Category: news

  • Uncle Acid and the Deadbeats Warn “Don’t Let It Control You” with New Single

    uncleacid_band26

    Bright Monday mornings don’t exactly evoke the spooky and macabre, but that changes in an instant whenever cult rock outfit Uncle Acid and the Deadbeats put out new music. And this morning, they released a new single titled “Don’t Let It Control You.”

    Teased as a “blood-soaked taster from their forthcoming studio album,” this new release is just under four minutes of fuzz-laden psycho rock. It’s got all the trappings of an Uncle Acid tune, including the almost lo-fi production and a dab of ’70s grit thrown into the mix. It’s the kind of song that can easily embed itself into your head like an icepick in Leon Trotsky’s skull.

    Though the band mentioned a new album, there are no new details about that bad boy included with this track’s release. Just the fact that it’s coming soon.

    “Don’t Let It Control You” will be released as a single on 7″ vinyl — the first time the band’s doing that since they put out Pusher Man back in 2016. If you’d like to make sure you get your hands on one of those, preorders are now open.

    In addition to the new single, Uncle Acid is heading out on tour this summer. You can find the full list of tour dates below and get your tickets today.

    UNCLE ACID AND THE DEADBEATS LIVE:
    EUROPE + FESTIVALS:

    6/4 — Norje, SE — Sweden Rock Festival
    6/6 — Netphen, DE — Freak Valley Festival
    6/7 — Strasbourg, FR — La Laiterie
    6/10 — Bilbao, ES — Kafé Antzokia
    6/12 — Lisbon, PT — LAV
    6/13 — Madrid, ES — Sala Mon
    6/14 — Barcelona, ES — Razzmatazz 2
    6/16 — Toulouse, FR — Le Rex
    6/17 — Bordeaux, FR — Le Rocher de Palmer
    6/18 — Clisson, FR — Hellfest
    6/20 — Dessel, BE — Graspop Metal Meeting
    6/22 — Groningen, NL — Vera
    6/24 — Leipzig, DE — UT Connewitz
    6/26 — Stuttgart, DE — Im Wizemann
    6/27 — Wiesbaden, DE — Sol Sonic Ride
    6/28 — Bourlon, FR — Rock in Bourlon
    7/2 — Roskilde, DK — Roskilde Festival
    7/3 — Donje Primišlje, HR — Bear Stone Festival

    UK DATES:

    11/19 — Wolverhampton, UK — KK’s Steel Mill
    11/20 — Manchester, UK — New Century Hall
    11/21 — Glasgow, UK — The Garage
    11/22 — Leeds, UK — Brudenell
    11/24 — Bristol, UK — Trinity
    11/25 — Southampton, UK — Engine Rooms
    11/27 — Brighton, UK — Concorde 2
    11/28 — Norwich, UK — Waterfront
    11/29 — Nottingham, UK — Rescue Rooms

    The post Uncle Acid and the Deadbeats Warn “Don’t Let It Control You” with New Single appeared first on MetalSucks.

  • A View From The Back Of The Room: Creeper (Alex Swift)

    Creeper – The Globe, Cardiff, 14.04.2026



    Creeper have been on an intriguing journey over their ten year existence. The tongue-in-cheek metal aesthetics of the musicians on stage tonight at the Globe are unrecognizable, from those of the band that broke on to the scene in the mid-2010’s!

    For the uninitiated, Will Gould, Hannah Greenwood and co. first emerged onto the scene with Eternity, In Your Arms – an excellent album that combined raucous punk energy and bombastic glam-rock swagger! They have always drawn from an incredibly wide array of influences from My Chemical Romance to Bowie, yet have altered their sound with each subsequent release. 

    Creeper’s relentless appeal comes from their skill as songwriters, and their ability to inject humour into deeply respectful homages to the genres they tackle! Whether you see Creeper’s albums as pieces of parody, or love letters, they are always expertly crafted, and lots of fun!

    This brings us to the Sangui-Tour. A series of shows drawing to a close the band’s “vampire” era! The two Sanguivore albums were an ambitious feat, chronicling the history of Satan-inspired metal. Consequently, there are a wide array of sounds represented tonight from the vaudeville theatrics of Razor Wire, to the Jim Steinmen-esque ambitiousness of Further Than Forever

    This is testament to the versatility of the band’s sound, and their skill as musicians. Few acts could make the folk-adjacent Ballad Of Spook And Mercy sound completely natural when placed against the raucous theatrics of anthems in the vein of Lovers Led Astray, but then few punk bands have made the leap to metal quite so convincingly!

    Vital to what makes this show so enticing is the band’s stage presence. Will Gould struts around the stage, as if he’s in command of a ritual! Moments such as Parasite and Cry To Heaven inspire everyone in the crowd to sing the words back at our performers, whilst Chapel Gates and Headstones cause circle pits to ensue!

