Category: news

  • Toyah and Robert Fripp unleash sprightly cover of the MC5’s incendiary call to arms Kick Out The Jams

    Internet legends Toyah and Robert Fripp have returned to action with an extremely lively version of the MC5’s Detroit classic Kick Out The Jams.

    King Crimson leader Fripp and Willcox chose the 58-year-old classic to celebrate punk music’s 50th anniversary, and while the dates might not line up exactly, they do attempt to match the rabble-rousing intensity of the original. Although, sadly, the song’s iconic “Kick out the jams, motherfuckers!” introduction is omitted.

    It’s one of the fiercest performances to have graced the duo’s Worcestershire kitchen, and a fitting tribute to a song that was originally written in the kitchen of the MC5’s 20-room revolutionary commune in Ann Arbor, Michigan.

    “We were commune-ists,” guitarist Wayne Kramer told Classic Rock in 2019. “We had this all-for-one, one-for-all… I hesitate to call it a business structure. We just saw ourselves as one unit, but it was [vocalist and lyricist] Rob Tyner and I that wrote Kick Out The Jams in the kitchen, smoking a joint.”

    In more sensible news, live recordings of all 21 shows from the first leg of King Crimson’s 2016 European tour have been made available via the band’s partnership with streaming service Nugs.

    The shows featured Crimson’s celebrated “Seven Headed Beast” line-up of Fripp, guitarist and singer Jakko Jakszyk, saxophonist and flautist Mel Collins and bassist Tony Levin, plus drummers Pat Mastelotto and Gavin Harrison, with Jeremy Stacey stepping in for Bill Rieflin as the third drummer and keyboard player.

    Meanwhile, Toyah will release a 24-CD box set on December 4. Twenty-Four From Toyah includes every single and EP she released between 1979 and 1987, plus a selection of mixes, rarities, outtakes and live recordings. It’s available to pre-order now.

  • American genre-hopper brought dance music to the mainstream, but before that he was all about Yes’ Steve Howe

    In 2018 musician and producer Moby – whose career extends across multiple genres from electronica and ambient to rock and punk – told Prog why Yes had mattered to him since his childhood, and particularly guitarist Steve Howe.

    “I grew up in Connecticut and my mom was a hippie. We listened to a lot of college radio and AOR together. I first heard Yes when Roundabout was their big single. In 1978, aged 13, I went to my first ever concert – Yes in Madison Square Garden.

    It was a school night and everything about it was so exciting; it made an indelible impression. I was thrilled to see Rick Wakeman, but I was most impressed with Steve Howe, a player so unique but always in service to the song.

    From the age of 10 I’d played guitar and my teacher only liked complicated music. We had a schism because I liked a lot of punk rock and he hated that – but we agreed on Steve Howe, and I learned to play Roundabout note-perfect.

    Later, I got really lucky: one of my friend’s fathers worked at CBS. He had access to the Yes catalogue for free, which he gave to me.

    What I like about them is their approach to atmosphere and melody. Neil Young records are great, but they’re a document of a band in a room. Yes use the studio as an instrument to craft something bigger, to create a transcendent atmosphere. Aged 13, I could be in a suburban bedroom but transported somewhere else – and Roger Dean’s artwork certainly helped.

    In the 80s and 90s they dropped off the cultural radar. Then Vincent Gallo used Heart Of The Sunrise in his [1998] film Buffalo ’66. I knew him, and talked to him about Yes – it made it okay for us closet fans to admit how much we loved them.

    At their best, Yes created entire landscapes and worlds like no other. They’ve inspired me in that a lot of the music I’ve made has had the goal of achieving something similar.

    Close To The Edge is my favourite album. I go back to it at least once a month. It has such flawless songs and recordings. Even if And You And I and Close To The Edge were the only tracks on the album, it would still be in my top 10.”

  • Louisville Synthpop Trio MODISTE Release Dreamy Cover of The Black Queen’s “Distanced” Ahead of Upcoming Tour Dates

    Hope I find you
    Awake tonight
    When I’m dreaming
    I can’t hold onto you

    Sleep offers a peculiar bargain to anyone missing someone they cannot reach. For a few hours, a face returns, a voice becomes clear, and the distance seems negotiable. Morning collects its debt. Louisville synth-pop trio MODISTE understands the terrible tenderness of that exchange, bringing a spellbinding ache to their cover of The Black Queen’s “Distanced.” Beautiful and uneasy in equal measure, their interpretation holds close to the original while allowing vocalist Sydney Sleadd to lead it somewhere distinctly her own.

