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  • SIX STRING REVOLVER TO UNLEASH HARD-HITTING NEW MUSIC VIDEO THIS HALLOWEEN AT MIDNIGHT – @thebeast

    FOR IMMEDIATE RELEASE
    SIX STRING REVOLVER TO UNLEASH HARD-HITTING NEW MUSIC VIDEO THIS HALLOWEEN AT MIDNIGHT

    Southern Utah Hard Rockers Take Aim at Big Pharma and America’s Broken Medical System With a Provocative New Release

    Southern Utah hard rock powerhouse SIX STRING REVOLVER is preparing to unleash a hard-hitting new official music video this Halloween, premiering at 12:00 midnight on October 31. Known for their gritty sound, unapologetic attitude, and willingness to confront uncomfortable truths, the band is gearing up to deliver another uncompromising statement through the power of rock and roll.
    The upcoming video serves as the visual companion to a track that takes direct aim at what the band sees as a deeply flawed American medical system, calling attention to the devastating consequences of pharmaceutical companies pushing powerful prescription drugs like oxycodone. With its focus on corporate greed, drug addiction, and the human cost of an industry driven by profit, the song confronts issues that have affected countless individuals, families, and communities.
    SIX STRING REVOLVER isn’t interested in sugarcoating reality. The band has built its identity around honest songwriting, hard-hitting performances, and a refusal to shy away from difficult subjects. Whether confronting exploitation, personal struggles, or the darker side of society, the band’s music aims to get people thinking while delivering the kind of raw energy that makes rock and roll impossible to ignore.
    But the meaning behind the new track isn’t dictated by the band.
    Listeners are free to interpret the song through their own experiences, whether they hear it as a raw examination of drug addiction, a criticism of the pharmaceutical industry, or an anthem of resilience and recovery. For SIX STRING REVOLVER, the message ultimately belongs to the listener.
    Of course, not everything surrounding the band has to be dead serious.
    Despite the weight of the subject matter, SIX STRING REVOLVER brings its trademark sense of humor and high-energy personality to the new music video. The band describes making the video as an absolute blast, with a finished product designed to entertain, deliver plenty of energy, and give fans something they can enjoy without overanalyzing every frame.
    It’s another reminder that rock and roll can tackle serious issues while still having a damn good time doing it.
    The new SIX STRING REVOLVER music video premieres Halloween night at midnight on October 31. Fans can catch the release through the band’s official channels.
    Visit the official website: www.SixStringRevolver.com
    SIX STRING REVOLVER: ROCK ‘N’ ROLL STILL HAS TEETH

    SIX STRING REVOLVER continues to make its mark with hard-hitting music and a sound that refuses to play it safe. The band’s latest album, Be Somebody, showcases its battle-tested chemistry, explosive energy, and commitment to delivering raw, modern American hard rock without compromise.
    Metal Devastation Radio highlighted the band’s “battle-tested chemistry” and explosive energy, describing Be Somebody as a raw, modern American hard rock record that proves “rock ‘n’ roll still has teeth.”
    Read the full feature on Metal Devastation Radio.
    Frontman Raven Cain, also known as RavenHawk, recently joined Zach Moonshine on The Zach Moonshine Show for an in-depth conversation about the personal experiences behind the band’s music, the importance of creative freedom, the growing influence of artificial intelligence in the music industry, and why authentic, human-driven rock and metal still matter.
    The conversation explored the stories behind the band’s songwriting, Cain’s personal journey, his passion for classic rock and metal, and his belief that music can give a voice to people who need to be heard. The interview was featured on Metal Devastation Radio and syndicated via CrunchyNewz.
    Meanwhile, Down The Front Media rock critic Chris Stones praised Cain’s commanding vocal performance, writing:
    “The vocals reminded me of early Geoff Tate and Myles Kennedy such was the power and passion.”
    Read more at HERE.
    With its combination of classic hard rock influences, modern intensity, and songwriting rooted in real-life experiences, SIX STRING REVOLVER continues to demonstrate that honest, uncompromising rock music still has a place in today’s musical landscape.
    A HARD ROCK FORCE BUILT ON EXPERIENCE

