Atomic .
The post Atomic Kings’ sophomore album ‘Too’ to be released on October 19th first appeared on Sleaze Roxx.
Atomic .
The post Atomic Kings’ sophomore album ‘Too’ to be released on October 19th first appeared on Sleaze Roxx.
CONSPYRE, an independent four-piece melodic death metal band from Hamilton, New Zealand, have released their latest single, Razorblades and Reveries, accompanied by a professionally shot, self-directed music video. With all four members aged between 17 and 19, CONSPYRE are rapidly building an audience both within New Zealand and internationally. In just its first week, Razorblades […]Geezer Butler made a surprise appearance at Tom Morello‘s Power To The People All-Dayer on Saturday at the Merriweather Post Pavilion in Columbia, Maryland.
The all-star show, which featured appearances from Cypress Hill, The Linda Lindas, Killer Mike, Nathaniel Rateliff, Matt Cameron, Public Enemy, Dave Matthews, Joan Baez, Dropkick Murphys, Stephen Stills, Foo Fighters, Bruce Springsteen and Morello himself, also included a three-song set from Jack Black – who wore an Ozzy Osbourne-style fringed jacket for the occasion.
After performing Ozzy’s Mr Crowley and Black Sabbath‘s The Wizard, Black was joined onstage by Sabbath bassist Geezer Butler for a rousing cover of Sabbath’s War Pigs.
Other stars appearing onstage at the Merriweather Post Pavilion included the Pretty Reckless’s Taylor Momsen, Pearl Jam‘s Mike McCready and bassist Robbie Mangano, who joined Morello onstage during Matt Cameron’s “Sons of Soundgarden” set.
Meanwhile, Morello’s set featured appearances from System Of A Down frontman Serj Tankian, Public Enemy’s Chuck D, Run DMC’s DMC, Anthrax‘s Scott Ian, Jack Black and Dave Grohl, who sang on a closing cover of Kiss’s Rock and Roll All Nite.
“The Power to the People festival is about freedom, justice, equality and rock’n’roll,” Morello said in a statement. “It’s about the power everyday human beings have when they come together through music, art, community, and action. We’re honoured to bring this incredible lineup to the DC area for a day that celebrates the spirit of activism, creativity, and hope.”
Waxstar Touring is excited to announce that New York post-hardcore legends Quicksand return to Australia in February 2027, joined across all three shows by Atlanta noise-rock heavyweights Whores. Following their long-awaited return to Australia in 2023, Quicksand return in 2027 following the release of their new album Bring on the Psychics. Formed in New York […]The album opens with “No One Left to Blame.” It features a gentle arpeggio that creates a nostalgic atmosphere. The sound evokes images of a city at night, where rain-soaked asphalt reflects bright neon signs. This piece deeply resonates with listeners, drawing them into its emotional core.

Following is “Who Needs Who.” This track starts with refined quality that showcases the artist’s vocal ability. The voice has a unique talent for reaching directly into the hearts of listeners. It brings to mind the vibes of Coldplay blended with U2, forging an emotional connection that is hard to ignore.
“Love Again” presents a retro feel. It’s the type of song that one would want to dance to during a pleasant end-of-year celebration with the girl you love. The light and blissful ambiance of the track makes it perfect for those tender moments.
“Break My Heart” is another intense track characterized by its emotional depth. The delicate interplay of guitar and piano surrounds the listener, creating a reflective atmosphere. This song builds gradually, enveloping the listener in its unique and thought-provoking mood.
“I Knew” is a standout piece on the album. It opens with a lengthy introduction that gradually increases pace. Once the song reaches its core, it delivers a driving rhythm and profound lyrics that hold the listener’s attention. The melodic structure lingers, creating an unforgettable impact.
“Beautiful Heart” is another striking song. It maintains an intense and atmospheric quality. Backing guitars contribute beautifully arranged textures that enhance the sonic space. The song speaks to the listener’s emotions and reinforces the album’s thematic integrity.
The album concludes with “Willows in the Wind.” This track opens in a folk style. The artist’s voice feels intimately present, making it seem as though they are sharing the moment with you. This minimalist ballad grows gradually while retaining its delicacy and intensity, rounding off the album on a powerful note.
The collaboration with producer Dylan Medina, alongside recording at Everland Studios in Five Dock, Sydney, by Ben Worsey, adds to the album’s quality. Mixing by Tim Palmer and mastering by Leon Zervos have refined the tracks. The contributions from talented musicians such as Evie Corradin on bass guitar, Seb Kruisheer on piano and organ, and Shane McLaughlin on additional guitars enhance the overall richness of the music.
Josh Orange presents a finely crafted album that showcases the artist’s willingness to express deeply personal emotions through music. The production quality is exceptional, and the collaborations contribute to the album’s standout features. Each track serves its purpose, creating an emotionally cohesive journey for the listener.
With true artistry, the album is a reflection of heartfelt experiences, making it the perfect soundtrack for anyone seeking music that resonates on a personal level.
