Category: news

  • Nikki Sixx proclaims Mötley Crüe shows to be politics-free zones

    In the wake of US rapper Macklemore’s controversial removal from Ed Sheeran’s stadium tour following an onstage speech highlighting the plight of Palestinians affected by the conflict in Gaza, many musicians have felt obliged to make their own positions clear.

    For some, this has meant declaring their own shows agenda-free zones, where political and social issues are never discussed onstage. And earlier this week, Metallica’s James Hetfield went viral for seeming to suggest that his band were mere entertainers, and that politics would play no part in their shows.

    “Unless you live in Vegas, you’ve come a long way to spend some time with Metallica,” he told the crowd at the fourth of Metallica’s Life Burns Faster shows at Sphere in Las Vegas. “We’re grateful for that – your travels, the money you spend, the time it took. Thanks for coming to celebrate with us.”

    “And I just gotta say, Metallica is not here, like some other entertainers, to influence you with their bullshit, OK? We are here, no bullshit. We’re here to forget about all the outside shit, OK?”

    Now, a similar clip of Mötley Crüe‘s Nikki Sixx has gone viral.

    “It does not matter to Mötley Crüe if you’re a Republican. It does not matter to Mötley Crüe if you’re a Democrat,” Sixx says. “It doesn’t matter if you’re gay or if you’re straight or if you’re going right down the fucking centre of the lane of life cause we’re all in this together. Can we agree?”

    It’s not clear when the clip was filmed, but Crüe finished their Return of the Carnival of Sins tour last month, and he delivered an almost identical speech in Charlotte, NC, in August.

    “It doesn’t really matter if you’re a Republican or a Democrat, or if you’re gay or if you’re straight,” Sixx told the crowd at the Truliant Amphitheater. “It really doesn’t matter to us. All that really matters to us is that we’re all here together. Can we just start unifying the fucking world together? Can we do that?”

    Sixx has said in the past that artists should be free to say whatever they like on social media as long as they keep their shows politics-free, while Crüe drummer Tommy Lee frequently uses X and other platforms to voice his opposition to US President Donald Trump.

    “We have our beliefs, and inside of our own camp it’s not 100% all one way or another,” Sixx told NME in 2016. “We don’t really feel it’s necessarily something you want to stop in the middle of a rock show and say.”

    “I’ve been quite vocal on my socials – I’m also very sarcastic most of the time, so I think people know where I stand, but, in America especially, we’re very divided. To have a fan feel that they have to choose their music because of the person they voted for, that is not fair to the music.”

    Sixx’s sentiments were echoed by Rolling Stones‘ frontman Mick Jagger in July, during an episode of The New York Times’ podcast, The Interview.

    “The bottom line is that my job in the live music world is to [make sure] people that come have the best time they possibly can,” he said. “And for two hours, forget all their problems and the problems of the world, their mortgages and whatever. Just so they can have the best time.

    “Your job is to make them go more apeshit,” he continued. “You don’t want to lecture them.”

  • Concert Review: Godsmack’s “The Rise of Rock” World Tour, featuring Dorothy, Rocked the Pinnacle Bank Arena

    REVIEW BY DAVID TAYLOR AND PHOTOS BY ROBERT A CHADWICK | Go Venue Magazine

    It was a chilly night in downtown Lincoln as Godsmack made their return to Lincoln, NE after nearly twenty years to play Pinnacle Bank Arena. Despite it being a work/school night, people showed up to see one of the most legendary hard rock acts of the last thirty years.

    Dorothy from Los Angeles was the direct support on the bill. They played pure, unadulterated rock n’ roll. Led by Dorothy Martin, who had such a soulful voice, they would fit perfectly with the rock bands in the 70s if they were around then. Guitarist Nick Peri’s guitar solos felt like songs in their own way, just very melodic and full of passion. I wouldn’t assume they would be a right support act for Godsmack, but they fit right in nicely. They had an album that came out last year titled, The Way.