    Hailing from the red mountains of Hurricane, Utah, SIX STRING REVOLVER delivers hard rock fueled by powerful vocals, commanding guitars, thunderous grooves, and an uncompromising attitude. The band combines classic rock swagger with modern intensity, creating a sound built for the stage and rooted in the tradition of musicians who believe rock and roll should have something to say.
    Frontman Raven Cain, known professionally as RavenHawk, channels a lifetime of personal experiences into the band’s music. A vocalist, songwriter, and veteran touring musician, Cain has performed alongside major acts including Henry Rollins, L.A. Guns, Sevendust, Ratt, Saliva, Faster Pussycat, BulletBoys, and Hed PE.
    His career has included work with major labels, multiple No. 1 hits on the 365 Music Charts, and appearances as the subject of books, television programs, and educational films. His songwriting draws from personal struggles, individual freedom, and a determination to give a voice to people whose stories deserve to be heard.
    On lead guitar, Hawkeye Pearce brings technical firepower, melodic instincts, and extensive live experience to the band. Pearce has opened for legendary artists including Alice Cooper, Sammy Hagar, Great White, Nazareth, and Rick Derringer, delivering the kind of arena-sized guitar work that complements the band’s powerful hard rock sound.
    Bassist Bill “Ash” Dent anchors the low end with a combination of precision, power, and decades of experience as a bassist, multi-instrumentalist, composer, session musician, and audio engineer. His massive grooves provide the foundation for the band’s relentless attack.
    Behind the kit, drummer Robert “Monster” Cantu delivers the power and precision that drive SIX STRING REVOLVER’s sound. Drawing inspiration from legendary drummers including John Bonham, Buddy Rich, and Peter Criss, alongside modern masters Mike Mangini and Matt Garstka, Cantu brings an explosive approach to the band’s performances.
    Together, these four seasoned musicians represent a straightforward philosophy: play loud, tell the truth, and never lose sight of what makes rock and roll matter.
    SIX STRING REVOLVER doesn’t follow trends. They load the chamber, pull the trigger, and let the music speak.
    For Fans Of:

    Shinedown, Godsmack, Saving Abel
    Connect With SIX STRING REVOLVER


    https://linktr.ee/sixstringrevolver
    Band: SIX STRING REVOLVER
    Genre: Hard Rock
    Label: Ragebreed Records
    Digital Distribution: Earache Digital Distribution
    Management: Karina Sher
    Contact: Raven Cain
    Email: kaiso@ravenselfdefense.com
    Media & Booking:
    zach@metaldevastationradio.net

  • SIX STRING REVOLVER TO UNLEASH HARD-HITTING NEW MUSIC VIDEO THIS HALLOWEEN AT MIDNIGHT – @thebeast

    FOR IMMEDIATE RELEASE
    SIX STRING REVOLVER TO UNLEASH HARD-HITTING NEW MUSIC VIDEO THIS HALLOWEEN AT MIDNIGHT

    Southern Utah Hard Rockers Take Aim at Big Pharma and America’s Broken Medical System With a Provocative New Release

    Southern Utah hard rock powerhouse SIX STRING REVOLVER is preparing to unleash a hard-hitting new official music video this Halloween, premiering at 12:00 midnight on October 31. Known for their gritty sound, unapologetic attitude, and willingness to confront uncomfortable truths, the band is gearing up to deliver another uncompromising statement through the power of rock and roll.
    The upcoming video serves as the visual companion to a track that takes direct aim at what the band sees as a deeply flawed American medical system, calling attention to the devastating consequences of pharmaceutical companies pushing powerful prescription drugs like oxycodone. With its focus on corporate greed, drug addiction, and the human cost of an industry driven by profit, the song confronts issues that have affected countless individuals, families, and communities.
    SIX STRING REVOLVER isn’t interested in sugarcoating reality. The band has built its identity around honest songwriting, hard-hitting performances, and a refusal to shy away from difficult subjects. Whether confronting exploitation, personal struggles, or the darker side of society, the band’s music aims to get people thinking while delivering the kind of raw energy that makes rock and roll impossible to ignore.
    But the meaning behind the new track isn’t dictated by the band.
    Listeners are free to interpret the song through their own experiences, whether they hear it as a raw examination of drug addiction, a criticism of the pharmaceutical industry, or an anthem of resilience and recovery. For SIX STRING REVOLVER, the message ultimately belongs to the listener.
    Of course, not everything surrounding the band has to be dead serious.
    Despite the weight of the subject matter, SIX STRING REVOLVER brings its trademark sense of humor and high-energy personality to the new music video. The band describes making the video as an absolute blast, with a finished product designed to entertain, deliver plenty of energy, and give fans something they can enjoy without overanalyzing every frame.
    It’s another reminder that rock and roll can tackle serious issues while still having a damn good time doing it.
    The new SIX STRING REVOLVER music video premieres Halloween night at midnight on October 31. Fans can catch the release through the band’s official channels.
    Visit the official website: www.SixStringRevolver.com
    SIX STRING REVOLVER: ROCK ‘N’ ROLL STILL HAS TEETH

