Good Day Noir Family,
Effusion 35 light up the holiday season with a rock song that’s explosive and full of humor.

Rockin’ Coal In My Stocking is Effusion 35’s Single Out Now

“Rockin’ Coal In My Stocking” bursts forward with distorted guitars and a driving rhythm that instantly fills the room with energy.

The band successfully balances gritty rock intensity with a festive spirit, using sleigh bells and sparkling details that recall old-school holiday records — but with a modern punch.

The track’s rhythm section locks in tightly, giving the whole piece a dynamic momentum. The snare hits hard and crisp, like a blacksmith striking metal, while the bass anchors the groove. There’s no overproduction here; instead, the band relies on organic energy and a solid arrangement that feels honest and alive. Moreover, the mix allows every instrument to breathe — a clear sign of thoughtful production.

As the song progresses, the blend of rock edge and Christmas charm grows more addictive. The guitar work stands out, alternating between crunchy riffs and melodic fills that add color without clutter. The interplay between the main vocal and the background harmonies gives the chorus real lift, making it easy to imagine this song blasting during a wild December night out.

Effusion 35 clearly enjoy their craft. Their chemistry translates into the music: it feels spontaneous but controlled, energetic yet musical. The combination of vintage tones and modern execution makes “Rockin’ Coal In My Stocking” more than just a holiday novelty — it’s a track that could sit comfortably next to both classic rock anthems and contemporary indie hits.

With its mix of attitude, groove, and festive cheer, this single proves that Christmas songs don’t have to be sweet — they can rock hard too.

Rockin’ Coal In My Stocking is Effusion 35‘s Single Out Now!

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Energetic!

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Effusion 35 is the brainchild of Philadelphia singer/songwriter Pat Manley. Mixing the melodic pull of Television and R.E.M. with the raw power of Sonic Youth and Nirvana, the band delivers sharp, hook-driven rock. Formed in 1998, Effusion 35 has evolved through multiple lineups — now featuring Manley alongside Joe and Jim Napoleon, Kevin Manley, and Tom DiGregorio.

With albums like Stonewind (2008) and Eviction (2025), plus film and documentary features, the band has shared stages with Helmet, Sponge, and Band of Skulls. Celebrating 25 years, Effusion 35 continues to channel chaos, melody, and grit into their ever-evolving sound.

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The post Rockin’ Coal In My Stocking is Effusion 35’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

Good Day Noir Family,
Apeiron Bound return with “Astral Reflection – Rebirth,” a track that immediately demonstrates why the band stand apart in the progressive metal landscape.

Astral Reflection – Rebirth is Apeiron Bound’s Single Out Now

Instead of leaning on familiar formulas, they build worlds. They sculpt narratives. They approach each release not as a simple song, but as a multi-chapter experience that pushes stylistic boundaries with fearless precision.

The opening introduces a tone reminiscent of a sitar, an otherworldly mood that feels ancient and futuristic. This choice gives the piece an immediate identity, drawing the listener into a space where East-leaning colors merge with sci-fi atmospheres. Shortly after, the guitars erupt with a chord progression that borders on visionary, revealing the group’s commitment to dramatic storytelling. Because of this, the track unfolds less like a standard metal single and more like a cinematic overture.

As the rhythmic intensity increases, a fierce vocal delivery cuts through the mix. The harsher approach leans toward black metal expression, and it adds a sharp contrast to the song’s ethereal foundation. However, Apeiron Bound know how to shift gears effectively. They introduce moments where the arrangement suddenly empties, allowing classical-infused interludes to breathe. These quieter passages introduce elegance, and they help reinforce the track’s multi-dimensional character.

A striking transition arrives after the two-minute mark. The vocals unexpectedly soften into a melodic line, offering vulnerability that counters the earlier aggression. This moment does not last long, though, because the band dive back into heavier territory with renewed force. The dynamic push and pull becomes a defining element, showing how skillfully Apeiron Bound merge progressive ambition with emotional volatility.

Throughout the track, musical layers interact in surprising yet coherent ways. Distorted guitars, ornate harmonics, shifting tempos, and experimental textures combine into a structure that feels like a metal opera divided into interconnected chapters. Every section serves a purpose, and every shift builds momentum.

“Astral Reflection – Rebirth” ultimately stands as an exciting example of what happens when a band refuses limitations. It is intense, theatrical, genre-defying, and distinctly forward-thinking..

Astral Reflection – Rebirth is Apeiron Bound’s Single Out Now!

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Visionary!

