Category: news

  • Treaty Oak Revival Ask Fans To Stop Throwing Chairs

    Apparently there’s a group called Treaty Oak Revival that make country rock that some call “Southwest emo,” and they played the MAGA-associated Rock The Country Festival earlier this year. On Thursday (Sept. 24), the Texas band had to post a video telling fans to stop throwing lawn chairs at their live performances.

    The post Treaty Oak Revival Ask Fans To Stop Throwing Chairs appeared first on Stereogum.

  • THE OCEAN – Solaris (Album Review)

    Abstract sounds depict a complex narrative.

    Starting from scratch is rarely an ideal disposition when an impressive legacy has already been paved, but it can be a magnet for opportunity. Such has been the state of affairs for progressive sludge/post-metal stalwarts The Ocean (aka The Ocean Collective) since the immediate aftermath of their previous and 2023 album Holocene.

    The subsequent years have seen all of their previous lineup save for founder/guitarist Robin Staps and bassist Mattias Hagerstrand exit the fold, including and especially longtime front man Loic Rossetti. But being in the business for the better part of three decades tends to bring a level of resilience into the equation, and within roughly the span of about a year a newly minted seven-piece arrangement has been forged to continue the highly nuanced and expansive tradition that has preceded it. As such, this outfit’s 12th studio album Solaris marks a new beginning, in spite of being a de facto continuation of its immediate predecessor’s conceptual narrative.

    Blending inspiration from the famed Andrei Tarkovsky novel of the same name and the journals of various historical explorers, it is an extensive sonic journey that navigates a comparably complex mixture of styles handled by a highly apt cast of musicians. Drummer Jordi Farre fits his kit work seamlessly into the dream-like atmosphere and fleeting fits of heavy, progressive metal segments, gelling with Mattias’ steady bass work at every point. Staps’ guitar work has been bolstered further by the inclusion of two new guitarists in Emmanuel Jessua and Marco Gennaro, expanding the arrangement to allow for dueling lead guitar lines at key points while also stacking on top of a towering wall of sound that can be easily replicated in a live setting.

    Yet the most consequential change that has been accomplished without detriment is the entry of Italian lead vocalist Enrico “Nrehk” Tiberi and co-vocalist Lane Oshi; the former of whom effortlessly weaves between a clean baritone bellow and a raw hardcore shriek as the latter adorns the arrangement with a deeper sense of mystique.

    True to the 70s Sci-Fi aesthetic from which it flows, Solaris is the textbook embodiment of a slow burn set to music. Opening with an ethereal 2-minute overture with a set of coordinates as a title, the precedent that is set is one of the barest simplicity played at a subdued volume that gradually crescendos to an explosive progressive metal assault. Granted, it isn’t until about a minute into the second track “Departure Song” that the feeling of an extended prelude gives way to the first proper song, but once the trio of electric guitars land that first signature riff set, what felt like an ambient soundtrack immediately morphs into a cosmic fit of pure rage, tempered with a strong eye to technical musicianship.

    This general sense of ambiguity between where one chapter ends and the next begins proves a continual theme as things progress and the songs continue to get longer, though at no point is coherence something that gets lost in the mix, even as the individual lengths of each entry reach and then break the 10 minute mark.

    The entire middle of this colossal opus is essentially where exposition gives way to extremely deep contemplation with an elaborate sense of structure in tow. The de facto single track “Light Pollution” maintains the abstract sense of drifting through the interstellar depths while also throwing in some strong earworm melodies and a rather spellbinding set of chant-like wails out of Oshi interwoven between the seesawing torrent of serene and aggressive musical moments.

    The trio of epic journeys from point A to B among the sea of celestial bodies that are the grueling 17-minute progressive slough “Simulacra” and its two slightly shorter sisters “Belligerence” and “Ultima Esperanza” present extremely challenging listening endeavors for even the more seasoned of progressive rock/metal consumers with a correspondingly massive pay off; Nrehk and Oshi exploring just about every permutation of smooth and rough vocalizations in the book as a similarly elaborate and evolving musical backdrop follows their lead and fills in the gaps in between.

    In every respect, Solaris is as much an exercise in continuing a tradition of existing outside of conventional music as it is a sheer curiosity in itself. This is particularly underscored in the rather unique away that it concludes with the moderate length chapter “Milk Of My Dreams” and the outro track featuring another set of coordinates as the title, both of which essentially blur into a singular, near 10-minute long song that listens more like a meditative ambient epilogue with an electronic dance groove like a lost entry from The Matrix: Revolutions film thrown in for good measure.

    It underscores an album produced by a band that has set their own rules and are not beyond occasionally bending or breaking them when things have even the slightest potential of becoming mundane. Yet when all is said and done, it remains reasonably accessible and holds up well even when compared against The Ocean’s magnum opuses Precambrian and Pelagial, though newcomers to this band should still prepare for a wild ride.