    SIX STRING REVOLVER continues to make its mark with hard-hitting music and a sound that refuses to play it safe. The band’s latest album, Be Somebody, showcases its battle-tested chemistry, explosive energy, and commitment to delivering raw, modern American hard rock without compromise.
    Metal Devastation Radio highlighted the band’s “battle-tested chemistry” and explosive energy, describing Be Somebody as a raw, modern American hard rock record that proves “rock ‘n’ roll still has teeth.”
    Read the full feature on Metal Devastation Radio.
    Frontman Raven Cain, also known as RavenHawk, recently joined Zach Moonshine on The Zach Moonshine Show for an in-depth conversation about the personal experiences behind the band’s music, the importance of creative freedom, the growing influence of artificial intelligence in the music industry, and why authentic, human-driven rock and metal still matter.
    The conversation explored the stories behind the band’s songwriting, Cain’s personal journey, his passion for classic rock and metal, and his belief that music can give a voice to people who need to be heard. The interview was featured on Metal Devastation Radio and syndicated via CrunchyNewz.
    Meanwhile, Down The Front Media rock critic Chris Stones praised Cain’s commanding vocal performance, writing:
    “The vocals reminded me of early Geoff Tate and Myles Kennedy such was the power and passion.”
    Read more at HERE.
    With its combination of classic hard rock influences, modern intensity, and songwriting rooted in real-life experiences, SIX STRING REVOLVER continues to demonstrate that honest, uncompromising rock music still has a place in today’s musical landscape.
    A HARD ROCK FORCE BUILT ON EXPERIENCE

    Hailing from the red mountains of Hurricane, Utah, SIX STRING REVOLVER delivers hard rock fueled by powerful vocals, commanding guitars, thunderous grooves, and an uncompromising attitude. The band combines classic rock swagger with modern intensity, creating a sound built for the stage and rooted in the tradition of musicians who believe rock and roll should have something to say.
    Frontman Raven Cain, known professionally as RavenHawk, channels a lifetime of personal experiences into the band’s music. A vocalist, songwriter, and veteran touring musician, Cain has performed alongside major acts including Henry Rollins, L.A. Guns, Sevendust, Ratt, Saliva, Faster Pussycat, BulletBoys, and Hed PE.
    His career has included work with major labels, multiple No. 1 hits on the 365 Music Charts, and appearances as the subject of books, television programs, and educational films. His songwriting draws from personal struggles, individual freedom, and a determination to give a voice to people whose stories deserve to be heard.
    On lead guitar, Hawkeye Pearce brings technical firepower, melodic instincts, and extensive live experience to the band. Pearce has opened for legendary artists including Alice Cooper, Sammy Hagar, Great White, Nazareth, and Rick Derringer, delivering the kind of arena-sized guitar work that complements the band’s powerful hard rock sound.
    Bassist Bill “Ash” Dent anchors the low end with a combination of precision, power, and decades of experience as a bassist, multi-instrumentalist, composer, session musician, and audio engineer. His massive grooves provide the foundation for the band’s relentless attack.
    Behind the kit, drummer Robert “Monster” Cantu delivers the power and precision that drive SIX STRING REVOLVER’s sound. Drawing inspiration from legendary drummers including John Bonham, Buddy Rich, and Peter Criss, alongside modern masters Mike Mangini and Matt Garstka, Cantu brings an explosive approach to the band’s performances.
    Together, these four seasoned musicians represent a straightforward philosophy: play loud, tell the truth, and never lose sight of what makes rock and roll matter.
    SIX STRING REVOLVER doesn’t follow trends. They load the chamber, pull the trigger, and let the music speak.
    For Fans Of:

