Album Review: Werewolves – You’re Weak And You Know You’re Weak

Reviewed by Sam Jones

Seven years. Seven albums. The rate at which these guys churn out material is incredible. Formed in 2019 out of Melbourne, Australia, Werewolves have made a reputation for being ruthlessly uncompromising given their black/death metal attack that generates utterly searing, flesh-ripping music. With early records like The Dead Are Screaming, What A Time To Be Alive and From The Cave To The Grave, Werewolves rapidly established themselves as a devastating extreme metal force. As time has gone on they have only moved from strength to strength, and once again with Back On Black Werewolves plan You’re Weak And You Know You’re Weak for an October 9th release date. Featuring the same uninterrupted lineup across every record Werewolves are poised for round seven, and if past releases are anything to go by this new opus will be another flurry of carnage. It’s always a treat to see these guys release new material and thus I was hyped to dive in once more.

Werewolves have never shown mercy to their audience and the opening seconds remind just what makes them such an appealing extreme metal band; vicious vocals paired with songwriting assured to strip the flesh off your bones. What gives Werewolves their edge has been their longstanding insistence on quality production; doing so enables their riffs and blast beats and developing songwriting to hit you when they most desire. In addition, the production herein amplifies the strength and bass thrown about by the bass drums and resonance conjured upon these blast beats ceasing.

The band’s black-and-white, nigh juvenile approach to black/death subject matter means they don’t need to write lyrics or music that tries appealing to some avant-garde or intellectual quality. Since the band pay no illusions towards what their sound is, nor what their audience approaches them for, it gives them freedom to truly cut loose and make each track as heinous and rampant as they wish. It’s pure carnage and bloodlust in sonic form since Werewolves never slow down for more brooding sequences; there are times where their songwriting steadies itself for riffs and licks moderately, but then the tempo drastically reasserts itself as does the intensity as does your heartbeat. If Werewolves aren’t imbuing you with cardiovascular difficulties it wouldn’t be a Werewolves record.

This record, now the band’s seventh full length release, really drives home just how much they truly want to reduce their audience to protozoan plasm given how unyielding and relentless their sound is. Other than a handful of instances across the record they’re dishing blast beats out with every second you’re glued to it. It’s nice to acknowledge the drums here beat the jug the fun and chaos the riffs throw out as the entire kit is nicely audible across the record’s duration and is a strong aspect as to why Werewolves have retain such sublime consistency. Knowing the band’s lineup has remained unchanged since their inception has allowed them to refine their sound with chemistry that clearly works between the three of them.

There’s also the album’s length as well. In nine tracks Werewolves pour themselves into thirty-three minutes of unbridled slaughter with you strapped to the table amidst every instrument the band have in their arsenal primed and sharpened and ready to go. There’s a lot being thrown at you at once and they manage to pack it all into tracks roughly three minutes a-piece, which makes for some rapid fire listening. There can be that sensation of thinking you’ve missed so much since that initial listen will blindside you so much with how much aggression Werewolves throw at you but, that makes repeat listens so worth it.

In conclusion, You’re Weak And You Know You’re Weak is Werewolves at their most belligerent and unfiltered. They do not care what anyone thinks of them and that attitude is strongly reflected in their sound. Thirty-three minutes of unmitigated murder aimed solely for your heart as the band beat on your chest with rapacious vigour. It’s nothing new concerning Werewolves’ typical output nor has the intensity differed from what their yearly releases would otherwise suggest but when you dip your head into a Werewolves record you’ll come away with a bloodied stump, for they’ll shred it from your vertebrae with ease. It’s always a great time with these mad Aussies.

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Album Review: Asomvel – Set Your World On Fire

Reviewed by Matthew Williams

After seeing one of Yorkshire’s finest supporting Airbourne at the Manchester Academy back in February this year, I was genuinely excited about hearing their latest album. That evening they played five songs off “Set Your World on Fire” and it really whetted the appetite, but it still beggars the question, how the hell have they not a got a label to support them?

I first saw Asomvel at Hammerfest in March 2012, and still regularly shout “Kamikaze” at times as I loved that song, but that was a different times with Conan on vocals, however in Ralph Robinson, they have a frontman who has grown in stature and look so comfortable in the live setting with a growl that sounds like he smokes 40 cigarettes a day whilst gargling gravel.

