Category: news

  • The Temperance Movement: New Promise Land Incorporated Review

    After eight years away from the studio, The Temperance Movement are back with New Promise Land Incorporated, their fourth full-length album. Produced by Ethan Johns and released through Earache Records, the record finds the British rockers returning to their blues based hard rock roots, with a sound that puts the focus on the raw energy of five musicians playing together in the same room.

    Formed in 2011, The Temperance Movement made a name for themselves by combining the bluesy swagger of classic rock with plenty of grit and soul. The current lineup features vocalist Phil Campbell, guitarists Luke Potashnick and Paul Sayer, bassist Nick Fyffe, and drummer Simon Lea. Their self-titled debut and later albums, particularly 2018’s A Deeper Cut, earned them a loyal following. After reuniting on stage in 2025, the band now return to the studio with their first collection of new material in eight years.

    Musically, New Promise Land Incorporated sticks to familiar territory, bringing together rugged guitar riffs, hard-edged vocals and the loose grooves of classic rock bands like The Rolling Stones, Free and The Black Crowes. Opening track “Shadows” gets things going with a straightforward blues rocker, while “Eat You Alive” adds a little more energy with its driving riff and Phil Campbell’s gritty vocals. Both songs give a good sense of what the album is about: unpretentious rock and roll built on solid performances.

    The album really hits its stride with “Silverlight Blues,” a rugged, country-tinged blues rocker with excellent vocals and some particularly satisfying lead guitar work. “Scars” takes a more ballad-like approach without losing its hard edge, while “Mongrels” is arguably the record’s definitive highlight. Its stripped-down, focused arrangement gives Campbell room to deliver arguably his best vocal performance on the album, backed by some haunting lead guitar.

    “Always Been Love” brings a funky edge to the mix and features the album’s best riff, adding some welcome variety. The Americana-tinged “Saving Grace” and “Let It All Out” then bring things to a close on a solid note, with a more reflective feel.

    The production deserves a mention, too. Working with Ethan Johns, the band recorded live to tape, and you can hear the difference in the way the instruments sit together. The sound isn’t pristine, but that’s part of the appeal: the guitars have a nice bite, the rhythm section keeps things bouncing along, and the whole record has the loose, lived-in feel of a band enjoying the chance to play together again. For this kind of blues based rock, that approach certainly works far better than a glossy studio treatment would.

    Overall, New Promise Land Incorporated is a welcome return from a band that knows what it does well. The songwriting is solid, the performances are strong, and the production gives the music just the right feel. It’s an enjoyable collection of blues based rock that sounds comfortable in its own skin. The band may be revisiting familiar ground, but they make a convincing case for staying there.

    The Review: 7.5/10

    Can’t Miss Tracks

    – Eat You Alive
    – Silverlight Bl
    – Scar
    – Always Been Love
    – Mongrels

    The Big Hit

    – Mongrels

    The post The Temperance Movement: New Promise Land Incorporated Review appeared first on Blues Rock Review.

  • Chevreuil: EU Tour Announcement

    French guitar-and-drums duo announce late October 2026 tour across France, Belgium and Luxembourg in support of their latest double album
  • Why blackgaze masters Deafheaven just surprise-released their two-and-a-half heaviest songs – and what to expect from their next album

    Surprise! 18 months after putting out their heaviest album to date, Lonely People With Power, Deafheaven have returned with a two-track-and-one-interlude EP which fully embraces their black metal side. The Arthur Rizk-produced At Work In The Fields Of The Bomb has just been surprise-released via Roadrunner Records, leaving fans with plenty of questions: why no announcement beforehand? What do the songs mean? And is this a preview of where the band will go next?

    Fortunately, a few days before release, Hammer was able to video-call singer George Clarke midway through Deafheaven’s North American tour supporting Mastodon and get some answers. Here’s everything you need to know about At Work….

    A divider for Metal Hammer

    Why did you want to surprise-release these songs?