    Shinedown, Godsmack, Saving Abel
    Connect With SIX STRING REVOLVER


    https://linktr.ee/sixstringrevolver
    Band: SIX STRING REVOLVER
    Genre: Hard Rock
    Label: Ragebreed Records
    Digital Distribution: Earache Digital Distribution
    Management: Karina Sher
    Contact: Raven Cain
    Email: kaiso@ravenselfdefense.com
    Media & Booking:
    zach@metaldevastationradio.net

  • Street Justice launch video for new single “Under My Wheels” from debut album ‘Rules Are For Suckers’

    Street .

    The post Street Justice launch video for new single “Under My Wheels” from debut album ‘Rules Are For Suckers’ first appeared on Sleaze Roxx.

  • IT – The Stranger Inside The Self

    IT – The Stranger Inside The Self

    Spacehouse 1994 / Progressive Gears 2026 There’s no more borrowed time: British foursome turn back the clock to start another cycle. One may find an inherent paradox in a neo-prog ensemble’s urge to access the past in order to propel … Continue reading →

    The post IT – The Stranger Inside The Self appeared first on DMME.net.

  • Jay-Z Announced as 2027 Super Bowl Halftime Show Performer

    It will be the eighth Super Bowl halftime show produced by Roc Nation, the entertainment and sports company founded by the rapper and businessman.

  • Atlanta’s Psychic Death Find Fertile Ground for Deathrock, Goth, and Dark Post-Punk on “The Garden / The Grave”

    Rock and roll has maintained a long and thoroughly unhealthy relationship with the graveyard, from the teenage death fantasies of the 1950s to the black-clad miscreants who turned existential dread into a perfectly reasonable excuse to buy another guitar pedal. Romantic despair remains excellent business, particularly when enough distortion can make a broken heart sound like a structural emergency. Atlanta’s Psychic Death have secured a plot where deathrock’s theatrical excess meets anarcho-punk’s abrasive economy, and even the funeral procession has difficulty keeping to a steady pace.

    Released October 23 through A Certain Fate, their debut full-length, The Garden / The Grave, brings post-punk, deathrock, darkwave, and noise into close, frequently uncomfortable contact. Guitars scrape against synthesizers, basslines push through the distortion, and rhythms repeatedly change direction beneath songs that initially seem intent on charging straight ahead. Those adjustments give the record much of its character, making its aggression feel restless and deliberate.

    Blake Lumry handles guitar and vocals, his acidic delivery stretching from punk accusation to a fuller gothic register. Ryan Stark supplies synthesizers that move between organ-like tones, metallic repetitions, and stranger atmospheric details, while bassist Zach Estess and drummer James Cramer provide both the weight and the instability. The rhythm section does considerably more than hold everything together; it keeps changing the terms under which the guitars and vocals operate.

    Buzzing, organ-like synthesizers open the album’s introductory track Debt before sizzling hi-hats, drums, and deep bass begin to lock together. Heavy guitars enter with intermittent screeches, giving the deliberate deathrock groove a sense of resistance: the parts take a moment to catch, then start driving one another. Lumry’s vocals are acidic and biting, recalling the hostility of Christian Death’s Deathwish, although Psychic Death move at a slower, more measured pace. When the chorus opens into a broad, echoing hook, the melody becomes as forceful as the noise surrounding it.

    An opening guitar screech and a piston-like drumbeat give way to a thick, Cure-like bass tone on Self Immolate. Estess repeatedly clips the notes short, interrupting their sustain and making the bassline jolt against the drums. Guitars descend in heavy cascades as Lumry adopts a growl that brings Jaz Coleman and Killing Joke to mind. The rhythm acquires the repetition of a production line, then changes shape several times, making the song’s industrialized deathrock feel physically unsettled. Each adjustment puts fresh pressure on an arrangement already packed with distortion.