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Originating from Tampa, Florida, Apeiron Bound is a progressive metal project known for its boundary-pushing fusion of technical precision, atmospheric depth, and philosophical themes. Blending elements of clarity and chaos, the band crafts immersive soundscapes that explore concepts of transcendence, duality, and the human condition. With a sound rooted in both innovation and intention, Apeiron Bound continues to carve out a distinct place in the modern prog metal landscape.

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The post Astral Reflection – Rebirth is Apeiron Bound’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

– November 18th, 2025 –

Danish/Faroese epic progressive metal collective IOTUNN are pleased to announce the Kinship European Tour 2026. This will be the first IOTUNN headliner tour across Europe.

“We are so pleased to finally make this dream come true. To bring many songs from our latest Kinship album to our fans around Europe as the headlining act. We can’t wait to see you all next year. Spread the word and let’s make these epic shows memories for life” – Jón Aldará

Two amazing bands will join IOTUNN on this tour, making it an absolute must for all fans of progressive metal: In Vain (NO) as special guests and Nephylim (NL) as support.

Presented by Triple Bookings, Nightcrawler Management, Metal Hammer, Metal.de, Devilution and Powermetal.de
IOTUNN
+ In Vain
+ Nephylim
March 26 – Greece, Thessaloniki – Eightball Club*
March 27 – Greece, Athens – Piraeus Club Academy*
March 29 – Turkey, Istanbul – Blind*
April 8 – Germany, Aschaffenburg – Colos-Saal
April 9 – Germany, Lichtenfels – Ragnarök Festival
April 10 – Germany, Dortmund – Junkyard
April 11 – Netherlands, Sittard – Volt
April 13 – France, Paris – Backstage By The Mill
April 14 – France, Nantes – Ferrailleur
April 15 – France, Colmar – Le Grillen
April 16 – Switzerland, Aarau – KiFF
April 17 – Germany, Munich – Backstage (Club)
April 18 – Hungary, Budapest – Analog Music Hall
April 19 – Slovenia, Ljubljana – Orto Bar
April 20 – Austria, Vienna – Viper Room
April 21 – Czech, Prague – Modra Vopice
April 22 – Poland, Poznań – Pod Minoga
April 23 – Germany, Kassel – Goldgrube
April 24 – Netherlands, Utrecht – De Helling
April 25 – Germany, Hamburg – Bambi Galore
April 26 – Denmark, Copenhagen – Amager Bio
* No In Vain (NO) and Nephylim (NL)

Get your tickets now via metalblade.com/iotunn – where you can also purchase the band’s two full-length, Access All Worlds and Kinship!

Further IOTUNN live dates:
14/02/26 NO – Trondheim – Byscenen
01/05/26 NO – Kopervik – Karmoygeddon
25/06/26 DK – Copenhagen – Copenhell
08/08/26 FI – Helsinki – Helsinki Metalfest
13/11/26 NO – Larvik – Spetakkelfestivalen

The IOTUNN lineup consists of Jón Aldará (vocals), Jesper and Jens Nicolai Gräs (guitars), Eskil Rask (bass), and Bjørn Wind Andersen (drums). IOTUNN signed to Metal Blade Records in 2020 and have performed at major festivals such as Wacken Open Air, Summer Breeze, 70,000 Tons of Metal, and Rockwave. Most recently, in 2025, they joined Dark Tranquillity, Soen, and Equilibrium on a European tour.

The band released their first EP, The Wizard Falls, in 2016, followed by their debut album Access All Worlds in 2021. Their latest release, Kinship, is IOTUNN‘s second full-length album. It has been praised by the press for its epic and atmospheric sound, complex compositions, and deep lyrical exploration of human nature and relationships. Critics highlight the album as a bold step that cements the band’s position on the progressive metal scene.

https://www.facebook.com/iotunn
https://www.instagram.com/iotunn
https://iotunn.bandcamp.com

Buy iTunes Artist Page Artist News

Good Day Noir Family,
“Come Back (When You Feel Like)” introduces itself with a guitar progression that feels timeless yet distinctly rooted in the ’90s.

Come Back (When You Feel Like) is Every Other Weekend’s Single Out Now

There’s an immediate emotional pull in the tone — something that recalls the sincerity of R.E.M. and the raw introspection of early Smashing Pumpkins.

However, Every Other Weekend doesn’t imitate those influences; instead, the project reshapes them into a sound far more personal and intimate. The nostalgia is there, but so is the freshness of a songwriter who understands how to merge memory with modern clarity.

