Category: news

  • Power Trip honour fallen frontman Riley Gale in their first new music in almost a decade

    How do you recover from the death of a beloved vocalist? It’s a question many bands have had to face, and fewer have managed to satisfyingly answer. So when Power Trip frontman Riley Gale passed away in August 2020 it was immense blow to a band who’d only just begun to really hit their stride.

    In the wake of Riley’s passing, the band were nominated for a Grammy for Best Metal Performance for a live rendition of Executioner’s Tax – surely one of the best pure-blooded metal songs of the 21st Century – but for a while it looked like that might be it.

    But now, Power Trip are back, with new music to boot. Almost three years since they returned to playing live, with Fugitive vocalist Seth Gilman now on vocals, the Texan thrashers have released two new singles in Precinct 3 and Scavenger. In an exclusive interview with Metal Hammer, they admit this is just the beginning for a full-scale comeback in 2027, when they’ll release a new record. Hammer caught up with guitarist Blake Ibanez to talk about the new songs, how they approached their comeback and why they still think of Riley Gale in everything they do.

    It’s incredibly exciting to be speaking about new Power Trip music again.

    “Obviously it’s a long time coming! We haven’t put out new music in almost 10 years, so it’s been a really long time since we put anything out. We’re really excited though, we worked really hard on this new music and put everything we had into it. The whole time we’ve been doing it, it’s felt like Power Trip.”

    Did you approach the songs in the same way as before?

    “It gives us the same feeling we had working on the other albums, though obviously it does feel different because we’re missing one of our creative partners who’d been so instrumental in everything we did. But you know, I learned so much working with Riley and its helped me so much as a songwriter to have been in a band with him.

    Starting another band a few years ago [Fugitive] with Seth [Gilmore, new Power Trip vocalist] and the chemistry I’ve got with [Chris] Ulsh on drums, it all just felt natural. We’ve picked up where we left off – it always felt like there was unfinished business we had to attend to.”

    This is just a taste of what’s to come.

    Blake Ibanez

    There’s a story you shared a while back that you actually recorded “an album’s worth of stuff” with another vocalist but it didn’t work out…

    “Yeah. There was music we’ve left behind in the past, some of that got reworked and re-recorded, and I’m just really happy that happened. When everything went south [after Riley’s passing] we wanted a sense of closure, but also to one day be able to realise those ideas in the right way. We’re the kind of guys where, if we couldn’t write good songs, we just wouldn’t play music. If we weren’t doing something that felt right to us, we also wouldn’t do it. So reforming the band and putting stuff out under the name, it was like, ‘We’ll only do this if we do it right.’

    We recorded a bunch of stuff that we’d written around 2019/2020, but it didn’t come together. We’re really fortunate to be in the circumstances we’re in, that one of my great friends, Seth Gilmore, has been in our orbit for years. He’s been sitting right next to me the whole time I’ve been in a band, you know? I didn’t really even think about [him joining] because we were so close.”

    What made Seth the right guy for the job?

    “Right from the first songs we wrote together [in Fugitive], you could tell we’d got chemistry, but it was like, to get to where we are now has taken years of writing together. So then when its like, ‘Let’s make a Power Trip record’ the answer becomes, ‘Well, of course.’ It’s come together naturally. That doesn’t mean it’s not hard to write songs – especially in this day and age – but I feel really good about what we’ve done and there’s a lot of new music in the pipeline. This is just a taste of what’s to come.”

    Gary Miller/Getty Images

    (Image credit: Getty Images)

    It’s taken almost six years since Riley’s passing to put out recorded output again. I guess you must’ve had those “Do we even want to do this?” conversations?

    “It’s not easy. Every decision we’ve made has been thought out. It was kind of between me and Ulsh to be like, ‘Can we write songs?’ In the back of my mind I think I knew we’d eventually figure it out, but without a singer you can’t do anything.

    All I know is how to write music. The only way I can get out of this and feel better about everything with this loss would be to write some music. It makes the loss feel less… immeasurable, I guess. I’m still mourning the loss of my friend, my bandmate and I just want to be with all my friends and do what we did for so long. I’ve been playing in bands since I was 15, 16 years old. The only way out of all that was to write music.”

