Category: news

  • Spoon Bring Out Hamilton Leithauser, Britt Daniel Joins Bodega In Central Park

    Three concert experiences I recommend: (1) attending a gig at Central Park SummerStage and going to see (2) Spoon or (3) Ratboys any chance you get. In June, I enjoyed all of the above. First, Ratboys kicked off their latest tour in my hometown of Columbus, showing off one of the most impressive indie rock catalogs in recent memory. Then I traveled to NYC for a panel attached to Sharp Pins, Horsegirl, and Black Country, New Road’s show on an immensely pleasant evening in Central Park. Then I returned home to Ohio and watched Spoon wreck shop with the Beths. Friends, it’s indie rock summer! (If you’re me, every summer is indie rock summer.)

    The post Spoon Bring Out Hamilton Leithauser, Britt Daniel Joins Bodega In Central Park appeared first on Stereogum.

  • Hannah Cole Announces Debut Album Switchbacks: Hear “MMA”

    Today, Nashville-based musician Hannah Cole announces her debut album Switchbacks with the down-on-her-luck single “MMA.” Switchbacks, which is out in September via Tight Knit, follows 2024’s Glisten EP and 2023’s Big Bite EP. Cole reconnected with frequent collaborator Josef Kuhn, recording the album in their home studio between 2024 and 2025, playing nearly every instrument themselves. Switchbacks was also mixed by Sonny Diperri (American Football, Wisp, Julie).

    The post Hannah Cole Announces Debut Album <em>Switchbacks</em>: Hear “MMA” appeared first on Stereogum.

  • 15 Rock And Metal Musicians Who Became College Professors

    Here is a look at 15 rock and metal artists who became professors and the stories behind how they ended up there. Continue reading…
  • Cardinals Cover Iceage For SiriusXM

    Two of this year’s best straight-up rock albums are Masquerade, the stormy debut from Irish Band To Watch Cardinals, and For Love Of Grace & The Hereafter, the excellently slithery new one from Danish vampires Iceage. During a recent live-in-studio session for SiriusXM, Cardinals paid tribute to their post-punk buzz-band elders by covering Iceage.

    The post Cardinals Cover Iceage For SiriusXM appeared first on Stereogum.

  • AN NCS PREMIERE: HORNS OF ABOMINATION — “HORNS OF ABOMINATION”

    (written by Islander) Horns of Abomination is the name of a new Southern California-based one-man audio terror. It is also the name of the band’s debut demo tape to be released by Sentient Ruin, and it’s the name of the demo’s opening song, which we’re now premiering. As usual, Sentient Ruin has crafted its own […]

    The post AN NCS PREMIERE: HORNS OF ABOMINATION — “HORNS OF ABOMINATION” appeared first on NO CLEAN SINGING.

  • EXUMER Returns With Crushing New Thrash Metal Assault “Death Mask Messiah” Arriving August 28th via Metal Blade Records – @thebeast

















    EXUMER Returns With Crushing New Thrash Metal Assault “Death Mask Messiah” Arriving August 28th via Metal Blade Records

    German Thrash Metal Veterans Unleash Their Most Aggressive Chapter Yet With New Album, New Single, and A Return To Pure, Uncompromising Metal Fury
    German thrash metal legends EXUMER are set to unleash their sixth studio album, Death Mask Messiah , arriving August 28, 2026 through Metal Blade Records . The highly anticipated follow-up marks the band’s first new studio offering in seven years and finds the longtime thrash institution delivering one of the most aggressive and focused records of their career.
    With a legacy forged in the fires of 1980s German thrash metal, EXUMER continues to prove that experience, attitude, and pure aggression never go out of style. Death Mask Messiah pushes the band into heavier territory while maintaining the raw intensity and unmistakable spirit that has defined their sound for decades.
    The album features 11 blistering tracks produced by Dominic Paraskevopoulos (Kreator, Caliban) and mixed and mastered by Arthur Rizk (Soulfly, King Diamond), bringing together old-school thrash fury with a powerful modern production.
    Co-founding vocalist Mem V. Stein explains:


    “We are a lot more aggressive than on Hostile Defiance and are returning to a more ‘in your face’ style on Death Mask Messiah. We’re furthering the process that began with our first offering for Metal Blade, 2012’s Fire & Damnation, where we wanted to sound like a contemporary band while maintaining the spirit and our musical heritage of the 1980s.”