    On Blame, cold guitar notes tremble above an unsettled rhythm section, their fine melodic pattern suggesting a spider’s web stretched across the heavier instruments. There is a faint resemblance to Xmal Deutschland’s Polarlicht, alongside the eerie precision of Barry Galvin’s guitar work in Mephisto Walz. The performance carries an anarcho-punk edge, keeping those delicate upper-register details under constant strain. A late shift in rhythm changes the relationship between the beat and the guitar figure, reinforcing the impression of a band that grows suspicious whenever a groove becomes too comfortable.

    Delayed, trembling guitars establish the misty gothic atmosphere of We Have The Night, while Lumry’s clearer vocal delivery allows the song’s melody to take greater prominence. His performance retains its macabre theatricality, now carrying the tune with a bravado that suits the rolling drums and thick bassline. The guitar accents land with purpose, giving the arrangement definition without sacrificing its spaciousness. One of the record’s strongest songs, it finds Psychic Death turning their accumulated tension into a chorus with real reach, particularly well suited to the season of the witch.

    A bass figure strummed high on the neck establishes the rhythmic backbone of Pressure, its insistent repetition opening space for sharp bursts of icy guitar. Lumry’s delivery pulls toward punk, while the trembling guitar tones keep the deathrock character firmly in place. The arrangement makes an effective meeting point between the record’s gothic atmosphere and its anarcho-punk attack, with the bass providing a clear melodic line through the abrasion. There is ample darkness for the goths and enough force to satisfy the punks, who may have to negotiate custody of this one.

    The album’s lead single, Control, gives Stark’s synthesizers greater authority. A resonant figure rises and falls with the metallic vibration of pipes before deep bass and drums establish a macabre dancefloor drive. Electronic textures hang behind the rhythm section, suggesting the atmospheric use of space associated with Daniel Ash. The guitar holds back until midway through, when its brief appearance introduces an additional note of unease. That restraint makes the entrance effective, while the combination of physical rhythm and gothic spaciousness recalls Play Dead. It is among the album’s most persuasive demonstrations of how much the band can achieve by allowing the instruments room to work.

    Repeating electronic textures introduce Picture Me Gone, then propulsive drums and bass begin to carry the song forward as guitars saw across the arrangement. Lumry growls through the competing layers, his voice becoming another abrasive element in a performance that maintains its pressure throughout. Following the comparatively spacious Control, this return to a more congested attack has particular force. The electronics provide the recurring pattern, while the guitar cuts across it, keeping the song’s dense post-punk momentum from settling into routine.

    Droning synthesizer notes give Salvation a dirge-like opening before an ominous, rolling drum pattern begins to take shape. A thick bassline anchors the arrangement, gradually taking on a stronger melodic role as the guitars crash around it in a deathrock crescendo. Lumry’s vocals carry the abrasive urgency of anarcho-punk into the song’s gothic setting, while organ-like shrieks surface within the mix. Rapid changes in the beat heighten the unease, making the rhythm feel susceptible to the same panic conveyed by the voice. The accumulating instrumental detail gives the song an increasingly oppressive weight.

    A shifting, mechanical drumbeat opens Wait For Me, with a sluggish bassline recalling the oppressive weight of The Cure’s Pornography. Trembling guitars extend that atmosphere while Lumry’s anarcho-punk delivery gives the performance an agitated edge. Around the midpoint, high, organ-like synthesizers introduce a more pronounced sense of gothic dread, widening the space around the instruments. The sustained guitar tremor continues through the remainder of the song, suggesting movement in rooms that ought to be empty. Cramer’s unsettled beat keeps that atmosphere from becoming static, maintaining an uncomfortable tension between the bassline’s drag and the drums’ activity.

    An ascending, buzzing synthesizer melody opens Fall Ground before deep bass and streaks of gothic guitar give the closing track a more ornate, almost baroque character. Lumry’s darker vocal register brings Corpus Delicti to mind, while warbling electronics introduce an arcane quality beneath his performance. The arrangement then draws back around the voice, allowing the bass melody and isolated guitar accents to become more prominent. This change in scale makes an effective final turn, revealing how much atmosphere the band can sustain with fewer elements in play. A closing violin supplies the last funereal detail, ending the record with a different kind of instrumental ache.