    Godsmack from Boston was ready to perform to the masses at PBA. This felt like Godsmack 2.0 in the best way possible, bringing in new blood into the band while maintaining that Godsmack sound. They have a new guitar player, Sam Koltun, and what a shredder he was. This kid is for sure bringing in some of that youthful energy to these musical veterans. And then you have Mike Mangini behind the kit and if that name sounds familiar, he was the drummer for Dream Theater for a while from 2010 to 2023. He, also from Massachusetts, gave a great performance behind the kit, very technical and felt like he had been with them for a while, but he has joined the band on the road since June of this year. Sully Erna was very blunt, saying he wasn’t having a good day, but powered through and the audience was very receptive to him. Before “Something’s Wrong” he asked the ladies to get on their date’s shoulders, which was a little tough as the whole floor was all seats. But they managed to pull off without injury. Sully Erna still sings like the record live and continues to have that energy of wanting to entertain the audience on stage. They kicked off their set with some recent songs like “Generation Day” and “You and I”, but then you got hit with old school Godsmack like “Awake” and “Keep Away”. The band was tight, rhythmically. Their production was superb, bringing these lasers out and a giant video screen showing their music videos and crazy visuals. A showstopper of the night was “Under Your Scars” with Sully Erna saying how important it is to take care of your mental health and help others if they’re down, as well as a tribute to the legends that we’ve lost along the way. The show ended with a ripping version of “I Stand Alone”. If you’ve been a Godsmack fan from the late 90s or you joined in like the early to mid 2010s, you weren’t disappointed. It sounds like new Godsmack is coming hopefully soon after they wrap up this tour, so be sure to be on the lookout for that.

    Godsmack

    [See image gallery at www.govenuemagazine.com]

    Dorothy

    [See image gallery at www.govenuemagazine.com] All images © Robert A Chadwick | Robert Chadwick Photography


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    The post Concert Review: Godsmack’s “The Rise of Rock” World Tour, featuring Dorothy, Rocked the Pinnacle Bank Arena appeared first on Go Venue Magazine.

  • She Past Away Announces 2027 North American “Mizantrop” Tour with Expanded Live Lineup

    For a band with an album called Mizantrop, She Past Away keep a remarkably busy social calendar. The Turkish darkwave mainstays have announced a June 2027 tour of the United States and Mexico, bringing their latest record across the Atlantic with an expanded live lineup and a brand new video show.

    The duo—Volkan Caner (vocals, guitar, songwriting) and Doruk Öztürkcan (drums, synths, production)—will be joined by a live bassist, giving North American audiences their first chance to experience She Past Away as a trio. The addition of another musician marks an evolution in a stage presentation whose economy has long been part of its appeal, while new visuals promise a fresh setting for the band’s severe electronic rhythms and distinctive guitar melodies.

    The eight-date run begins on June 1 at Boston’s Royale and continues through Brooklyn, Chicago, Denver, Seattle, San Francisco, and Los Angeles before concluding on June 16 at Mexico City’s Auditorio Blackberry. The Denver appearance takes place at Ritual Noize Fest on June 6. Tickets go on sale Friday, October 16, 2026.

    Released earlier this year, Mizantrop is She Past Away’s fourth studio album and their first since 2019’s Disko Anksiyete. Its seven songs extend the band’s stark aesthetic through carefully measured arrangements, dense electronic textures, and Caner’s unmistakable guitar work. LP and CD editions are available now through Metropolis Records, alongside titles from the band’s back catalogue. Order here.

    As we noted in our earlier coverage of Mizantrop, the title track broadens She Past Away’s darkwave sound with a stronger French coldwave influence, its guitar melody moving through minor chords that recall Asylum Party and Mary Goes Round. That musical restraint gives shape to a song about disillusionment and the exhaustion of being judged for it. Volkan Caner sings from the perspective of someone who finds little encouragement in the world around him, whose pessimism and withdrawal have made him an object of ridicule. The labels addressed in the lyrics are the personal judgments others attach to his outlook, reducing his disappointment with humanity to an undesirable character trait. His repeated declaration, “Believe me, I don’t care,” becomes a means of protecting himself from those judgments, drawing a boundary around how much influence other people’s opinions can have over his life.

