Category: news

  • Metal Breakdown Daily: Sleep Token Finally Speak And It’s A Warning, Nobody Wants To Own Manson On Slipknot’s Wembley Bill, And System Of A Down Are Counting Down To Something In LA

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    Metal Breakdown Daily is one page, every weekday: the episode on the player below and the three stories in print, so you can listen, read, or both. Today it leads with the Sleep Token statement, the first words from the band in a year, and they are not a comeback announcement. Sleep Token say they have “no affiliation with any outside musical project that invokes this name,” and while they never name the target, fans have one in mind: Arcus, a mystery project teased last month as being “from the co-creator of Sleep Token.”

    Then a fight over the opening night of Slipknot’s 2027 stadium tour, where a London politician wants Marilyn Manson off the Wembley Stadium bill and the venue says it is talking to Live Nation. And System Of A Down have been projecting their logo across Los Angeles with a countdown running on their website, and the two-rose teaser has everyone saying the same two words: Rose Bowl.

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    Scott Penfold opens today’s Metal Breakdown Daily with the Sleep Token statement and why a fence is not a door, then takes a side on who actually put Marilyn Manson on Slipknot’s Wembley bill, and reads the System Of A Down tea leaves in Pasadena. Download the free Loaded Radio App on Apple iOS and Google Play and stream the show now.

    Sleep Token Break Their Silence, But Only To Protect The Name

    Sleep Token posted a rare statement to their official channels over the weekend saying the band “has no affiliation with any outside musical project that invokes this name,” a message fans read as a direct response to Arcus, a project teased last month as being “from the co-creator of Sleep Token.”

    The statement opens with “A word, for the sake of clarity,” which for a band that does not do interviews, press, or stage banter counts as a speech. It continues: “Such claims are not made with our blessing and are not endorsed by Sleep Token.” And it closes the way everything from this band closes, like a line from a liturgy: “What is ours is here, and here alone.”

    Nobody is named. Fans filled the blank in fast. Arcus appeared last month with a YouTube teaser billed as being from Sleep Token’s co-creator. A widely shared post on Threads claims the person behind it is the band’s original manager, who departed around 2018 and has apparently said the mythology was his idea. He holds no writing credits on any Sleep Token release. As of Monday morning, the Arcus pages no longer mention Sleep Token at all.

    The context is what makes this land. Sleep Token have not played a show since October 11, 2025, at Crypto.com Arena in Los Angeles. Even In Arcadia debuted at number one on the Billboard 200 and topped charts around the world, and then 2026 went quiet: no tour, no single, no dates, no explanation. The future of the band has been an open question for a year.

    That silence is exactly why somebody thought “from the co-creator of Sleep Token” would sell. When a band disappears, the vacuum gets filled. And read what the statement does not say. It does not say “we’re back.” It does not promise new music. It says what is ours is here. That is a fence, not a door. If you were hoping this was the start of a return, temper it. If you were wondering whether the band still cares enough to guard the thing they built, there is your answer.

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    A London Politician Wants Marilyn Manson Off Slipknot’s Wembley Stadium Show

    Anton Georgiou, leader of the Liberal Democrat group on Brent Council, the London borough that contains Wembley Stadium, has called on the venue to reconsider Marilyn Manson’s place on Slipknot’s July 3, 2027 Wembley show, the opening night of the band’s 2027 stadium tour.

    For US readers: a councillor is roughly a city council member, and Brent is the local government for the part of London where Wembley sits. Georgiou’s statement said “Wembley Stadium needs to explain what consideration was given to them before this booking was confirmed,” adding that “It also needs to consider the message this sends to survivors of abuse.” He acknowledged that Manson denies wrongdoing and framed the booking against the UK government’s stated commitment to tackling violence against women and girls.

    Brent Council itself was quick to say the decision is not theirs. The council said bookings at Wembley are a matter for the venue and the event organisers and that it has no direct control over commercial events there, while stressing that does not diminish its commitment on the issue. Wembley’s position is that support acts are chosen by the promoter and the headliner, and the stadium says it is “in talks with the promoter,” which is Live Nation.

    Slipknot have not commented on the council development. When the bill was announced and the backlash started, Jim Root replied to a fan: “I concentrate on writing and being a guitarist, so forgive my ignorance about who we do shows with.” The Wembley bill also carries Lorna Shore and Hatebreed, and Manson is booked for four of the tour’s South American dates.

