Edited by Anselm Anderson

Kicking off the new year, Puscifer, the multi-dimensional project featuring Maynard James Keenan, Mat Mitchell, and Carina Round, have released “ImpetuoUs”, the third and final preview ahead of their upcoming album Normal Isn’t. The record is set to arrive on February 6 through Puscifer Entertainment, Alchemy Recordings, and BMG.

“I’m looking forward to hearing where this song takes people”, Maynard says. “As the writers, we forget that in a way, we are carpenters and that we’ve been with this song since it was a pile of lumber. Our perspective may differ from the final occupant of this space we’ve constructed. Shelter, Bridge or Gallows, Coffin? Curious to find out”.

Alongside the new track, the band has shared a visualizer that offers an early glimpse into the Puscifer comic book series Tales From The Pusciverse. The first issue centers on the character Bellendia Black, who was originally introduced in the Pendulum video. More information about the comic series, which will launch alongside Normal Isn’t, is expected to be revealed soon.

Before “ImpetuoUs”, Puscifer released two other songs from the 11-track album. “Self Evident” was described by Stereogum as gnarly, with the outlet noting that Keenan and Carina Round operatically growl throughout the four-minute track. “Pendulum” drew comparisons to the post-punk underground of the 1980s, with Consequence calling it the lovechild of Bauhaus and Sisters Of Mercy.

Written and recorded across Arizona, Los Angeles, and while on the road during last year’s Sessanta tour, Normal Isn’t blends the darker electronic elements and sharp humor the band is known for with a looser, more instinctive creative approach. “From the outset, we had discussed an element of rawness and edge, which guitar brings”, Mitchell, who co-produced the album, shares. “We got rid of the guard rails and made the music more aggressive”.

Normal Isn’t reflects this time we are living in, Keenan adds. “As storytellers and artists, our job is to observe, interpret, and report. We take in our environment and share what we see, and what we see around us does not appear normal. Not by a long shot”.

Normal Isn’t is currently available for pre-order and pre-save, with several limited-edition vinyl options including standard black, indie retail orange swirl, a Puscifer.com exclusive black ice and clear with black splatter, and a Queen B Vinyl Café fruit punch in tan with black and white splatter. The album will also be released on CD, cassette, and digital formats.

The post PUSCIFER Releases Final Album Teaser For “ImpetuoUs” From Their Upcoming Album “Normal Isn’t” appeared first on Sonic Perspectives.

Sabaton has shared a new video trailer previewing their upcoming 31-date North American tour. The short clip offers fans an early look at what to expect from the band’s next stretch of live shows.

The tour is set to begin on February 9 in Fort Lauderdale, Florida, and will travel across the United States and Canada. Along the way, the schedule includes major stops in cities such as Los Angeles, Chicago, and Boston, before concluding on April 20 in Vancouver, British Columbia.

Known for their commanding stage presence and their mix of historical themes with heavy metal, Sabaton are expected to bring a polished and high-energy performance to each stop on the tour, appealing to longtime followers as well as newer fans.

Tickets for all dates are available now here.

Sabaton Legends on Tour Dates:

The post SABATON Drops Tour Trailer as North American Run Gets Closer appeared first on Sonic Perspectives.

Motorbooks has announced Rush And 2112: 50 Years (The Great Albums), a deluxe, slip-cased and heavily illustrated book celebrating the album that reshaped Rush and elevated the band from cult status to one of the most respected and influential names in rock music. The book is scheduled for release on March 10, 2026, arriving just weeks ahead of the 50th anniversary of 2112.

Originally released on April 1, 1976, 2112 landed at a turning point for the Toronto trio. After their second and third albums received mixed reactions, Rush—Geddy Lee, Alex Lifeson, and Neil Peart—took a creative risk and delivered a record that went against commercial expectations. That gamble paid off, solidifying their place in rock history. As author and rock historian Daniel Bukszpan explains, this was the moment when the band found their voice, transcended their influences, and became something distinct. The album’s success opened the door to a string of influential releases and fueled the band’s continued musical and lyrical growth.

Rush And 2112: 50 Years traces the full story behind the album through an in-depth look at how 2112 was created and why it is still regarded as the band’s defining work. The book features a track-by-track breakdown, including detailed insight into the iconic 20-minute 2112 suite, along with historical context surrounding the state of rock music in the mid-1970s and Rush’s evolution in the decades that followed.

The volume also includes rarely seen photography, from live performances to candid offstage moments and archival images, as well as interviews and commentary that shed light on the band’s creative process and lasting influence.

With more than 40 million records sold worldwide and a devoted global following, Rush’s impact on rock music and popular culture remains undeniable. This book captures the skill, innovation, and mindset that helped define the band’s legacy and continues to inspire musicians and fans across generations.

