Category: news

  • ALBUM REVIEW: Asedio – Confrontación Heroíca

    Following two demos, a split and their wicked recent MLP, Chilean heavy metallers Asedio return with their debut full-length album! Out via FHM Records on 20th February (with vinyl a bit later, to be released at Keep It True Festival on 24th April).

    Melodic guitars and thundering bass lines waste no time in launching a lively array of heavy metal magic into the stratosphere. The pummelling drums and wicked riffing adds to the onslaught of instrumental battery as powerful vocals soar atop the mix with a commanding presence. The complete mix is tight, refined and powerful with a modern presentation of a classic heavy metal sound. Chile has many phenomenal bands and ever since discovering Asedio from blind-buying a split cassette of them and their countrymen Hemisferio at the original Crypt of the Wizard in London, I had kept an eye out for more material. Last year we got the “La Interminable Lucha” EP and now only a year later, they are back with a full length debut. Clearly inspiration is flowing freely. Back to the review, the ripping guitar solos and intricate bass lines perfectly complement some excellent riffing and give us a memorable attack of highly skilled and tradition-fuelled metal mayhem. Blending this epic and triumphant assault with some melancholic moments; there is such a potent sense of passion and great delivery in the moods on this record. From its opening I am thoroughly impressed.

    Those moments of crushing guitar riffs where the bass takes a lead role are sublime, stoking the fires of Iron Maiden’s masterful dynamics while the drumming battery and enchanting vocals give Asedio a sound totally their own. That mystique of the lyrics being in a language I do not speak leaves them functioning more as a fourth instrument, which boosts the obscure feelings of the record and allows me to simply enjoy how ferociously magnificent everything sounds on a musical level. There is a wildness and yet the playing is refined, it really feels like the band have found their footing and a lot of confidence that builds upon their past works. I’ve enjoyed them from the demo material and hearing that bloom into something so wonderful is a real pleasure. There are plenty of changes on this record to keep you gripped; from the pounding mid tempos to the speeding attacks. Nothing feels left out, with every musician getting to show their chops but ultimately keeping things moving so the power of the songs is never lost. These songs are so well paced that you will get immersed in the adventure easily.

    Sometimes an album is so enjoyable on so many levels you do not want it to end. The beauty of this one being a shorter LP is that you can just listen to it again! In only 36 minutes we get a diverse array of superb ideas and each of the eight tracks is worth its place. Conveying heroic moods and sword-swinging conquests; Asedio take us on their boldest journey yet and do so marvellously. Harkening back to when rhythm sections felt like they were charging you down and solos soared like eagles alongside battle-cry vocals with their own personality; be part of the “Confrontación Heroíca” or prepare to face defeat by steel. Beating with a united sense of glory, the band take you to the peak of the mountain on this foe-slaying voyage that is exhilarating from start to end. Do not hesitate to experience this for yourself if you love classic heavy metal.

    Another blasting bout of melodic and powerful heavy metal from Asedio. These Chilean headbangers sure know how to give the public what they want, a band whose impassioned and classic music is presented at its strongest yet on their debut long-player. Taking charge from Spanish-sung bands like Muro and Goliath and mixing it with that unmistakable South American fire, this is certain to appeal to underground metallers with a love for the obscure gems that still have an easy-on-the-ear sound and killer songs to boot. Another gem of underground metal might from a far off land that I am grateful to have discovered all those years ago and I am even more glad to hear the growth from these maniacs.

    Rating: 8 out of 10.
  • Caelestia – Vassilis Thomas

      INTERVIEW WITH CAELESTIA Caelestia, hailing from Greece, delivers melodic death metal infused with symphonic elements. The band has been active since 2014 and has […]

    The post Caelestia – Vassilis Thomas appeared first on Metal-Rules.com.

  • Why Counting Crows Were Banned From ‘Saturday Night Live’

    The band's Adam Duritz explains why it was a key moment for their career. Continue reading…
  • Jimmy Eat World Does Surprise Show at… Arby’s

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    Based on this headline, you may find yourself sitting there wondering, “Smokey, Arby’s is still a thing?” Well, APPARAFUCKINLY, hunny.

    Last night (Friday, February 13), elder emos Jimmy Eat World found themselves performing at an Arby’s in… you guessed it… Florida! In Daytona Beach, specifically, as part of a promotion for the fast food chain’s sponsorship for JR Motorsports’ No. 1 Chevrolet. Race car driver Carson Kvapil is driving the Chevy in this weekend’s United Rentals 300 at Daytona International Speedway and he shared a clip of Jimmy Eats Roast Beef’s performance, that you can watch below.

