Category: news

Kris Barras Band have announced their new album Monsters We Made, set for release on August 14, 2026 via Earache Records. Alongside the announcement, the band have shared the video for their latest single Riot Of One, a track driven by defiance, resilience and arena-sized ambition.

Blending hard rock and modern Metal influences, the album marks a bold evolution in the band’s sound, featuring big riffs, powerful vocals and anthemic choruses, and, following the lead single All Falls Down, the new track Riot Of One, is a mouthwatering promise of more to come.

“Obviously, I have leaned fully into the fighting theme with this one,” Kris Barras said, “with the video shot in an MMA cage. However, the song is about more than that. It’s about feeling like it’s you against the world and saying ‘bring it on’.

When life isn’t going your way, and it feels like everyone and everything is pushing you down, it’s about standing up and fighting back.”

The foundations for Riot Of One began with a riff and musical idea from Josiah Manning. “He sent it over to me with the directions, ‘turn this into a big singalong,” Kris said. “It actually took quite a while to come to life. Then one day, whilst driving down to his studio, I came up with the chorus idea, pulled over and recorded a voice note so I wouldn’t forget it.”

Following the success of Halo Effect, which topped the UK Rock and Metal charts, the new record aims to unite long-time fans with a fresh audience.

Frontman Kris Barras describes the album as a statement of identity and strength, shaped by personal loss and creative growth. The new album feels like a genuine arrival moment for a group with a long and important career still ahead of them.

Kris Barras Band release their new album Monsters We Made on 14 August 2026 via Earache Records. Pre-orders are available now.

The post Kris Barras Band Announce New Album Monsters We Made first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.

(written by Islander) Today we’re a bit like a caboose pulled along at the end of a powerfully surging freight train, the train being the Canadian death metal band Goreworm rushing forward to the June 12 release of their second album Miasmic Solitude by Transcending Obscurity Records. We’re a bit like the last car because […]

The post AN NCS PREMIERE: GOREWORM — “NO REPRIEVE” appeared first on NO CLEAN SINGING.

Opus Kink are a Brighton band who have been making a lot of press noise, and they’ll release their debut album The Sweet Goodbye this summer. Their sound is hard to describe. It’s a churning and vaguely countrified take on post-punk, with deep and sonorous baritone vocals and lots of jazzy horns. Last month, I…

The post Opus Kink – “The Head Tree” (Feat. The New Eves) appeared first on Stereogum.

Jura, the composer born Ani Liv Kampe, is part of Copenhagen’s thriving avant-garde pop scene. On Friday, she gave us that community’s version of a posse cut. The nine-minute “You Make A Fire, You Make A Camp” brings Jura together with ML Buch, Ydegirl, Clarissa Connelly, and Helene Due. The song has a narrative premise:…

The post Jura – “You Make A Fire, You Make A Camp” (Feat. ML Buch, Ydegirl, Clarissa Connelly, & Helene Due) appeared first on Stereogum.

“He who sees the world beyond is forever haunted.” So claims the Australian death thrash unit In Malice’s Wake as heard on “Beyond Death” from their latest record, The Profound Darkness. IMW last scourged the Earth with 2020’s The Blindness of Faith, a sprawling, somewhat bloated collection of bulldozing thrash metal condemnations of religious manipulation and ignorance. With four original LPs and twenty-four years of independent musicianship under them, guitarist Leigh Bartley (Harlott), bassist Karl Watterson, drummer Mark Farrugia, and guitarist/vocalist Shaun Farrugia have returned with The Profound Darkness. This time, IMW turn their focus from ire against religion towards rumination on death and the turmoil surrounding the uncertainty thereafter. Tackling as heavy a subject as one could ask for, can In Malice’s Wake deliver us the cold terror of the grave, or is The Profound Darkness more superficial than they’d like us to think?

