Category: news

  • TYRAELS ASCENSION – Grave Seeker (Album Review)

    The quest for an honorable end begins.

    The Pacific Northwest has long been a breeding ground for dark and brooding music, from the slow and sullen stylings of sludge metal pioneered by Melvins to the atmospheric blackened sonic tapestries erected by the likes of Agalloch and Wolves In The Throne Room.

    Maybe it’s the damp and usually overcast environment making sunlight a rare luxury, but it just seems the perfect setting for a fictitious allegory of a world overrun by demons and in desperate need of a supernatural warrior turned savior to turn the tide. Thus stands the story of Tyraels Ascension, an Olympia, Washington-based melodic death metal quintet that has been making some sizable waves in the past couple of years.

    Their 2024 debut LP Hell Walker not only proved a compelling musical affair that mixed grandiose storytelling with an accessible formula of hook-driven metalcore and groove metal stylings wrapped in a Gothenburg-inspired melodeath template, but also scored them a video game adaptation on the Nintendo Switch with the album as the soundtrack. Now Grave Seeker, their follow-up and second chapter of an ongoing conceptual trilogy, raises the musical stakes while sticking to what has worked thus far.

    Though generally sticking to a compact, formalized songwriting approach where breaking the 5-minute mark is the exception, this fold is not one to play it safe and takes plenty of opportunities to mix things up to hit sonic pay dirt. A certain degree of stylistic orthodoxy tied to the consonant melodic character of In Flames’ seminal 90s and 2000s efforts permeates the dual guitar assault of Kevin McNeil and Sean Searls, but with a heightened degree of technical intrigue that moves them fairly close to territory occupied by the likes of Children Of Bodom and Skyfire.

    Likewise, the explosive battery of force emanating from Brandon Dorman’s drum kit, bolstered by a rock-solid and punchy display out of bassist Adam Bodkin, often gives this opus a thrash-infused tone firmly rooted in the old school sound of At The Gates. Nevertheless, the final result of all these elements, when combined with the more post-hardcore vocal assault of Alex Theesen, is in near-perfect harmony with the American metalcore scene and will ring extremely familiar to anyone with Trivium and Killswitch Engage’s consequential offerings over the past 20 years.

    While possessing a fair degree of moving parts, Grave Seeker is an album that forgoes the extended expositions and intermitted instrumental go-betweens and simply lets the music do the talking. A simple fade-in on a signature Gothenburg-inspired riff is all that the opening crusher “No End In Sight” needs to land with a mighty roar, though it does weave in plenty of enticing lead guitar breaks, clean choirs, and even a couple of oddly placed atmospheric interludes to sweeten the deal. Similarly elaborate anthems draped in dense layers of melodic splendor like “Impossible Decisions”, the riff-happy and bottom-heavy “Fragmented Pieces” and the harrowing instrumental closer and technically charged coup de grace “Tyrael’s Curse” round out a series of songs that can be best described as self-contained mini-epics.

    By contrast, the more compact banger approach of driving anthems like “Summoning”, “Bittersweet” and especially mad-thrasher entries like “Darkened Soul”. “Search For The Cure” and “Ethereal” stick to a traditional structure while upping the aggression and technical ante considerably. Yet in terms of something that really captures that old school In Flames brilliance while also throwing in a few unique twists, the classical guitar display turned pummeling entry “The Serpents Demise” just has new classic written all over it.

    Generally speaking, core fans of the traditional approach to Swedish melodic death metal as it was pioneered and codified in the 1990s tend to share little overlap with the American metalcore craze of the 2000s that appropriated many of the techniques of the former but went in a different direction. What Tyraels Ascension brings to the table with Grave Seeker is one of those rare cases where a consensus could be formed between the two, largely because the hardcore and groove metal influences that have been merged into the equation play more of an ancillary role beside the signature riffing and melodic lead guitar displays that typify an orthodox Gothenburg band.

    This is an album that is easily accessible to those who were hurling themselves at each other 20 years ago to the breakdown moments of The End Of Heartache and Threads Of Life, but those who originally fell in love with the style as heard on Slaughter Of The Soul and The Jester Race will find more of what drew them to the subgenre than not. With part three of the saga still to be unveiled and who knows what sonic exploits to follow it, it’s safe to say that Tyraels Ascension is a franchise with staying power.

    Release Date: July 24th, 2026
    Record Label: Rottweiler Records
    Genre: Metalcore

    Musicians:

    • Adam Bodkin / Bass
    • Brandon Dorman / Drums
    • Sean Searls / Guitars
    • Kevin McNeil / Guitars
    • Alex Theesen / Vocals

    Grave Seeker Tracklist:

    1. No End in Sight
    2. Darkened Soul
    3. Bittersweet
    4. Fire from the Sky
    5. The Serpents Demise
    6. The Summoning
    7. Search for the Cure
    8. Ethereal
    9. Impossible Decisions
    10. Fragmented Pieces
    11. Tears
    12. Tyraels Curse

    Order the album here.

    The post TYRAELS ASCENSION – Grave Seeker (Album Review) appeared first on Sonic Perspectives.

  • Bodysnatcher announce 2026 U.S. headlining tour with Gideon + more

    The deathcore band will also be joined by Psycho-Frame and Volatile Ways for the U.S. run

    Source

  • Ignea’s “Darkness” Music Video Lands Online

    Their new album “Monumental” is headed for an October release.