The track grows gently, carried by a vocal performance that feels both vulnerable and steady. The timbre has a lived-in quality, the kind of worn warmth that makes a story feel truthful even before you understand every lyric. It’s the sort of voice that can sit comfortably at the center of an alternative ballad without forcing intensity. Instead, it guides you through the song’s emotional terrain with subtlety.

Furthermore, the arrangement supports that sensitivity. The guitars shimmer without overwhelming the mix, and the rhythm section holds a restrained pulse that allows the melody to breathe. Each musical choice feels deliberate, shaping an atmosphere that is nostalgic but never stale. There’s a sense of wandering embedded in the song — not lost, but drifting through memories, waiting for clarity to return.

As the chorus arrives, the emotional weight steps forward. The melody opens just enough to create a sense of release, though it never turns dramatic. This measured approach makes the track feel honest. It doesn’t shout; it reflects. And that reflection becomes the heart of the listening experience.

The production maintains that balance, giving the song a bittersweet glow. It has the warmth of a track recorded close to home, the kind where imperfection adds soul rather than distraction. Every Other Weekend shows that emotional depth doesn’t require volume — only intention.

“Come Back (When You Feel Like)” is a modern alternative ballad shaped by nostalgia, clarity, and understated power.

Come Back (When You Feel Like) is Every Other Weekend’s Single Out Now!

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Resonant!

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Come Back (When You Feel Like) is Every Other Weekend’s Single Out Now

Chris Bull—former frontman of Manchester indie-rock outfit City Reign—returns with a new creative chapter under the moniker Every Other Weekend. His forthcoming single, Come Back (When You Feel Like), recorded in his mother’s garage using his late father’s vintage equipment, blends jangling guitars, clattering drums, and a striking new lyrical candor. The track serves as the opening statement for his long-gestating album All Present and Inept, arriving in early 2026 after seven years of quiet evolution. Describing the single as “a hymn to self-forgiveness,” Bull channels the anxieties, disconnection, and seriousness of modern life into something simpler and more liberating—an invitation to stop overthinking and just play some music.

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The post Come Back (When You Feel Like) is Every Other Weekend’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

Good Day Noir Family,
“Dejavu” hits with a bold force that feels raw and intentional, creating a surge of energy that never lets up.

Dejavu is The Cyber Project’s Single Out Now

The Cyber Project deliver a track that blends grunge grit with modern hard-rock fire, and the combination makes the song feel intense without slipping into chaos.

There’s a muscular quality to the guitars, and they strike with enough aggression to push the track forward while still leaving room for nuance.

The vocal tone carries a touch of Pearl Jam’s emotional weight, yet it remains rooted in the band’s own identity. It has depth, texture, and a rugged edge that pairs perfectly with the track’s heavy aesthetic. Moreover, the delivery reinforces the sense of urgency running through the entire arrangement, as if the singer is caught between memory and explosion.

The instrumental approach amplifies that tension. The riffs land like punches, tight and deliberate, while the rhythm section locks into a driving pulse that heightens the song’s impact. Additionally, the melodic variations keep the track alive and unpredictable. The band doesn’t rely only on power; instead, they shift harmonies and textures in ways that draw the ear deeper into the song.

A particularly impressive moment arrives in the bridge. The track suddenly steps back, allowing a tribal-leaning groove to open a suspended atmosphere. This shift creates a pocket of tension, a brief pause that feels like holding your breath before the plunge. Consequently, when the final section returns, the explosion carries even more weight. The guitars roar again, the vocals push harder, and the band close the track with a surge that feels earned.

“Dejavu” shows how The Cyber Project know exactly how to balance force and emotion. While the song is built on raw power, it never loses its sense of structure.

Dejavu is The Cyber Project’s Single Out Now!

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Fierce!

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The Cyber Project are an Australian modern rock band blending heavy riffs, cinematic soundscapes, and emotionally charged vocals. With their powerful live presence and cutting-edge sound, the band is fast becoming one of the most exciting names in the next wave of heavy Australian music.

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The post Dejavu is The Cyber Project’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

Good Day Noir Family,
Every year, listeners hunt for a fresh entry into the holiday playlist, searching for something that carries the joy of the season without repeating the same well-trodden formulas.

It’s Christmas Party Time is Mick J. Clark’s Single Out Now

Mick J. Clark steps confidently into that space with “It’s Christmas Party Time,” a track that understands tradition yet refuses to sound recycled.