    İnziva, whose title translates as “seclusion” or “retreat,” considers the emotional cost of withdrawing from the world. Its lyrics contemplate an uneasy bargain: abandoning the pursuit of happiness might also free someone from sorrow and fear, but the prospect of endless loneliness accompanies that release. The video gives this desire for escape a suitably disturbing setting. Directed by Nedda Afsari and Michael E. Linn of Muted Widows, and produced by Michael Zumaya, the film follows Brooks Ginnan through slanted corridors and distorted rooms, carrying a mysterious glowing egg past figures embodying greed, lust, and disease. Drawing on the exaggerated gestures and unsettling architecture of German Expressionist silent cinema, particularly The Cabinet of Dr. Caligari, these encounters make the surrounding world appear increasingly hostile. Within that setting, the song’s retreat into solitude begins to feel like an understandable response to human company, even as the film offers little reassurance that escape will bring peace.

    Watch the videos for Mizantrop and İnziva below:

    Listen to Mizantrop in full below and order the album here.

    Formed in Bursa, Turkey, in 2006, She Past Away have built an international following around Turkish-language songs that connect post-punk guitar, gothic restraint, and electronic precision. Their 2020 remix collection X, marking ten years since their debut EP, brought together reworks by Boy Harsher, The Soft Moon, Clan of Xymox, Front 242, and Lebanon Hanover, among others. Years of touring have made that international kinship tangible; next June, the band will return with another pair of hands onstage and a different way of presenting the songs.

    She Past Away — Mizantrop Tour 2027:

    • June 1 — Boston, MA — Royale — Tickets
    • June 2 — Brooklyn, NY — Brooklyn Steel — Tickets
    • June 4 — Chicago, IL — Metro — Tickets
    • June 6 — Denver, CO — Ritual Noize Fest
    • June 9 — Seattle, WA — The Showbox — Tickets
    • June 11 — San Francisco, CA — The Regency Ballroom — Tickets
    • June 12 — Los Angeles, CA — The Wiltern — Tickets
    • June 16 — Mexico City, Mexico — Auditorio Blackberry

    Follow She Past Away:

    The post She Past Away Announces 2027 North American “Mizantrop” Tour with Expanded Live Lineup appeared first on Post-Punk.com.

  • RAM: “Against” Video From Swedish Heavy Metal Goliaths Now Playing – Album Of The Same Name Out Now On Metal Blade Records

    Photo by Sanna Bäckström

    Today, Swedish heavy metal goliaths RAM present their video for “Against,” the title track of their latest full-length, out now on Metal Blade Records.

    The title track was written in a burst of inspiration, driven by a personal sense of facing overwhelming opposition; a David And Goliath scenario. This intense emotional energy fueled a rapid writing process, resulting in one of the album’s most direct and powerful statements.

    Comments vocalist Oscar Carlquist, “‘Against’ is a real belter of a track, super old school. This is not your fresh 2026 MacBook metal; this is straight from the gutter. The lyrics are pure defiance, a tale about not backing down.”

    Watch RAM’s “Against” video HERE.

    Watch RAM’s previously released video for “Abattoir” HERE, “Ghost Emperor” HERE, and “Night Blade”HERE.

    While RAM’s previously released The Throne Within full-length was defined by its spiritual and metaphysical themes, Against takes a more grounded approach, focusing on the experience of being pushed beyond reasonable limits and refusing to comply. The album captures that moment of resistance, “that fire of defiance, which ultimately defines its title and message,” as the band collectively states.

