Category: news

  • Godzilla In The Kitchen – Humility

     

    Leipzig alternative metal Godzilla In The Kitchen enters a explosive new era with their single, “Nothing For None.” Marking the band’s historic transition from a heavy instrumental project to a fully vocal-driven power trio, the track introduces bassist Simon Ulm’s commanding vocals alongside guitarist Eric Patzschke and Brazilian drumming powerhouse Thiago Presto. Fusing their signature blend of stoner, progressive, and psychedelic rock with a newfound, relentless aggression, the band channels the weight of modern turmoil into a massive wall of sound. Released via Tonzonen Records, “Nothing For None” kicks off a prolific year of music with unmatched intensity, sweeping grooves, and raw, atmospheric power. 

    Their fourth single Humility takes aim at bad journalism, “scientism” and a lack of critical source evaluation, at a reading culture where headlines become truth, half-knowledge becomes certainty and a short social media post becomes a substitute for expertise. Humility reminds us that authority does not guarantee truth, and that true wisdom begins with recognising the limits of our own knowledge.

    Musically, the song ranks among the most progressive and hardest-hitting tracks on the album. Odd time signatures, an unexpected interlude and a catchy chorus collide with Alternative Metal, Stoner and Progressive influences. I find it intense, very original and in between genres, with a very interesting melodic part in the middle, with spoken word parts reminding me of Phil Anselmo and some Fates Warning vibes. Both performance and production are top notch, the riffs sound massive.

    Give it a go by clicking on the Spotify player below and follow Godzilla In The Kitchen if you like what you hear. 

    https://godzillainthekitchen.bandcamp.com
    https://www.instagram.com/godzilla_in_the_kitchen/
    https://www.tiktok.com/@godzillainthekitchen
    https://www.facebook.com/GodzillaInTheKitchen/
    https://linktr.ee/godzillainthekitchen

     

  • Azarath – ‘Herald Of The Unseen’ Song Debuts

    Blackened death metal ensemble Azarath have debuted a music video for “Herald Of The Unseen”, the newest single and closing track off their forthcoming studio album Scorn Eternal.
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  • Sona Bliss – Take A Ride

     

    Hailing from Nashville, Tennessee, Sona Bliss blends influences past and present to create a heavy sonic assault packed with unstoppable pop hooks.

    The current lineup features John Checuga (vocals/guitar), Trent Harmon (drums/vocals), and Dylan Cessna (bass/vocals), building on the foundation originally laid by John alongside longtime friends Jim Bashaw, Baz Cooper, and Phil Armato. The band is currently putting the final touches on a new full-length record set to drop in 2026.

    I love the sound and the mood of their new song Take A Ride. It’s Energetic, no frills, with fantastic guitars, a very dynamic rhythm section and energetic vocals. It’s catchy and enjoyable from start to finish. The song is part of the playlist Rock Rotation. Give it a go by clicking on the Spotify player below and follow Sona Bliss on social media if you like what you hear. 

    Instagram: https://www.instagram.com/sonablissmusic/

    Facebook: https://www.facebook.com/sonabliss/

  • I Helvete – Third Studio Record On The Way

    Melodic black/death metal band from Finland, I Helvete, is all set to release their third long player Halla on November 6th, 2026. For a preview, check out two new track via Bandcamp widget below.
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  • How BrooklynVegan Went From Indie Rock Blog to Ghost Site

    It started as an internet outpost for die-hard music fans. Then came success. Then came corporate ownership.
  • Pure Reason Revolution’s Terrifying Angels came from OCD, anger and heavenly heavies

    Pure Reason Revolution linchpin Jon Courtney revealed the title for Terrifying Angels – the band’s seventh studio album – came to him after he and his family attended an Easter church service in his adopted home city of Berlin last year.

    “The sermon pointed out that angels tended to be terrifying most of the time,” he says. “They’re there to give some kind of judgement or message that scared the hell out of people.

    “Traditionally, angels aren’t cute cherubs. Their general aura is often overwhelming and intimidating.”

    The new LP, which follows 2024’s Coming Up To Consciousness, is Courtney’s second with Dutch singer/multi-instrumentalist Annicke Shireen (of Heilung) and My Vitriol drummer Ravi Kesavaram. Courtney’s fellow founding member, Greg Jong, also appears and co-writes, as does Paul Mullen of Yourcodenameis:milo.

    Elsewhere, Kenny Fitzgerald, a prog songwriter whom Courtney has mentored via Patreon, supplied the meditative piano part that opens Below Radiance – but much of Terrifying Angels takes Pure Reason Revolution in a heavier direction.

    Indeed, while classic prog elements remain, Courtney says it was partly inspired by his longstanding love of grunge greats such as Nirvana, Mudhoney and Smashing Pumpkins.

    “Coming Up To Consciousness was probably the most chilled Pure Reason Revolution record; less riff-based,” he explains. “It came from a sombre place because of my OCD diagnosis and things like that. I didn’t feel that LP was particularly well-received, so that pissed me off and gave me a bit of fire.

    “Songs like Spin Like Fire, Haywire Heart and Rumination Ruin all came out of that angrier energy. It just made sense to do something heavier.” Elsewhere, Black Arrow Acrobats was inspired by a dream where he was chased by strange Ninja-type acrobat beings.

    Summarising the themes, he reports: “It’s is about encountering forces that appear redemptive and discovering that transformation is never gentle. The album follows a narrator who repeatedly mistakes salvation for safety – only to learn that the forces that save us are often the same forces that undo us.

    “Ultimately, he must reach a deeper understanding by accepting complexity.”

    Terrifying Angels is on sale now.