Rush And 2112: 50 Years stands as a definitive tribute to an album that changed the course of the band’s career and left a permanent mark on rock history, making it essential reading for longtime listeners and newcomers alike.

For more information or to pre-order a copy go to this location.

About the Author:

Daniel Bukszpan has worked as a freelance writer for more than 25 years, contributing to outlets including Fortune, CNBC, and Condé Nast Traveler. He is the author of The Encyclopedia of Heavy Metal, The Encyclopedia of New Wave, The Art of Brutal Legend, Woodstock: 50 Years of Peace and Music, Ozzy at 75, Iron Maiden at 50, and Rush at 50. He has also contributed to books such as AC/DC: High-Voltage Rock ’N’ Roll, Iron Maiden: The Ultimate Unauthorized History of the Beast, Metallica: The Complete Illustrated History, and Rush: The Illustrated History.

The post MOTORBOOKS Announces RUSH Newest Book To Celebrate 50 Years Of 2112 appeared first on Sonic Perspectives.

With their self-titled eighth studio album set to arrive worldwide in just two days, Alter Bridge have returned with the final track to be released ahead of the record’s official debut. “Scales Are Falling” is the latest preview from the long-running quartet made up of Myles Kennedy on vocals and guitar, Mark Tremonti on guitar and vocals, Brian Marshall on bass, and Scott Phillips on drums. The song centers on the moment when deception is exposed and the emotional weight that follows once the truth becomes impossible to ignore.

Myles Kennedy explains: “It’s when you realize the reality of a situation where you’ve been deceived. You see the truth and how harsh it is”.

Mark Tremonti adds: “I was excited for this one. It has an atmospheric vibe with a lot of peaks, valleys, and moods. I solo over the bridge, and Myles plays the outro”.

“Scales Are Falling” is now available across all digital streaming platforms. A new visualizer, created by Marcin Pospiech, whose past work includes Nine Inch Nails and Tool, was also released today and accompanies the track.

Now more than 20 years into their career, Alter Bridge continues to move forward without relying on past momentum. Known for their heavy riffs, strong melodies, and layered guitar work, the band will release their self-titled eighth studio album on January 9 through Napalm Records.

The upcoming album contains 12 new tracks that stand among the most focused and confident material the band has written. Songs like “Rue the Day”, “Disregarded”, and “What Are You Waiting For” sit comfortably alongside longtime fan favorites. “Trust in Me” showcases the vocal partnership between Kennedy and Tremonti, with Myles handling the verses and Mark taking over the chorus, a structure they flip on the heavier “Tested and Able”. “Hang by a Thread” is built with live performances in mind, while the closing track “Slave to Master” delivers a sweeping finale and holds the distinction of being the longest song the band has ever recorded.

The album’s first single, “Silent Divide”, continues to climb at Active Rock radio and is nearing six million views on YouTube. Longtime collaborator Michael Elvis Baskette once again produced the record, which was tracked over a two-month period this spring at the iconic 5150 Studios in California as well as Baskette’s studio in Florida.

You can now pre-order the album here.

The post ALTER BRIDGE Shares Latest Single “Scales Are Falling” From Upcoming Self-Titled Album appeared first on Sonic Perspectives.

Drumeo has recently shared a new studio video featuring drummer Matt Cameron, offering a detailed breakdown of “Spoonman”, the well-known track by Soundgarden. In the session, Cameron walks viewers through the rhythm and ideas behind the song, focusing on how the drum part came together and why it remains so recognizable decades later.

The track is widely seen as one of the singles that helped shape the grunge era. It was released in 1994 on Superunknown, an album that marked a major moment for the band. What many listeners may not realize is that the song’s signature groove did not start in a traditional rehearsal space, but was inspired by a real-life street performer whose unconventional approach left a lasting impression.

During the breakdown, Cameron explains how that raw, percussive influence informed the feel of the song. He discusses the creative decisions that went into crafting the drum part and reflects on why “Spoonman” continues to stand out as one of the most memorable grooves of the 90s, even years after its release.

The post MATT CAMERON Shares Performance Of SOUNDGARDEN’s “Spoonman” In Latest Drumeo Brake Down appeared first on Sonic Perspectives.

Organizers from the cruise festival have confirmed that Jag Panzer and Ad Infinitum are the newest acts added to the lineup for the 2026 edition of 70000 Tons Of Metal, The Original, The World’s Biggest Heavy Metal Cruise. The announcement brings the festival even closer to a full roster as anticipation continues to build for next year’s sailing.