    Musically, guitarists Harry Granroth and Martin Jonsson continue to favor bridge pickups, maintaining a sharp and aggressive tone. The equipment used on Against reflects a classic approach, contributing to a sound that feels both timeless and direct. Sonically, 

    Against was conceived as a return to classic recording philosophies. Drawing inspiration from the early works of Dio, MSG, and Sweet, the goal was to create an honest and unpolished sound. In a music landscape increasingly divided into countless subgenres, the band positions itself deliberately outside of categorization.

    One of the most noticeable aspects of Against is its concise songwriting. Where earlier work may have leaned toward complexity, this album embraces clarity and precision. This evolution reflects a broader maturation, with the Swedes recognizing that restraint and focus can be more impactful than technical display. 

    Ultimately, Against stands as a statement of intent, a reaffirmation of identity and purpose. Or, as they put it themselves: “Fear the return of the Heavy Metal Tyranny!”

    RAM’s Against full-length is out now on CD and digital formats as well as vinyl in the following color variants:

    180g Black
    Clear Lilac Marbled
    Purple Melt (Ltd. 300)
    Crystal Clear Blackdust (Ltd. 300)
    Silver Black Splatter (Ltd. 250)

    Preview/purchase Against at: metalblade.com/ram.

    Against – Track Listing:

    1. Obsession

    2. Ghost Emperor

    3. One Vs. All

    4. Abattoir

    5. Out of Control

    6. Leaving

    7. Against

    8. Night Blade

    9. Rising Again

    10. 1984

    11. The Final Hour

    RAM Live:
    12/04/2026 Spectrum – Murcia, ES
    12/05/2026 Peter Rock – Valencia, ES
    12/06/2026 Upload – Barcelona, ES
    12/07/2026 Urban – Vitoria, ES
    3/12-13/2027 Heavy Metal Thunder Fest – Pisek, CZ
    4/08/2027 Don´t Panic – Essen, DE
    5/20-22/2027 Iron Fest – Ohmbachsee, DE

    RAM Recording Lineup:
    Oscar Carlquist – vocals
    Morgan Pettersson – drums
    Harry Granroth – guitar
    Martin Jonsson – guitar
    Tobias Petterson – bass

    RAM Live Lineup:
    Oscar Carlquist – vocals
    Morgan Pettersson – drums
    Harry Granroth – guitar
    Martin Jonsson – guitar
    Desekrator – bass

    https://ram-metal.com

    https://www.facebook.com/RAMheavymetal

    https://www.instagram.com/RAMheavymetal

    https://www.metalblade.com

    Source: EARSPLIT PR

  • DEUX VISAGES Release Latest Song ‘Pixelate’

    Deux Visages share another vulnerable and crushing dreampop single, Pixelate, alongside its video. The track “highlights the changes in people you’ve known for a long time and disappointment within them. The name is a nod to the lyrical theme of the person being a vague image of who you once knew,” reveals vocalist Daphney Hanono. […]
  • MUNDI MUNDI BASH 2027 Bumper Lineup Revealed

    The 2027 Broken Hill Mundi Mundi Bash is set to be an explosion of power performances in the quiet vastness of the NSW Outback when the iconic event returns to the red-dirt of the Mundi Mundi Plains outside Silverton from August 19-21 next year. Today festival organisers have announced a stacked, 25-act lineup for the […]
  • THE NUMBER TWELVE LOOKS LIKE YOU Drop New Track ‘Trust Chaos’

    Legendary independent New York-based rock label Equal Vision Records and The Number Twelve Looks Like You are excited to share the video for Trust Chaos off Howls From The Holographic Heart, the New Jersey-bred progressive metalcore band’s new studio album out this Friday, October 16. Produced by Jeremy Comitas (Senses Fail, Chiodos), Trae Titus, and […]
  • DESTROY BOYS Share Album Details, Drop Lead Single ‘Hysteria’

    Destroy Boys have shared details of their new album FOIE GRAS, which is set for release March 5 on Epitaph Records and is available for pre-order/pre-save today, with several limited edition vinyl colour variants available in the band’s store. Today, the Sacramento-born band also shared the album’s lead single Hysteria. Available today on all streaming […]