Category: news

  • FIVE FINGER DEATH PUNCH Shares Music Video For New Album Title Track “Legacy”

    Today, Five Finger Death Punch released various physical editions of their brand-new 10th studio album, Legacy, which arrived digitally on July 31 via Better Noise Music. The collection includes limited-edition vinyl, CD, and cassette variants featuring exclusive artwork, available now through the band’s official store, with the European and UK vinyl release following on October 9. Adding to today’s release, the band also dropped the official music video for the album’s title track “Legacy.”

    Celebrating two decades of Five Finger Death Punch, each physical variant stands out as a singular collectible, arriving as the band continues its current North American leg of the 20th Anniversary World Tour through October 23.

    Legacy is now available in the following formats:

    • Standard CD
    • Standard Vinyl (Clear vinyl)
    • Indie Exclusive Vinyl (Amber Wave vinyl)
    • Indie Exclusive CD
    • Indie Exclusive Cassette
    • Band Webstore Vinyl (Metallic Silver vinyl)
    • Band Webstore Exclusive Picture Disc
    • Walmart Exclusive Vinyl (Blood Moon vinyl)
    • Walmart Exclusive CD
    • Amazon Exclusive Vinyl (Green Marble vinyl)
    • Amazon Exclusive CD
    • Revolver Exclusive (Orange vinyl)
    • EMP Exclusive Vinyl (Yellow Marble vinyl)
    • Sweden Rock Exclusive Vinyl (Cloud vinyl)
    • Napalm Exclusive (Smoke vinyl)

    Since its digital release in July, Legacy has already yielded over 60 million streams and counting. Upon release, the album claimed spots on 18 international charts. Most notably, it vaulted to #2 on the US Top Digital Albums Chart. On Spotify, it hit #6 on the US Top Albums Chart and #8 globally.

    The album arrived in the wake of the first single “Eye Of The Storm,” delivering the band’s 18th No. 1 on Billboard’s Mainstream Rock chart, extending their own record for the most consecutive No. 1s in the chart’s 45-year history. It held the top slot for three consecutive weeks. Current single “Nails in the Coffin” is steadily climbing the rock charts and is already at #21 this week. Revolver praised the track’s blend of battering riffs and melody driven by Ivan Moody‘s introspective vocal performance, while Loudwire called it “a furious opening statement for the new album cycle.”

    The band is currently on the first leg of their 20th Anniversary World Tour, traveling across North America with special guests Cody Jinks and Eva Under Fire. The 20th Anniversary World Tour is both a celebration and a statement, honoring the band’s journey from their 2005 formation and the 2007 release of their debut album, The Way Of The Fist, to global arena headliners. The tour will showcase material from the new album, alongside classic anthems and #1 hits that defined the past two decades. The 48-city North American tour is currently underway and will wrap up in Bristow, VA, at Jiffy Lube Live on October 23. Check out the full tour routing here.

    In addition to celebrating two decades of music, the band is once again using its platform to give back. Long recognized as one of rock’s most charitable bands, Five Finger Death Punch has spent decades giving back to various causes, including U.S. military veterans, first responders, and their families. In 2026, the band continued that tradition by supporting Team USA and aligning with the upcoming Olympic and Paralympic Games, to be held on American soil in Los Angeles in 2028. As part of the tour’s commitment to championing America’s next generation of athletes, a portion of the ticket sales from the 2026 North American Tour will benefit high-performance programs for U.S. Olympic and Paralympic athletes as they prepare for international competition.

    Zoltan Bathory has selected USA Judo, the National Governing Body for Judo in the U.S., as his beneficiary. At the same time, vocalist Ivan Moody will direct his contribution to the USA Cycling BMX Racing & BMX Freestyle teams. “Our athletes are competing against nations with fully funded teams, while U.S. teams rely almost exclusively on private donations and sponsorships. We believe supporting Team USA is both patriotic and necessary, especially with the Olympic and Paralympic Games coming home in 2028.” Vocalist Ivan Moody added, “These athletes represent the best of who we are. Dedication, sacrifice, discipline. If we can help level the playing field even a little, we’re all in.”

    The 20th Anniversary World Tour also marks the newest addition to the Death Punch family: Punch’d Energy joins as the tour’s official sponsor, bringing a whole new way to get energized. Their stackable caffeine gummies each contain 10mg of pure, natural caffeine, so fans can stack as many as they need to build their own dose. At every show, fans 18 and over can scan the on-screen QR code for a free sample shipped straight to their door, no purchase necessary. For more information, check here.

    Next up, after the North American tour, 5FDP will head across the pond for an early 2027 UK/European arena tour with Lamb of God and Bleed From Within. The second leg of the 20th Anniversary World Tour will kick off in Manchester, UK, on Saturday, January 16, and will see the band perform in 21 cities across the continent, ending in Helsinki on February 22, 2027. Check out the full European tour dates here.

    The post FIVE FINGER DEATH PUNCH Shares Music Video For New Album Title Track “Legacy” appeared first on Sonic Perspectives.