In Malice’s Wake on The Profound Darkness still sling a most deathly thrash. The Profound Darkness is supercharged with beefy riffs, pummeling rhythms, and bellowing screams. Testamental groove and Power Tripping hardcore DNA bristle on The Profound Darkness, but In Malice’s Wake thrash primarily under the schools of Slayer and Sepultura, encrusted with lightning-fast chromatic riffs, punishing and intricate drumming (“The Great Purifier”) and wailing guitar dives (“Numb to Paradise”) under the singular aim of sounding as evil as possible. IMW’s deeper extreme metal influences manifest in death metal riffing and vox and in the blackened tremolo leads of “The Last Song”¹ and the Dissection x Slayer ”The Darkness Below Us.” The only major shift from The Blindness of Faith to The Profound Darkness is in editing, as IMW’s new record is over ten minutes shorter than their last through tighter songwriting. One thing’s for sure: In Malice’s Wake are still as hostile as ever.

In Malice’s Wake sounds great when they hit the right balance of technicality and immediacy. The Profound Darkness is busy, but never noodly or extravagant. Songs like “Upon My Flesh” and “By Tongues of Demons” exercise scathing, headbangable riffcraft while fitting in a lot more notes than expected, given their lizard-brained appeal. Similarly, Mark Farrugia’s sneaks just enough flare into his drumming while keeping to the pocket, dropping some nimble kicks and cymbals over “Beyond Death” and “The Great Purifier” amidst his blistering assault on the senses. Small touches make a big difference on The Profound Darkness, most notably the multitudes of brief guitar solos littering songs like “Beyond Death,” “The Darkness Below Us,” and “The Great Purifier.” IMW can shred like crazy but choose to cut themselves short, which keeps The Profound Darkness lean and focused, and the listener wanting more, which there will be. The Profound Darkness is an expertly written and performed album by musicians who know to put the needs of their songs first and when and where to let it rip.

The Profound Darkness is less bloated than The Blindness of Faith, but In Malice’s Wake lost a little something in the process of slimming down. “The Last Song” and “Away from the Light” are as tight and fiery as IMW’s best stuff, but lack the breathing room to grow and wrap all of their riffs and ideas into complete packages. The Profound Darkness’ mix also lacks breathing room, and though it’s not totally brickwalled, it takes its toll on the ears by the end. Further, these songs aren’t as memorable as The Blindness of Faith. I’ve spent far more time with The Profound Darkness and yet can’t recall much from it, as well as the Sepultura-worshiping title track, the mind-freakery of “To Die as One,” or the tribalistic pulse of “Ritual Slaughter.” There is variety here, particularly in the blackened opulence of closer “The Darkness Below Us,” but I wish In Malice’s Wake had taken just a few more eccentric paths in uncovering The Profound Darkness.

However, whatever problems I see in The Profound Darkness can’t detract from its sheer electricity. Every riff hits, every rasp is bilious, and In Malice’s Wake never let up to give you a chance at getting bored. Old fans won’t find much to complain about here. Fans of thrash and/or death yet unfamiliar with IMW may find themselves caught up in the Wake. That promise of a haunting—of coming into gnosis of the paralyzing apprehension of death—is sometimes brushed against. Not many groups even get that, so give The Profound Darkness a shot if your evening plans include mortal dread anywhere.

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Rating: Very Good
DR: 5 | Format Reviewed: 320 kbps MP3
Label: Self-Release
Websites: inmaliceswake.com | inmaliceswake.bandcamp | facebook.com/inmaliceswake
Releases Worldwide: May 1st, 2026

The post In Malice’s Wake – The Profound Darkness Review appeared first on Angry Metal Guy.

Metalcore fans, prepare for a summer of high-velocity carnage. Portland’s sonic crushers, Dying Wish, have officially announced a massive U.S. summer headlining tour. Set to ignite in mid-July, the trek features a stacked lineup including UK hardcore heavyweights Guilt Trip, Holder, and Florida’s straight-edge extremists Contention.

With the band currently riding high on the success of their latest sonic assault, Flesh Stays Together, this tour is poised to be the definitive pit-starter of 2026. If you’re looking for a peaceful night out, you’ve come to the wrong place.

