Category: news

  • She’s In Charge | Katie Bouman and The Code That Captured the Void

    For over a century, black holes were nothing but ghosts in the math. Ever since Einstein first theorized them, these massive cosmic voids that swallow light itself were considered entirely impossible to actually see. Imagine trying to photograph a single grain of sand on the moon while staring through a thick, heavy fog, and that is the exact level of impossible the scientific world was dealing with. But when humanity finally stared into the absolute abyss and got a picture back, it was a brilliant computer scientist named Katie Bouman who took charge of the code that made the invisible visible.

    Katie wasn’t even a traditional astronomer when she started; she was a computer science graduate student at MIT. She stepped into a room full of seasoned astrophysicists, a heavily male-dominated space, and brought a completely different perspective. While others were focused on the physical limits of telescopes, Katie realized the answer was buried in the math. She started working on algorithms (the set of mathematical instructions that tell a computer what to do) to piece together a cosmic puzzle that didn’t even have all of its pieces. She didn’t let the fact that she was the “outsider” in the room stop her; instead, she used her unique background as her greatest weapon.

    She joined the Event Horizon Telescope project, a massive global effort linking satellite dishes across the world to create one giant, Earth-sized super-telescope. But the data they gathered from space was messy, fragmented, and full of static. Katie led the development of the software that acted like a translator. In simple terms, she wrote the code that took millions of gigabytes of messy cosmic noise and taught the computer how to stitch it into a clear picture. She spent years obsessively testing it, making sure human bias didn’t accidentally paint a picture of what they wanted to see rather than the raw truth of what was actually there.

    In 2019, the entire world stopped to look at a glowing, fiery orange ring around a dark center: the supermassive black hole at the heart of the M87 galaxy. Right alongside that historic, haunting image was a photo of Katie, hands clasped over her face, glowing with pure, uncontained emotion as the picture finally rendered on her laptop screen. She became the face of a scientific revolution overnight, instantly proving to every girl watching that women belong at the absolute bleeding edge of discovery.

    She did not stop at that one viral moment, nor did she let the sudden internet fame or the critics who tried to diminish her role drag her down. Katie leveled up, becoming a professor at Caltech and continuing to push the boundaries of computational imaging [using computer algorithms to pull images out of hard-to-read data]. Just a few years later in 2022, she was a key player yet again when her team successfully released the very first image of Sagittarius A*, the massive black hole sitting right in the center of our own Milky Way galaxy.

    What Katie actually proves is that you don’t always need to have the traditional background to completely change the game. Whether you’re navigating a heavily gatekept scene, fighting for your voice to be heard in a crowded room, or just trying to piece together the messy fragments of your own life, the solution isn’t always about forcing things to work the old way. It’s about writing your own code, trusting your unique perspective, and knowing that even in the darkest, most impossible voids, you have the power to find the light.

    The post She’s In Charge | Katie Bouman and The Code That Captured the Void first appeared on FemMetal – Goddesses of Metal.

  • RAVAGED BY THE YETI unleash lyric visualiser ‘Tusk of the Yeti’

    It is mighty, it is razor-sharp, and it devours with brutal force: RAVAGED BY THE YETI deliver the final advance single, ‘Tusk of the Yeti‘, ripped from their forthcoming new full-length, “Snowbound Horror“, as a frost-bitten lyric visualiser. The release date of the sophomore full-length by the frost-clad deathmetal triohas been chalked up to July 10, 2026.  Pre-sale link: https://spkr.store/collections/ravaged-by-the-yeti RAVAGED BY THE YETI comment: “‘Tusk of the Yeti’ hits you […]

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  • Martha Skye Murphy & Roy Montgomery Announce New Album Nebular: Hear “Cloudburst”

    In 2024, London-based experimental singer-songwriter Martha Skye Murphy released her riveting debut album Um, which featured composer and guitarist Roy Montgomery on the beautiful single “Need.” Today, the pair is announcing a joint LP called Nebular. The enrapturing lead single “Cloudburst” it out now, and it’s a sprawling seven and a half minutes.

    The post Martha Skye Murphy & Roy Montgomery Announce New Album <em>Nebular</em>: Hear “Cloudburst” appeared first on Stereogum.

  • TEMPLE OV AHRIMAN stream independent debut album at No Gleaming Light

    Today, American black metallers Temple ov Ahriman stream the entirety of their highly anticipated debut album, Heretics of Consensual Reality, at the No Gleaming Light YouTube channel. Set for international self-release on June 26th, hear Temple ov Ahriman‘s Heretics of Consensual Reality in its entirety exclusively HERE. Temple ov Ahriman is a one-man black metal band hailing from Austin, Texas. Conceived during the Covid-19 pandemic, TAO is […]

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  • End It Vocalist Breaks Silence On Banana Man Controversy

    The Banana Man thing really broke containment, and it seems like it had a heavy effect on the lives of all the people involved. Earlier this month, the Baltimore hardcore band End It played in Toronto on the final night of their tour with Terror, Pain Of Truth, and Start Today. There was a guy at that show in a banana costume, and that kind of look-at-me whimsy really doesn’t go over well in certain corners of the hardcore community. End It were not amused.

    The post End It Vocalist Breaks Silence On Banana Man Controversy appeared first on Stereogum.

  • DS Record Radar: Jake Emissions (Flamingo Nosebleed) releasing new LP “Rocky Mountain Highs” on Mom’s Basement Records

    Flamingo Nosebleed frontman Jake Emissions will be releasing his brand new record Rocky Mountain Highs this Friday, June 26th on Mom’s Basement Records. The album sees the Fort Wayne, Indiana punk veteran backed by members of SACK, Shocktroopers, the Parasites and more.