Refined
If you love this music: Discover MoreFor fans of:
Coldplay – U2
The post Josh Orange The Fire & The Call Review appeared first on Edgar Allan Poets – Noir Rock Band.
The single “The Great Deception” by David Howls opens with an intense guitar riff, establishing a solid rock foundation. This initial burst of energy is quickly counterbalanced by a stripped-down verse that allows the vocals to take the spotlight. The melodic delivery is distinctive, characterized by a high and expressive timbre that hooks listeners into the emotional narrative. The lyrics explore the theme of relinquishing the quest for perfection and embracing the truth of one’s identity, even if that honesty can lead to feelings of isolation.

Howls presents an introspective journey in this track, showcasing his ability to convey profound emotions through music. The song’s reflective nature is palpable, inviting listeners to connect with its deeper meanings. Fans of similar artists will find reminders of bands like 30 Seconds to Mars, Muse, and Foo Fighters in Howls’ work. These comparisons stress the song’s rich emotion and energy, echoing sounds heard in the contemporary rock landscape.
As the song progresses, it builds and enriches itself with atmospheric pads and layered backing vocals. This expansion creates a sonic space that highlights the artist’s exceptional compositional talents. The production quality is outstanding; the distorted guitars resonate powerfully, while the solid drumming reinforces the overall dynamic sound.
“The Great Deception” represents a journey through personal introspection and self-acceptance. It illustrates the struggle of being genuine in a world that often values facade over authenticity.
The production of the single deserves special mention. The quality is fantastic. The intertwining of heavy guitar riffs with melodic vocal lines demonstrates an understanding of texture and depth in music. This level of detail sets Howls apart from many of his contemporaries, solidifying his place in the current rock genre.
“The Great Deception” is an impressive single that delivers on multiple fronts. It is a raw exploration of vulnerability painted with richly composed layers of sound.
This single is highly recommended for anyone seeking genuine emotion wrapped in powerful instrumentation. David Howls proves himself to be an artist capable of translating complex feelings into universally relatable art.
The excitement and emotional depth of “The Great Deception” invite listeners to embrace their own truths while enjoying a stellar piece of rock music.
Intense
If you love this music: Discover MoreFor fans of:
30 Seconds to Mars • Muse • Foo Fighters
The post David Howls The Great Deception Review appeared first on Edgar Allan Poets – Noir Rock Band.
The album “Truth in the Ashes” by WHITEFIRE begins with “Ashes Don’t Lie,” a track that establishes a somewhat dystopian and epic atmosphere. The female vocals enter smoothly, reminiscent of the style seen in Evanescence’s music. This haunting ambiance continues through the next track, “Echoes of Silence.” This powerful song features epic guitar sounds and riffs that envelop the listening experience, successfully merging hard rock with intriguing electronic vibes.

Next is “Smiles Don’t Break,” which carries a blend of nostalgic melody and fantastical undertones. The chorus invites the listener to sing along, creating a sense of familiarity and emotional connection. Following this is “No Easy Answers,” a deeply meaningful song that opens the soul with its profound lyrics. The emotional depth in the songwriting seems to resonate strongly, encouraging reflection and contemplation.
The transition into “In the Things We Hide” is marked by a beautifully played arpeggio that introduces the song. This leads to a melodic and intense structure that feels fierce and intimately engaging. The harmony throughout this track demonstrates the artist’s ability to blend intricate musicianship with heartfelt emotion.
In “Love in Armor,” the guitar riff is particularly charming. It envelops the listener with a powerful essence, showcasing the band’s expertise in channeling harmonious strength. The energy within this song is palpable, enhancing the overall experience of the album.
One of the standout tracks is “Flesh and Bone,” which may very well be the album’s most introspective piece. It opens with an intense piano introduction that captures the essence of the song beautifully. The heartfelt delivery from the vocalist feels immediate, as if she were in the same room, sharing this magnificent ballad with the audience. The emotional weight of this track is profound, further solidifying the album’s exploration of deep feelings and vulnerability.
The album culminates with the title track, “Truth in the Ashes.” It opens similarly with piano, creating yet another intense atmosphere that invites the listener to engage fully. Despite its creation involving artificial intelligence, the result is remarkably warm and emotionally charged. The lyrics resonate deeply, driving home themes of struggle, corruption, and the tension between darkness and truth.
Throughout the album, WHITEFIRE successfully merges cinematic rock with heavy emotional themes and spiritual depth. Each song confronts various aspects of human experience, reminding listeners of the importance of confronting themes like adversity and moral ambiguity. With impeccable artistic vision and songwriting, “Truth in the Ashes” offers an experience that is far from cold or detached.
In a world where musical expectations often lean toward superficiality, WHITEFIRE has created a profound collection that speaks to the heart and mind. Its narrative arc leads the listener through a landscape of emotions, ensuring that each track resonates long after listening.