With 53 of the 60 bands already revealed and tickets currently on sale, metal fans from more than 80 nations are expected to be part of the event. Attendees are encouraged to prepare early so they don’t miss what is being promoted as a once-in-a-lifetime experience aboard the massive floating festival in the Caribbean, where fans are invited to join what organizers call The United Nations Of Heavy Metal At Sea.

The currently announced lineup for the 2026 sailing includes Ad Infinitum, Amorphis, Anthrax, Arkona, Beast In Black, Bloodred Hourglass, Cemetery Skyline, Darkane, Dark Tranquillity, Dodheimsgard, Dragonland, Dust Bolt, Eluveitie, Ereb Altor, Firewind, Gama Bomb, Groza, Haggard, Harakiri For The Sky, Heathen, Hiraes, Hirax, Hour Of Penance, Ignea, Illdisposed, Illumishade, In Mourning, Insomnium, Izegrim, Jag Panzer, Kamelot, Kanonenfieber, Orden Ogan, Paradise Lost, Persefone, Rhapsody Of Fire, Royal Hunt, Satan, Saturnus, Seven Spires, Skeletal Remains, Skyclad, Soen, Soilwork, Suidakra, Tribulation, Tyr, Vader, VBO (Vice Business Only), Vio-Lence, Wind Rose, Wolf, and Xandria.

Seven additional acts are still set to be announced, leaving room for more surprises as the cruise approaches.

Tickets for the 70000 Tons Of Metal 2026 cruise, which features an international lineup of metal bands and exclusive onboard performances, are available now through the event’s official website.

The post JAG PANZER And AD INFINITUM Have Joined the 2026 70000 Tons Of Metal Cruise appeared first on Sonic Perspectives.

Ich sag´s mal so: Wir waren viel unterwegs, haben viel erlebt und blicken dankbar auf das Jahr 2025 zurück.

Genug geschnackt: Hier sind unsere Bilder unseres Jahres 2025! Offiziell und mit viel Freude fotografiert.

Danke für´s Anschauen!

Hier kommst du zur Startseite!

Der Beitrag Live & Loud! Das war das Rockcast-Jahr 2025 in Bildern! erschien zuerst auf Rock-Music.net – Live, laut, legendär!.

Words by Anselm Anderson

Photo: Altankhuyag Erdenebat

Good Day Noir Family,
Listening to Hour of Pearl and their single Dead Mohawk for the first time feels like getting hit by a wall of raw momentum that refuses to slow down.

Dead Mohawk is hour of pearl’s Single out now

The track doesn’t ease you in; instead, it charges forward with a surge of punk energy that instantly sets expectations high.

Right away, you sense that this will be an intense ride rather than a polite introduction.

The distorted guitars sound sharp and aggressive, yet they remain focused. At the same time, the drums push relentlessly, driving the song with a pulse that feels urgent and alive. Meanwhile, the vocal delivery carries that unmistakable punk attitude, leaning closer to the British punk tradition than the American one. Because of that choice, the song gains a gritty edge that feels authentic rather than nostalgic.

The band’s chemistry stands out. You can tell these musicians have spent countless hours together in rehearsal rooms, refining their sound through sweat and repetition. The performance feels tight but never sterile. It breathes with the kind of energy that only comes from playing loud, fast, and together. In addition, the acidic guitar tones add personality, giving the track a sharp bite that cuts through the mix.

Lyrically, “Dead Mohawk” carries a direct and empowering message. The words encourage listeners to stay true to themselves, no matter the pressure around them. Because of that, the song feels personal without becoming preachy. The shifts in tempo and the rhythmic changes keep the listener engaged, preventing the track from becoming predictable. Each variation adds tension, and then releases it just in time.

At the same time, the song never loses its forward drive. Even during its changes, the momentum stays intact. That balance between chaos and control defines the track’s character. Ultimately, “Dead Mohawk” proves that punk still thrives when bands focus on honesty, energy, and connection rather than trends.

Hour of Pearl deliver a song for anyone craving modern punk with a classic spirit.

Dead Mohawk is hour of pearl’s Single out now!

Unfiltered!

Hour of Pearl is a California rock ’n’ roll band born from long-standing friendships and past collaborations in San Jose. Evan, Bird, and Craig reunited to reconnect with the music that first brought them together, later solidifying the lineup with Mark on bass.

Raised on the same records and driven by a deep love for rock — with punk at its core — Hour of Pearl channel a throwback energy through a modern lens. Their sound is raw, direct, and built on the belief that music should unite people. This is the music they always meant to make — and now, the time is right.

Find hour of pearl Here:

Spotify
Instagram

Discover New Bands Click Here

The post Dead Mohawk is hour of pearl’s Single out now appeared first on Edgar Allan Poets – Noir Rock Band.