Category: news

The Swedish group Marionette has been reactivated and plans to release new material later this year. Before the new music will see the light, the band will put out a special vinyl release of all their four studio albums through Ghost Mutt Records. More info and details can be read via the guitarist Aron Parmerud’s full statement below.
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Color Theory returns with The Naked Eye, a sleek, cinematic synth-pop cut dripping with late-night intrigue. Channeling unmistakable Depeche Mode-esque melancholy, Brian Hazard crafts a slow-burning atmosphere where glossy electronics meet emotional unmasking. The Bond-theme aura isn’t just aesthetic—it amplifies the song’s core tension, as vulnerability gradually replaces guarded detachment. Lush pads and restrained beats give space for introspection, while the chorus subtly soars without excess. It’s a refined, evocative piece that balances nostalgia with modern polish, proving Color Theory still masters mood-driven storytelling.

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Org Music continues its comprehensive Descendents reissue series with Enjoy!, the third installment in the campaign celebrating the band’s foundational catalog and the

Albion bring their authentic blend of Celtic storytelling, mythology and traditional folk, combined with a touch of modern rock and Metal, to their sophomore album, It Was In The Month of May, following their 2024 debut, Lakesongs of Elbid.

Albion – It Was In The Month Of May

Release Date: 27 May 2026

Words: Naomi Hefter

“The clouds, heavy with their spent fury, broke and drifted eastward. The sun, suddenly golden and bright, burst through, and the air was filled with the song of a thousand streams of running water, washing the world clean.” J.R.R Tolkien wrote this alchemist of words.

Tolkien, the pioneer of modern fantasy, was the creator of escapism and immersive world-building. This writer and philosopher inspired so many in film, fantasy and fiction, and also galvanised artists in poetry and music. 

One person, in particular, is the iconic Ian Anderson, AKA Jethro Tull. As in any genre of music, artists pass the torch of inspiration. Jethro Tull left its mark on many over the years, and in the summer of 2019, a band called Albion was formed by Ian Anderson’s guitarist, Joe Parrish-James.

Joe is a classically trained musician, arranger and composer who, together with Jack Clark on guitars, Peter Szypulski on bass, Ollie Medlow on drums, and lead vocals from Rhiannon Parrish, combines the true spirit of age-old folk music with progressive rock and Metal.

With eight tracks, each approximately 4–8 minutes long, there was a hesitation that each song would feel dragged out. However, It Was In The Month Of May does not feel this way at all. This album takes you on a medieval journey.

The opening song, Miss Mai, which translates to The Month Of May, in Welsh, offers a softness and an intrigue, giving the feeling of a preview or suggestion of what is to come. 

The album contains rich context, aggressive, breathy flute and a symphony of rock and movie-like orchestra. The mix of instrumental arrangements creates a timeless, earthy atmosphere, sending any listener down a magical path of breathtaking beauty.

There is a real sense of value and expression from its members, who are evidently associated with folk-rock. The album feels like a chronicle of tales, incorporating Celtic and British folk influences into the music.

There is a clear beauty woven into its story, as each track features strong, progressive folk elements that draw inspiration from Celtic traditions.

Calan Mai, the last track on the album, arguably saves the best till last. This strong piece translates to the Welsh version of the May Day celebrations. This ten-minute piece offers a stronger, fiercer and raucous tempo than other tracks.

This key track truly throws you into a crescendo in music and storytelling. This dynamic piece is full of musical expression. There is no hesitation where the music is distinctly directing the instruments to grow louder over a specific period, rather than changing volume instantly. 

Each piece feels like its own tale from an unknown time. The writing is rhythmic and inventive, highly attuned to the sounds, roots, and structures of words. 

Poetry, songs, and alliterative verse are intertwined throughout the album’s narrative. Linguistic, eloquent, grandiloquent phrases and melodies evoke feelings, conjuring vivid images of landscapes, genealogies, and cultural histories.

Each with its own rhythm, tone, and scene, the album aims to create an immersive, rich fantasy within our ever-existing mortal plane, rather than simply telling a story through lyrics.

Albion release It Was In The Month Of May on 27 May 2026. For more details, including tour dates, visit linktr.ee/albionofficial.

The post Albion / The Poetic Sounds Of It Was In The Month Of May first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.

The ska/punk legends The Suicide Machines from Detroit, Michigan, are back with their first new music since 2022.

She Is Jules transforms vulnerability into a hypnotic dark-pop moment with Dizzy Spells, turning the disorienting effects of vertigo into a compelling sonic experience. Built on sleek, chill production and moody textures, the track mirrors its theme through a subtle sense of imbalance and emotional tension. Her vocals remain intimate yet controlled, guiding the listener through a swirl of sensation and reflection. Anchored by an infectious, lingering chorus, it balances heaviness with accessibility, resulting in a polished and deeply personal track that resonates long after it fades.

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Static-X became main eventers of nu metal’s second wave thanks to their classic banger, Push It

Dutch melodic black metal purveyors Walg have shared a new song, “Nevel”, from their upcoming album VI to be self-released on June 26th, 2026. More info coming soon.
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Brayell and DreamHoppers craft a smooth, introspective groove on Seasons, a mellow boom bap track that blends dusty drums with rich, jazz-tinged textures. The production feels warm and organic, setting the stage for Brayell’s reflective lyricism as he navigates the emotional cycles of a relationship through shifting seasonal metaphors. His delivery is calm yet expressive, balancing vulnerability with clarity, while the melodic hook adds a subtle catchiness that lingers. It’s a thoughtful and well-balanced piece, where classic hip-hop foundations meet a modern, soulful sensibility.

The Dead Krazukies return with new single, a powerful blend of melodic punk and metal, creadfted between rage