  • MENTAL CRUELTY Summon the Winter Before Ragnarök on “Frost”

    Three years of winter, with no relief in sight: MENTAL CRUELTY draw on the Norse myth of Fimbulvetr for their new single “Frost.” Taken from Echoes of a Forlorn Land, due October 23, 2026, via Century Media Records, the track explores a world where cold, darkness and isolation gradually extinguish hope. The great winter that […]

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  • Five FInger Death Punch Release New Video For “Legacy”

    5FDP RELEASE NEW VIDEO FOR “LEGACY”

    NEW ALBUM “LEGACY” NOW AVALABLE ON VINYL, CD & CASSETTE

     

     

    Five Finger Death Punch released various physical editions of their brand-new 10th studio album, Legacy, which arrived digitally on July 31 via Better Noise Music. The collection includes limited-edition vinyl, CD, and cassette variants featuring exclusive artwork, available now through the band’s official store HERE, with the European and UK vinyl release following on October 9. Adding to today’s release, the band also dropped the official music video for the album’s title track “Legacy.” 

     

     

    Celebrating two decades of Five Finger Death Punch, each physical variant stands out as a singular collectible, arriving as the band continues its current North American leg of the 20th Anniversary World Tour through October 23.

    Since its digital release in July, Legacy has already yielded over 60 million streams and counting. Upon release, the album claimed spots on 18 international charts. Most notably, it vaulted to #2 on the US Top Digital Albums Chart, hot on the trail of only Ariana Grande’s Petal. On Spotify, it hit #6 on the US Top Albums Chart and #8 globally.

     

    The album arrived in the wake of the first single “Eye Of The Storm,” delivering the band’s 18th No. 1 on Billboard’s Mainstream Rock chart, extending their own record for the most consecutive No. 1s in the chart’s 45-year history. It held the top slot for three consecutive weeks. Current single “Nails in the Coffin” is steadily climbing the rock charts and is already at #21 this week. Revolver praised the track’s blend of battering riffs and melody driven by Ivan Moody’s introspective vocal performance, while Loudwire called it “a furious opening statement for the new album cycle.”

    The band is currently on the first leg of their 20th Anniversary World Tour, traveling across North America with special guests Cody Jinks and Eva Under Fire. The 20th Anniversary World Tour is both a celebration and a statement, honoring the band’s journey from their 2005 formation and the 2007 release of their debut album, The Way Of The Fist, to global arena headliners. The tour will showcase material from the new album, alongside classic anthems and #1 hits that defined the past two decades. Produced by Live Nation and sponsored by Punch’d Energy, the 48-city North American tour is currently underway and will wrap up in Bristow, VA, at Jiffy Lube Live on October 23. Check out the full tour routing below. For tickets, VIP offerings, and more, visit here.

    LEGACY TRACK LISTING:
    “Legacy”
    “De Oppresso Liber”
    “Eye Of The Storm”
    “Nails In The Coffin”
    “In Time”
    “Unscathed”
    “Joke’s On Me”
    “Everybody Lies”
    “Shelter”
    “Scapegoat”

    In addition to celebrating two decades of music, the band is once again using its platform to give back. Long recognized as one of rock’s most charitable bands, Five Finger Death Punch has spent decades giving back to various causes, including U.S. military veterans, first responders, and their families. In 2026, the band continued that tradition by supporting Team USA and aligning with the upcoming Olympic and Paralympic Games, to be held on American soil in Los Angeles in 2028. As part of the tour’s commitment to championing America’s next generation of athletes, a portion of the ticket sales from the 2026 North American Tour will benefit high-performance programs for U.S. Olympic and Paralympic athletes as they prepare for international competition.

     

    Next up, after the North American tour, 5FDP will head across the pond for an early 2027 UK/EUROPEAN arena tour with Lamb of God and Bleed From Within. The second leg of the 20th Anniversary World Tour will kick off in Manchester, UK, on Saturday, January 16, and will see the band perform in 21 cities across the continent, ending in Helsinki on February 22, 2027.

    For more information on Five Finger Death Punch, all 2026 North America + 2027 European tour dates, and VIP offerings, visit here.

    NORTH AMERICA TOUR DATES:
    9/18 — Long Beach, CA — Long Beach Amphitheater
    9/19 — Las Vegas, NV — Michelob ULTRA Arena
    9/22 — Salt Lake City, UT — Utah First Credit Union Amphitheatre
    9/24 — Phoenix, AZ — Talking Stick Resort Amphitheater*
    9/25 — Albuquerque, NM — Isleta Amphitheater*
    9/27 — Houston, TX — Cynthia Woods Mitchell Pavilion
    9/28 — Austin, TX — Germania Insurance Amphitheater
    9/30 — Fort Worth, TX — Dickies Arena
    10/2 — Rogers, AR — Walmart AMP
    10/3 — Kansas City, MO — Morton Amphitheater
    10/5 — Biloxi, MS — Mississippi Coast Coliseum
    10/7 — Huntsville, AL — Orion Amphitheater
    10/8 — Franklin, TN — FirstBank Amphitheater
    10/10 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre
    10/11 — West Palm Beach, FL — iTHINK Financial Amphitheatre
    10/13 — Alpharetta, GA — Ameris Bank Amphitheatre
    10/14 — Raleigh, NC — Coastal Credit Union Music Park at Walnut Creek
    10/16 — Charlotte, NC — Truliant Amphitheater
    10/17 — Virginia Beach, VA — Veterans United Home Loans Amphitheater
    10/19 — Greenville, SC — Bon Secours Wellness Arena
    10/21 — Columbus, OH — Nationwide Arena
    10/23 — Bristow, VA — Jiffy Lube Live
    * Without Cody Jinks