    “On our full-length records, we tend to have a longer roll-out. There is a lot of thought and artwork and things that I want to slowly present to our audience whenever we’re putting out a new album. It’s exciting to do singles and that kind of thing. With this, given that it’s effectively only two songs, we didn’t want to go through the whole rigamarole, especially because we knew we’d be on tour. We thought that the other exciting [possibility] was just to put it out, treat it like a pop or rap release.”

    Kerry [McCoy, guitars] wrote the instrumentals and you wrote the lyrics while on tour. These songs are some of Deafheaven’s heaviest stuff ever…

    “I think that that was always the idea from the outset. Kerry had these riffs and was like, ‘Why don’t we do something that, in our own way, is the most purely black metal thing we’ve ever done?’ He’s really been reignited by a lot of black metal and newer black metal. The aim wasn’t for this to be these big, progressive journeys that we sometimes do; the aim was to create songs that we felt were really ripping and high-energy.”

    Why is it called At Work In The Fields Of The Bomb?

    “It’s based on this book of photography by Robert Del Tredici, who basically went around the United States photographing sites where they built atomic weapons. He interviewed engineers and personnel at these facilities who, in their estimation, had very boring, banal jobs. He was examining how interesting it is: the gulf between the existential terror that these weapons pose and the people that quietly assemble them. Catastrophe is always built from these little nonchalant actions that lead to moments of destruction. I relate that to themes of self-sabotage and madness.”

    Is that what the songs are about: self-sabotage and madness?

    “I would say so. I think that two things I tend to write about are complacency and the irritability which comes from complacency, which I tend to suffer from sometimes. Sorry Laid The Hearth is to do with that, and Hunter is a strange love song to ambition: ambition as a destroyer of complacency.”

    Lonely People With Power was arguably Deafheaven’s heaviest album, and now you’ve gone even heavier. Do you feel like this is a good preview of the next Deafheaven album?

    “I’m not entirely sure. I do think it’ll be riffy. I think the LPs offer a chance to expand a little bit, and I’m hoping that we will retain a lot of the more beautiful passages that we tend to write. But, yeah, I see us staying in this world.”

    At Work In The Fields Of The Bomb is out now via Roadrunner. Deafheaven are currently touring North America with Mastodon.

  • Scentless Release Debut EP “Three”

    Scottish grunge-rock trio Scentless release debut bedroom-recorded EP Three, bringing raw 90s alternative energy and heavy riffs. Scottish
  • Nickelback Announce Huge 2027 World Tour

    Nickelback have announced that they are taking their new album ‘Everything Under The Sun’ around the world in 2027 for a gigantic tour.

    Ahead of the release of the new album on October 30, the band have declared that they will be making their way through the US, UK, Europe and Australia throughout next year. And if that wasn’t enough, they are going to be bringing Don Broco along for the ride too.

    Which makes perfect sense, considering the pair collaborated earlier this year on Broco’s ‘Nightmare Tripping’.

    Here are all of the dates you need to know for this special tour:

    FEBRUARY 2027

    06 – PITTSBURGH PPG Paints Arena
    08 – ALLENTOWN PPL Center
    10 – GRAND RAPIDS Van Andel Arena
    12 – CLEVELAND Rocket Arena
    13 – COLUMBUS Schottenstein Center
    16 – INDIANAPOLIS Gainbridge Fieldhouse
    18 – CHICAGO United Center
    20 – ST. LOUIS Enterprise Center
    21 – NASHVILLE Bridgestone Arena
    24 – KNOXVILLE Food City Center
    26 – HOLLYWOOD Hard Rock Live
    27 – HONDO RODEO Raymond James Stadium +

    MARCH 2027

    02 – ATLANTA State Farm Arena
    04 – RALEIGH Lenovo Center
    06 – NEWARK Prudential Center
    08 – WASHINGTON Capital One Arena
    10 – BOSTON TD Garden
    12 – MONTREAL Bell Centre
    20 – HAMILTON TD Coliseum
    21 – TORONTO Scotiabank Arena
    24 – BUFFALO KeyBank Center
    26 – DETROIT Little Caesars Arena
    27 – MILWAUKEE Fiserv Forum
    30 – ST. PAUL Grand Casino Arena