Instead, he delivers a lively, colorful celebration that feels familiar and newly energized.

The song bursts forward with bright Christmas bells, instantly setting the festive tone. However, Clark adds a twist: underneath the classic sparkle, there’s a rhythmic bounce that leans slightly psychedelic, giving the track an unexpected edge. Because of this blend, the arrangement avoids sounding predictable. It moves with the warmth of classic holiday singles yet keeps an upbeat, quirky personality that helps it stand out.

Clark’s vocal delivery brings enthusiasm without dipping into parody. He leans into the celebratory spirit, guiding the melody with a cheerful sense of fun while still keeping the phrasing tight and purposeful. Additionally, the production surrounds his voice with layers of bells, guitars, and percussion that lift the song into full holiday mode. The tempo drives forward with an infectious pulse, and the groove encourages listeners to tap their feet or dance along, making it a natural fit for seasonal gatherings.

Furthermore, the chorus opens up with big melodic swings that instantly stick in your head. It’s easy to imagine “It’s Christmas Party Time” becoming a recurring favorite at parties, family dinners, and festive playlists. The hook is simple enough to sing along to but lively enough to carry a room. Clark clearly aims to give listeners an alternative to the usual holiday giants—songs played endlessly every December—and he succeeds by crafting something spirited, inviting, and full of charm.

By the time the track fades, the effect is unmistakable: it leaves you smiling, energized, and ready to celebrate. It taps into the heart of what makes Christmas songs last—joy, movement, and a sense of togetherness—yet it does so with its own distinct personality.

It’s Christmas Party Time is Mick J. Clark’s Single Out Now!

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Festive!

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Mick J. Clark is a singer-songwriter signed to Warner/Chappell Publishing and a 64th Grammy Nominee for his album Causes. With over one million Spotify streams, he has reached No. 3 in the UK and No. 2 in the US iTunes Rock charts with his hit “We Know It’s True.” Clark has written more than 60 songs across multiple genres, earned six iTunes Singles Chart entries, and received strong radio support from stations including BBC Surrey and BBC Sheffield. His recent releases have surpassed half a million streams, including his popular Christmas EP.

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The post It’s Christmas Party Time is Mick J. Clark’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

Simon Townshend: “This is my first attempt at a protest song and because it’s something I feel so passionately about it, I turned around quickly . . . inspired, written and recorded in just a few days at my home studio.

The video features footage from the last peaceful protest march in London and information about the next one coming up at 1.00pm Saturday 22nd November 2025, Marble Arch, London. See you there!”

Learn more about the Say No To Digital ID campaign over on www.dualmono.com and join.

For free music streaming and downloads visit:
simontownshend.bandcamp.com
or soundcloud.com/simont-248342497/digital-control

About Dual Mono
Simon Townshend is screaming that a digital ID could be our final act of freedom as we know it. It will allow our governments to move forward with their long term plan of creating a cashless society (CBDC) at which point they’ll be able to track our carbon footprints and limit everyone to a daily allowance that if exceeded would go against our unique credit scores. Fines could be taken directly from bank accounts and if unpaid the ability to literally turn a person off will be within their power. It could potentially mean living in a dystopian future society where the ruling degenerate governments in place by way of corporate elect and their filthy rich benefactors impose a system that takes away all personal liberties from each and every average citizen but also puts everyone under the watch of Big Brother. It’s the stuff we read at school that is meant to be fiction but could easily turn into a scary reality. Now is the turning point for that because if we people let the elite few get their way, there really is no going back and we will all become Winston Smith with a serial number to our names living like tracked animals instead of human beings who deserve to live in a just, democratic society.

Say NO to Digital ID

DIGITAL CONTROL Lyrics
Somewhere out there, there’s a better place, so lets go there don’t ever say no way, nowhere there’s nothing to fear. Don’t ever be caught on camera, eventually a stuck insider, for data there’s none so clear, it’s all for control. Say no to digital control. Forever being stuck in silence, caught up in a global finance, deleted in your non compliance, they want you to know. Don’t ever be pushed to violence, or shat on by a ‘No Kings’ pilot, disappear into the highlands, there’s nothing to fear. No to digital control, no to digital control.

The post Simon Townshend releases his first protest song ‘Digital Control’ appeared first on The Who.

