T. Jones provided a solid musical foundation throughout the evening.

One of the night’s biggest surprises came during the band introductions, when Nelson revealed actor and musician John Stamos on bongos and Green Day drummer Tré Cool on washboard and shakers. Many in the crowd had not recognized the pair during the performance, making the reveal one of the evening’s most memorable moments and drawing one of its loudest ovations. Their appearance reinforced Nelson’s unique ability to bridge musical generations and genres. Few artists can draw admiration from country legends, classic rock fans, punk musicians, and mainstream entertainers alike. The evening came to an end with Caroline Grace returning to the stage to join Nelson on “Will the Circle Be Unbroken?” and “I’ll Fly Away”.

What ultimately made the evening memorable was not technical perfection. Nelson’s guitar playing occasionally wandered, and age has understandably altered aspects of his performance. But none of that seemed to matter to the audience. The crowd responded to every song with enthusiasm, encouragement, and gratitude. They weren’t simply watching a concert. They were spending an evening with an artist whose music has accompanied their lives for decades.

As the final notes faded and fans slowly made their way toward the exits, there was a shared sense that nights like this have become increasingly precious. Willie Nelson may no longer move around the stage, but he still possesses the rare ability to bring thousands of people together through the power of song.

More than 60 years after he first emerged as a songwriter and performer, Willie Nelson remains what he has always been: an American original.

Concert Rating: 8/10 – Not because the performance was flawless, but because seeing Willie Nelson in 2026 feels less like attending a concert and more like witnessing a living chapter of American music history.