    The cover’s release precedes MODISTE’s two upcoming appearances alongside The Black Queen and Trace Amount on the Fever Daydream tenth-anniversary tour. “Distanced” originally appeared on that album, and MODISTE have been performing it in their own sets since March. With the shared bills approaching, the trio moved quickly to have their recording mixed and mastered, turning a live favorite into a recorded salute before meeting its makers on the road.

    A tight, compressed snare rhythm and rippling bass synth establish the song’s measured movement. Sustained guitar accents stretch above them with a dreamy, Cure-like delicacy, leaving space for a voice that seems to glow in the dark. Sleadd’s singing carries warmth through an icy wash of reverb, her delivery intimate even as the room around it seems to expand. It is among MODISTE’s most Lynchian vocal turns yet: poised, emotionally exposed, and suggestive of a familiar room made strange by the person missing from it.

    As Sleadd begins to glide through the melody with greater force, the percussion gathers speed and the arrangement opens around her. Iridescent synth tones chime like fireflies in the dark; further layers rise beneath the chorus, lending weight to its plea for another encounter beyond waking life. Harmonies deepen that sense of yearning without crowding the lead. The guitar’s angular edges and the precision of the programmed drums keep the performance moving while the voice stretches toward something it cannot quite touch.

    The lyrics gradually reveal the severity of that separation. Songs, whispers, and the smallest intervals of consciousness become reminders of an absent person, until the reference to a grave makes the loss explicit. Sleep becomes both a means of reunion and another occasion for parting. Sleadd gives that contradiction room to hurt, building the chorus from a private wish into an appeal whose strength cannot guarantee an answer.

    The recording was mixed by Dave Chale at Louisville’s Deadbird Studios, becoming the first release mixed on the studio’s newly acquired Neve console. Chris Gehringer handled mastering at Sterling Sound.

    Listen to “Distanced” below:

    MODISTE brings together Sleadd, synthesist Dennis Stein, and guitarist Kyle Stallings. Sleadd’s background in Louisville’s folk songwriting community meets Stein’s more than 25 years of synth and production experience, including his solo work as Introvert, and Stallings’ grounding in punk, experimental rock, and electronic music. Working primarily with vintage analog synthesizers, drum machines, and digital instruments from the 1980s and 1990s, the trio draws connections between synth-pop, post-punk, new wave, and darker electronic music.

    Their debut album followed on August 7, 2026, and work on a second is already underway. Onstage, synchronized lighting, CRT televisions, glitch visuals, and avant-garde fashion extend the music’s peculiar atmosphere. Local photographers, seamstresses, designers, dancers, and videographers contribute to that wider creative world, giving the project a community beyond its three members.

    MODISTE Live dates with The Black Queen and Trace Amount:

    • September 29 — Asheville, NC — Eulogy
    • October 1 — Nashville, TN — Eastside Bowl

    More MODISTE live dates:

    • October 2 — Adams, TN — Kinda Spoopy Fest at Red River Canoe Rental
    • October 10 — Louisville, KY — Fall Schnitzelburg Walk at The Merryweather
    • October 24 — Louisville, KY — “Night Service” at PORTAL (with MODELE, Black Signal, and Virgin Birth; Substance Subculture dance afterparty)

    Follow MODISTE:

    MODISTE — Distanced single artwork

    The post Louisville Synthpop Trio MODISTE Release Dreamy Cover of The Black Queen’s “Distanced” Ahead of Upcoming Tour Dates appeared first on Post-Punk.com.

  • Here’s This Week’s Top Ten Stories On Theprp.com (September 27th, 2026)

    Knocked Loose doing a good deed, Wendy’s making an emo album, plus Dave Mustaine and more.

    The post Here’s This Week’s Top Ten Stories On Theprp.com (September 27th, 2026) appeared first on Theprp.com.

  • Farmer’s Almanac Releases Winter Weather Forecast

    The Farmer’s Almanac has released its official weather forecast for winter, and its research shows heavy snow facing parts of the country.

    The post Farmer’s Almanac Releases Winter Weather Forecast appeared first on Audio Ink Radio.

  • Slipknot tease Wembley Stadium show as tour announcement looms

    The venue shared the band’s logo and an “If you’re 555…” reference ahead of a September 28 announcement

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