    Any time I write, I think about what Riley would say or do.

    Blake Ibanez

    Were you surprised by the amount of love the band – and Riley – got in the wake of his passing?

    “I wouldn’t say ‘Surprised’. I could tell people thought highly of us in our world, and Riley was always a great frontman and so recognisable. It showed just how large our community had grown though and even now, the hardcore scene we came from has grown so much more popular.

    All that was brewing back then and it was amazing to see all the love Riley got, though as you’re going through hell its like, ‘This is nice but I wish it wasn’t happening’. We just wanted to do what we had been doing. But we all miss him – it didn’t feel real when everything happened, it was like a blur. It took a long time to come to terms with everything.

    I’ll always give credit to Riley for all the stuff we did together and everything he taught me about songwriting. I’m so thankful we got to spend the years we did together and every time we write a new song, I think about him. Any time I write anything, I think about what he’d say or what he’d do. That’s the yard stick for how I write. I hope we capture that same spirit and make people happy. We want to keep waving the banner and keep his name alive.”

    There must also be a sense of, “We don’t want the last chapter of this band to be the death of our friend?”

    “That is exactly how we feel. ‘Death… that’s gonna be it?’ We put out our last record and it wasn’t even three years later that Riley passed away. Those songs he’d helped us write, with these amazing lyrics, I don’t want that to be it. We should play those songs, otherwise there’s gonna be generations who’ll never have heard of us and that’s just sad. It’s not a good way to finish the story.

    When doing this, its like, ‘This sounds like us, but it’s a new and different thing.’ People will appreciate that I don’t think any of these songs is just a retread of the past. We’re very careful not to just do what we’ve done before, repeat ourselves and say the same things. We wanted to keep things moving. If you liked our band in the past, I think you’ll like this.”

    Precinct 3 and Scavenger are available to stream now. Power Trip’s new album is expected in 2027.

  • The Kennedy Center Appoints an Artistic Director Amid Turmoil

    Though the center has said it plans only limited programming during a two-year renovation, it has named a new leader to oversee its concerts and shows.
  • Judas Priest Bassist Ian Hill Announces Retirement, After 56 Years With Band

    Above photo: Ian Hill of Judas Priest trading card (1991/Impel)

    It is with heavy hearts that we are sending out this personal message from our Ian….he has been the backbone of Judas Priest for so long and will be greatly missed by us all….we wish him well in his retirement and welcome Davey into the Priest Family….

    “Hello everyone, for a long time now, when asked “how long can you continue” – I’ve always answered “until my performances suffer”….
    I hate to say it, but that time has come.

    For some years now, I’ve been struggling with the onset of the evil arthritis, which is now in an advanced state in my left shoulder and right hand, established in my right shoulder, and present in both knees. I’ve been fighting this with painkilling pills, gels, and recently with cortisone injections in my shoulder and hand.

    Although, I was able to put bass lines to the songs for the new album, there were questions whether I’d be able to complete the recent European tour without incident, so we asked our good friend Davey Rimmer from Uriah Heep, and of course Elegant Weapons, to learn the set list to stand in for me if I had to pull out, which I did for the London show. This was due to me snapping a tendon in my left shoulder (as if I didn’t have enough problems with it!) just before the encores during the Brussels show two days before. This led to me not being able to lift my arm enough to reach the neck of my bass. So we had to call Davey to stand in for me, who put in an incredible performance at such short notice!

    I’ve seen specialists, who suggest I might get away without surgery, but even if I don’t there’s no guarantee either way that I’ll have enough strength in my shoulder/arm to complete a whole stage show.

    In view of all this, and the fact that I’ve neglected my family life for fifty seven years, I’ve decided to retire and spend the remaining years making up for it, and doing things with them before it involves one of ‘em pushing me around in a wheelchair.

    The obvious choice for my replacement is Davey. He’s a great bassist, and a genuinely nice bloke who’ll fit the job perfectly, and I wish him the very best of luck!

