Following the release of lead single Dead Inside Of Me last month, Florida metalcore greats Trivium have confirmed details of their long-awaited 11th album.
Crown In The Grave, the follow-up to last year’s Struck Dead EP and the band’s first full-length since 2021’s In The Court Of The Dragon, comes out on November 20. Preorders are now live; the tracklisting and artwork can be seen below.
The title track has been released accompanied by a music video inspired by Japanese cinema of the 50s through the 70s. Watch below.
Longtime bassist Paolo Gregoletto comments: “Crown In The Grave is our 11th record, and when you get this far into a career, it’s easy to rest on what you’ve already done – or to reinvent yourself just for the sake of it. With this record, we wanted to find the space between those two things: take everything we’ve learned and everything that makes Trivium what it is, but present it in ways we hadn’t before.”
He adds: “We also wanted the record to exist within its own world. That began with the title track, inspired by [Japanese director] Akira Kurosawa’s Throne Of Blood, and led us deeper into Japanese horror and cinema from the 50s, 60s and 70s. That influence grew into this darker, ghostly atmosphere that became a set of guardrails for the music, lyrics, artwork and overall identity of the record.”
Crown In The Grave will mark Trivium’s first album with new drummer Alex Rudinger (ex-Whitechapel), who replaced Alex Bent last year. It will also be their first full-length album recorded at The Hangar, their self-built studio and rehearsal space in their hometown of Orlando.
Trivium will promote Crown In The Grave on a North American tour with In Flames. Orbit Culture, Fit For An Autopsy and Frozen Soul will support. The shows kick off on November 5 at Jannus Live in St Petersburg, Florida, and conclude on December 19 at the Fillmore in Charlotte, North Carolina.
In the New Year, Trivium and In Flames will reunite for a European tour, with Paleface Swiss and Vola opening. See dates below.
Trivium – Crown In The Grave:
- Crown In The Grave
- Dead Inside Of Me
- Lie Of It All
- The Haunting
- Agony
- Paradise Of Sinners
- Blood On The Throne
- Blackout The Dawn
- Death Throes
- Devour Your Dreams
- Shadow Of The Sun

Trivium and In Flames 2027 European co-headline tour:
- Mar 29: Dublin 3Arena, Ireland (Trivium headline)
- Mar 31: Glasgow OVO Hydro, UK (Trivium headline)
- Apr 02: Manchester Co-op Live, UK (Trivium headline)
- Apr 03: London Alexandra Palace, UK (Trivium headline)
- Apr 04: Cardiff Utilita Arena Cardiff, UK (Trivium headline)
- Apr 06: Brussels Lotto Arena, Belgium
- Apr 07: Paris Zénith, France
- Apr 09: Hamburg Sporthalle, Germany
- Apr 10: Dresden Messe Dresden, Germany
- Apr 11: Berlin Velodrom, Germany
- Apr 13: Esch-sur-Alzette Rockhal, Luxembourg
- Apr 14: Bern Festhalle, Switzerland
- Apr 16: Frankfurt Festhalle, Germany
- Apr 17: Düsseldorf PSD Bank Dome, Germany
- Apr 18: Amsterdam AFAS Live, Netherlands
- Apr 20: Prague O2 Universum, Czech Republic
- Apr 21: Vienna Stadthalle, Austria
- Apr 23: Stuttgart Schleyer-Halle, Germany
- Apr 24: Munich Zenith, Germany
- Apr 25: Bamberg Brose Arena, Germany
- Apr 27: Copenhagen K.B. Hallen, Denmark (In Flames headline)
- Apr 29: Oslo Spektrum, Norway (In Flames headline)
- May 01: Stockholm Avicii Arena, Sweden (In Flames headline)
- May 03: Tampere Nokia Arena, Finland (In Flames headline)
- May 05: Riga Xiaomi Arena, Latvia
- May 07: Katowice Spodek, Poland





TWO weeks out from this 2026 market day… revvin’ up the parkland this October for the grand daze of Z community! Unfortunately BARKAA has had to withdraw due to personal circumstances. Good friend FRED LEONE is now going to be playing instead. FRED LEONE is a Garrwa man and a Senior Badtjala Songman with Aboriginal, […]
Words and Pix by Ali Williams HEAVY is not usually the place you come for piano-led Australian songwriting unless someone has dragged the piano through a wall of amps first. Then THE WHITLAMS roll into Hotel Brunswick, Tim Freedman starts making fifty sound filthy, and suddenly genre boundaries can go and sit quietly in the […]