    UK + EUROPE TOUR DATES 2027:
    1/16 — Manchester, UK — AO Arena
    1/17 — Glasgow, UK — OVO Hydro Arena
    1/19 — Dublin, IE — 3Arena
    1/22 — Birmingham, UK — BP Pulse Arena
    1/23 — London, UK — O2 Arena
    1/26 — Düsseldorf, DE — PSD Arena
    1/27 — Hamburg, DE — Barclays Arena
    1/29 — Lodz, PL — Atlas Arena
    1/31 — Prague, CZ — O2 Arena*^
    2/2 — Munich, DE — Olympiahalle
    2/4 — Stuttgart, DE — Hanns-Martin-Schleyer-Halle
    2/7 — Amsterdam, NL — AFAS Arena
    2/8 — Brussels, BE — Vorst National
    2/10 — Paris, FR — Accor Arena
    2/12 — Zürich, CH — Hallenstadion
    2/14 — Vienna, AT — Stadthalle
    2/16 — Berlin, DE — Uber Arena
    2/17 — Copenhagen, DK — Royal Arena*
    2/19 — Oslo, NO — Unity Arena
    2/20 — Stockholm, SE — Avicii Arena
    2/22 — Helsinki, FI — Veikkaus Arena
    *Without Lamb Of God
    ^ With Dymytry

    The post Five FInger Death Punch Release New Video For “Legacy” appeared first on Mayhem Music Magazine.

  • Imminence Announce ‘Axis Mundi’ Film Screenings

    Compiling their recent music videos and the upcoming final chapter for a cinematic experience.

    The post Imminence Announce ‘Axis Mundi’ Film Screenings appeared first on Theprp.com.

  • MØRKGRIM Unveil “BLÓÐSVǪRR” Video Ahead of a Debut Born in Isolation

    Founded in 1994 but only now approaching their first album, MØRKGRIM have shared a video for “BLÓÐSVǪRR.” The Norwegian/Swedish black metal project’s debut, Sǫgur frá Norðfirði, arrives on October 2, 2026, through Soulseller Records, following a revival that began on a remote farm far from modern comforts. Founder Hrafngrímnir wrote and recorded the album in […]

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  • U.D.O. Release New Single & Video “I’ll Die Trying” & Announces 20th Studio Album “Voodoo Ranger”

    2027 marks a unique triple anniversary for Udo Dirkschneider and U.D.O.: Udo turns 75, U.D.O. celebrates 40 years as a band, and Voodoo Ranger marks the release of the German heavy metal institution’s 20th studio album. This very special record release will be celebrated on January 8, 2027 via powerhouse label Reigning Phoenix Music.

    Today, U.D.O. opens this milestone chapter with the first taste of Voodoo Ranger‘s new single “I’ll Die Trying.” Accompanied by an official music video, the track also marks the launch of the album pre-order.

    Rather than launching Voodoo Ranger with an all-out metal attack, U.D.O. introduces the album with one of its most personal moments. “I’ll Die Trying” is a classic U.D.O. ballad about perseverance, self-belief, and staying true to your path, carried by the unmistakable voice of Udo Dirkschneider.

    The song also became the album’s first single through an unexpected turn of events — a change of plans that, as Udo explains, ultimately felt like the right choice.

    Udo Dirkschneider comments: “‘I’ll Die Trying’ is one of the most personal songs on Voodoo Ranger. It’s about never giving up, believing in yourself, and always moving forward, no matter what life throws at you. The last verse especially means a lot to me because it reflects what I’ve experienced on stage for so many years. Every concert is a special moment, and as long as people want to hear me sing, I’ll keep giving everything I’ve got. I’ve always believed that a great ballad can be just as powerful as the heaviest metal songs, and throughout my career, these songs have become some of the most memorable ones. ‘I’ll Die Trying’ is another one of those songs that comes straight from the heart.

    We originally planned to launch Voodoo Ranger with a different song, but after Peter and Alen were injured during one of the recent concerts of the Balls To The Wall – 40th Anniversary Tour, we had to postpone the original video production. Rather than rush things, we decided to let ‘I’ll Die Trying’ lead the way. Looking back, it feels like the right choice. The song captures a side of U.D.O. that has always been important to me. Ballads have been part of my career from the very beginning, and our fans have always embraced them. At the same time, nobody should think this album is getting softer. Voodoo Ranger is packed with classic U.D.O. power and has plenty of surprises waiting.”

    The album finds U.D.O. as unmistakable as ever, with their signature sound firmly intact. Powerful riffs, massive hooks, and Udo Dirkschneider’s unique voice meet heavier and darker moments.