    There’s not a day goes by where I don’t give thanks for the incredible journey I’ve lived through, and it just remains for me to say that I love you all, and thank you for the life you’ve let me live.” X

    IAN HILL

    Thank you Ian Hill, for the Metal and memories!

  • ‘Nothing Can Stop Us’ – An Interview with BRYMIR’s Jarkko Niemi

    Finnish metallers BRYMIR celebrate their twentieth anniversary this year. On their new album, What We Leave Behind, figures from Norse mythology meet modern machinery, drones and science fiction. Behind the cinematic soundscapes and heavy riffs lie deeply personal stories, with the band using mythological imagery to explore present-day fears and conflicts alongside their own experiences.Bassist, […]

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  • Judas Priest Announce The Retirement Of Bassist and Founding Member Ian Hill

     

     

     

    Judas Priest announce Ian Hill’s retirement

    It is with heavy hearts that we are sending out this personal message from our Ian….he has been the backbone of Judas Priest for so long and will be greatly missed by us all….we wish him well in his retirement and welcome Davey into the Priest Family….

    Hello everyone, for a long time now, when asked “how long can you continue” –  I’ve always answered  “until my performances suffer”…..
    I hate to say it, but that time has come. 

    For some years now, I’ve been struggling with the onset of the evil arthritis,  which is now in an advanced state in my left shoulder and right hand, established in my right shoulder, and present in both knees. I’ve been fighting this with painkilling pills, gels, and recently with cortisone injections in my shoulder and hand. 

    Although, I was able to put bass lines to the songs for the new album, there were questions whether I’d be able to complete the recent European tour without incident, so we asked our good friend Davey Rimmer from Uriah Heep, and of course Elegant Weapons, to learn the set list to stand in for me if I had to pull out, which I did for the London show. This was due to me snapping a tendon in my left shoulder (as if I didn’t have enough problems with it!) just before the encores during the Brussels show two days before. This led to me not being able to lift my arm enough to reach the neck of my bass. So we had to call Davey to stand in for me, who put in an incredible performance at such short notice!  

    I’ve seen specialists, who suggest  I might get away without surgery, but even if I don’t there’s no guarantee either way that I’ll have enough strength in my shoulder/arm to complete a whole stage show. 

    In view of all this, and the fact that I’ve neglected my family life for fifty seven years, I’ve decided to retire and spend the remaining years making up for it, and doing things with them before it involves one of ‘em pushing me around in a wheelchair. 

    The obvious choice for my replacement is Davey.  He’s a great bassist, and a genuinely nice bloke who’ll fit the job perfectly, and I wish him the very best of luck!  

    There’s not a day goes by where I don’t give thanks for the incredible journey I’ve lived through, and it just remains for me to say that I love you all, and thank you for the life you’ve let me live.

    IAN HILL

    The post Judas Priest Announce The Retirement Of Bassist and Founding Member Ian Hill appeared first on Mayhem Music Magazine.

  • Progressive Rock Duo CROWN LANDS Share Title Track For Just Released “Casting Stones” EP

    Canadian progressive rock duo Crown Lands are pleased to present the Casting Stones EP, a collection of 3 tracks recorded during the Apocalypse sessions. Available to stream and download now, the EP is led by the stunning title track.

    Vocalist and drummer Cody Bowles comments: “”Casting Stones” is a very important song to me. When I went through a tough period in my life a couple years back, someone came to attack my identity, my character and my lived experience, assuming the worst intentions of me.

    Through that difficult, existential experience, I learned a lot about who I was as an individual, inside and out, and realized that I am a lot more resilient than I once thought.

    On the other side of that period, I’ve become truth embodied, wearing it proudly for the world to see and determined not to let anyone or anything dim my light again.

    This song serves as a karmic reminder to those who do, or wish, ill will toward others: whatever you throw out into the world will come back around, often harder than you expect. It was a cathartic song to write, and the first of the songs that came out of the initial batch proposed for the Apocalypse album. Though it didn’t make it onto the record because narratively it had nothing to do with “Karagon” or “The Syndicate”, it remains one of my favorite songs from that period in our lives.”

    Recently, the band entered Chalet Studios to play some tracks live, and you can see the duo perform “Casting Stones” here.