    For the record: the allegations against Manson first went public more than five years ago. He has categorically denied any wrongdoing. Los Angeles County prosecutors declined to file criminal charges in January 2025. The civil lawsuit from Ashley Walters, alleging sexual assault and battery, has a trial date in November 2027, four months after the Wembley show.

    Everybody in this chain is pointing at somebody else. The council points at the venue. The venue points at the promoter. The promoter has said nothing. And the band’s guitarist says he does not know who is on his own tour. Somebody made this decision. Nobody wants to own it. More on that in The Take.

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    System Of A Down Are Counting Down To Something In Los Angeles

    System Of A Down’s logo appeared projected onto buildings and printed on street signage across Los Angeles over the weekend, alongside a countdown on systemofadown.com to a reveal the site calls “imminent,” and the promo’s two-rose visual has fans convinced the announcement is a Rose Bowl Stadium show in Pasadena.

    The band has said nothing, which is normal. The teaser material uses a logo and font that fans matched to a specific venue, and the double rose does the rest: the Rose Bowl holds around 90,000 for concerts and is the biggest room in greater Los Angeles. Some fans also read the cursive version of the band’s name as a nod to Deftones, who toured stadiums with System last summer. None of it is confirmed. Treat it as a very educated guess.

    What is confirmed: Toxicity turned twenty-five on September 4, and the band marked it with a free Beyond The Streets exhibition in Los Angeles that closed on Sunday. System have not played their hometown since February 2022, at what was then Banc of California Stadium. Their only California show since was Golden Gate Park in San Francisco in 2024. They play Sick New World in Fort Worth on Saturday, then open 2027 at Maracanã Stadium in Rio on January 15 before a run through Australia and New Zealand with Faith No More.

    Four LA kids who made the biggest nu-metal record of all time, coming home to the biggest stadium in the city for its twenty-fifth birthday. If that is what this is, it is the right move, and maybe the only one left that still feels like an event for this band. They do not make new records; they have said so. So the question has become how big a greatest-hits set can get before it stops meaning anything. Ninety thousand people in Pasadena is a fair test.

    The Take: Somebody Picked Manson For Wembley, And It Wasn’t The Council

    The politician is wrong about who to blame and right about the question: Wembley does not choose support acts and a borough council has no say, but somebody did choose Marilyn Manson for the opening night of a stadium tour, and that somebody is Slipknot and Live Nation.

    Bands at that level approve every name on their bill. That is not cynicism; it is how stadium tours are built. Which makes Jim Root’s “forgive my ignorance about who we do shows with” one of two things: not accurate, or worse than not accurate. A headliner who does not know his own support acts is not a defence. It is an admission that nobody in the camp thought the question was worth asking.

    The counter-argument is obvious and it is not nothing. Manson has denied every allegation. Prosecutors in Los Angeles looked at the case and did not charge him. The Walters lawsuit is a civil matter and it is unproven until a jury says otherwise. Innocent until proven guilty is not a slogan; it is the system.

    And that is right, in a courtroom. This is not a courtroom. It is a booking. Promoters and bands make reputational calls about who shares their stage every single day, on far less information than this, and nobody calls it a verdict. Putting Manson on the biggest show of your year while a sexual assault trial sits on the calendar four months later is a choice. Slipknot are allowed to make it. They are not allowed to pretend they didn’t. The council can keep writing letters; the only people who can change the bill are the ones who wrote it.

    TL;DR

    • Sleep Token broke a year of silence with a statement saying they have “no affiliation with any outside musical project that invokes this name”; fans read it as aimed at Arcus, a project teased as being “from the co-creator of Sleep Token.” The band has not played since October 2025.
    • Brent Council’s Liberal Democrat leader Anton Georgiou wants Marilyn Manson removed from Slipknot’s July 3, 2027 Wembley Stadium show; the council says it has no control over bookings and Wembley says it is talking to Live Nation. Manson denies all wrongdoing; a civil trial is set for November 2027.
    • System Of A Down are projecting their logo across Los Angeles with a countdown running on their site; the two-rose teaser points to the Rose Bowl, but nothing is confirmed.
    • The Take: the council cannot change the bill. Slipknot and Live Nation chose it, and they should own the choice instead of pleading ignorance.

    FAQ

    What did Sleep Token’s statement say?

    Sleep Token’s statement, posted to their official channels, opened “A word, for the sake of clarity” and said the band “has no affiliation with any outside musical project that invokes this name.” It added that “such claims are not made with our blessing and are not endorsed by Sleep Token” and closed with “What is ours is here, and here alone.” No project was named.