    Written by Udo Dirkschneider, Sven Dirkschneider, Peter Baltes, and Fabian “Dee” Dammers, with additional contributions from new guitarist Alen Brentini, Voodoo Ranger brings four decades of heavy metal experience to an album that sounds unmistakably U.D.O. The album was produced and mixed by Martin “Mattes” Pfeiffer, mastered by Stefan Kaufmann, while its artwork was painted by acclaimed artist Eliran Kantor.

    The album is only one part of what will make 2027 an exceptional year for Udo Dirkschneider and U.D.O. The band will celebrate four decades of U.D.O. live with the extensive Triple Anniversary Tour 2027, taking the anniversary across Europe and bringing together material from throughout the band’s history. Find tickets and further information here.

    At the same time, another major chapter in Dirkschneider’s story will be told away from the stage, his official autobiography, created together with Dan Dreyer, will be published in the very same month as Voodoo Ranger.

    Album, book, and tour therefore meet at a unique point in his career. After more than five decades in heavy metal, Udo Dirkschneider has plenty of history to look back on, but Voodoo Ranger makes one thing equally clear: U.D.O. is still looking ahead.

    The post U.D.O. Release New Single & Video “I’ll Die Trying” & Announces 20th Studio Album “Voodoo Ranger” appeared first on Sonic Perspectives.

  • Ministry Warns Of The Robotic Takeover On “Singularity”

     

    Ministry Warns Of The Robotic Takeover On New Single “Singularity”

    From Final Album Hate To Go (Take Out Or Delivery)

    Coming October 30 On Cleopatra Records

     

    Goodbye Europe Tour Begins April 2027 With Full U.S. Dates To Follow

     

     

    “Your time on this planet has passed … we are in control,” warns a cyborg in Ministry’s dystopian new single “Singularity.” As new fears of AI dooming humanity have come to the surface in recent days, Al Jourgensen and co. have created a timely new song for the apocalypse.
    See the robotic takeover unfurl in the music video directed by Ben Garcia (Rage4Order Designs) in coordination with Al Jourgensen and Joshua Bradford (ex-Revolting Cocks) HERE.
    “Singularity” is the latest taste of Ministry’s final album Hate To Go (Take Out Or Delivery) coming October 30 on Cleopatra Records, following on the heels of earlier singles “Burned Out” and “We Hate.” The album puts an end cap on an incredible 45-year career that has shaped a whole genre of music.
    Since 1981, Ministry and Jourgensen have been recognized as pioneers of industrial music with a history built upon 17 studio albums, 8 live releases, 8 side projects, multiple touring campaigns across 5 continents, an autobiography, 2 documentaries, the administration of last rites no less than 3 times, and the countless numbers of devoted acolytes and fans.
    But before bidding adieu, creator and music madman Al Jourgensen has a few final things to say about the state of the world, those in charge and how we should all collectively move forward on the final album.
    Notably, Hate To Go (Take Out Or Delivery)—Ministry’s 17th release—features one final collaboration with legacy member Paul Barker on the final album track “We’re Still Here,” alongside the handiwork of current Ministry bandmates, guitarists Monte Pittman and Cesar Soto, bassist Paul D’ Amour, sampler/synth player John Bechdel and drummer Pepe Clarke Magaña.
    The full track list is as follows:
    1. Crickets
    2. Voices of Hate
    3. Clown Car
    4. We Hate
    5. Delete
    6. Grifter
    7. The White Man Lied*
    8. Singularity
    9. Burned Out
    10. We’re Still Here (ft. Paul Barker)
    *does not appear on cassette or vinyl editions
    Hate To Go (Take Out Or Delivery) will be available in several formats including vinyl, CD, cassettes and digital, also including several vinyl variants and box sets:
    • Green & Black Splatter LP
    • Silver & Black Splatter LP
    • Coke Bottle Green LP
    • Box Set: Green Splatter LP, Picture LP, 7-inch, CD
    • Box Set: Purple Marble LP, Picture LP, 7-inch, CD
    Fans can pre-save the digital album HERE and pre-order digital copies HERE, and find a new Ministry merch line HERE.
    Ministry will bring tracks from Hate To Go (Take Out Or Delivery) and other classic hits on the road in 2027 with an international goodbye tour. The Goodbye Europe Tour with special guest Die Krupps begins April 2027. It will be followed by a full U.S. run, to be announced. The European tour dates will feature exclusive meet and greet opportunities with Al Jourgensen, also including a photo op, souvenir laminate pass, silk screen poster and final European tour coin. Fans can purchase meet and greets HERE.
    In the meantime, Ministry has a few final U.S. tour dates for 2026, including Chicago’s Salt Shed and appearances at Louder Than Life and Sick New World Texas, as well as Australia’s Good Things Festival, with new side dates just announced. Find more info and tickets at MinistryBand.com.
    MINISTRY U.S. 2026 DATES
    September 20 Louisville, KY @ Louder Than Life
    October 3 Chicago, IL @ Salt Shed
    October 24 Fort Worth, TX @ Sick New World Texas
    MINISTRY AUSTRALIA 2026 DATES
    December 4 Melbourne, VIC @ Good Things Festival
    December 5 Sydney, NSW @ Good Things Festival
    December 6 Brisbane, QLD @ Good Things Festival
    December 8, Sydney, NSW @ Liberty Hall*
    December 10, Adelaide, SA @ Hindley St Music Hall*
    *new date announcement, on sale Friday, September 18
    MINISTRY GOODBYE EUROPE 2027 TOUR
    April 2 Utrecht, NL @ Ronda
    April 3 Saarbrücken, DE @ Garage
    April 4 Brussels, BE @ Ancienne Belgique
    April 6 Manchester, UK @ O2 Victoria Warehouse
    April 7 Dublin, IE @ 3Olympia
    April 9 Nottingham, UK @ Rock City
    April 10 London, UK @ Troxy
    April 12 Paris, FR @ Bataclan
    April 14 Madrid, ES @ La Riviera
    April 15 Barcelona, ES @ Paral-lel
    April 17 Lausanne, CH @ Docks
    April 18 Munich, DE @ Tonhalle
    April 19 Vienna, AT @ Gasometer
    April 21 Prague, CZ @ Forum Karlín
    April 22 Warsaw, PL @ Progresja
    April 24 Berlin, DE @ Columbiahalle
    April 25 Hamburg, DE @ Grosse Freiheit 36
    April 26 Copenhagen, DK @ Amager Bio
    April 27 Oslo, NO @ Rockefeller
    April 29 Stockholm, SE @ Fållan
    May 1 Helsinki, FI @ House of Culture