    The Dying Scene Record Radar is stoked to bring you this exclusive first look at the color variants the LP will be available on. These are limited to 100 copies each and you can grab them from the Mom’s Basement webstore this Friday at noon eastern.

    Feast your eyes on those beauties down below, and check out the music video for Jake Emissions’ bad ass new single “Lowdown, High Up!” while you’re down there.

  • INTERVIEW: Inferior

    Inferior put out a savage tape last year entitled “Wrath” which instantly reminded me of Aussie metal forces like Destroyer 666, Bestial Warlust, Gospel of the Horns and Vomitor. So what do these Americans have to say for themselves?

    1.Alright guys, introduce yourselves for us!

    J. Goat – Drums/vocals
    M.K. War – Lead Guitar
    A.X. Bastard- Rhythm Guitar
    Anathem- Vocals

    2. I find your style pretty close to that of Australian bands such as Destroyer 666, Bestial Warlust, Gospel of the Horns and so on. Do you feel a particular kinship with the lads from down under? Is this an accurate stab at your influences? What bands forge the Inferior sound?

    M.K: The sound came out naturally for us, there was no plans to take any specific influence per se, but yes we are all big fans of those bands. Just something about the riffs, and the attitude from down under just resonated with us more than the Norwegians or Greeks (nothing wrong with those). One very important influence for us is definetely  the first few Slayer albums for sure (as it should be for every band). The power of those first few releases is something we are chasing and will continue to do so.

    J. Goat: Firstly I think Countries with extreme metal scenes in particular inspired myself to learn to play drums and write riffs and finally do vocals. The Australian and Canadian Black Metal scene were our primary influences, then the Brazilian scene and finally American osdm (no slam bs). Bands in particular that inspired us are Sadistic Intent, Antichrist (Canada), Abominator, Marduk, D666, Deicide, Bestial fukking Warlust and of course the mighty SLAYER (only Lombardo is real).

    3. In 2023 you released a rehearsal demo tape featuring 3 songs. Can you tell us about the creation of this first step and how was the response?

    M.K: It was a pretty quick process. Me and Goat started working together and within a few weeks we had three songs ready to go.

    J. Goat: I met Mike Early 2023 or so, I believe he was wearing an Antaeus shirt and I was wearing a Destroyer 666 shirt or something of that nature and we both knew we weren’t listening to any of that pussy bs that other people in Washington listen to haha. We talked and started rehearsing and quickly wrote about three songs or so and hammered them onto cassette with the help of our noise artist friend and the demo was born.

    4. Fast-forward to 2025 and “Wrath” was unleashed by Headsplit Records. How did you record this album, what went into it creatively and also from a production point of view?

    M.K: We went into the studio In February of 2025 after taking a whole year to forge 8 songs we felt best represented us. Finding the right guy to record us was a bit tricky as no one here really specialized in the type of metal we play, eventually we found Don who really stepped up and made us something close to what we were chasing.

    J. Goat: After the reception that rasing the banner demo got, me and Mike realized we needed to expand the idea into something more hateful and bigger that we could unleash live. We pretty quickly found A.X. Bastard, and started writing material with the goal of Recording a full length. We recorded the album somewhat professionally with the help of a local engineer Don, we raised enough money for about 4 days to record and mix. I wish we had more time to hammer in the ideas that I envisioned for the final product but a blizzard and the reality of 4 days to move gear, record and mix and move everything out only leaves you with so much time to do things to their furthest extent. The next Album will be heavier and more vicious.

    5. Headsplit is a killer label, how has working with Dylan been for you guys? Do you plan to stay with him?

    J. Goat: Dylan is a sick fuck who COMPLETELY gets the idea, he has put out a lot of sick shit. We look forward to working with him again.

    6. I thought it was interesting that the album was only released on tape (at the time of writing). Do you plan a CD or LP release? Is there a reason tape was prioritised?

    M.K: We just prefer tapes, nothing more to it. 

    J.Goat: The album is out on L.P. on Devil’s Game Records. https://devilsgamerecords.bigcartel.com/ Daily life has made it difficult to give the album a proper release (besides the cassette version). I hate promoting but we are planning to play more live shows in the near future. Being alive is expensive.

    7. As an American band do you feel you fit into the underground there? There’s a ton of cool bands on your continent but Inferior feels quite different to a lot of them. Is this a positive or negative for you guys? Further to this, can you maybe recommend some cool bands we might not know from over there?

    M.K: I dunno if we fit in the scene honestly but then again collectively as individuals we never fit in so it makes sense our music doesn’t either. I guess you could call it a positive, it makes us stand out more but then again I guess some ppl just prefer riff less jargon. Some bands I really like from the us currently are abhorrency, lucemortis, lecherous, occult blood, wokescum pulverizer, true iron will. 

    J.Goat: I don’t think we fit in at all, but maybe that’s a good thing. Bands I would recommend are bands I’ve had the pleasure of knowing personally. Baphomancia, Cerebral Rot (RIP) Abhorrency, Lecherous etc. I respect anybody who can do this kinda shit live and still keep that evil feeling, its an easy thing to lose.

    8. I will keep this short, but thank you for the brief chat. Last words are yours maniacs!

    M.K Warr: If you are a false don’t entry

    J. Goat: We are currently working on new Inferior material and live shows… Hail to Destruction.

    Available in print as part of Shrieks From The Abyss fanzine issue 8! Buy here!