    What is Arcus and is it connected to Sleep Token?

    Arcus is a mystery project that surfaced last month with a YouTube teaser billed as being “from the co-creator of Sleep Token.” Fan reporting links it to the band’s original manager, who left around 2018 and holds no writing credits on Sleep Token’s records. Sleep Token’s statement disowns any such project, and the Arcus pages no longer mention the band.

    Is Marilyn Manson still playing Slipknot’s Wembley show?

    As of October 19, 2026, yes. Manson remains on the July 3, 2027 Wembley Stadium bill with Lorna Shore and Hatebreed. A Brent Council politician has asked the venue to reconsider, the council says bookings are not its decision, and Wembley says it is in talks with the promoter, Live Nation. Neither Slipknot nor Live Nation has announced a change.

    Why is Marilyn Manson controversial?

    Multiple women made allegations of sexual and physical abuse against Manson beginning in 2021. He has categorically denied all wrongdoing, and Los Angeles County prosecutors declined to file criminal charges in January 2025. A civil lawsuit from Ashley Walters alleging sexual assault and battery is scheduled for trial in November 2027.

    Is System Of A Down playing the Rose Bowl?

    Nothing is confirmed. System Of A Down’s logo has been projected around Los Angeles and a countdown is running on the band’s website, and the teaser’s two-rose design and venue-style font have fans pointing to Rose Bowl Stadium in Pasadena. The band has not announced a show. Their last Los Angeles concerts were in February 2022.

    Metal Breakdown Daily is Loaded Radio’s weekday hard rock and metal news show: three stories, one opinion, a new episode every weekday on the free Loaded Radio app for Apple iOS and Google Play. Follow Loaded Radio for the full stories behind every episode.

    The post Metal Breakdown Daily: Sleep Token Finally Speak And It’s A Warning, Nobody Wants To Own Manson On Slipknot’s Wembley Bill, And System Of A Down Are Counting Down To Something In LA appeared first on Loaded Radio.

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  • Tanchjim Revo Review: A $39 Open-Ear Earbud That Actually Has Bass

    VST Review Table

    Tanchjim Revo

    8.8
    The Metalverse Score

    Pros
    • Tunable sound via 9-band PEQ and Harman/JM-1 presets in the app
    • LDAC support and a 16Ω dynamic driver are rare at this price
    • Long battery life (29 hours combined) and IPX5 sweat resistance
    • VERY affordable
    Cons
    • Open-ear physics means bass will never match a sealed IEM, no matter how good the tuning is
    Price
    $39
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    Who Is Tanchjim?

    Tanchjim Revo Review: A $39 Open-Ear Earbud That Actually Has Bass

    If you've spent any time in budget-audiophile IEM circles, you know the name. Tanchjim has been building in-ear monitors since 2015, and the brand made its real name with the Oxygen — a wired IEM that leaned hard into Harman target tuning and earned a cult following among people who wanted "correct" sound without spending flagship money. Since then, Tanchjim's catalog has grown into wired IEMs like the Origin, Hana, and One, along with the occasional dip into true wireless with sets like the Mino. The Revo marks something new for the brand, though: it's Tanchjim's first open-ear true wireless earbud, aimed squarely at the "I want music but I also want to hear my life happening" crowd.

    What Is the Tanchjim Revo?

    Tanchjim Revo Review: A $39 Open-Ear Earbud That Actually Has Bass

    The Revo is an ear-hook style open-ear earbud, meaning it clips around your outer ear and sits just outside the ear canal instead of sealing inside it. That's the same general format as the Shokz OpenFit line, Soundcore's AeroFit series, or Baseus's Eli Sport buds—the pitch is all-day wear, situational awareness, and no ear fatigue. Where Tanchjim differentiates is on the audio hardware: an 18x11mm racetrack-shaped dynamic driver with an LCP dome and PU surround, a 16Ω rated impedance, and support for LDAC over Bluetooth 6.0. Those aren't numbers you typically see attached to a $39 open-ear earbud, and it's the main reason this one is worth a look for anyone who's been avoiding open-ear buds because they assumed the sound would be an afterthought.

