Category: news

  • Rush donate $785,000 to secure Neil Peart Memorial in Lakeside Park

    A campaign to raise $1 million to secure a permanent Neil Peart memorial in Lakeside Park in St. Catharines, Ontario, has reached its target after Rush donated $785,000 to the cause.

    The campaign was originally launched in early 2020, when a petition to have a statue or plaque dedicated to Peart at Lakeside Park gathered more than 20,000 signatures. The park, a location on the shores of Port Dalhousie, where Peart spent a lot of his youth, inspired the song Lakeside Park, which appeared on Rush’s 1975 album Caress Of Steel.

    Rush’s Geddy Lee and Alex Lifeson presented the target-busting cheque to the Neil Peart Commemorative Task Force Fundraising Sub-Committee after completing their hometown shows at the Scotiabank Arena in Toronto last month. The band raised the money from the proceeds from sales of their VIP packages, while Lee also donated $1 from every ticket sold during his My Effin’ Life book tour in 2023.

    “After years of dedicated work by the Neil Peart Commemorative Task Force and the incredible community support that brought us near the finish line, this remarkable contribution from Rush secures our $1-million fundraising goal,” says Eric Lamothe, City Manager, Community Programs and Parks. “This public art memorial will be far more than a tribute to Neil Peart; it elevates the park into a world-class cultural landmark.

    “We are thrilled to see a space that is already a beloved destination for residents and tourists become a global beacon for enthusiastic music fans to gather, reflect, and celebrate an icon for generations to come.”

    “Our mission has always been to build a physical tribute that does justice to Neil’s immense legacy and his deep connection to St. Catharines,” says Meg Symsyk, Chair of the Neil Peart Commemorative Task Force. “Neil was an extraordinary lyricist and Canadian poet, and Lakeside Park was, in many ways, a love letter back to this place.

    “There is something incredibly powerful about standing here and experiencing the place behind those lyrics. We already see Rush fans from around the world making the journey to Lakeside Park and visiting the pavilion. This memorial will deepen that connection even further, creating a lasting destination for fans, residents and visitors to celebrate Neil and the music and words that continue to mean so much to so many.”

    The memorial will be completed by Morgan MacDonald of the Newfoundland Bronze Foundry. Comprising two bronze statues – one depicting Peart as a young musician, holding a book and drumsticks, the second portraying him in his later years, cradling a snare drum – it is expected to open in late 2027.

  • Europe share “Come This Madness” ahead of new album

    The new record arrives September 25 via Silver Lining Music

    Source

  • Prong share new single “Fear The Sun”

    Which Tommy Victor describes as a return to the groove metal foundations of ‘Beg to Differ’

    Source

  • Twin Temple share “Doomed Lovers” video

    The title track from their upcoming Shooter Jennings-produced third album

    Source

  • Grave Digger announce new album ‘Faces of Pain’ & 2027 tour

    The new record drops January 15, 2027 via Reaper Entertainment

    Source

  • Dead Kennedys guitarist East Bay Ray diagnosed with Parkinson’s disease

    East Bay Ray, founding guitarist with San Francisco punk legends Dead Kennedys, has been diagnosed with Parkinson’s disease. The news was announced by the band’s management team on social media.

    The post reads: “Ray says he plans to continue performing and touring with Dead Kennedys for as long as his health allows, and expressed his appreciation to everyone for their continued support.”

    No further details have been confirmed.

    The 67-year-old Ray, who released a new solo single – Area 51, produced by Butthole Surfers guitarist Paul Leary – last week, will presumably be hooking up with Dead Kennedys next month when they begin a run of West Coast shows in San Diego on October 6 with fellow San Franciscans Flipper. The band also play Mexico City on October 11. Full dates below.

    Earlier this year, former Dead Kennedys frontman Jello Biafra – who didn’t rejoin the band when they reformed in 2001 – was hospitalised after suffering a stroke. Biafra returned to the stage with experimental hip-hop act Wheelchair Sports Camp at Tentacle Fest in San Francisco in July.

    “Jello would like to let everyone know that even though he indeed got on stage for Tentacle Fest, he still has a ways to go in terms of his recovery,” wrote his partner, Anne-Marie Anderso. “That evening took a lot out of him. It is pretty great that he has come as far as he has. Again, the outpouring of caring is very much appreciated. “

    Dead Kennedys 2026 tour dates

    Sep 06: San Diego The Observatory North Park, CA
    Sep 08: Los Angeles The Belasco, CA
    Sep 09: Santa Ana The Observatory OC, CA
    Sep 11: Mexico City House of Vans, Mexico
    Oct 06: Seattle Showbox at the Market, WA
    Oct 07: Portland Roseland Theater, OR
    Oct 09: San Francisco Regency Ballroom, CA
    Oct 11: Riverside Riverside Municipal Auditorium, CA

  • Kontravoid Severs Expectations With Sinister Synthpop Single “Chances”

    There’s always a moment when an artist with a reputation for electronic music severity discovers the cheap thrill of a perfect pop song, and Chances finds Kontravoid standing over the evidence with a butcher’s knife in his hand, dripping blood-red from your severed expectations. Behind that mask, it’s difficult to tell whether Cameron Findlay looks pleased with himself, but the hook suggests he’s been planning this for some time.