    The Apocalypse Deluxe Edition is due for release as a 2CD Digipak and Digital Album on the 11th December 2026. The new package features a second disc that includes the Casting Stones EP, plus 4 tracks recorded live at Chalet and the live recording of the epic title track to the album that sees the band playing with an expanded line-up.

    Apocalypse Deluxe Edition can be pre-order now here.

    Crown Lands will be touring Canada in October and November this year, and you can find the full list of dates below:

    October 29th – Farm League Brewing, Cambridge, ON
    October 30th – Farm League Brewing, Cambridge, ON
    November 6th – The Biltmore Theatre, Oshawa, ON
    November 12th – Bridgeworks, Hamilton, ON
    November 13th – Rum Runners, London, ON
    November 14th – Warehouse Concert Hall, St. Catherines, ON
    November 20th – The Broom Factory, Kingston, ON
    November 21st – Overflow Brewing Company, Ottawa, ON

    Musically and creatively, Apocalypse marks a clear turning point. After completing Rituals entirely in their home studio, the band gained the confidence to take near-total control of the production process.

    Guitarist, bassist, and keyboardist Kevin Comeau explains: “That record gave us the confidence to realize we could make a Crown Lands album in our own space, without a major-label budget or a big, fancy studio.” That confidence carried directly into Apocalypse, with much of the album written and recorded in the same room the band has worked in since 2020. To enhance the album’s most crucial moments, Crown Lands selectively collaborated with producers Nick Raskulinecz and David Bottrill.

    The post Progressive Rock Duo CROWN LANDS Share Title Track For Just Released “Casting Stones” EP appeared first on Sonic Perspectives.

  • Multimedia Artist and Synth Chanteuse Carmen Burguess Returns with Alluring Single “El Mar”

    Porque no vienes a buscarme?
    Por qué me ignoran así?
    Me niegan el sol
    y el mar…

    Over the course of their nearly 20-year long tenure, Argentinian (by way of Berlin) post-punk project Mueran Humanos has remained one of our absolute favorite modern bands. Their command of melody, knack for experimentation, captivating dual vocal attack, and passionate live performances put them in a class all their own, and the duo’s four albums and numerous singles remain in heavy rotation to date. Unfortunately, all good things come to an end, as the duo split in February of last year. We’ve been champing at the bit since then, waiting to see what, if anything would come next, and with that in mind, we’re honored to premiere the lead single from Carmen Burguess, titled “El Mar.”

    Similar to Burguess’ previous work, “El Mar” is a perfect blend of catchy melodies, deep grooves, seductive vocals, and bouncy synths. While the track seems playful at first glance, “El Mar” takes a deliciously moody turn at the halfway point, with a perfectly maneuvered key change giving way to distorted minor synth chords, adding a welcome bit of mystery to an otherwise dance floor-ripe single. As always, Burguess keeps you listeners on their toes, a common and welcome thread throughout her work over the years. Fans of Chris & Cosey, HTRK, Harry, and romantic new wave songstresses such as Nico, Laurie Anderson, and Marianne Faithfull will find much to love in the track, which continues to open up like a fine wine after several listens.

    Check out to “El Mar” below:

    While Burguess has remained active in other mediums over the last few years, “El Mar” is the first taste of new recorded music from Burguess since the final Mueran Humanos LP, which Burguess sang in entirety. Her upcoming solo LP, Flores de Cuero, will be released digitally on January 15th, 2027 via Mixta Music, with a vinyl edition to follow later in the year. The LP was written and recorded between her hometown of Buenos Aires, Argentina, and Berlin. Following the release of the LP, Burguess will perform live in Buenos Aires, Mexico City, and Berlin.

    Burguess has also just launched her own website, which serves as a living archive for her multimedia work: stories, dream journals and drawings will be released over time, beginning with an unpublished short story, written entirely in Spanish, which is released in tandem with “El Mar.” Stay tuned over there for more of the Flores de Cuero story as it unfolds…

    Follow Carmen Burguess:

     

    The post Multimedia Artist and Synth Chanteuse Carmen Burguess Returns with Alluring Single “El Mar” appeared first on Post-Punk.com.