    Observed from my position on the balcony of The Globe, the concert seemed to become a celebration both of our vampiric performers, and of the many decades of gothic rock music that has given life to their songs!

    With this era of Creeper at an end, (as inferred by the closing narration on Sanguivore II) I am curious where they progress from here. On the one hand it’s tempting to say they won’t be in any rush to give up the fans they have made in the metal sphere. However, it’s through daring stylistic leaps that they have achieved their current level of notoriety. In that sense, whether the future for them looks familiar or distinct, shows like this will surely ensure their longevity for many years to come! 10/10
  • A View From The Back Of The Room: Creeper (Alex Swift)

    Creeper – The Globe, Cardiff, 14.04.2026



    Creeper have been on an intriguing journey over their ten year existence. The tongue-in-cheek metal aesthetics of the musicians on stage tonight at the Globe are unrecognizable, from those of the band that broke on to the scene in the mid-2010’s!

    For the uninitiated, Will Gould, Hannah Greenwood and co. first emerged onto the scene with Eternity, In Your Arms – an excellent album that combined raucous punk energy and bombastic glam-rock swagger! They have always drawn from an incredibly wide array of influences from My Chemical Romance to Bowie, yet have altered their sound with each subsequent release. 

    Creeper’s relentless appeal comes from their skill as songwriters, and their ability to inject humour into deeply respectful homages to the genres they tackle! Whether you see Creeper’s albums as pieces of parody, or love letters, they are always expertly crafted, and lots of fun!

    This brings us to the Sangui-Tour. A series of shows drawing to a close the band’s “vampire” era! The two Sanguivore albums were an ambitious feat, chronicling the history of Satan-inspired metal. Consequently, there are a wide array of sounds represented tonight from the vaudeville theatrics of Razor Wire, to the Jim Steinmen-esque ambitiousness of Further Than Forever

    This is testament to the versatility of the band’s sound, and their skill as musicians. Few acts could make the folk-adjacent Ballad Of Spook And Mercy sound completely natural when placed against the raucous theatrics of anthems in the vein of Lovers Led Astray, but then few punk bands have made the leap to metal quite so convincingly!

    Vital to what makes this show so enticing is the band’s stage presence. Will Gould struts around the stage, as if he’s in command of a ritual! Moments such as Parasite and Cry To Heaven inspire everyone in the crowd to sing the words back at our performers, whilst Chapel Gates and Headstones cause circle pits to ensue!

    Observed from my position on the balcony of The Globe, the concert seemed to become a celebration both of our vampiric performers, and of the many decades of gothic rock music that has given life to their songs!

    With this era of Creeper at an end, (as inferred by the closing narration on Sanguivore II) I am curious where they progress from here. On the one hand it’s tempting to say they won’t be in any rush to give up the fans they have made in the metal sphere. However, it’s through daring stylistic leaps that they have achieved their current level of notoriety. In that sense, whether the future for them looks familiar or distinct, shows like this will surely ensure their longevity for many years to come! 10/10
  • 40 YEARS IN THE MAKING: Dave Mustaine Shreds Metallica Classic “Ride The Lightning” Live For The First Time In Megadeth History

    mustaine-metallica

    The heavy metal world just witnessed a moment forty years in the making. Last night in Bogota, Colombia, Dave Mustaine finally reclaimed his seat at the high table of thrash history. For the first time ever, Megadeth performed their studio-polished version of the Metallica classic “Ride The Lightning”—a track Mustaine co-wrote before his infamous 1983 departure—live on stage.

    This isn’t just a cover; it’s a calculated, high-octane “closing of the circle” that sees Mustaine putting his own jagged DNA on the song that helped launch the biggest metal band on the planet. If you thought the Mustaine vs. Metallica saga was over, think again—it just got a lot louder.

    The Megadeth “Ride The Lightning” Debut:

    • The Big Reveal: Megadeth debuted their version of “Ride The Lightning” live on April 26, 2026, at the Movistar Arena in Bogota.
    • The Why: Dave Mustaine recorded the track for Megadeth’s final album as a tribute to James Hetfield and Lars Ulrich.
    • The Twist: Megadeth’s version is faster, features “spider chords,” and includes a reworked solo by Mustaine and Teemu Mäntysaari.
    • The History: Mustaine co-wrote the track in 1983; this performance marks the first time he has played it live with his own band.
    • The Video: Fan-filmed footage (scroll down) captures the moment the “Spider Chord” king took back his song.

    Watch: Megadeth Unleashes “Ride The Lightning” in Colombia

    “As Good or Better”: Mustaine’s Modernized Version

    When Dave Mustaine appeared on The Loaded Radio Podcast circuit via SiriusXM earlier this year, he didn’t mince words about the pressure of re-recording a Metallica staple. Mustaine’s mission was clear: “If we’re gonna do this, let’s make sure that we do it as good as the original or better.”