    Build Quality and Design

    Tanchjim Revo Review: A $39 Open-Ear Earbud That Actually Has Bass

    The Revo's shells are lightweight—Tanchjim lists them around 9 grams per side— with liquid silicone ear hooks reinforced by a nickel-titanium alloy wire core. That combination is the current gold standard for open-ear comfort: flexible enough to contour to your ear, but with enough shape memory that the hooks don't go limp after a few weeks of use. The earbuds carry an IPX5 rating, so sweat and light rain are a non-issue, though don't take them into the shower.

    Charging is via USB-C, and the case holds roughly three additional full charges, for about 29 hours of total playback against 9.5 hours per bud on a single charge. Tanchjim also lets you pair two devices simultaneously, which is a really useful feature if you're bouncing between two devices. The one omission is wireless charging, which some competitors in this price range are starting to include.

    Sound Quality

    Tanchjim Revo Review: A $39 Open-Ear Earbud That Actually Has Bass

    Overall Sound: For an open-ear design, the Revo leans into a warmer, slightly bass-forward signature out of the box, which tracks with Tanchjim's history of avoiding thin, treble-heavy tunings on its budget gear. The larger racetrack driver is doing real work here—Tanchjim claims it moves roughly double the diaphragm surface area of a standard round 10mm driver, and that extra surface area is the difference between open-ear "bass" that's just a vague suggestion and bass you can actually track a kick drum through.

    Bass: This is the Revo's headline feature. Open-ear designs almost always sound bass-light because there's no seal to reinforce low frequencies against your eardrum, but the bigger driver and Tanchjim's EQ are built specifically to compensate. You'll feel double kick and bass melodies more than many other open earbuds—but don't expect sealed-IEM rumble because it currently isn't possible to have the same bass isolation in an open-ear headphone.

    Mids: Given Tanchjim's Harman-leaning house sound, the midrange stays relatively present rather than getting scooped out to make room for bass and treble, which matters if you listen to a lot of vocal-forward death growls, cleans, or riff-driven rhythm work that lives in the 500Hz–2kHz range.

    Treble: Open-ear designs are prone to a hot, splashy top end because there's nothing physically damping the sound before it hits your ear canal. Tanchjim's PEQ and preset curves (including Harman and their own JM-1 target) give you a way to tame that if cymbals and blast-beat splash start to feel fatiguing on longer sessions.

    Timbre, Soundstage, and Imaging: Open-ear earbuds have a natural advantage in perceived soundstage simply because sound isn't being funneled directly into a sealed canal—it arrives with more of the room's natural character intact, which can make instrument separation and a sense of "space" easier to achieve than on comparably priced sealed IEMs. Imaging precision, though, tends to be a weaker point across the whole open-ear category.

    Comfort and Awareness

    Tanchjim Revo Review: A $39 Open-Ear Earbud That Actually Has Bass

    At roughly 9 grams per side with adjustable silicone hooks, this is built for multi-hour wear, and the Revo does exactly that; it manages to stay very comfortable during long use. Because there's no seal, you'll hear outside noise exactly as clearly as you would with no earbuds at all, which is the biggest appeal of open-ear buds.

    Final Verdict

    Tanchjim Revo Review: A $39 Open-Ear Earbud That Actually Has Bass

    The Tanchjim Revo is a smart bet for anyone who's wanted to try open-ear earbuds but wants cutting-edge bass and tuning control. Tanchjim's IEM pedigree shows up in ways that budget open-ear competitors usually don't—a bigger driver, LDAC, and real PEQ software. I think as far as open-ear earbuds go, this is one of the best I've tried. Subbass still feels a little lacking, but to be fair, this is a limitation of current open-ear earbuds since they can't create a physical seal. At just under $40, for someone who wants to listen to music all day long while still being aware of their surroundings, this is one of the best choices on the market.

    Technical Specifications

    • Driver: 18×11mm racetrack-shaped dynamic driver
    • Diaphragm: LCP dome with PU surround
    • Driver impedance: 16Ω
    • Total harmonic distortion: <0.45% @ 1kHz, -10dBFS
    • Frequency response: 20Hz–20,000Hz
    • Bluetooth version: 6.0
    • Supported codecs: SBC, AAC, LDAC (up to 990kbps)
    • EQ: 9-band PEQ with Harman and JM-1 target presets via Tanchjim app
    • Battery life: ~9.5 hours per charge, ~29 hours total with case
    • Charging port: USB-C
    • Charging input: 5V/0.5A
    • Water resistance: IPX5
    • Weight: ~9g per earbud
    • Multipoint: Simultaneous connection to 2 devices
    • Wireless working range: ~15m (line of sight)
    • Price: Approximately $39