    As if this wasn’t enough, Jimmy Eat World announced earlier this week the dates of their upcoming Bleed American 25th Anniversary North American tour, plus they’ll be playing Vans Warped Tour this year, in case you missed that.

    Jimmy Eat World 2026 tour dates:

    06/09 – Denver, CO @ Live at Red Rocks *
    06/11 – Chicago, IL @ Huntington Bank *
    06/12 – Detroit, MI @ Michigan Lottery Amphitheatre *
    06/13 – Washington, DC @ Vans Warped Tour (RFK Campus)
    06/14 – Washington, DC @ Vans Warped Tour (RFK Campus)
    06/16 – Brooklyn, NY @ Brooklyn Paramount #
    06/17 – New York, NY @ The Rooftop at Pier 17 $
    06/19 – Philadelphia, PA @ Highmark Skyline Stage at Mann %
    06/20 – Boston, MA @ MGM Music Hall at Fenway $
    07/03 – Calgary, CA @ Spruce Meadows
    07/04 – Ft McMurray, CA @ Hello Summer Festival
    07/17 – Bend, OR @ Hayden Homes Amphitheatre !
    07/18 – Seattle, WA @ WAMU Theater at Lumen Field !
    07/19 – Vancouver, BC @ Doug Mitchell Thunderbird Sports Centre!
    07/22 – Salt Lake City, UT @ Sandy Amphitheatre !
    07/24 – Concord, CA @ Toyota Pavilion at Concord **
    07/25 – Long Beach, CA @ Vans Warped Tour (Shoreline Waterfront)
    07/26 – Long Beach, CA @ Vans Warped Tour (Shoreline Waterfront)
    08/22 – Montreal, CA @ Vans Warped Tour (Parc Jean-Drapeau)
    08/23 – Toronto, ON @ RBC Amphitheatre w/ PUP
    09/06 – Phoenix, AZ @ Chase Field (Supporting My Chemical Romance)
    09/09 – Austin, TX @ Moody Amphitheater ##
    09/10 – Dallas, TX @ The Pavilion at Toyota Music Factory ##
    09/12 – Mexico City, MEX @ Vans Warped Tour (Autódromo Hermanos Rodríguez)
    09/13 – Mexico City, MEX @ Vans Warped Tour (Autódromo Hermanos Rodríguez)
    11/12 – Nashville, TN — Support TBA
    11/14 – Tampa, FL @ Midflorida Credit Union Amphitheatre $$

    * = w/ Sunny Day Real Estate and The Get Up Kids
    # = w/ The Get Up Kids and Hey Mercedes
    $ = w/ Thrice and Girls Against Boys
    % = w/ Thrice and Hey Mercedes
    ! = w/ Motion City Soundtrack and Illuminati Hotties
    ** = w/ Mom Jeans, Motion City Soundtrack and Illuminati Hotties
    ## = w/ Minus The Bear and Sparta
    $$ = w/ Hot Mulligan and Teen Jesus and the Jean Teasers

    The post Jimmy Eat World Does Surprise Show at… Arby’s appeared first on MetalSucks.

  • SEEN AND HEARD ON A SATURDAY: MELECHESH, KADAVEREICH, ARCHITECTS OF AEON, A FOREST OF STARS, THE HOLEUM, VOIDSPIRE

    (written by Islander) I felt a cold coming on yesterday when I woke up, and that was quickly followed by the discovery that anyone trying to get to NCS experienced frantic meltdowns from their browsers, which warned people that our site was insecure and might expose all their personal finances and identities to theft, might […]

    The post SEEN AND HEARD ON A SATURDAY: MELECHESH, KADAVEREICH, ARCHITECTS OF AEON, A FOREST OF STARS, THE HOLEUM, VOIDSPIRE appeared first on NO CLEAN SINGING.

  • Lamb of God changed their logo because the old one looked like “a falafel restaurant menu”

    Sometimes brands need a refresh – but Lamb of God’s reason for designing a new logo is surely a first
  • Exhumed, Corrosion of Conformity, and Hellripper Added to the MetalSucks Playlist

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    We’re back with another update to the MetalSucks Playlist. This time around, more than half of the entire playlist is brand new music. Thank goodness 2026 is turning out to be a great year for metal, because it was a little slow starting out the gate.

    Thankfully, we’ve got new music from some heavy hitters like Corrosion of Conformity, Down, Anthrax and the like coming down the pipe. As for this update, we’ve got new tracks from Mayhem, Sylosis, and Exhumed, just to name a few.

