Category: news

  • Stormkeep – The Nocturnes Of Iswylm Review

    [Cover artwork by Simon Bisley]

    Stormkeep’s full-length debut, Tales of Othertime, caused quite a stir in 2021. And by that I mean it was quite popular. Deservedly. It was big. It was melodic. It had a ton of cool riffs. And its cover art was fantastically blue. Mostly, it was fun; a melding of Dissection and, more curiously, power metal. Others may disagree with the latter element, but it’s there. Fairly strongly, too, intentional or no.

    The Nocturnes of Iswylm finds Stormkeep five years removed from their debut. Plenty can happen in five years, of course. And plenty has. Stormkeep is no longer a melding of Dissection and power metal but of Dimmu Borgir and power metal. Subtlety is the band’s enemy now and I like it.

    Stormkeep’s subtlety-as-enemy ethos is made clear in the album’s late 1990s style packaging. The Dimmu meets Cradle of Filth face paint promo photos are a dead giveaway. Super not subtle. A dangerous flirtation with schmaltz. Still quite fun, nonetheless, much like Nocturnes itself. And kudos to the band and label for the cool lyric booklet.

    Grandiose and synth heavy with blastbeats, shrieks, and clean singing, album opener “The Taste of Immortal Blood” is typical of The Nocturnees of Iswylm. Dimmu is going to keep coming up here, no doubt, but there’s a not insignificant amount of almost Finnish sounding power metal, too. A hint of the Ensiferum-like gallop. An inspired solo at the tail end. The sonic shift from Tales of Othertime couldn’t be more obvious. And why shouldn’t it be?

    “The Black Dragons of Iswylm,” much like the opener, confidently navigates the seemingly disparate subgenres (black metal and power metal). What surprises me most about Nocturnes isn’t this shift itself but how well Stormkeep pulls it off whilst sounding reasonably heavy. As much as I like the new Dimmu (Grand Serpent Rising), Nocturnes is Stormkeep out-Dimmuing Dimmu with an often shred-heavy panache.

    Release date: June 12, 2026. Label: Vesperian.
    Melodic black metal is hardly difficult to come by, of course. Particularly this brand of late 1990s-early 2000s, synth-laden melodic black metal, which seems to be making a comeback of sorts. And Nocturnes isn’t without its missteps: namely, “Imperios Sanguine Eroticism,” which fails for being a bit boring—not much sense in it being a single. But Stormkeep’s sophomore effort is a curious statement for a band that charmed most critics five years ago. That they leaned heavy on the riffs will likely go under-appreciated by those who can’t get past the aesthetic shift.

    Early though it may be, and as truly different as the albums are, the almost gauche-like charm of The Nocturnes of Iswylm makes it a more compelling listen than Tales of Othertime. I am sure there are many who will disagree. And that’s fine. This one, with its synth and its power metal and its unashamedness, speaks to me. Or perhaps it caught me at the right moment. Either way, thank you, Stormkeep.

    Photo by Alex Pace

    The post Stormkeep – The Nocturnes Of Iswylm Review appeared first on Last Rites.

  • Boston Manor Share ‘Drowned In Gold (Acoustic)’ Single

    Boston Manor are today sharing an acoustic version of Be Nothing. track ‘Drowned In Gold’. The song appears on forthcoming
  • Wicked’s Sophomore Album ‘Go Rebel’ Out August 21st

    Put your leather & studs on and go Wild and Crazy for Wicked’s sophomore album ‘Go Rebel‘ releasing August 21st, 2026! Band confirmed for August UK and Ireland tour with Kings Of Thrash Emerging from the billowing smoke of a big block burn out, comes the musical offspring of a classic rock influence with muscle […]

    The post Wicked’s Sophomore Album ‘Go Rebel’ Out August 21st appeared first on ROCKPOSER DOT COM.

  • Alex Cano – Doin’ It Wrong


    New York Rock artist Alex Cano returns with “Doin’ It Wrong,” a high‑energy anthem that fuses raw rock grit with a modern edge. Born from a simple toast between longtime friends, the track evolved into a bold reminder to enjoy the ride. Its baritone riffs and cathartic vocals hammer home the mantra: “If you don’t enjoy the ride, you’re doin’ it wrong.”

    Produced by Cano and mastered by Grammy winner Ted Jensen, the song channels humility and humor, drawing on influences like Hendrix and Kristofferson. Written during a period of burnout, Cano used it as a sarcastic, grounding reminder not to take life too seriously.