    Recorded between December 2025 and January 2026, Death Mask Messiah is the band’s fourth release through Metal Blade Records and introduces EXUMER’s new rhythm section featuring drummer Jerome Reil and bassist Alex Voss. Their arrival brings fresh energy to the band while strengthening the crushing foundation that fans have come to expect.
    According to Mem:


    “They have formidably integrated themselves as musicians and friends into the EXUMER tapestry. You can feel their young energy, coupled with our trademark aggression and experience. The band sounds more focused and yet raw, thanks to their addition to the lineup.”


    The album also features a special collaboration with American metal icon Nasty Ronnie of Nasty Savage , who lends his vocals to EXUMER’s cover of “Unchained Angel,” a track originally performed by Nasty Savage. The collaboration carries extra significance, as EXUMER toured Europe with Nasty Savage back in 1988.
    Lyrically, Death Mask Messiah dives into themes surrounding modern political manipulation, misinformation, cultural division, the impact of the pandemic, and the dangers of charismatic figures who exploit power and influence. Inspired in part by the 30th anniversary of the Waco, Texas siege involving Branch Davidian leader David Koresh, the album explores the destructive nature of false prophets and those who lead others toward chaos.
    The album’s title track serves as the centerpiece of that vision, combining EXUMER’s trademark sonic violence with a concept built around manipulation, power, and corruption.
    Mem V. Stein states:


    “We deliberately chose this track as the first single, as the sonic assault of its main riff and the lyrical concept represent the totality of our intentions for this album. It marks a clear step toward elevating the band to the next level of our career, leaving nothing to the imagination and reinforcing our place as one of the most powerful forces in the entire genre.”


    The artwork and layout for Death Mask Messiah were created by Björn Gooßes of Killustrations, known for his work with bands including Sodom and Vomitory .
    The album will be available on CD Digipak, digital formats, and multiple vinyl editions including:


    180g Black Vinyl
    “Galaxy” Red/Black Vinyl
    “Saturn” Grey/Brown Ripple Vinyl (Limited to 250 copies)
    “Onyx” Black Ice with White Splatter Vinyl (Limited to 250 copies)

    Pre-orders are available now at Metal Blade Records EXUMER Pre-Orders
    Death Mask Messiah Track Listing:



    Death Mask Messiah
    Blinding Skies
    Sin Bleeder
    Eradication
    Ravishing Waste
    Allocated Savagery
    Serpent
    Fratricide
    Scorcher
    Frozen Ground
    Unchained Angel

    EXUMER Live:

    10/23/2026
    Nuclear Winter Festival 2026
    Hirschaid, Germany
    11/21/2026
    Alcatraz & Pluto Festival
    Deinze, Belgium
    02/20/2027
    Endzeit Festival 2027
    Essen, Germany
    EXUMER Lineup:

    Mem V. Stein – Vocals
    Ray Mensh – Guitars
    Marc B. – Guitars
    Alex Voss – Bass
    Jerome Reil – Drums
    With a career spanning more than four decades, EXUMER remain one of Germany’s most respected thrash metal forces. Death Mask Messiah is a reminder that true metal never fades, it only gets sharper, louder, and more dangerous.
    The mask has been revealed. The Messiah has arrived. EXUMER is back.
















  • The big review: Bear Stone Festival 2026

    Posted on July 9th 2026, 5:15pm

  • Yungblud Drops Off Cowboys Music Festival After Emotional Post Addressing “Industry Plant” Accusations

    Over the past few years, the British musician Yungblud has cultivated a classic rock-star image, collecting co-signs from originators like Ozzy Osbourne and Aerosmith and indulging in the kinds of tongue-out leather-pants poses that we don’t see so often anymore. He has been a major-label artist for his entire career, at least since his time on the Disney Channel show The Lodge, so it’s not exactly surprising that there’s been a lot of “industry plant” chatter around him. It seems that those accusations have weighed heavily on Yungblud.

    The post Yungblud Drops Off Cowboys Music Festival After Emotional Post Addressing “Industry Plant” Accusations appeared first on Stereogum.