  • Eldfödd – Post New Track

    In wake of their upcoming debut full-length release The Night Belongs To The Dead, death metal bringers Eldfödd now stream another new song in preview called “The Night Belongs to the Dead”.
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  • Vígljós – Touring Europe Next Month

    Before the year draws to its inevitable end and yet another cycle closes, Swiss black metallers Vígljós will once more embark on a journey through Europe.
    Read more…
  • Exciter Records Announce Two 50th Anniversary Editions Of Judas Priest’s Sad Wings Of Destiny

    Released in 1976, ‘Sad Wings of Destiny‘ was the moment Judas Priest found its true identity. Where ‘Rocka Rolla‘ offered promise, ‘Sad Wings of Destiny‘ delivered purpose. Fronted by Rob Halford (vocals), Glenn Tipton (guitar), KK Downing (guitar), Ian Hill (bass) and Alan Moore (drums), ‘Sad Wings of Destiny‘ was a bold, dark, and ambitious […]

    The post Exciter Records Announce Two 50th Anniversary Editions Of Judas Priest’s Sad Wings Of Destiny appeared first on ROCKPOSER DOT COM.

  • Danny Felice – ‘If There Is A God, Here Comes The Competition’ | The MetalTalk Lowdown

    Breed 77

    Breed 77 are heading into a major new chapter. The band return to the road for a ten-date UK tour in November, while VII, their long-awaited new album, will be their first since The Evil Inside more than 16 years ago.

    Before that, guitarist Danny Felice steps into The MetalTalk Lowdown, and there are some serious miles behind his answers. He’s supported Megadeth in Japan, toured with Machine Head, played Wacken and Download and shared a bill with “Black Fucking Sabbath.”

    What is the most Metal thing you’ve ever done off stage?
    A stage invasion with the god Ronnie James Dio at The Forum in London, as he sang the heavy section of Don’t Talk To Strangers. I climbed the stage and approached him, and he put his arm over my shoulder. We faced the audience, and both did the horn hand sign, Maloik. After that, the bouncers pushed me down from the stage, and my dream moment of sharing a stage with Dio was over.

    What’s the worst gig you ever played and why?
    Gigs are never bad. They all have their story.

    What is the best gig you’ve ever played and why?
    To be honest, any gig that I can connect to an audience through my playing. I’ve had loads of highlight moments in my career. Megadeth support in Japan, Machine Head tour, Mexico tour with Mägo de Oz, Download, BOA, Wacken. But if I have to pick just one, the undisputed best gig has to be supporting Black Sabbath at the Astoria, London. I doubt I need to explain why. Black Fucking Sabbath

    Would you choose a platinum record or one perfect, legendary live show?
    I’ll be greedy and say platinum record, as you can live the feeling endlessly.

    What’s your greatest fear?
    Nuclear conflict and the end of everything. We are now living in a time of great unpredictability and uncertainty.

    What’s the trait you most deplore in yourself?
    Sometimes I overexplain.

    What’s the trait you deplore in other musicians?
    Being stuck up, big-headed, and thinking they are very important, when playing music is not all in their lives

    Describe yourself in three words.
    Hateful evil bastard.

    What’s your guiltiest pleasure?
    I don’t feel guilty for anything, though loving Boney M and the Bee Gees will sound odd in the Metal universe.

    What does a great riff feel like to write?
    Sweet ecstasy

    What’s the worst thing a critic has ever said to you?
    So many I can’t even start to write them out. I’m thick-skinned nowadays and don’t care what others think.

    If you weren’t in music, what would you be doing?
    Football, my other passion.

    What’s one album outside your genre you secretly love?
    I am not ashamed to like any music. I like what moves my soul.

    When did you last cry and why?
    My father’s passing. It broke me.

    What keeps you awake at night?
    Many things, but as long as I try my best, I’m satisfied with myself.

    Riffs, royalties or recognition, if you had to choose?
    Without royalties, there is no money. No money? Difficult to continue.

    How do you want to be remembered?
    It depends by whom. With the mob, I don’t really care. My family and friends, that I did my best for all of them. My bandmates, that I tried my best and if there is a God, here comes the competition. Beware.

    What’s the most important lesson the road has taught you?
    Your bandmates are your brothers and sisters. Always support and encourage them.

    What happens when the music stops?
    It never does. I hear it in my head.

    Breed 77 release VII on 13 November 2026. Pre-orders are available from breed-77.ffm.to/vii. They will tour the UK in November, with King Kraken supporting the first four headline shows and Silo joining the final four. The band also supports Soil in Bradford and Margate. The Manchester date falls on the album’s release day. Breed 77 will support Soil on their show at Dreamland, Margate, on 15 November.

    November

    03nov7:30 pmBreed 77, BristolExchange Event Organized ByBreed 77

    04nov7:30 pmBreed 77, NorwichWaterfront Studio Event Organized ByBreed 77

    05nov7:30 pmBreed 77, NottinghamBeta Event Organized ByBreed 77

    07nov7:30 pmBreed 77, ChesterLive Rooms Event Organized ByBreed 77

    08nov7:30 pmBreed 77, BradfordNightrain Event Organized ByBreed 77

    10nov7:30 pmBreed 77, BirminghamO2 Institute 3 Event Organized ByBreed 77

    11nov7:30 pmBreed 77, BlackpoolWaterloo Event Organized ByBreed 77

    13nov7:30 pmBreed 77, ManchesterBread Shed Event Organized ByBreed 77

    14nov7:30 pmBreed 77, LondonThe Dome Event Organized ByBreed 77

    The post Danny Felice – ‘If There Is A God, Here Comes The Competition’ | The MetalTalk Lowdown first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.