    APRIL 2027

    02 – SASKATOON SaskTel Centre
    03 – EDMONTON Rogers Place
    06 – CALGARY Scotiabank Saddledome
    09 – VANCOUVER Rogers Arena
    10 – SEATTLE Climate Pledge Arena
    13 – SACRAMENTO Golden 1 Center
    16 – LAS VEGAS T-Mobile Arena
    18 – ANAHEIM Honda Center
    20 – PHOENIX Mortgage Matchup Center
    22 – SALT LAKE CITY Delta Center
    24 – DENVER Ball Arena
    27 – DALLAS American Airlines Center
    29 – HOUSTON Toyota Center

    MAY 2027

    01 – SAN ANTONIO Frost Bank Center
    07 – CIUDAD DE MEXICO CDMX Arena
    22 – LEEDS First Direct Bank Arena
    25 – LONDON O2 Arena
    28 – BIRMINGHAM Utilita Arena
    30 – DUBLIN 3Arena

    JUNE 2027

    01 – GLASGOW OVO Hydro
    02 – MANCHESTER Co-op Live
    05 – BRUSSELS Forest National
    07 – AMSTERDAM Ziggo Dome
    09 – COLOGNE Lanxess Arena
    11 – HANNOVER ZAG Arena
    14 – STUTTGART Schleyerhalle
    19 – MUNICH Olympiahalle
    20 – ZURICH AG Hallenstadion
    23 – MILAN Unipol Forum
    25 – VIENNA Stadthalle
    26 – PRAGUE O2 Arena
    29 – BUDAPEST Budapest Arena

    JULY 2026

    01 – LODZ Atlas Arena
    03 – KAUNAS Zalgiris Arena
    04 – RIGA Xiaomi Arena
    07 – HELSINKI Veikkaus Arena
    09 – OSLO Unity Arena
    11 – GOTHENBURG Scandinavium
    13 – COPENHAGEN Royal Arena

    OCTOBER 2027

    02 – PERTH RAC Arena
    05 – ADELAIDE Adelaide Entertainment Centre Arena
    07 – MELBOURNE Rod Laver Arena
    09 – GEELONG Mount Duneed Estate
    12 – BRISBANE Brisbane Entertainment Centre
    14 – SYDNEY Afterpay Arena
    16 – POKOLBIN Roche Estate

    The post Nickelback Announce Huge 2027 World Tour appeared first on Rock Sound.

  • MAD PAINTER Take Their Poetic Vision To An Island

    MAD PAINTER Take Their Poetic Vision To An Island

    As far as modern takes on classic rock go, there are ensembles that embrace the idiom without forays into pastiche while retaining all the panache their heroes from the past deployed, and that’s the way Boston’s own MAD PAINTER have … Continue reading →

    The post MAD PAINTER Take Their Poetic Vision To An Island appeared first on DMME.net.

  • From the Inbox: Ten Independent Music Submissions

    Hearts Apart — (Not) So Easy Song (Not) So Easy Style Punk rock / power pop / garage rock Location…
  • Whippets Release Sophomore Album “No Skulls”

    Madison, Wisconsin power trio Whippets—featuring Bobby Hussy (The Hussy) on guitar/vocals, Tyler Spatz on bass, and Hart Alan
  • Watch Westside Cowboy Make Their US TV Debut On Fallon

    This band has it, man. It’s been clear for a couple years now that Manchester indie rockers Westside Cowboy were a special unit, and debut album It Goes On affirmed that they’re among the best in the world at wrangling guitars, melody, and anxious combustible energy into eminently likable songs. So seeing them in the Tonight Show spotlight, even in this diminished era of late-night TV, was extremely exciting.

    The post Watch Westside Cowboy Make Their US TV Debut On <em>Fallon</em> appeared first on Stereogum.