    Recorded at Studio 1 Zero with producer Josh Monroy and mastered by Dietrich Schoenemann at Complete Mastering, The Garden / The Grave keeps its bass and drums tangible beneath considerable guitar noise. There are moments when that density threatens to crowd Lumry’s voice, but the changes in pace and the openings afforded to melody keep the ten tracks distinct. We Have The Night, Control, and Fall Ground offer especially strong evidence of the range within the racket. Psychic Death have made a debut whose appetite for gothic excess is matched by a useful instinct for when to change the beat, clear some space, or let a tune take over.

    Listen to The Garden / The Grave below, and order the album here.

    Catch Psychic Death at Atlanta Utility Works in East Point, GA, on November 7.

    Follow Psychic Death:

    Psychic Death — The Garden / The Grave album artwork

    The post Atlanta’s Psychic Death Find Fertile Ground for Deathrock, Goth, and Dark Post-Punk on “The Garden / The Grave” appeared first on Post-Punk.com.

  • Anika Nilles reveals how she had to change her technique as she learned Neil Peart’s drum parts

    Drummer Anika Nilles has revealed how she had to transform her technique as she learned to play Neil Peart‘s iconic drum parts in advance of Rush‘s ongoing Fifty Something tour.

    “I love to be challenged,” says Nilles, in a video filmed for Rolling Stone Canada. “So for me, it was just like I wanted to make it right. I was up to let go of what I have studied for so many years to improve my own style and my own character on the drums to make them feel good and feel at home in their own music.

    “And when that means I have to let go of certain things which I trained on for many years to be perfect in that, but it doesn’t fit to the music, then that’s the task. So I do that. And by that I learned so many things [for] my own playing at the same time, which I can in the end, after this, I can put everything together. I think that makes me an even better musician in the end.”

    Nilles, who rehearsed with Alex Lifeson and Geddy Lee for a full year before beginning the Fifty Something tour, also talks about the specific challenges of performing Rush’s classic Tom Sawyer.

    “That song requires a really specific feel to feel right also to Alex and Geddy,” says Nilles. “What happens playing-wise is doable. You have to get it into your DNA. But the feeling of all of those parts is really special, and it’s also hard because I had to let go some of my technique, which I usually use when I play those sneaky 16th notes.

    “And to make the feel right and the sound right, I had to let go of that. I have to play more out of muscle power and less of technique to make that sit right. And that’s a last song in the set on most of those nights! And so I was really like, ‘OK, let’s do that. Let’s focus.'”

    The next show on Rush’s Fifty Something tour is this evening (October 27) at the Capital One Arena in Washington, DC. The tour is currently scheduled to finish in Europe next April.

    Rush: Fifty Something tour 2026

    Oct 27: Washington Capital One Arena, D.C.
    Oct 30: Uncasville Mohegan Sun Arena, CT
    Nov 01: Uncasville Mohegan Sun Arena, CT
    Nov 05: Hollywood Hard Rock Live, FL
    Nov 07: Hollywood Hard Rock Live, FL
    Nov 09: Tampa Benchmark International Arena, FL
    Nov 11: Tampa Benchmark International Arena, FL
    Nov 15: Pittsburgh PPG Paints Arena, PA
    Nov 20: Charlotte Spectrum Center, NC
    Nov 22: Charlotte Spectrum Center, NC
    Nov 25: Atlanta State Farm Arena, GA
    Nov 27: Atlanta State Farm Arena, GA
    Dec 01: Glendale Desert Diamond Arena, AZ
    Dec 03: Glendale Desert Diamond Arena, AZ
    Dec 10: Edmonton Rogers Place, AB
    Dec 12: Edmonton Rogers Place, AB
    Dec 15: Vancouver Rogers Arena, BC
    Dec 17: Vancouver Rogers Arena, BC