The album opens with “King of the World” which sets the pattern for a gloriously raucous rock n roll album fused with elements of speed metal, encapsulating riotous riffs and rumbustious drumming. As the band say, “get your leathers on, get the tinnies cracked and turn it up `til your head explodes” and that’s an order. “Lone Wolf” continues that trend with the solos punching you repeatedly on your now bloodied nose.

The album title track sees the band taking aim at leaders across the world and works in tandem with the slower paced “World at War”, proving that rock n roll can be both meaningful and serious as well as fun. Sandwiched in-between these two songs is “Back from the Dead (It’s Your Funeral)” which adds further fire to the soundscape. It’s a bit of a bruiser and feels like scraped knuckles after a fight, proving that these guys are taking the music world head on with their belligerent attitude.

The quartet commented that the album “will launch a full-blown assault on your senses” and I can confirm that the more I listen to it, the more this old git resonates with every word. They want to cause a revolution on “Blood Runs Cold” another grenade launching track, and the chaotic theme continues through the barnstorming noise that is “Eye of the Storm”. The furious triumvirate of tracks sees all hell breaking loose on “Your Worst Nightmare” with its old school rhythm, as the band point out that it has “primeval fury you can hear in every chord.”

It is very much how an old school rock album should sound, a throwback some might say, and when you hear the intro of “Into The Fire” you get that instant Motorhead feel, with a boisterous bassline firing on all cylinders. It’s rapid, not too long, and has a powerful solo midway that keeps your interest, but if it’s one song that encapsulates the group, it’s “If It’s Too Loud, You’re Too Old”.

I remember hearing this in February and couldn’t stop smiling and it’s guaranteed to get any crowd, whatever age, working up a sweat as it’s ballsy rock n` roll at its finest. The final two songs, “Take You to Hell” and “Light `em Up” are short blasts that feel like God’s wrath of hellfire and brimstone being cast down upon us unsuspecting mortals, but it further enhances the quality that Asomvel possess. So, sit down, grab a drink and play it loud.

For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

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Duke Moody Wretched People Review

This song begins with a chord progression that hooks you right away. The sound evokes the 1990s era. It possesses a blend of psychedelic, instinctual, and ritualistic qualities. As the heavily reverberated voice enters the mix, it envelops and mesmerizes. The track features a repetitive structure, which creates a kaleidoscopic journey that incites meditation. There are beautiful backing vocals that complement the main voice.

Around the two-minute mark, the song temporarily strips down to just the rhythmic guitar. This transitional moment allows space for guitar effects to elevate the energy once more, returning to the groove that defines the song. The listening experience invites introspection, prompting thoughts on external corruption and personal moral inclinations. The lyrics, which push against malevolence, add depth to the overall message.

Musically, one can discern influences reminiscent of Beck in the sounds employed. However, Duke Moody presents a unique and intense sonic vision that stands on its own. It resonates with listeners, evoking feelings that are both reflective and energetic.

Wretched People – Sound and Atmosphere

The production quality shines throughout the song. Each instrument, especially the guitars, is well balanced within the mix. The blend of electronic elements and organic sounds creates an inviting atmosphere. The choice of reverberation on the vocals enhances the dream-like quality of the piece. This gives it a timeless appeal that transcends genre boundaries.

Each refrain feels like a mantra, reinforcing the themes presented in the lyrics. The music transforms the listening experience into an almost ritualistic observance, encouraging participants to reflect.

Wretched People – Performance and Production

Duke Moody’s artistic expression emerges through the lyrics and the instrumentation. His ability to fuse different musical styles into a single offering amplifies the emotional weight of the song. The arrangement showcases a mastery of dynamics. Moments of quiet introspection give way to explosive energy, engaging listeners fully.

The rhythm section provides a solid foundation for the entire song. It locks the various elements in place while allowing for creative embellishments. Each transition feels natural, guiding the listener through the song’s various phases. This sense of flow is crucial to maintaining interest throughout.

The rhythmic guitar serves as an anchor while the lead guitar ascends, generating excitement. This moment ignites a spark that relays the energy back to the original groove effectively.

The song leaves the listener with much to ponder. Its exploration of individual versus societal morality resonates deeply. The interplay of its various components creates a compelling narrative. Duke Moody successfully invites listeners into a world that blends nostalgia with contemporary innovations.

“Wretched People” presents a rich musical experience. It offers an engaging commentary on moral and ethical dilemmas. The intricate layers and thoughtful lyrics create a multifaceted work. This single not only entertains but also challenges the listener to reflect on deeper issues.

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