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On August 28, 2026, Ruthie Foster will release her new album Just Say Yes! Fresh off a Grammy for Best Contemporary Blues Album for her last record, Mileage, Foster has more than a dozen records under her belt. Just Say Yes! Conclusively shows that she hasn’t missed a step. The record is, in a word, perfect. I have no notes on how Ruthie Foster wants to sing the blues; she’s nothing less than divine.
Foster is joined on Just Say Yes! By an impressive lineup of players: Rebecca Lovell and Megan Lovell on backing vocals, Tyler Bryant on guitar, bass, keys, and percussion, Kevin McGowan and Ben Satterlee on drums, and Mike Seal and Michael Webb also on keys on certain tracks.
Across 10 tracks, the record starts strong, stays strong in the middle, and finishes strong. Reviewing an album is already a subjective task, and that challenge is amplified with excellent records like Just Say Yes! Out of 10 perfect tracks, citing standouts is really just a take on which ones I, the reviewer, have a personal preference for. Nevertheless, here goes nothing:
I ADORE the final third of the record, especially “Tangled,” a longer, more haunting number with waily vocals and a darker tone about a heartbreaking situationship, and “Sitting Still,” a big and slow and wise song about the discomfort of sitting with one’s own thoughts. “Maybe It Up” is on the shorter side, but it has an energetic and seductive country rocker vibe and serves as a stellar song to dance to with your lover. Of course, the big single on the record, “Yes,” is excellent, with a keys-driven melody, a little gospel, a little rock, and a very optimistic tune.
That said, it would be criminal not to mention the fun lap steel-accents on “Take Time” or the spoons in “Hold On” or the slower, more religious “Come On Up” that feels like the best of southern church music.
Consistently, the songs on Just Say Yes! Are simple, fun, and good. The record is mostly hopeful and warm, with moments of deep introspection or wistful regrets that enhance, rather than darken, the brightness of the thematic tone. I cannot recommend Just Say Yes! Enough. It’s a very clear contender for album of the year, absolutely a must-listen for blues lovers.
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