    Release Date: September 25, 2026
    Record Label: Pelagic Records
    Genre: Progressive Metal

    Musicians:

    • Robin Staps / Guitar and Vocals
    • Mattias Hägerstrand / Bass
    • Jordi Farré / Drums and Percussion
    • Enrico Tiberi / Vocals and Keys
    • Lane Shi / Vocals
    • Emmanuel Jessua / Guitar
    • Marco Gennaro / Guitar

    Solaris Tracklist:

    1. 52°30’11″N, 13°26’12″E
    2. Departure song
    3. Light Pollution
    4. Simulacra
    5. Belligerence
    6. Ultima Esperanza
    7. Milk of My Dreams
    8. 51°28’30″S, 73°6’11″W

    Order the album here.

    The post THE OCEAN – Solaris (Album Review) appeared first on Sonic Perspectives.

  • THUNDERMOTHER Announces New Album “Mothers Of Thunder” & Shares Music Video For “Bimbo Boost”

    Thundermother has announced their seventh studio album, Mothers Of Thunder, set for release Feb. 5, 2027 via Napalm Records — the band’s debut on the label. Alongside the announcement, the Swedish hard rock quartet has shared the album’s first single, “Bimbo Boost,” and its official music video.

    “Bimbo Boost” is built around Deep Purple’s iconic “Smoke On The Water” riff played backwards, with the band using the single to address the pressure placed on female artists to always look perfect onstage — an expectation that does not apply to their male counterparts.

    Thundermother comment on the single: “It’s damn hard being a woman. We have to do our makeup, straighten our hair, reverse aging, and always look our best. It’s exhausting.

    “We wish we had a magic guitar booster pedal that instantly did all of that for us! We love making fun music videos, and this time we went bananas!”

    On Mothers Of Thunder, the band share: “We know that it’s what every band says when they’re releasing a new album, but this time it’s true. This is the best Thundermother album yet! The songwriting, the playing, and the lyrical themes have reached the next level, and we can’t wait to share ‘Mothers Of Thunder’ with the world!”

    “‘Mothers Of Thunder’ has killer riffs, groovy grooves, and powerful vocals paired with fun energy and the occasional serious tone. But most importantly, it has Filippa, Joan, Linnéa, and Majsan! Our musicianship gets a real chance to shine, and I think you can hear how much fun we’re having through your speakers.”

    “This album is for you, the old fans, the new fans, and the future fans. Together we will make sure to keep rock’n’roll alive and kicking! We are Thundermother, and this is ‘Mothers of Thunder.’ Play it loud, sing along, and don’t forget to ROCK!”

    Among the album’s highlights, “Restless” features an authentic father-daughter collaboration: vocalist Linnéa Vikström Egg teams up with her father, Therion’s Thomas Vikström, for a song depicting a parent’s concerns versus a child’s longing for freedom — delivered by real family members. Thundermother have previously opened for Scorpions and Judas Priest and appeared at festivals including Wacken Open Air, Summer Breeze and Sweden Rock.

    Thundermother is: Filippa Nässil (guitar, backing vocals), Linnéa Vikström Egg (lead vocals, guitar), Majsan Lindberg (bass, backing vocals), Joan Massing (drums).

    The post THUNDERMOTHER Announces New Album “Mothers Of Thunder” & Shares Music Video For “Bimbo Boost” appeared first on Sonic Perspectives.

  • Motionless in White, ‘Paranormal Prison’ – Season 4 Premiere

    One skeptic, one believer. It's the Season 4 premiere of 'Paranormal Prison' with two members of Motionless in White! Continue reading…
  • HARDCORE SUPERSTAR Signs With FRONTIERS MUSIC SRL & Releases New Single “Halo”

    Hardcore Superstar has signed with Frontiers Music SRL, kicking off the new partnership with the release of the Swedish hard rock band’s brand-new single, “Halo.” The signing marks the beginning of a new chapter for one of Scandinavia’s most enduring rock acts, arriving just days before the band launches its Scandinavian Dirty Halo tour on Oct. 2.

    The band commented: “We’re really excited to start this new chapter with Frontiers. After all these years, we’re still just as hungry to make great records, play loud and push Hardcore Superstar forward.

    “We feel Frontiers understands where we come from, but more importantly, where we want to go next. There’s a lot of new music coming and we can’t wait to get it out there.”

    Aldo Lonobile, VP of global A&R at the Frontiers label group, stated: “Being a fan of the band for many years, I am particularly excited to welcome Hardcore Superstar to Frontiers! They have built an incredible legacy, but I truly believe they still have a lot to say and many more chapters to write. We’re excited to be the right partner for their next steps and to support their vision as they enter this new chapter.”

    Built on heavy riffs, attitude and a chorus made for the live stage, “Halo” revels in the turmoil between chaos and redemption. The band described the single: “‘Halo’ is an anthem for people faking their prayers in the hope of securing a little grace under their ‘Dirty Halo.’ It’s about that distorted line that lies somewhere between praying for redemption and embracing the chaos — the sins, mistakes and bad decisions you can’t take back.”