     

    The post Ministry Warns Of The Robotic Takeover On “Singularity” appeared first on Mayhem Music Magazine.

  • Sammy Hagar Fires Back at Alex Van Halen’s Vicious Insult and Exposes What’s Really Wrong With the Band’s Legacy

    sammy-alex-van-halen-feud

    Sammy Hagar has answered Alex Van Halen calling him “a complete idiot,” and his response isn’t a counter-insult — it’s a request. Speaking to Eddie Trunk on SiriusXM’s Trunk Nation, Hagar asked the drummer to come clean and say publicly what the problem actually is, after 25 years of silence. He also accused Alex of damaging Van Halen’s legacy, pointed out that the Van Hagar era sold more than forty million records and produced four consecutive American number one albums, and raised an incident involving the band’s own photo archive that almost nobody has mentioned.

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    What Hagar actually said

    The first thing worth noting is the tone. Given what he was responding to, Hagar is remarkably measured.

    He opens by declining the fight: he doesn’t know what Alex’s problem is, and if he wanted to get into a tug-of-war again there’s so much clickbait going around now that it turns on you every time.

    On the book — 2011’s Red: My Uncensored Life In Rock, which most people assume is the cause of all this — he doesn’t retreat an inch. He says he’s always honest, that he never lied in it, that none of it was lies, and that all of those things happened whether or not the people involved are happy about it.

    Then he makes the actual charge, and this is the paragraph that gives the story its headline.

    Hagar says Alex acts as though there was never a Sammy Hagar. As though there was never a Van Hagar. His words: they sold forty-something million records and four number one albums, and Alex has scratched that off his own brother’s legacy by saying it never happened. That he won’t even acknowledge it.

    His verdict on that: that’s deep, that’s weird, and it’s not right for Eddie, for him, for Mike Anthony, or for anybody.

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    What he’s asking for

    The part most coverage is going to skip is that Hagar isn’t demanding an apology. He’s asking a question.

    His words, roughly: he wants to call Alex out and ask him why. Come clean. What’s the problem? Just say it. Is it the book? Say it. If it’s Cabo Wabo, say it. Because maybe if he knew what the problem actually was, he could fix it.

    And the frustration underneath: right now Alex just acts like there isn’t a problem. Like it never happened.

    That’s a specific and fairly reasonable request from a man who has been asking the same question for a quarter of a century. He’s previously put it to former Van Halen manager Irving Azoff and got nowhere.

    The Photoshop story, which is the thing nobody’s talking about

    Here’s the part of Hagar’s answer that deserves considerably more attention than it’s getting.

    Making his case that Alex has a habit of editing history, Hagar brought up something from when Wolfgang Van Halen joined the band in 2006.

    He says Alex took the entire back catalogue — all the records, all the photos on the band’s website — and had Wolfgang Photoshopped in and Michael Anthony taken out.

    According to Hagar, that stayed up for around two weeks, until the reaction from fans was severe enough that it got reversed.

    His point in raising it: this is as stupid as that. Don’t pretend like something never happened.

    Alex has never publicly addressed that claim, and nobody has asked him to. But it’s the single most concrete example in Hagar’s entire argument — not an interpretation of a book or a grievance about a tour, but an alleged attempt to remove a former member from the band’s own visual record. If it happened as described, it makes everything else Hagar says about the legacy considerably harder to dismiss.

    It also reframes what this feud is actually about. Not a falling-out between two men. A question about who gets to decide what Van Halen was.

    And the archival releases

    Hagar’s second complaint is about what Alex has been doing since Eddie’s death in October 2020.

    He takes issue with the steady stream of archival material — old photographs, old artefacts — and specifically with charging people for it. His argument: these are pictures you can find on the internet anyway, and even if they’re his, he should be putting them out for free.

    That’s the sentence the headline comes from. In Hagar’s view, all of it adds up to doing a lot of things wrong for the legacy of Van Halen.

