Bloodstock 2026: Thursday Review – Ronnie James Dio Stage
6th August 2026
Words: Dan Barnes
Photos: Tim Finch
How time flies! It barely feels any time at all since we were all here watching Gojira and Obituary bringing the curtain down on Bloodstock Open Air 2025, and now we’re back at Catton Park for the festival’s twenty-fifth anniversary celebrations.
And, in honour of that quarter of a century milestone, Bloodstock have opened the main arena for the first time on a Thursday evening, splitting the pre-show across two stages, and hosting something for all ages.
Opening up the Ronnie James Dio for 2026 is Heavysaurus, four dinosaurs and one dragon whose family-friendly brand of metal is squarely aimed at the younger section of the crowd. Laser Ninja is such an earworm that it’s going to be with me until Cryptopsy; Millie the triceratops proves girls can rock as hard as the boys and reinforces the band’s sense of unity; a bass-playing stegosaurus blasts out Seven Nation Army, taking the dinos into a melody that includes snippets of Highway to Hell, The Final Countdown, We Will Rock You, Enter Sandman, and Journey’s Don’t Stop Believing. They even paraphrase Churchill’s speech before cranking into some Bloodstock-approves power metal. By this stage I’m starting to think Heavysaurus might not be real dinosaurs; but I’m no Palaeontologist, so what would I know? It’s inoffensive fun to get the weekend off to a rockin’ start.

Having damn-near become the Bloodstock house band over the years, it seemed impossible to conceive these twenty-fifth anniversary celebrations would go off without Evil Scarecrow making an appearance. Having made their way from the New Blood stage to the S.O.P.H.I.E. and onto the Ronnie James Dio over the years, the band is the epitome of Bloodstock’s mission to promote and nurture the future of the genre. They have brought with them a dedicated and growing fan base who turn out in numbers for these shows, today being no exception. The Nottingham crew have songs about mythical sea beasts, when to put your green bin out and even build toilet breaks into the set. A large inflatable spider scuttles its way across the heads of the crowd and who were led to believe is Avril Lavigne pops out of a bin at one point – more convinced by those dinosaurs, to be honest – but it’s all part of the fun. The Ballad of Brother Pain seamlessly adds an extra syllable to Antarctica, Shoptimous Prime rages against the capitalist model of society and comes with a reminder to check out the band’s merchandise, Hurricanado and End Level Boss are lapped up by the crowd and it all comes to a close with Crabulon, which sees the crowd skuttling to the left and then to the right, hands like pincers, for the inevitable set closer.

Returning to headline Bloodstock for the first time since they closed out the inaugural show at the Assembly Rooms back in 2001, NWoBHM stalwarts, Saxon, hit the stage ready to deliver a heavy metal masterclass and set the standard against which all else will be judged. Fifty-years of doing this thing has honed Saxon into a devastating music machine, the introduction of Diamond Head’s Brian Tatler back in 2023 giving them an additional spark; but Saxon have been together for so long and have enough miles beneath their feet to take Bloodstock 2026 in their stride.
Opening with Hell, Fire and Damnation from the 2024 album of the same name, the show feels like it’s hit the ground running., then it’s straight back to 1983 for Power and the Glory. Biff is in a good mood as he announces Saxon can play as long as they like due to being headliners; Dogs of War proves they never deviated from the path, no matter what the pressures of the industry during the Nineties threw at them; Never Surrender comes along next and should be Saxon’s signature song.

Madame Guillotine, Sacrifice and an ever-popular Motorcycle Man have come and gone before the arrival of the eagle lighting rig dropping from the ceiling, eyes blazing red and wings of blazing white brilliance, proving Saxon have the theatricality of their contemporaries. The triple-whammy of Strong Arm of the Law tunes hit like a combination of deadly punches: Heavy Metal Thunder, Dallas 1pm and the title track; 747 (Strangers in the Night), Denim and Leather and Wheels of Steel bring the set to a close and sees Biff taking to social media and live streaming the singalong. He reminds Bloodstock that the footage can be seen as far afield as London, Wacken and Barnsley.
Encores of Crusader, Solid Ball of Rock and And the Bands Played On – which was one of the first singles I bought with my own money back in 1981 – prove Biff to have been correct in saying the band can play for as long as they want; but all good things must come to an end and the inevitable Princess of the Night brings the set and the stage to a close. Biff suggests Bloodstock should keep the two-stage Thursday idea going into next year, and I’m inclined to agree with him. He even suggested Saxon come back in a couple of years and do it all again, and I definitely agree with him on that!


Photo credits: Tim Finch
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