    To achieve that, Megadeth didn’t just copy-paste the 1984 classic. They “beefed it up,” sped up the tempo, and let drummer Dirk Verbeuren go wild on the fills. Mustaine also highlighted his signature technical flairs—the “spider chords” and “grunting” slides—that he claims were his primary guitar influences on the original writing sessions. While he admits his voice is nothing like James Hetfield’s, Mustaine embraced the challenge of breaking down James’s vocal parts and rebuilding them in his own snarl.

    We Also Recommend – Every Megadeth Album Ranked Worst To Best (2026 Definitive List)

    Honoring the “Powerhouse” James Hetfield

    Despite decades of strained emotions and public barbs, Mustaine’s motivation for this performance was surprisingly sentimental. He has spent the last year publicly praising James Hetfield’s rhythm playing and Lars Ulrich’s songwriting arrangements.

    “I wanted to pay my respects to James Hetfield, who I think is an amazing guitar player,” Mustaine told Guitar World. “It wasn’t really that I wanted to do my version… it was about respect. I wanted to do something to close the circle on my career right now.” By performing “Ride The Lightning,” Mustaine is effectively making peace with his own ghost, acknowledging that while the emotions were “ruined” over the years, the music they created together changed the world.

    megadeth-dave-mustaine-ride-the-lightning

    Teemu Mäntysaari vs. Kirk Hammett: The Solo Battle

    One of the most talked-about aspects of the new Megadeth version is the guitar solo. Mustaine has long suggested that Kirk Hammett essentially played “note-for-close-note” versions of Dave’s original demos on Kill ‘Em All and Ride The Lightning.

    For the live debut, Mustaine and current Megadeth shredder Teemu Mäntysaari split the leads. While they stayed respectful to the iconic 1984 phrasing, they modernized the attack. Mustaine admitted he didn’t even remember exactly what he played on the original 1983 demos, so he and Teemu “tossed it back and forth” to create a version that bridges the gap between 1984 and 2026.

    Fans interested in seeing Megadeth live can find available tickets here.

    Check This Out – 13 Shocking Facts About Megadeth’s Dave Mustaine: From Witchcraft to the Ultimate Revenge

    The Loaded Radio Final Word

    Dave Mustaine performing “Ride The Lightning” feels like the final boss level of a 40-year quest. Whether you’re a Megadeth loyalist or a Metallica lifer, you have to respect the stones it takes to reclaim a song this legendary at this stage of the game. Dave isn’t riding off into the sunset; he’s riding the lightning one last time, and he’s doing it on his own terms. Bogota was just the beginning—expect this to be the centerpiece of the setlist for the rest of the year.

    TL;DR:

    The Bottom Line Dave Mustaine and Megadeth made history in Bogota on April 26, 2026, by performing their version of Metallica’s “Ride The Lightning” for the first time. Mustaine, who co-wrote the track, described the move as a way to show respect to James Hetfield and Lars Ulrich while “closing the circle” on his legendary career.

    The post 40 YEARS IN THE MAKING: Dave Mustaine Shreds Metallica Classic “Ride The Lightning” Live For The First Time In Megadeth History appeared first on Loaded Radio.

  • Geese Throw Out First Pitch For The Mets

    Geese are everywhere these days, including the pitcher’s mound at Citi Field, where the Mets have been getting killed lately. Collectively, the band stepped up alongside Mr. Met to deliver the first pitch Sunday at the Mets’ game against the Colorado Rockies. Bassist Dom DiGesu, a southpaw, was the one who actually made the toss, sending it squarely across home plate to the delight of his bandmates, all of whom joined him in wearing Nike MLB Limited City Connect Jerseys. On IG Stories, Geese wrote, “Absolutely honored,” and DiGesu wrote, “Best day ever.”

    The post Geese Throw Out First Pitch For The Mets appeared first on Stereogum.

  • Avaland – Reveal ‘Destiny Calls’ Song And Lyric Video

    To promote their forthcoming studio album Chemical Poetry, set to land in stores on October 30th 2026, French operatic power metal ensemble Avaland have premiered a brand new single “Destiny Calls”.
    Read more…
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    Posted on April 27th 2026, 3:00p.m.

  • HITTING THE WALL: Ex-The Amity Affliction Singer Ahren Stringer Faces Prison Time After High-Speed Police Showdown

    ahren-stringer-2026

    The fallout for former The Amity Affliction bassist and vocalist Ahren Stringer has shifted from the recording studio to the courtroom. Just months after his controversial ousting from the multi-platinum Australian metalcore giants, Stringer appeared before the Benalla Magistrates’ Court on April 21st to answer for a litany of dangerous driving and drug-related refusal charges. With the metal community still reeling from the band’s messy public divorce and Stringer’s subsequent health scares, these criminal allegations add a dark new chapter to an already volatile saga that proves the road to recovery is far from a straight line.

