Category: news

  • ANOTHER DEMON CROWNED JULY 2026 BAND OF THE MONTH AFTER MASSIVE 78,786,044 VOTE VICTORY – @thebeast

    FOR IMMEDIATE RELEASE
    ANOTHER DEMON CROWNED JULY 2026 BAND OF THE MONTH AFTER MASSIVE 78,786,044 VOTE VICTORY

    D eath/thrash metal powerhouse Another Demon have officially been crowned Battle of the Bands Champions and Band of the Month for July 2026 after an astonishing 78,786,044 votes , making it one of the biggest victories ever recorded in the competition.
    The overwhelming show of support from metal fans around the globe propelled the band to a landslide victory throughout June, proving that Another Demon continue to build serious momentum within the international underground metal scene.
    Leading the charge is their crushing single “Drawn and Quartered” , featuring legendary guitarist James Murphy . Murphy delivers melodic lead guitar work throughout the song’s haunting interludes while unleashing a blistering second guitar solo that perfectly complements the band’s relentless assault.
    Originally released on September 22, 2023 through Ragebreed Records as part of the EP As Above So Below , “Drawn and Quartered” remains a standout example of Another Demon’s uncompromising approach to extreme metal.
    Driven by savage riffs, crushing rhythms, and vivid lyrical storytelling inspired by one of history’s most brutal methods of execution, the track delivers an intense listening experience from beginning to end. The song’s relentless pacing and uncompromising aggression have made it a fan favorite among listeners who crave old school death and thrash metal brutality with modern precision.
    The As Above So Below EP showcases the band’s signature blend of ferocious death metal intensity and razor sharp thrash influences. Packed with crushing guitar work, punishing rhythms, and dark, menacing atmosphere, the release has earned praise from fans of extreme metal for its unapologetically heavy sound and unwavering commitment to the genre.
    The EP features:
    Frank Tosi , Lead and Rhythm Guitars
    Max Capshaw , Bass and Vocals
    Frank Vaturina , Drums
    Music was written by Frank Tosi, with arrangements by Frank Tosi and Frank Vaturina. Lyrics were written by Max Capshaw.
    The EP was produced by Frank Tosi, Max Capshaw, and Richie Kennon, and recorded during the winter of 2022-2023. Engineering, mixing, and mastering were handled by Richie Kennon at Barking Dog Studios in New York, delivering a powerful production that captures the band’s crushing live energy.
    Receiving 78,786,044 votes in the June Battle of the Bands competition is a remarkable achievement and reflects the incredible dedication of Another Demon’s fanbase. Their victory is more than just a contest win. It is a testament to the band’s growing reputation and the worldwide support they continue to earn through their uncompromising brand of extreme metal.
    As July 2026 Band of the Month , Another Demon now join an elite group of Battle of the Bands champions whose music has resonated with metal fans across the globe.
    Congratulations to Another Demon on an unforgettable victory and a well-deserved place in Battle of the Bands history.
    As Above So Below by Another Demon

    Connect:
    https://anotherdemon.bandcamp.com/album/as-above-so-below
    https://www.instagram.com/another_demon_official/
    https://open.spotify.com/artist/3kNaNyl0Lcp2NffXJUwjT6
    https://www.facebook.com/anotherdemonofficial
    Contact: tourdethrashproductions@gmail.com
  • Richard Green Purpose and Price Review

    Richard Green Purpose and Price Review

    This song begins with a groove and sounds that draw inspiration from avant-garde music. The visionary start indicates that this journey will be unique. The rhythm envelops the listener, creating a hypnotic experience. It feels like a connection from the future, with dissonances reminiscent of a cyber circus. The track exhibits a sly, somewhat sinister tone, reflecting the chaos of contemporary society. It relates closely to themes from “The Matrix” and drifts far from reality.

    Richard Green Purpose and Price

    Everyone is behind a screen, pursuing success, while missing out on what the world has to offer. The pursuit of success causes us to lose touch with real life. This song instrumentally emphasizes the confusion and nuances we endure. The harmonic variations are beautiful, especially around the three-minute mark, where the atmosphere shifts. Descending scales entice head nodding to the rhythm—elements of jazz, hip-hop, and avant-garde blend throughout the piece.