    Rush: Fifty Something tour 2027

    Jan 15: Buenos Aires Movistar Arena, Argentina
    Jan 22: Curitiba Arena da Baixada, Brazil
    Jan 24: São Paulo Allianz Parque, Brazil
    Jan 26: São Paulo Allianz Parque, Brazil
    Jan 30: Rio de Janeiro Estádio Olímpico Nilton Santos. Brazil
    Feb 01: Belo Horizonte Estádio Mineirão, Brazil
    Feb 04: Brasília Arena BRB Mané Garrincha, Brazil
    Feb 19: Paris La Défense Arena, France
    Feb 21: Berlin Uber Arena, Germany
    Feb 23: Amstersam Ziggo Dome, Netherlands
    Feb 25: Munich Olympiahalle, Germany
    Feb 28: Cologne Lanxess Arena, Germany
    Mar 02: Hamburg Barclays Arena, Germany
    Mar 04: Stuttgart Hanns-Martin-Schleyer-Halle, Germany
    Mar 08: Glasgow OVO Hydro, UK
    Mar 10: Glasgow OVO Hydro, UK
    Mar 12: Manchester Co-op Live, UK
    Mar 14: Manchester Co-op Live, UK
    Mar 16: London O2 Arena, UK
    Mar 18: London O2 Arena, UK
    Mar 21: London O2 Arena, UK
    Mar 27: Kraków Arena Kraków, Poland
    Mar 30: Milan Unipol Dome, Italy
    Apr 01: Basel St. Jakobshalle Basel, Switzerland
    Apr 04: Copenhagen Royal Arena, Denmark
    Apr 06: Oslo Unity Arena, Norway
    Apr 08: Stockholm Avicii Arena, Sweden
    Apr 10: Helsinki Veikkaus Arena, Finland

    Find Rush tickets.

  • ‘Ah! Leah!’ Singer Donnie Iris Dead at 83

    "The most beloved Pittsburgh musician of all time" had recently retired from touring due to health concerns. Continue reading…

  • God, werewolves, Pink Floyd and Syd Barrett: The Flaming Lips announce first album in six years

    Psychedelic Oklahomans The Flaming Lips have announced The Teardrop Throbs, their 17th studio album and their first since 2020’s American Head. The album will be released via Third Man Records on January 22, and is the band’s first since the departure of longtime members Michael Ivins in 2021 and Steven Drozd three years later.

    The Teardrop Throbs was produced by the band with Taylor Johnson, Dave Fridmann and Scott Booker, with additional production from Jon Fridmann and Mike Fridmann. The band have also released the first single from the new album, the typically transcendent God Will Control The Werewolves.

    “Control The Werewolves started as a little story about my two boys (Bloom and Rex) and me playing hide and seek at the park as it was getting dark outside,” says Lips frontman Kevin Coyne. “We had all become very aware of the moon cycles when we stayed at an ocean view Airbnb about a month previously.

    “The full moon had sucked all the water out of this ocean cove area, and we walked a quarter mile out on the seabed, seeing strange ocean creatures attached to the rocks. But yes… because of the moon, we had this amazing adventure, so it was fresh in our minds, and on this evening of hide-and-seek, it was luckily another full moon.

    “Bloom asked me if, while he and Rex were hiding, the werewolves would get them (they had also watched a few werewolf movies and knew that the full moon was the time when the werewolves were out and about), and I told him God would control the werewolves for a little bit while we played hide-and-seek.

    “The way I heard the song sounding (in my head) was kind of Pink Floyd‘s The Dark Side Of The Moon, but Syd Barrett is still in the band. Ha!”

    The Flaming Lips will celebrate the release of The Teardrop Throbs with a run of UK and US dates in January, February and April, performing pairs of unique shows in five different cities: Nashville, New York, Los Angeles, Chicago and London. Full dates below.

    The Teardrop Throbs is available to pre-order now.

    The Flaming Lips: The Teardrop Throbs tracklist

    Throb
    God Will Control The Werewolves
    Titan
    Every Teardrop Cried
    Hooray
    Instructions On How To Draw An Eyeball or How To Deal With A Loved One Who Is Addicted To Drugs
    You See You In Me
    You’ve Got Brain Damage
    At The End Of The Day
    The Trees Are Getting Their Leaves / Ceasefire In The City Of Singing Flame
    Ego Tripping At The Gates Of Hell Part Two
    A Sunset Far Away
    Now I Understand

    The Teardrop Throbs cover art

    (Image credit: Third Man Records)

    The Flaming Lips: 2027 tour dates

    Jan 22: Nashville Brooklyn Bowl, TN
    Jan 23: Nashville rooklyn Bowl, TN
    Jan 26: New York Irving Plaza, NY
    Jan 27: New York Irving Plaza, NY
    Feb 23: Los Angeles The Bellwether, CA
    Feb 24: Los Angeles The Bellwether, CA
    Feb 27: Chicago Metro, IL
    Feb 28: Chicago Metro, IL
    Apr 02: London O2 Shepherd’s Bush, UK
    Apr 03: London O2 Shepherd’s Bush, UK

    Find Flaming Lips tickets.