    He’s careful to separate what is and isn’t his business, though. Whether Alex ever wants to play drums again is Alex’s business. Whether he wants to keep selling old photographs is Alex’s business. The one part Hagar claims as his own business is the question of why.

    “Oh, I’ve given up”

    And then the exchange that’s the real news here.

    Trunk asked whether it matters to Hagar to make peace with Alex while they’re both still alive, or whether he’s given up on it.

    His answer: “Oh, I’ve given up. I don’t really care anymore.”

    His reasoning is that Alex is the one with the problem, not him. He goes out, he’s capable of singing all those songs, he does it, Mike Anthony is with him, and they have a great band. His line: you couldn’t put a better version of Van Halen together than what they’ve got — other than having Alex play drums, and everybody knows that isn’t going to happen.

    So he carries on with the songs he wrote.

    And that’s the note he keeps returning to, which is the one thing in all of this nobody disputes: these are songs he wrote with Eddie. Eddie and Sammy wrote them together, and that’s why he can go out and play them.

    Why the Roth comparison makes this strange

    This is the context that makes the whole business look considerably odder, and it’s worth laying out properly.

    When Marcelo Vieira interviewed Alex for Brazilian magazine Roadie Crew — the interview that produced the “complete idiot” line — he asked about the various Van Halen memoirs.

    On David Lee Roth’s 1997 book Crazy From The Heat, Alex was generous. He called it quite fun, said it accurately reflects Roth’s sense of humour, and described it as a very interesting perspective on that era, even while noting the text is somewhat abstract.

    On Hagar’s book, he said he had no interest in reading it. That he doesn’t know what’s in it and doesn’t want to know. And then: in his opinion, Sammy Hagar is a complete idiot.

    Now put this month next to it. Alex Van Halen appeared on a TEDx stage in Fargo alongside Roth and the muralist Robert Vargas, talking about why great art requires risk. The two of them sat together in public for the first time in years and had a warm, expansive conversation about creativity.

    And here’s the detail that makes it absurd. Joe Satriani revealed a couple of years ago that a Van Halen tribute show had been planned featuring Alex and Roth — and that it never got off the ground, reportedly because Roth was holding up the approvals.

    So: the man who by that account scuppered Alex’s own tribute show gets the book praise and the TEDx panel. The man who sang on four consecutive Billboard number ones and wrote them with Eddie gets called a complete idiot and left out of the memoir entirely.

    I’ve got no idea what’s behind that and neither, apparently, does Hagar. But it’s the clearest evidence that whatever this is about, it isn’t about the quality of anybody’s writing.

    What Alex has actually said about ending the story in 1984

    To be fair to him, Alex has given an explanation — just not one that answers Hagar’s question.

    “Brothers” stops in 1984, when Roth first left. It omits the Hagar years, the Gary Cherone album, and even the 2007 reunion with Roth.

    His reasoning, to USA Today: for him, the spirit of the band ended in 1984. They did good work after that, but the primary spiritual aspect, the magic, the potential, the looking to the future together — that’s what made Van Halen. He and Eddie were outsiders. Dave was an outsider.

    To Billboard, more bluntly: what happened after Dave left is not the same band. He wasn’t saying it was better or worse — but the magic was in the first years, when they didn’t know what they were doing and were willing to try anything.

    And on the Best Of All Worlds tour, which features Hagar, Michael Anthony, Satriani and Kenny Aronoff: “I’m not interested. They’re not doing the band justice. They can do what they want to do. That’s not my business.”

    To Rolling Stone, he didn’t say Hagar’s name at all: the heart and the soul and the creativity and the magic was Dave, Ed, Mike and him. In the book, the only reported acknowledgment of the Van Hagar era is the line, “We had a lot of other singers over the years.”

    That’s a coherent artistic position. You can absolutely argue the original lineup was the real band. What it isn’t is an answer to why Hagar specifically gets the insult while Roth gets the panel.

    sammy-hagar-2026

    The Cabo Wabo theory, and Hagar’s response to it

    The most-repeated explanation for all this is money, and Hagar addressed it with Rolling Stone in April 2025.

    The theory: Van Halen were all partners in Cabo Wabo when Hagar built it. When it was losing money they didn’t want it and handed it to him. He then turned it around and made a fortune. And Alex has been angry ever since.

    Hagar’s response is the most heated he’s been on any of this. How could they be angry about that? They gave him the thing. They walked out on him and left him with it. They made him indemnify them in case he got sued and lost everything. They made him sign off, in his words, big time.

    And then: he hopes it isn’t that.

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    What Hagar thinks the real reason is

    He’s offered a theory, and it isn’t flattering — though he doesn’t present it as cruelty.

    Speaking to Rolling Stone, Hagar said he thinks Alex is angry because he and Mike Anthony are out doing it and Alex can’t. Alex isn’t a singer, isn’t a guitar player, isn’t really a band leader — and he seems not to want to play drums any more, or not to be able to. Alex wasn’t the songwriter in the band. He was the drummer.