“Truth in the Ashes” showcases WHITEFIRE’s commitment to creating powerful music that is emotionally resonant and artistically ambitious. The album stands as a powerful exploration of personal and collective truths, leaving listeners with much to ponder.
Soulful
If you love this music: Discover MoreFor fans of:
Evanescence
The post WHITEFIRE Truth in the Ashes Review appeared first on Edgar Allan Poets – Noir Rock Band.
From the start, this single entrances listeners like a ritual of witches. It conveys an atmosphere reminiscent of a gathering in the night, echoing the unique vibes of Björk. The song envelops you like a winter fog, inviting profound emotional reflection. The female vocals are as hypnotic as those of sirens, drawing you into the depths of its spellbinding nature.

The backing vocals enhance the atmosphere, creating a magical experience that embodies the spirit of Halloween. The Demon Queens await in the shadows, their presence eerie and enchanting. The song’s energy resonates with a spooky charm, masterfully crafted through minimalist production techniques.
Imagine standing in a forest under a full moon, the light cascading down around you, as you listen to this track. The production is pristine, allowing every element to shine, and it incorporates artificial intelligence in a way that feels organic rather than forced. This artistic integration showcases Richard George’s comprehensive artistic vision and deep understanding of music.
The song stands as an impressive piece. It demonstrates a careful balance between playful darkness and a melodic allure. George’s approach to production is meticulous, emphasizing the delicate threads of sound that come together harmoniously. Each note feels deliberate, every pause intentional, creating a rhythmic flow that resonates with the themes of the season.
Listeners can sense the underlying current of mystery and nostalgia throughout the track. This is music that transcends the ordinary, transforming traditional Halloween themes into a rich sonic narrative. The haunt of the hidden demon queens lurks in the background, enticing you while keeping a safe distance—just enough to be thrilling but not overwhelming.
This is an invitation to explore deeper emotional landscapes. Every element, from the haunting melodies to the soft percussion, breathes life into the world he has created.
Fans of Halloween-themed music will find great delight in this offering. It is rich with thematic elements and rhythmic complexities that make it a memorable addition to any seasonal playlist. George has indeed captured the essence of Halloween while also crafting something original and fresh.
No listener will walk away unaffected after encountering this expertly crafted track. It’s a demonstration of how innovative thinking can breathe new life into centuries-old themes.
“The Demon Queens of Halloween” is a mesmerizing journey. Every listening reveals more layers to the artistry behind it. Richard George has cemented his place as a visionary in the industry, pushing the boundaries of genre and sound. It’s a small masterpiece that deserves a spot on every discerning listener’s playlist as the Halloween season approaches.
Haunted
If you love this music: Discover MoreThe post RHIC The Demon Queens of Halloween Review appeared first on Edgar Allan Poets – Noir Rock Band.
Lawson (The Clams), a legendary figure in the later ’80s Twin Cities music scene, has had quite the career renaissance in the 2020s. Her fantastic EPs New Tricks and Don’t Come Crying To Me were standout indie/garage rock releases in 2022 and 2023. Last year’s single “The Reckoning” was exactly the anthem my discouraged heart needed — a furious assertion that evil individuals will ultimately have to square up with unforgiving karma. It was a noticeable shift in style for Lawson, and it was a thrill to hear her and her band find inspiration and energy in raw, impassioned old school punk rock. The song returns as the lead track on the new EP — followed by three new songs inspired by ICE’s takeover of Minneapolis.
What is a proper response when the powers-that-be brutalize communities, trample all over fundamental human rights, and murder their own citizens? You push back any way you can. Not only has Cindy Lawson taken street-level action in her own community, she has also used her platform as a musician to inspire resistance. Again, she and her band (Jerry Lefkowitz on guitar, Pony Hixon Smith on bass, and Mark Devaraj on drums) utilize fierce, fiery punk rock as their vessel for social protest. I swear Lawson has been drinking from the fountain of youth. She sounds so focused, energized, and full of conviction. When it comes to righteous indignation, there’s no denying she wears it well. “Burn,” “Eat the Rich,” and “Howard Zinn Died for Your Sins” hold nothing back. They are pissed-off, uncompromising, and fearless. They take the fight to the bullies. They speak truth to power. And as I always say about protest music, the key is that these would be powerhouse songs even if the lyrics weren’t political. Lawson is such a force of nature on these tracks, and her band matches her energy at every turn. So it’s not that the music is bigger than the message; it’s that the music amplifies the message. If you’re out there in the fight, this is your soundtrack. These are your rallying cries.
¡Long Live the Resistance! does not shy away from being exactly what it aims to be. Cindy Lawson is not here to negotiate a consensus or implore people to “agree to disagree” with her. She doesn’t give a flying fuck if you don’t like her politics. She’s here to speak her truth and stand up for what she believes in. She’s here to speak for everyone who’s angry and appalled about injustice in America. And it hits all the harder because this is personal for her. There’s a great tradition of punk rock as protest music, and Cindy Lawson is keeping the fire burning at this present and crucial moment.