    The post Ignea’s “Darkness” Music Video Lands Online appeared first on Theprp.com.

  • Glenn Hughes retires from touring, cancels live shows due to heart surgery

    The Rock and Roll Hall of Fame inductee shared the news in a heartfelt statement to fans

    Source

  • Belphegor complete recording of new album, eyeing early 2027 release

    The band also reminded fans of their upcoming “Praise The Beast” European tour

    Source

  • Eagles extend record-breaking residency at Sphere in Las Vegas yet again

    Country rock legends Eagles have extended their record-breaking residency at Sphere in Las Vegas again. The news comes nine months after they announced that the “final” four shows of their current run of shows would take place in March 2026.

    Since then, the residency has been extended three times, and now another four shows have been confirmed for early 2027.

    The band, who played their first date at the venue in September 2024, will now complete a total of 72 shows over 36 weekends, with the final Sphere shows scheduled for January 22 and 23. Full dates below.

    Eagles have now played to more than a million fans at the venue and own the record for the longest Sphere residency, comprehensively breaking the record held by Dead & Company, who played 48 shows between May 2024 and May last year.

    According to the promoters, the shows will “offer fans the ultimate connection to the band’s legendary catalogue in an immersive experience that only Sphere can provide.”

    Ticket prices at the 20,000-capacity venue start at $175. The presale for the new seats begins on August 12 at 10am, with registration for early access to tickets now open on the Eagles website.

    Also available are “Experience & Hotel” and “VIP Experience & Hotel” packages. The latter retails at $1451 and includes a choice of premium seat at Sphere, with guaranteed full view of the screen and priority access into the venue, a two-night stay at The Venetian Resort hotel, airport transfers, a VIP fan experience, commemorative Eagles keepsakes and a souvenir Eagles laminate and lanyard.

    Sphere was opened in 2023 by U2, who played 40 shows at the revolutionary venue. Since then, Phish (13 shows across two residencies), Dead & Company, No Doubt (18 shows), country star Kenny Chesney (25), vocal group Backstreet Boys (35) and The Zac Brown Band (8) have completed residencies. Metallica have confirmed 24 shows between October and March.

    Other bands rumoured to be in talks with Sphere include Guns N’ Roses, Tool and Queen + Adam Lambert.

    The next Eagles show at Sphere is on September 18.

    Eagles at Sphere Admat

    (Image credit: Sphere Entertainment)

    Eagles @ Sphere, Las Vegas, 2026

    Sep 18: Las Vegas Sphere, NV
    Sep 19: Las Vegas Sphere, NV
    Nov 13: Las Vegas Sphere, NV
    Nov 14: Las Vegas Sphere, NV
    Nov 27: Las Vegas Sphere, NV
    Nov 28: Las Vegas Sphere, NV
    Dec 04: Las Vegas Sphere, NV
    Dec 05: Las Vegas Sphere, NV
    Dec 10: Las Vegas Sphere, NV
    Dec 11: Las Vegas Sphere, NV
    Jan 15: Las Vegas Sphere, NV
    Jan 16: Las Vegas Sphere, NV
    Jan 22: Las Vegas Sphere, NV
    Jan 23: Las Vegas Sphere, NV

    Get Eagles tickets.

  • Screamin’ Cheetah Wheelies | July 30, 2026 | Grammercy Theatre | New York, NY – Concert Review & Photos

    Review by Ralph Greco, Jr.
    Photos by Craig Brady

    Screamin,’ in the best sense of the word, and just like their name states — vocalist Mike Farris, guitarists Rick White and Bob Watkins, Dean Tomasek standing in for bassist Steve Burgess, and drummer Terry Thomas, collectively known as the Screamin’ Cheetah Wheelies, celebrated three decades of their second album Magnolia, as well as what seems to be their final round of shows at NYC’s Grammercy Theatre for two nights. I caught them the first night.

    Split into two sets of roughly an hour and half each, the band opened with “Backwoods Travelin’” with Farris kicking the song’s strut into high gear, playing harmonica then onto a call-and-response from the venue’s small but oh-so-responsive audience. The Wheelies might call Nashville home but tonight in New York City they were certainly welcomed.

    Pretty much the rest of this first set followed a song-by-song roll from 1996’s Magnolia. Farris, the consummate frontman, was having a great time mugging, getting the crowd crazy and still sounding as killer with his still on-point bluesey vocals and scream, as the rest of the band was duck-ass watertight. But as kick-ass as the band was during the first set, things got even rockier in the second.

    This is when we got a big gulp of 1998’s Big Wheel album. From opener (and my personal most favorite song of theirs) “Boogie King,” into the band’s version of “Right Place, Wrong Time,” which I have to say lost a little of its nuance for no reason I can pinpoint, into “Halcyon Days,” Farris lead the bluesy parade pretty much as he did the first set.

    Farris opened the encore — just him on electric and singing “This Is the Time,” as the band slowly took to the stage. Then they rolled into the expected “Ride The Tide,” (the one where the crowd gets wild with a “woo woo” call and response) to end the show, just before the walls of the Grammercy completely melted.

    I have seen the “Screamin’…Cheetah…Wheelies” (as you are supposed to shout, word by word when seeing the band live) plenty over the years. And I’m not sure I have ever seen them play better. This is a band that hits the stage seemingly with something to prove and tonight in New York City, they proved they are one of the best live bands still out there — for however short a time that might be.