    “Doin’ It Wrong” is amazingly produced, written and performed. I love the sound (the guitars sound fantastic), the catchy vocals, and the instrumental parts. A quality song from every point of view, I totally recommend it. Give it a go by clicking on the Spotify player below and follow Alex Cano on social media as well, if you like what you hear.

    https://www.youtube.com/channel/UC3jqsvT2FUCQvIEkmlPqY8A
    http://www.alexcano.bandcamp.com
    http://www.instagram.com/alexcanomusic
    https://facebook.com/alexcanomusic
    https://x.com/AlexCanoMusicNY
    http://www.alexcanomusic.com
  • Converge Announce New EU / UK Headline Dates For November 2026

    Converge have announced details of an EU/UK tour for autumn 2026. The dates follow a packed-out summer live run
  • Transonic Science Share New Song “Vincent Price”

    German fuzz rock outfit Transonic Science have officially renewed their partnership with Argonauta Records for the release of their brand new studio
  • Wrong Man Share New Song “Exit Strategy”

    With a sound that reflects an eclectic range of influences, Belgium’s Wrong Man continue to forge their own path with
  • Spreading Chaos Through The Orthodox With ADAM EASTERLING

    Australia, get ready to have your faces completely melted because some spectacular savagery is heading down under this winter. Floridian metalcore titans Wage War are returning to our shores for their first-ever nationwide headline tour, and if you think they’re coming alone to play nice, you are dead wrong. They are bringing one of the […]
  • Antillectual Announce 25 Year Anniversary Tour

    Antillectual is celebrating 25 years of being a band in 2026. The band has been touring their home
  • Devildriver / Dez Fafara Returns With Relentless Fury On Strike And Kill

    Devildriver return with Strike And Kill, a relentless blast of savage riffs

    When did you last listen to Devildriver? For me, it must have been over a decade ago. I blame Dez Fafara for my retirement from the pit when I pulled my hamstring charging around to Clouds Over California at the NIA in Birmingham when they opened for Machine Head (circa 2011).

    Devildriver – Strike And Kill

    Release Date: 10 July 2026

    Words: Paul Hutchings

    I admit I was not even aware of Devildriver’s last few releases, and it has been over eight years since the band played the UK.

    Devildriver return with Strike And Kill, a relentless blast of savage riffs
    Devildriver return with Strike And Kill, a relentless blast of savage riffs

    In terms of ferocity, nothing has changed on Strike And Kill. The surging aggression that was a distinguishing feature of the Devildriver albums I remember is even more vicious than before.

    Perhaps unsurprisingly, Farfara sounds absolutely pumped on this album, and the opening double aural assault of Dig Your Own Grave followed by Dead In The Water are both snarling monsters. If you did not like this brutal melodeath assault then, you will not like it now, for there is an unstoppable, rabid passion here that rages. 

    There is a blend of melody underneath the ferocious onslaught, and Farfara’s instantly recognisable jagged yet controlled delivery. It is relentless for the first few tracks, even if the band dip into a more groove-ridden stomp on Sanctified In Scars. 

    And it is that slight change of pace and tone that makes this album well worth a listen. There is an assault on the senses that is to be expected, but there are elements of industrial tempo, huge blast beats that dominate without overpowering. 

    If explosive aggression ticks your boxes, then Never Coming Home with its definite Machine Head vibe is for you. Thundering along like an express train, it is savagery in its finest. The mix of melodic vocals on the chorus provides an unexpected bonus.

    The musicianship is on point. Guitar duo Alex Lee and Gabe Mangold shred for fun here with some of the screaming solos that fire out of the speakers, simply awesome. It is a real head kicker. 

    Thrash, Melodeth, Black Metal. All are represented, as well as the more traditional Metal Styles. Founding bassist Jon Miller has also returned, and he sounds immense as he locks down the low end with the master drummer Davier Perez. 

    Ultimately, whether you like this album or not is obviously your choice. I was pleasantly surprised to discover that Devildriver circa 2026 are still as interesting as they were in 2004. 

    Devildriver release Strike And Kill on 10 July 2026 via Napalm Records. For more details, visit lnk.to/DevilDriver-StrikeAndKill/napalmmrecords.

    The post Devildriver / Dez Fafara Returns With Relentless Fury On Strike And Kill first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.