– November 17th, 2025 –

Revolutionary Weekly Series Features the Heavy Metal Archaeologist Exploring 43 Years of Metal History Through Interactive Gaming

Los Angeles, CA – Nov 17, 2025 – Two of the most respected names in metal culture – Pantheon Media (“Where Fans Belong”) and Metal Blade Records (the legendary independent heavy-metal label) – are proud to announce the launch of Metal Mondays, a first‐of‐its‐kind interactive music game designed to bring metal fans together each week to engage, compete and connect over their favourite bands, tracks and artists.

Hosted by the Heavy Metal Archaeologist, Metal Mondays transforms metal history into weekly archaeological expeditions through Metal Blade Records‘ legendary 43-year catalog. Players test their knowledge through audio challenges, climb global leaderboards, win exclusive prizes, and discover the buried treasures of metal’s most influential label.

“We’ve built Metal Blade from the ground up on fan passion, discovery and the power of metal culture – this is the next big step: putting the power into the hands of the community, letting fans play, compete, celebrate and elevate the music they live for,” says Brian Slagel, founder & CEO of Metal Blade Records and host of “The 100 Songs That Define Heavy Metal” podcast “With Metal Mondays we’re creating a weekly ritual for metal fans – a place where you don’t just consume the music, you play it, you live it, you win with it.“

“At Pantheon Media we’ve always believed that fandom is about community, participation and connection,” says Christian Swain, CEO of Pantheon Media. “Metal Mondays is a perfect blend of content, competition and culture: it gives heavy-music fans a fresh way to engage with the bands and songs they love, while unlocking new discovery and reward. We’re thrilled to partner with Brian and Metal Blade on this.”

The Heavy Metal Archaeologist brings a unique educational approach, treating every album as an artifact and every band as a civilization worth studying. “We’re not just testing trivia knowledge – we’re excavating the buried treasures of metal history and making the incredible story of Metal Blade Records accessible to both longtime fans and newcomers,” adds Swain. “Every week feels like discovering ancient artifacts that shaped the metal world we know today.“

Key Features of Metal Mondays:
• Weekly Interactive Episodes – Three challenging questions worth 100 points each, featuring audio clips from iconic Metal Blade releases
• Global Competition – Real-time leaderboards and competitive formats driving worldwide engagement
• Exclusive Prizes – Rare vinyl, signed albums, VIP experiences, and Metal Blade merchandise for top performers, tickets to the Metal Blade Museum
• Educational Entertainment – Learn metal history while competing, from Metallica’s first recording to modern death metal masters
• Community Building – Social features to challenge friends, share victories, and connect with fellow metal archaeologists
• Artist Integration – Special episodes featuring Metal Blade’s legendary roster including Slayer, Cannibal Corpse, The Black Dahlia Murder, and Amon Amarth

Metal Mondays addresses the growing demand for interactive audio content while serving the passionate heavy metal community with premium, knowledge-based entertainment. The series covers Metal Blade‘s incredible roster of over 180 artists who have shaped the metal landscape since 1982.

Links & Resources:
Metal Mondays Portal: metalblade.com/metalmondays
Game/App Landing Page: podcastpuzzle.com
iOS App: Hit Replay on the App Store
Android App: Hit Replay on Google Play

About Pantheon Media
Pantheon Media (“Where Fans Belong”) specializes in creating innovative interactive content experiences for passionate fan communities, transforming traditional media consumption into engaging, participatory experiences that build stronger connections between fans and the content they love.
pantheonpodcasts.com

About Metal Blade Records
Founded in 1982 by Brian Slagel, Metal Blade Records has been home to some of heavy music’s most influential artists including Slayer, Metallica, Cannibal Corpse, The Black Dahlia Murder, Amon Amarth, and many others. With over four decades of operation, Metal Blade continues to discover and develop metal talent while maintaining its commitment to artistic integrity and fan service.
metalblade.com

Joey Green taps into raw rebellious energy on his new hard-rock anthem “Dive Bar”. a track that hits with the grit, attitude, and unapologetic edge fans crave. From the moment the first guitar riff tears through the speakers, Joey sets the tone with a loud, unfiltered powerhouse vocals ride the instrumentation with confidence, blending classic rock swagger with a modern punch that keeps the song fresh and undeniably replayable.

This isn’t just a song but it’s an atmosphere. You can practically smell the whiskey, feel the sticky floors, and hear the crowd shouting every lyric right back at him. Joey Green brings storytelling and heavy musicianship together in a way that feels lived-in and authentic, reminding listeners why rock thrives in the heart of the everyday misfit. This release is a gritty triumph and a must-add to any rock playlist.

Check out Joey Green “Dive Bar” below and follow them on Instagram. Stay Global my Friends!

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