    The Ahren Stringer Legal Crisis:

    • The Charges: Stringer faces five counts, including speeding 45 km/h over the limit and refusing breath and drug fluid tests.
    • The Incident: The charges stem from an alleged high-speed episode in the Benalla region of Australia.
    • The Fallout: Stringer was ousted from The Amity Affliction in February 2025; legal battles over the band’s finances are ongoing.
    • Health Battles: Following his dismissal, Stringer launched the project Self Checkout but was hospitalized for a “serious emergency” in late 2025.
    • Court Status: No plea has been entered yet; the case is adjourned until May 26th.

    Inside the Charges: Dangerous Speed and Refusal to Cooperate

    According to court records obtained by Blunt, Stringer isn’t just facing a simple traffic ticket. The five charges laid out in Benalla Magistrates’ Court paint a picture of a high-risk police encounter. Specifically, Stringer has been charged with:

    1. Driving at a speed dangerous to the public.
    2. Exceeding the speed limit by 45 km/h or more.
    3. Refusal to undergo a preliminary breath test.
    4. Refusal to undergo a preliminary oral fluid (drug) test.
    5. Operating a vehicle in an unsafe or non-roadworthy condition.

    The refusal to undergo drug and alcohol testing is particularly significant in the Australian legal system, often carrying penalties as severe as the offenses the tests are designed to detect. For a musician who has been vocal about his struggles with addiction, these specific charges are bound to ignite further concern among his dedicated fanbase.

    We Also Recommend – Metalcore Bands Ranked: The 13 That Actually Defined The Genre

    ahren-stringer-2025

    The Messy Divorce: The Amity Affliction and the Financial War

    While Stringer battles the legal system in Benalla, a secondary war is being fought in the boardroom. Stringer’s departure from The Amity Affliction in February 2025 was anything but amicable. Following his exit, legal action was initiated regarding Stringer’s stake in the band’s business and financial structure.

    The Amity Affliction has already moved on creatively, releasing their first album without Stringer, titled House Of Cards. However, the “clean break” fans expected has yet to materialize. Sources suggest that the complicated nature of their shared business ties and the band’s current financial situation have kept both parties tethered together in a web of litigation that may take years to untangle.

    We recently sat down with The Amity Affliction singer Joel Birch to discuss House Of Cards and the split with Stringer on a recent edition of The Loaded Radio Podcast which you can listen to at this location. Definitely a compelling conversation to say the least.

    Self Checkout and the Fight for Mental Health

    In the wake of his dismissal, Stringer didn’t go quiet. He teamed up with fellow embattled musician Gus Farias (ex-Volumes) to form Self Checkout in May 2025. The project was designed as a raw, honest outlet for their mutual struggles with mental health and substance abuse—a sonic therapy session for two men who found themselves on the outside of the industry they helped build.

    However, the road took a terrifying turn in September 2025 when Stringer was hospitalized for a “serious and unexpected emergency.” While details were kept private, the incident occurred just months after the alleged driving offenses in Benalla, suggesting a period of extreme personal turmoil for the vocalist.

    Check This Out – Best Masked Metal Bands: 13 Bands That Wear Masks (Some Might Surprise You)

    theamityafflictionbandmarch2023

    The Road Ahead: May 26th Adjournment

    As of this week, no plea has been entered. The court has adjourned the matter until May 26th, giving Stringer’s legal team time to review the evidence. Whether this leads to a plea deal or a full trial remains to be seen, but one thing is certain: Ahren Stringer is at a crossroads.

    Between the criminal charges in Benalla and the financial deadlock with his former bandmates, the man who provided the melodic soul of The Amity Affliction for nearly two decades is now fighting his most important battle off-stage.

    The Loaded Radio Final Word

    We’ve watched Ahren Stringer dominate stages for years, but this is a different kind of intensity. While we never condone dangerous behavior on the road—especially refusing sobriety tests—you can’t help but see the human cost of the “rockstar” lifestyle. Here’s hoping Stringer gets the help and the legal resolution he needs to get back to what he does best: making music. We’ll be tracking the May 26th court date closely.

    TL;DR:

    The Bottom Line Former The Amity Affliction vocalist Ahren Stringer appeared in an Australian court on April 21st facing dangerous driving and drug test refusal charges. The incident follows a year of personal and professional chaos, including his firing from Amity and a major hospitalization. The case has been adjourned to May 26th.

    The post HITTING THE WALL: Ex-The Amity Affliction Singer Ahren Stringer Faces Prison Time After High-Speed Police Showdown appeared first on Loaded Radio.