    The band added on returning to the road: “We are excited to be back on the road for this long-awaited tour. We love the chaos, the crowds, the late nights and the connection with the fans. This tour is going to be something special.”

    Alongside preparations for the tour, Hardcore Superstar is currently in the studio working on the follow-up to Abrakadabra. The upcoming release will also mark the first recording to feature new drummer Efraim Larsson (Gathering of Kings, Masterplan). Hardcore Superstar has also gained visibility in recent years through multiple song placements in the HBO Max series Peacemaker, created by James Gunn.

    For more information about dates and to get tickets, click here.

    Hardcore Superstar is: Joakim “Jocke” Berg (vocals), Martin Sandvik (bass), Vic Zino (guitar), Efraim Larsson (drums).

    The post HARDCORE SUPERSTAR Signs With FRONTIERS MUSIC SRL & Releases New Single “Halo” appeared first on Sonic Perspectives.

  • Is Ghost’s Tobias Forge secretly recording a new death metal project? “He’s sitting in his studio again and no one’s allowed in. He’s doing something!”

    Ghost mastermind Tobias Forge is reportedly recording a new death metal project.

    Reports from multiple friends and collaborators suggest that the Swedish singer/multi-instrumentalist, who founded Ghost and performs as their masked frontman Papa V Perpetua, is in the studio working on something more extreme than his main band’s fare.

    Speculation started in June, when Swedish drummer Johan Koleberg – who’s played in Hammerfall, Therion and other heavy metal bands – took to social media and said that he was helping Forge prepare drums for a new project.

    “Helping out Mr Tobias Forge to tune these fine drums for his new project for the next couple of weeks,” Koleberg wrote, accompanied by a picture of a mic’d-up drum kit.

    Another report emerged in July, when Digby Pearson, the head of UK rock and heavy metal label Earache Records, appeared on the Temple Of Bleh podcast. During the interview, Pearson recalled his attempts to sign Ghost before they blew up in the mid-2010s; even though Earache didn’t get the band at the time, he says that they’ve just “got the connected-to-Ghost death metal band” and that “apparently, he’s [Tobias] doing a death metal album, as well”.

    Now, another hint has come from Joey Tempest, the lead singer of Swedish rockers Europe. Tempest – whose band got Forge to handle backing vocals on their album Come This Madness, out today (Friday, September 25) – tells Planet Rock “I don’t know [Forge’s] Ghost plans”. However, he adds: “I know he’s sitting in his studio again and no one is allowed in … he’s doing something!”

    Although Forge switching from Ghost’s hard rock hit-making to savage death metal may seem like a leap, the 45-year-old has an extensive history in heavier music. From 1998 to 2004, under the pseudonym ‘Mary Goore’, he was the frontman of death metal outfit Repugnant. Their sole album, Epitome Of Darkness, came out in 2006: the same year that Forge formed Ghost.

    Forge told Metal Hammer in 2023 that Repugnant’s split “broke my heart”. “I wanted us to be signed to Roadrunner and support Slayer,” he said. “That never happened, unfortunately – or perhaps fortunately, as it kept me grounded for a few more years and if those things had happened maybe I wouldn’t be here today.”

    Talking to Loudwire, he admitted that he didn’t “know if [Repugnant] were good enough” to find success.

    “Now, knowing a lot of the things that are required, how many stars that need to align and all the decisions you have to make, I can definitely look back on myself as a 21-year-old and quickly see why I didn’t achieve that with Repugnant. I wasn’t mature. I wasn’t thinking. I wasn’t there yet.”

    Forge reformed Repugnant in 2010 and hoped to record a second album with the band, tentatively titled Toxic Contagion. However, the reunion was short-lived and new music never materialised. The singer has ruled out making death metal with Ghost but told Loudwire that he was “still chasing” his longtime passion for the genre.

    “I still get the same kick out of things that I liked as an 11 or 12-year-old, when I really started listening to that and when death metal was this really dangerous animal that you can just go to this one store to find,” he explained.

    Ghost, one of the biggest rock bands in the world, went on hiatus in February, following the conclusion of their Skeletour world tour. Forge told Kerrang! that he was “exhausted” after completing the trek.

    Metal Hammer has contacted Ghost’s representatives and asked Forge to comment on the rumours of a new death metal pursuit.

  • Europe documentary is finished, Joey Tempest says

    It could arrive in early 2027 once a release platform is secured

    Source

  • THE 69 EYES go acoustic – here is “Brandon Lee (Forma Acustica)”

    Goth rock icons The 69 Eyes are thrilled to unveil their new single “Brandon Lee (Forma Acustica)”, out now via BLKIIBLK.  Originally featured on “Blessed Be”, the song was first released in 2000 and became an international success for the band. Its title refers to the late American actor Brandon Lee, who played the lead… Continue Reading →