Dying Wish Summer 2026 Tour: The Cheat Sheet

• The Headliner: Dying Wish returns to the road following the massive release of Flesh Stays Together.
• The Support: UK’s Guilt Trip (fresh off their new album Armour of Angels), Holder, and Contention.
• The Schedule: Kicks off July 13 in Louisville and runs through August 5 in Des Moines.
• The Festivals: Includes high-profile appearances at Rock Fest, Inkcarceration, Upheaval, and Warped Tour.
• Special Guests: Surfaced will join select opening dates in Kentucky and Illinois.

Get your tickets at this location.

Dying Wish: Flesh Stays Together

Since the release of 2023’s Symptoms of Survival, Dying Wish has been on a meteoric rise. Frontwoman Emma Boster has cemented her status as one of the most formidable vocalists in the scene, and the band’s latest album, Flesh Stays Together (released via SharpTone Records), has pushed their sound into even more uncompromising territory.

Expect a setlist that balances the melodic technicality of 2000s metalcore with the raw, “knuckle-dragger” aggression of modern hardcore. Boster recently described the new material as “a journey of grief and a statement of survival,” and that intensity is expected to translate into some of the most violent mosh pits of the year.

We Also Recommend – The Most Influential Women In Modern Metal Right Now (2026 Ranking)

The Global Support: Guilt Trip and Contention

This tour isn’t just a domestic affair. Guilt Trip is crossing the pond from Manchester, UK, bringing their distinct brand of metallic hardcore. Their upcoming third LP, Armour of Angels, is slated for a June 5 release via Roadrunner Records, meaning this tour will be the first chance for U.S. fans to hear tracks like “No Love Lost” and “Burn” live.

Joining them is Florida’s own Contention, who have been tearing up the underground with their straight-edge ethos and apocalyptic sound. Fresh off their LDB Fest 2026 performance, their “apocalyptic vision” and technical riffs are the perfect appetizer for the chaos to follow.

Check This Out – Dying Wish’s Emma Boster Talks ‘Flesh Stays Together’ on the Loaded Radio Podcast

Dying Wish 2026 Summer Tour Dates

Featuring Guilt Trip, Holder, and Contention:

With Guilt Trip, Holder & Surfaced:

• 07/13 – Louisville, KY – Headliners Music Hall
• 07/14 – Joilet, IL – The Forge

Dying Wish Festival Dates:

• 07/15 – Cadott, WI – Rock Fest
• 07/17 – Mansfield, OH – Inkcarceration
• 07/18 – Grand Rapids, MI – Upheaval Festival

With Guilt Trip, Holder & Contention:

• 07/19 – Indianapolis, IN – Hi-Fi
• 07/20 – St. Louis, MO – Off Broadway
• 07/21 – Wichita, KS – Wave
• 07/22 – Oklahoma City, OK – Beer City Music Hall
• 07/24 – Albuquerque, NM – Backstage at Revel
• 07/25 – Tucson, AZ – 191 Toole
• 07/26 – Long Beach, CA – Vans Warped Tour (Dying Wish only)
• 07/27 – Pomona, CA – The Glass House

With Holder & Contention:

• 07/29 – Reno, NV – The Alpine
• 07/30 – Boise, ID – Knitting Factory
• 07/31 – Spokane, WA – Knitting Factory

With Contention:

• 08/02 – Billings, MT – Pub Station Taproom
• 08/04 – Omaha, NE – The Waiting Room
• 08/05 – Des Moines, IA – Wooly’s

STAY LOUD: Non-stop metalcore and metallic hardcore. No ads. No fluff. Stream Loaded Radio live right now. [Launch the player].

Check This Out – EXCLUSIVE VIDEO: Emma Boster (Dying Wish) Reveals the “Vocal Hack” Courtney LaPlante Taught Her

The Static & The Signal

Dying Wish is currently a freight train with no brakes. By curating a lineup that features the best of the UK (Guilt Trip) and the Florida underground (Contention), they are proving that metalcore in 2026 is a global, interconnected beast. This tour isn’t just about the music; it’s about the survival of the riff. With high-stakes festival appearances sandwiched between intimate club dates, this is the most ambitious run of the band’s career. Get your tickets early, or get left in the dust.