    Toward the end, a guitar is introduced, leading into a cheeky solo. This song stands out uniquely, showcasing the visionary perspective of this artist. Richard Green’s “Purpose and Price” brilliantly encapsulates a futuristic notion intertwined with the chaos of modern life. The composition encourages listeners to reflect on their own journeys while entertaining a myriad of musical influences.

    Purpose and Price – Sound and Atmosphere

    The structure of the song is intentionally complex. The initial groove draws you in, establishing a dance-like pulse. As the music evolves, the initial allure gives way to deeper layers of meaning. The listener is prompted to consider the implications of a digitally-driven existence.

    Through its varied sections, the song maintains a gripping tension. The fusion of genres adds depth, enhancing its innovative quality. This isn’t just a song; it’s a thought-provoking commentary on contemporary life. The instrumentation supports the narrative effectively, leading us through a labyrinth of sounds.

    The descending scales serve as a reminder of the cyclical nature of our struggles. It prompts a question: Are we truly present, or merely existing in a digital haze?

    Purpose and Price – Performance and Production

    The deft transitions throughout the track exemplify the artist’s commitment to exploring unknown terrains. Each measure unfolds like a story, bridging the gap between genres and ideas. The interplay between rhythm and melody creates an inviting space for reflection. There’s a constant dialogue within the instruments, which adds layers of complexity to the composition.

    “Purpose and Price” is an exploration. Richard Green has crafted a piece that resonates beyond its melodic elements. The marriage of various musical forms invites listeners to question their roles in a tech-driven world.

    Functioning as entertainment and commentary, this work is an inspiring piece of music. It compels us to consider the real price of our ambitions. Richard Green has undeniably captured a complex reality through his music.



    Unique

    🔥 If you love this music: Discover More


    Find Richard Green here:
    Spotify | Instagram

    The post Richard Green Purpose and Price Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • TESLA’s DAVE RUDE: “People Aren’t Gonna Wanna Hear the New Songs — They Wanna Hear the Stuff They Grew Up With”

    Tesla guitarist Dave Rude has explained why the band is unlikely to release another full-length album of original material, pointing to the practical realities of a catalog-heavy setlist and the diminishing returns of studio albums for a band at Tesla’s career stage.

    Speaking with Scott Itter of Dr. Music (transcribed by Blabbermouth), Rude described the setlist constraints that make new material a hard sell: “There’s 85% of that set — they’re all songs that we can’t not play. We kind of have to do a lot of the set. So when we look at the set now, there’s kind of two or three spots, maybe four, [where] we can swap out songs. And even just one change is, like, ‘Whoo, it was so different tonight. That three and a half minutes where we did something a little different was cool.’”

    Rude went further, arguing that the quality of a new record is almost beside the point: “We could make the next Black Album [Metallica] right now, the best album of all time — you can make the next Appetite For Destruction [Guns N’ Roses], it doesn’t matter. People aren’t gonna wanna hear the new songs — they wanna hear the stuff they grew up with, which I totally get. I’m the same way. So more than one or two songs in the set that are new is kind of overkill. And then it’s not really worth all the time and effort of making a full 12-song album. You’re gonna get less Tesla shows. We’re gonna earn less money. Our crew won’t be working. And at the end of the day, people wanna hear those old songs anyway, so why not just keep touring?”

    Rude said the single-by-single model has proven a more sustainable alternative: “Doing one song, a single, whether it’s a cover or an original, that’s pretty doable. We can find the time to write one song. We can find the time to record it, and then we press it up on vinyl, maybe make a video, make some new T-shirts. It kind of makes it fun. It refreshes it for us, refreshes it for the fans enough.”

    He added that the inability to release full records as a band has fueled each member’s solo output: “There’s just no money and it’s very difficult — on paper, it’s pointless to put out new music, but it’s not for us. It’s just because we need to. When I was doing those shows on the [2026 Monsters Of Rock] cruise a couple months ago, it was the funnest thing. It had been so long since I’d done any solo shows, and it was so reinvigorating and it felt so good.”

    Rude’s comments echo those of his bandmate, guitarist Frank Hannon, who told the Talk Louder podcast last month: “We have gotten into doing the one-song-at-a-time thing. And at our age now and where we are, it seems to be working for us better to just not put the pressure of trying to fabricate 10 or 12 songs all at once.”