    Findlay has spent years making electronic music built from locked doors, hard angles, and basslines with the social instincts of a nightclub bouncer. Chances, the latest preview from Sound of the Void, due October 2 through Artoffact Records, loosens that grip without turning soft. There’s a trace of Cabaret Voltaire’s “Why Kill Time” in its marriage of electronic unease and pop temptation, the sense that a tune can slip something deeply questionable past you simply by making your hips complicit. The bassline supplies the charm, the synthesizers raise suspicions, and by the time the hook takes hold, you’re already eating a stranger’s piece of candy in the back of a white van.

    The surprise is not that Kontravoid can write pop. The surprise is how naturally this thing fits this masked marvel.

    The song opens with clipped, almost cryptic lines pushed through a harsh vocal treatment, Findlay’s voice sounding less sung than transmitted from some badly damaged communications device. Around him, warped synthesizers bend and smear, but the track never loses its discipline. The bass is lush and melodic, the electro beat keeps the body moving, and the arrangement has enough open space to let the hooks land cleanly. Then the verse seems to come apart at the seams. His voice gives way to a wash of effects and a series of shouts, as if the song has briefly forgotten the difference between a chorus and an alert from the Emergency Broadcast System.

    This is pop music with the wiring exposed. It has the sleek economy of synthpop, but Findlay refuses to sand down the abrasion that makes Kontravoid recognizable. The sinister pads and forceful rhythms still carry the weight of coldwave and EBM, only now they are being used in service of something broader, catchier, and frankly more dangerous because it might get stuck in your head before you realize how severe it is.

    That expansion also makes sense for a project that has never been as one-dimensional as the mask suggests. From Undone through Too Deep and Faceless, Findlay has always buried melody inside the machinery; Chances simply drags it forward and lets the damn thing breathe.

    Listen to “Chances” below and pre-order Sound of the Void, due out October 2 via Artoffact Records, here. Sound of the Void will be available digitally, on CD, and on clear vinyl.

    Following Detachment in 2024, Findlay’s second full-length for Artoffact gives melody more room to move through the Kontravoid universe, and Chances makes a persuasive case for taking the chance of leaving your doors unlocked. There’s a blade concealed beneath the song’s immaculate pop tailoring, however, and anyone attempting to call the genre police will find the phone line has been cut.

    Kontravoid is currently on tour in North America, co-headlining with Australian electronic artist Buzz Kull. The run concludes October 24 at the SUBSTANCE festival in Los Angeles. The October 2 album release falls on the tour’s Kansas City stop.

    Spike Hellis and Normal Bias will join the bill in Spokane, Vancouver, Seattle, Portland, and Sacramento. Tickets and further information are available through Kontravoid’s official website.

    Tour Dates:

    • September 22 — Foufounes Électriques — Montreal, QC
    • September 24 — Cafeteria — Toronto, ON
    • September 25 — Funhouse at Mr. Smalls — Pittsburgh, PA
    • September 26 — Anodyne Coffee Roasting Co. — Milwaukee, WI
    • September 28 — Icehouse — Minneapolis, MN
    • October 1 — The 808 — Indianapolis, IN
    • October 2 — Encore at Uptown Theater — Kansas City, MO
    • October 3 — HQ — Denver, CO
    • October 4 — Metro Music Hall — Salt Lake City, UT
    • October 6 — Big Dipper — Spokane, WA*
    • October 8 — Biltmore Cabaret — Vancouver, BC*
    • October 9 — El Corazon — Seattle, WA*
    • October 10 — Star Theater — Portland, OR*
    • October 13 — Holland Project — Reno, NV
    • October 15 — Starlet Room — Sacramento, CA*
    • October 16 — Backstage Bar — Las Vegas, NV
    • October 23 — SUBSTANCE at Great American Music Hall — San Francisco, CA
    • October 24 — SUBSTANCE at Belasco Theatre — Los Angeles, CA

    *With Spike Hellis and Normal Bias.

    Follow Kontravoid:

    Featured photo by Weirdo Music Forever

    Kontravoid and Buzz Kull North American tour poster

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