The post SUMMER SHRED-FEST: Dying Wish and Guilt Trip Lead Brutal Metalcore Offensive Across the U.S. appeared first on Loaded Radio.

Audio Ink Radio names the “most haunting vocal ever captured.” It’s a song that’s timeless and still lingers.

The post 1971 Performance Named ‘Most Haunting Vocal Ever Captured’ appeared first on Audio Ink Radio.

FOR IMMEDIATE RELEASE
THE HAUNTED NORTH ANNOUNCE NEW SINGLE AND LYRIC VIDEO “SAVAGE GHOST” FEATURING MEMBERS OF BLACK LABEL SOCIETY

Out May 1 via White Choker Publishing LLC (ASCAP/SOCAN)
The Haunted North announce their new single and official lyric video “Savage Ghost,” arriving May 1 , featuring contributions from two standout names in modern hard rock and metal: John “JD” DeServio and Jeff Fabb of Black Label Society .
The release pairs the band’s heavy, groove-driven sound with a full visual push, bringing “Savage Ghost” to life with a lyric video built to match its intensity, atmosphere, and raw edge.
Musically, the track leans into crushing riffs, haunting melodic hooks, and a cinematic weight that reflects the band’s growing identity in modern hard rock and alt-metal. The presence of DeServio and Fabb adds serious pedigree and muscle to an already aggressive foundation.
Formed by vocalist and producer Randy V alongside Canadian guitarist Sean Francis , The Haunted North first broke through with their 2018 debut Monster , which also featured early collaboration with both DeServio and Fabb . The current lineup, with Mike Delta on drums, delivers a locked-in, road-tested backbone, while Fabb continues to appear on select studio recordings.
With prior releases including “21 Grams,” “Medusa,” “Black Flag Flying,” and 2025’s “The Beast,” the band continues to build momentum toward a larger statement. “Savage Ghost” marks a defining step forward, combining underground grit, classic rock swagger, and modern metal precision.
For Fans Of:

Black Label Society, Alice In Chains, Godsmack, Alter Bridge
Check out the video premiere:


Production Credits:

Lyrics & Vocals: Randy V
Music & Guitars: Sean Frances
Bass Guitar: John “JD” DeServio
Drums: Jeff Fabb
Produced by: Randy V
Executive Producer: Armi Jarvis
Mixing Engineer: Jerry Sutton
Recording Engineer: Drake Tucker
Master Engineer: Justin Shturtz
Label:

Independent release via White Choker Publishing LLC (ASCAP/SOCAN)
Management:

Armi “AJ” Jarvis
Armi of One Media (Independent)
Connect: 
Website: www.thehauntednorth.com
Facebook: https://www.facebook.com/TheHauntedNorth
Instagram: @thehauntednorth1
YouTube: https://www.youtube.com/@thehauntednorth6982
Spotify: https://open.spotify.com/artist/2GW3JJrU7TWDjTKuMG4uNi
Apple Music https://music.apple.com/us/artist/the-haunted-north/1448216288
Amazing Radio UK/US https://amazingradio.com/profile/whitechoker
Contact:

AJ – armiofonemedia@gmail.com
thehauntednorth@pm.me

It’s been a couple of years since Ibibio Sound Machine, the London dance-funk band led by the Nigerian-British singer Eno Williams, released their most recent album Pull The Rope. Today, the group returns with a hard-hitting, exuberant new single called “Return To Sender.” It’s not an Elvis cover. According to a press release, “Return To…

The post Ibibio Sound Machine – “Return To Sender” appeared first on Stereogum.

The Menzingers returned back in February with “Nobody’s Heroes,” a dose of huge, lightly-punky heartland rock. Now, the Philly mainstays have revealed that they’re following up their 2023 album Some Of It Was True this July with Everything I Ever Saw. The announcement arrives with another massive single called “Chance Encounters.” Of the new album,…

The post The Menzingers Announce New Album <em>Everything I Ever Saw</em>: Hear “Chance Encounters” appeared first on Stereogum.