    Bassist Brian Wheat offered a related thought to Radio Bypass in February 2025, centering the question of Tesla’s future on vocalist Jeff Keith: “When Jeff can’t sing to the level he does now, there won’t be Tesla. I’m not up for getting an Arnel [Pineda]-style soundalike or somebody else to sing with Tesla. Jeff’s voice is Tesla. When he can’t sing anymore, we owe it to ourselves and to the fans to call it a day.”

    Tesla’s forthcoming release, Homage — a covers album honoring timeless rock hits associated with Elvis Presley, Freddie Mercury, Sam Cooke, Etta James, James Brown, and others — is due July 17, 2026, via Frontiers Music Srl. Previously released singles from the project include the band’s cover of Climax Blues Band’s “I Love You” and Queen’s 1977 classic “Spread Your Wings.”

    Tesla is Jeff Keith on vocals, Frank Hannon on guitar, Dave Rude on guitar, Brian Wheat on bass, and Steve Brown on drums.

    The post TESLA’s DAVE RUDE: “People Aren’t Gonna Wanna Hear the New Songs — They Wanna Hear the Stuff They Grew Up With” appeared first on Sonic Perspectives.

  • Plain Drifter Canine Reputation Review

    Plain Drifter Canine Reputation Review

    The song opens with a striking guitar riff. This driving introduction ignites the sacred fire of rock music. The overall musical interpretation strongly reflects the influence of ACDC. The electrifying energy throughout the track resonates deeply with listeners, echoing the vocal resemblance to Brian Johnson. That gritty essence exudes pure energy that seems to erupt from every pore of your skin.

    Plain Drifter Canine Reputation

    The drumming pounds relentlessly, comparable to a blacksmith striking an anvil. The bass lines support this rhythm without hesitation, creating a solid foundation for the song. The guitars explore a range of riffs that elevate the listener’s energy levels to new heights. Sam Lillicrap, the visionary architect behind this musical project, showcases technical skill and a strong musical vision.

    A standout moment occurs around the three-minute mark when the guitar bursts into an cool solo. This section not only highlights the musicianship but also serves as a thrilling climax of the track. It’s a moment where the guitar takes center stage.

    Canine Reputation – Sound and Atmosphere

    Lyrically, the song embraces the theme of being free to express oneself. It encourages a disregard for what others think, a liberating message that resonates in today’s world. The empowering lyrics complement the electrifying sound perfectly, reinforcing the song’s engaging nature.

    “Canine Reputation” is a refreshing rock anthem that captures the essence of individuality and freedom. The energetic grooves and powerful instrumentation invite listeners to feel the music deeply. It’s a track that encourages authenticity, making it both relatable and inspiring.

    This track is not only a homage to classic rock influences but also introduces a modern edge. Lillicrap’s vision shines through every chord and lyric, creating an engaging journey for the audience. The song’s structure keeps listeners invested, with dynamic shifts and rhythmic variations that maintain excitement.

    Canine Reputation – Performance and Production

    The overall production quality enhances the listening experience, allowing every instrument to be heard distinctly. The mix balances the vocal intensity with the instrumentation, creating a powerful canvas where each element contributes to the song’s richness.

    The performance here is energetic from start to finish. This single easily captures an audience with its robust energy and infectious rhythm. It’s a reminder of why rock music has remained a vital force in the music landscape.

    Listeners who appreciate high-energy rock will find much to love in this single. It embodies the spirit of rebellion and freedom that defines the genre. Every aspect of the track aligns to create an exhilarating experience that is not easily forgotten.



    Electric

    🔥 If you love this music: Discover More


    Find Plain Drifter here:
    Spotify | Instagram

    For fans of:

    ACDC


    The post Plain Drifter Canine Reputation Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • MJ Lenderman, Karly Hartzman, & Brad Cook Join Tracey Nelson At Durham Popup

    The first thing we learned about NYC-based singer-songwriter is that he’s friendly with the Wednesday/MJ Lenderman circle of musicians that represents the current epicenter of his favored slacker country sound. When we learned about Hercules, Nelson’s new album for the vital newish K Records imprint Perennial, the big hook was the Lenderman co-produced it and a bunch of key players from the Asheville scene were on it, including Karly Hartzman, Ethan Baechtold, Xandy Chelmis, and Landon George. That album is out this week, and it’s getting one more big boost from that community.

    The post MJ Lenderman, Karly Hartzman, & Brad Cook Join Tracey Nelson At Durham Popup appeared first on Stereogum.