    Then, crucially, he added something that most coverage of that quote leaves out: he’d feel bad too. If he put himself in Alex’s shoes, he’d feel terrible if he couldn’t do it any more. And he acknowledged that being the happiest one out of all of them is its own irritant — people don’t like it when you’re too happy.

    When interviewer Andy Greene noted that Alex has had genuine health issues and has reasons to feel bitter, Hagar agreed. His words: yeah, he’d say so, and he’s okay with it. Al, you’re fine. Just leave me alone, I’ll leave you alone, everything’s good.

    And then, with the timing of a man who’s had 25 years to work on it: I’m making you money, by the way, Al. I’m out there selling Van Halen records and keeping the name alive.

    The part everybody forgets

    One last thing, because it’s the piece of this story that actually matters and it gets lost every time.

    Hagar made peace with Eddie Van Halen months before Eddie died in October 2020.

    Whatever is unresolved here is unresolved between Sammy and Alex. It was settled with Eddie while there was still time, and Hagar has been open about the cost of what he wrote.

    In a 2021 interview he apologized from the bottom of his heart for exposing Eddie’s dark side — while refusing to claim he’d lied. His position: it’s all true, and he isn’t going to pretend otherwise. But if he wrote the book today, he’d only put in the good of Eddie Van Halen, because he was a brilliant, genius guitar player and a great friend and a great partner.

    And then the memory he keeps returning to, which is the warmest thing in this entire archive. When Eddie walked into his dressing room at Anaheim Stadium — Hagar on a bill with Boston and Black Sabbath — he was one of the sweetest, most humble people Hagar had ever met. How can this guy play so badass and be that humble? He assumed there must be a fire inside that wasn’t showing.

    When that fire came out, he said, it was quite the fire. A volcano.

    The numbers, for the record

    Because Hagar’s central claim rests on them.

    He replaced David Lee Roth in 1985 and made four studio albums with Van Halen: 5150, OU812, For Unlawful Carnal Knowledge and Balance.

    All four went to number one in the United States. The Roth-era lineup never managed it once.

    That era sold more than forty million records. It’s the commercial peak of one of the most important bands America produced, and it’s the period the band’s own drummer has written out of the history.

    Sammy, Eddie, Alex and Michael last played together on the 2004 US summer tour — a run Hagar later described as some of the most miserable, back-stabbing material he’d ever been involved with. Michael Anthony reportedly had to accept a pay cut and sign away his rights to the band name and logo in order to take part.

    Which, given what Hagar says happened to Anthony’s photographs two years later, is its own kind of pattern.

    alex-van-halen-2025

    TL;DR

    • Sammy Hagar has responded to Alex Van Halen calling him “a complete idiot,” telling SiriusXM’s Trunk Nation that he wants the drummer to “come clean” and say publicly what the problem is.
    • His central charge: that Alex acts as though the Van Hagar era never happened, despite four consecutive US number one albums and more than forty million records sold — and that erasing it damages Eddie’s legacy, not just Sammy’s.
    • The detail nobody’s covering: Hagar says that when Wolfgang Van Halen joined in 2006, Alex had the band’s entire photo archive edited to insert Wolfgang and remove Michael Anthony, and reversed it about two weeks later after fan backlash. Alex has never addressed the claim.
    • He also criticises the archival releases, arguing Alex is charging for photographs that are freely available and should be released for nothing.
    • Asked about making peace before they die: “Oh, I’ve given up. I don’t really care anymore.”
    • The asymmetry: Alex praised David Lee Roth’s memoir as “quite fun,” refused to read Hagar’s, and appeared on a TEDx panel with Roth this month — despite Joe Satriani’s claim that a planned Alex-and-Roth tribute show collapsed because Roth held up approvals.
    • Hagar acknowledges Alex’s health problems and says he understands the bitterness. He also made peace with Eddie months before his death in October 2020.

    FAQ

    What did Sammy Hagar say about Alex Van Halen?

    Speaking on SiriusXM’s Trunk Nation on September 17, 2026, Hagar said he wants Alex to “come clean” about what his problem is, and accused him of acting as though the Van Hagar era never happened — noting that period produced four consecutive US number one albums and over forty million records sold. He said Alex is “doing a lot of stuff wrong for the legacy of Van Halen.”

    Why did Alex Van Halen call Sammy Hagar a complete idiot?

    Alex made the remark to Brazilian journalist Marcelo Vieira in Roadie Crew magazine, when asked about Hagar’s 2011 memoir Red: My Uncensored Life In Rock. He said he had no interest in reading it and didn’t want to know what was in it, before adding that in his opinion Hagar is “a complete idiot.” He has not explained the remark further.

    Why won’t Alex Van Halen acknowledge the Sammy Hagar era?

    He has said that for him the spirit of Van Halen ended in 1984 when David Lee Roth first left, and that what followed “is not the same band.” His memoir Brothers stops in 1984 and omits the Hagar years, the Gary Cherone album and the 2007 Roth reunion. He has not directly explained why he singles out Hagar for criticism while speaking warmly of Roth.

    Did Alex Van Halen remove Michael Anthony from Van Halen photos?

    Hagar claims he did — saying that when Wolfgang Van Halen joined in 2006, the band’s back catalogue images and website photographs were edited to insert Wolfgang and remove Anthony, and that it was reversed roughly two weeks later after fan complaints. Alex Van Halen has never publicly addressed the claim.