    As always, we’ve updated the playlist on both Spotify and Apple Music, so feel free to hit play below or search for MetalSucks in the app to find the new list. And while you’re at it, feel free to subscribe to our other playlists if you choose.

    All we ask in return is that you remember to also follow/like/subscribe/whatever the playlists so you never miss the new tracks added each week.

    The post Exhumed, Corrosion of Conformity, and Hellripper Added to the MetalSucks Playlist appeared first on MetalSucks.

  • Micky Dolenz Kicks Off ’60 Years of the Monkees’ Tour: Set List

    The singer was in fine voice as he tore through a whopping 32 songs. Continue reading…
  • Michael Des Barres – "Kiss or Kill Me"


    How about an absolute scorcher of a new single from the legendary Michael Des Barres? Out on Rum Bar Records, “Kiss or Kill Me” finds the 26th Marquis Des Barres obliterating the notion that we ever become too old to rock. Co-written with guitarist Loren Molinare (The Dogs, Slamdinistas) and co-produced by Richard Duguay (Personality Crisis), this song is a shot of pure glam/punk/rock ‘n’ roll energy delivering a truly provocative proposition. Its release on the eve of Valentine’s Day was no coincidence. “Really the song is an anthem of love,” Des Barres notes. “Love me or leave me. You either bring love to life, or you’re not living.” And man oh man, this song sure does bring love to life. Joined by Paul Ill on bass and Rob Klonel on drums, Des Barres and Molinare kick up a swaggering, hard-rocking racket with a hook that cannot be denied. It’s one thing to hear bands pay homage to the heyday of glam rock and proto-punk. But to hear guys who were there when it was originally happening still sound this enthused and inspired in 2026 is quite the thrill. If you aren’t already aware of how massive Silverhead ought to have been, go track down its two LPs. But buy this first! While most people may now think of Des Barres as an actor and radio personality, he has never stopped writing and releasing music. And with “Kiss or Kill Me,” he has a massive indie radio hit on his hands. The B-side of this single, “I Was Saved In ’64,” is something quite extraordinary. It’s a spoken word number in which Des Barres tells his rock ‘n’ roll origin story while Molinare and Duguay accompany him on guitar. It’s an exhilarating piece of poetry, and of course no one is better suited than Des Barres to turn a spoken word track into a captivating performance.  

    “Kiss or Kill Me” is available on vinyl (in three color options) and compact disc from Rum Bar Records. With only 100 copies pressed in each color, you know the vinyl (shipping next month) is going to go fast. Mozy on up to the bar and order yourself a proper jolt of rock ‘n’ roll!

  • Michael Des Barres – "Kiss or Kill Me"


    How about an absolute scorcher of a new single from the legendary Michael Des Barres? Out on Rum Bar Records, “Kiss or Kill Me” finds the 26th Marquis Des Barres obliterating the notion that we ever become too old to rock. Co-written with guitarist Loren Molinare (The Dogs, Slamdinistas) and co-produced by Richard Duguay (Personality Crisis), this song is a shot of pure glam/punk/rock ‘n’ roll energy delivering a truly provocative proposition. Its release on the eve of Valentine’s Day was no coincidence. “Really the song is an anthem of love,” Des Barres notes. “Love me or leave me. You either bring love to life, or you’re not living.” And man oh man, this song sure does bring love to life. Joined by Paul Ill on bass and Rob Klonel on drums, Des Barres and Molinare kick up a swaggering, hard-rocking racket with a hook that cannot be denied. It’s one thing to hear bands pay homage to the heyday of glam rock and proto-punk. But to hear guys who were there when it was originally happening still sound this enthused and inspired in 2026 is quite the thrill. If you aren’t already aware of how massive Silverhead ought to have been, go track down its two LPs. But buy this first! While most people may now think of Des Barres as an actor and radio personality, he has never stopped writing and releasing music. And with “Kiss or Kill Me,” he has a massive indie radio hit on his hands. The B-side of this single, “I Was Saved In ’64,” is something quite extraordinary. It’s a spoken word number in which Des Barres tells his rock ‘n’ roll origin story while Molinare and Duguay accompany him on guitar. It’s an exhilarating piece of poetry, and of course no one is better suited than Des Barres to turn a spoken word track into a captivating performance.  

    “Kiss or Kill Me” is available on vinyl (in three color options) and compact disc from Rum Bar Records. With only 100 copies pressed in each color, you know the vinyl (shipping next month) is going to go fast. Mozy on up to the bar and order yourself a proper jolt of rock ‘n’ roll!