    The Flaming Lips tour poster

    (Image credit: The Flaming Lips)

  • Santana announce Planet of Free Will Global Tour

    Santana have launched a world tour for 2027. The Planet of Free Will Global Tour will launch with a run of European shows in June and July, kicking off at the O2 in London on June 30 and wrapping up at the Kaivopuisto Blues in Helsinki on July 31.

    “Our intention, motives and purpose is to awaken a deeper awareness that this is the Planet of Free Will, and that each of us has the power to choose unity over division, harmony over conflict, and love over fear,” says Carlos Santana. “At every Santana concert, we bring and share unity, harmony, and oneness with every note and we remind everyone that we have the free will to choose a higher consciousness and live for the highest good of all.”

    A presale for O2 tickets for O2 and Virgin Media broadband customers begins at 9.30am UK time this Wednesday, 28 October, while the general sale starts at the same time on Friday.

    Santana’s London date is part of the O2’s 20th birthday celebrations, which also includes shows by Kings Of Leon, Jack Johnson and country star Brad Paisley.

    “As we celebrate 20 years of The O2, we’re delighted to welcome Carlos Santana to the venue,” says Emma Bownes, Senior Vice President of Venue Programming, AEG International. “Few artists have had the global impact and longevity that Santana has achieved. For more than five decades, he has inspired audiences through his unique fusion of rock, blues, jazz and Latin music, creating some of the most memorable and influential music of his generation.

    “He’s a true icon, and we’re thrilled that he’ll be part of our anniversary celebrations.”

    The newly announced dates are in addition to Santana’s ongoing residency at the House of Blues inside Mandalay Bay Resort and Casino in Las Vegas, NV. Full dates below.

    Santana: Planet of Free Will tour 2027

    Jun 30: London The O2, UK
    Jul 07: Paris Accor Arena, France
    Jul 08: Kestenholz Festival St. Peter, Switzerland
    Jul 10: Monchengladbach SparkassenPark, Germany
    Jul 14: Wiesbaden Brita Arena, Germany
    Jul 17: Pordenone Capitale italiana della Cultura, Italy
    Jul 18: Lucca Summer Festival, Italy
    Jul 21: Klam Burg Clam, Austria
    Jul 22: Slavkov u Brna Zamecka Zahrada, Czech Republic
    Jul 24: Krakow Tauron Arena, Poland
    Jul 25: Halle Freilichtbuehne Peissnitz, Germany
    Jul 28: Oslo Spektrum, Norway
    Jul 31: Helsinki Kaivopuisto Blues, Finland

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    Santana: Planet Of Free Will tour poster

    (Image credit: Santana)

    An Intimate Evening with Santana: Greatest Hits Live residency

    Nov 04: Las Vegas House of Blues, NV
    Nov 05: Las Vegas House of Blues, NV
    Nov 07: Las Vegas House of Blues, NV
    Nov 08: Las Vegas House of Blues, NV
    Nov 11: Las Vegas House of Blues, NV
    Nov 12: Las Vegas House of Blues, NV
    Nov 14: Las Vegas House of Blues, NV
    Nov 15: Las Vegas House of Blues, NV
    Jan 20: Las Vegas House of Blues, NV
    Jan 21: Las Vegas House of Blues, NV
    Jan 23: Las Vegas House of Blues, NV
    Jan 24: Las Vegas House of Blues, NV
    Jan 27: Las Vegas House of Blues, NV
    Jan 28: Las Vegas House of Blues, NV
    Jan 30: Las Vegas House of Blues, NV
    Jan 31: Las Vegas House of Blues, NV
    May 12: Las Vegas House of Blues, NV
    May 13: Las Vegas House of Blues, NV
    May 15: Las Vegas House of Blues, NV
    May 16: Las Vegas House of Blues, NV
    May 19: Las Vegas House of Blues, NV
    May 20: Las Vegas House of Blues, NV
    May 22: Las Vegas House of Blues, NV
    May 23: Las Vegas House of Blues, NV

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