  • Asia share video for The Traveller (Into The Light), the first new music from upcoming album, Indigo

    The new-look Asia line-up have shared a video for their brand new single, The Traveller (Into The Light). It’s the first new studio music rrom the band’s latest incarnation of long-standing keyboard player Geoff Downes, John Mitchell (It Bites, Lonely Robot, Kino, Frost* and more), Planet X drummer Virgil Donati and bassist and vocalist Harry Whitley.

    The track is taken from the band’s upcoming new studio album, Indigo, which will be released through Frontiers Records on November 6. It’s the band’s first new studio album for 12 years, following on from 2014’s Gravitas.

    “The first track off the album is a high-power energy piece, with a few elements of prog trickery but retaining the accessible chorus block, which was always a signature of Asia’s music from the very beginning,” says Downes. “Harry and I started working on this as one of the early ideas that seemed to come together very organically. Virgil’s dynamic and innovative drum parts drive the piece along, while John’s soaring guitars keep the momentum. Harry’s vocals are commanding and my keyboard parts hold the wall of sound together. It’s a song of great optimism, mainly about looking forward to the future and travelling ‘into the light’.”

    The new album features two co-writes with the band’s former singer and bassist, the late John Wetton, Tattoo Indigo (Parts 2 & 3) and Chesapeake Bay, the latter featuring a guest appearance from former guitarist, Yes‘s Steve Howe and the former from Dream Theater drummer Mike Portnoy.

    “The initial writing period began in 2015, following the release of our previous album Gravitas in 2014,” Downes continues. “John Wetton and I started putting our ideas together, aiming to get into the studio once more. It was with great sadness that John became seriously ill during this time and we had put on hold our plans, and sadly John passed away before we could continue and complete it. So, it was always in my mind that at some point it would be a shame not to finish off some of these songs and finally release them as part of an Asia album.

    “The album was really a joy to make. I forged a close writing relationship with Harry, and I felt how great was to be working with someone who had very similar musical influences and taste once again, just as I did with John. I feel that this is one of our best albums to date. The songs are deep in musicality, with a powerful and original performance, dynamic and strong lyrical undertones—it’s an album that hopefully our fans will widely appreciate and support our cause to put Asia back on the map. Enjoy the ride!” he concluded.

    Indigo was recorded throughout 2025 and produced by Downes and the band, with mixing and mastering handled by John Mitchell.

    Pre-order Indigo.

    Asia Indigo album artwork

    (Image credit: Frontiers Records)

    Asia: Indigo
    1. The Traveller (Into The Light)
    2. Change Of Heart
    3. Arcadia
    4. Is This The Life?
    5. Tattoo Indigo (Part 1)
    6. Tattoo Indigo (Part 2)
    7. Tattoo Indigo (Part 3)
    8. Life In The Sun
    9. Hymn For The Fallen
    10. Night And Day
    11. Valencia (The Ghost Ship)
    12. An Elegy
    13. Chesapeake Bay (featuring Steve Howe)
    14. On A Winters Night
    15. Echo Of You

  • Slaughter And The Dogs Announce New Album

    Proto-punk icons Slaughter and the Dogs are set to embark on a new chapter of their long and
  • PARADOGMATA Unleash New Single “Kråkevisa (Bløtkakeversjon)” Featuring Sareeta

    Norwegian black/folk metal outfit Paradogmata have released their new single, “Kråkevisa (Bløtkakeversjon)”, the first recording to feature the band’s current line-up. Based on the traditional Norwegian folk song Kråkevisa, the track transforms the familiar melody into a fast-paced, blackened metal interpretation while preserving its strong folk roots. The single features guest musician Ingvild “Sareeta” Strønen […]

    Source

  • Morrissey Says “Diversity Is A Lie” Because The BBC Won’t Play His New Single

    You’re never going to believe this, but Morrissey is mad about something. Last month, the man posted a lengthy screed about an as-yet-unannounced BBC documentary about his old band the Smiths, claiming that it will depict his former bandmate and longtime adversary Johnny Marr as an “angel” at Morrissey’s own expense. Now, Morrissey claims that BBC radio is similarly biased about his own single “Notre-Dame,” claiming that he’s being blacklisted even thought the people clearly want to hear it.

    The post Morrissey Says “Diversity Is A Lie” Because The BBC Won’t Play His New Single appeared first on Stereogum.