    How many number one albums did Van Halen have with Sammy Hagar?

    Four, and all four of the albums he recorded with the band topped the US chart: 5150 (1986), OU812 (1988), For Unlawful Carnal Knowledge (1991) and Balance (1995). The Roth-era lineup never reached number one.

    Four number ones, forty million records, and a drummer who won’t say his name. Is Hagar right that this damages Eddie’s legacy, or is Alex entitled to draw the line wherever he wants? Tell me below. And keep it locked on the Loaded Radio stream — follow Loaded Radio for daily rock and metal news.

    The post Sammy Hagar Fires Back at Alex Van Halen’s Vicious Insult and Exposes What’s Really Wrong With the Band’s Legacy appeared first on Loaded Radio.

  • “Every Freckle, Every Scar” — NYC’s Some Days Are Darker Explore the Anatomy of Obsession in Video for “Memorize You”

    Love songs usually get nervous around obsession because nobody wants to admit how close the two can live together. Everybody likes devotion when it comes with flowers, candy, and clean shirts. Start remembering somebody’s freckles individually, and suddenly the room gets quieter.

    New York’s Some Days Are Darker explores that uneasy proximity on Memorize You, a song with the posture of romance and the blood pressure of somebody who has been awake far too long thinking about one person. Lear Mason sings, “I want to memorize you, your freckles and scars, the longing in your eyes, the rhythm of your heart,” and the sweetness of the line grows more complicated with each detail. There is love in there, certainly, but there is also the ancient human urge to pin beauty to the wall before it can leave.

    A thick, metallic bassline gives Memorize You its physical weight, while the drums tighten the tension and chiming synth melodies introduce a nervous sweetness. Mason’s croon carries the seductive assurance of early ’90s alternative rock, making even the most exposed confession sound as though it has been rehearsed for one particular listener. Around him, Chris Martin and Robbie Williamson build pressure through the interplay of bass, drums, guitars, and keyboards, gradually filling the space his voice initially leaves open. The arrangement gives the song’s gothic romanticism a muscular foundation, allowing its tenderness and possessiveness to press uncomfortably close together. What begins as an intimate confession grows into a feverish rush, increasingly expansive and overwhelming, until desire and desperation become difficult to separate.

    The largely black-and-white video gives this fixation a distinctly New York setting, following a woman through Washington Square Park and beneath its familiar marble arch. Daylight smiles and close-ups alternate with nighttime walks past illuminated storefronts, parked cars, and iron railings, while Mason sings to the camera in a tightly framed interior. The repeated attention to her face makes a visual counterpart to the lyrics, collecting expressions as though enough looking might finally amount to knowing someone. But a masked figure brings a more literal threat into view, and her glances over her shoulder become increasingly uneasy.

    That unease develops into a pursuit through the streets and into narrow basement corridors, where exposed pipes and bare walls replace the park’s open space. The closing switch to colour brings pursuer and pursued face to face: two women whose similar hair and red lipstick give the encounter the unsettling suggestion of a double. It is a fitting complication for a song so concerned with committing another person to memory, leaving the desire to recognize someone tangled up with the fear of what recognition might reveal.

    Watch the video for Memorize You below:

    Mason began Some Days Are Darker in 2019 as a solitary songwriting project after years playing metalcore guitar. It has since become a three-piece built around his chemistry with bassist, guitarist, and keyboardist Chris Martin and drummer, multi-instrumentalist, and producer Robbie Williamson. Between them, the musicians bring decades of experience to songs that draw on gothic grandeur, synth-driven alternative rock, and the charged intimacy of noir cinema. Their self-titled 2022 debut introduced a musical world in which longing can become obsession and physical closeness offers no guarantee against feeling alone.

    That combination has found a home on stages alongside The Chameleons, Vision Video, and House of Harm, with the trio also touring the US East Coast and Canada with Pink Turns Blue and the US West Coast with Theatre of Hate. Further East Coast dates are planned around the November release of their forthcoming album, Black Box Warning.

    Recorded with Dave Catching at Rancho de la Luna in Joshua Tree, California, Black Box Warning expands these concerns across twelve songs about desire and its consequences, making room for love, loss, lust, and the possibility of beginning again. The desert studio, whose visitors have included Iggy Pop, Queens of the Stone Age, and PJ Harvey, provides the setting for some of the band’s most intense and expansive material alongside its most exposed performances. A solo acoustic piece and a closing piano ballad extend the album’s emotional range, bringing the same difficult questions into quieter rooms.

    For Some Days Are Darker, the attraction lies in that uncertainty: whether giving yourself over to someone will bring you closer to life or further from yourself. Memorize You makes the surrender sound seductive enough to postpone the question. Learning someone by heart is a beautiful ambition; expecting the heart to survive the exercise unaltered is another matter.

    Follow Some Days Are Darker:

    Some Days Are Darker — Memorize You single artwork

    The post “Every Freckle, Every Scar” — NYC’s Some Days Are Darker Explore the Anatomy of Obsession in Video for “Memorize You” appeared first on Post-Punk.com.