Category: news

  • Slam Dunk Festival Founder Accused: Serious Allegations Surface Against Ben Ray Ahead of 2026 Event

    jenny-miller-accisations-slam-dunk-festival

    The UK alternative music scene has been rocked by a series of high-profile allegations directed at Ben Ray, the founder and primary organizer of the massive Slam Dunk Festival. British actress and showgirl Jenny Miller has come forward on social media, detailing a harrowing account of alleged sexual assault and misconduct involving Ray. These public statements arrive at a critical juncture for the festival, as Slam Dunk prepares for its 20th-anniversary season next month with a lineup featuring some of the biggest names in rock and punk.

    As initially reported by Lambgoat, the allegations center on a fractured professional and personal relationship, with Miller claiming that Ray’s behavior crossed severe legal and ethical boundaries on multiple occasions.

    Disturbing Allegations of Misconduct

    In a detailed statement shared across Instagram and Facebook, Jenny Miller described a history of interactions with Ray that began under the guise of professional opportunities. Miller, who worked as a performer, claimed she initially trusted Ray due to his standing in the music community and his connections to various high-profile bands. However, she alleges that this trust was betrayed during private encounters where she claims Ray provided illicit substances and ignored explicit lack of consent.

    According to Miller’s public posts, the assaults occurred while she was in a compromised physical state. She stated that despite her repeated demands for him to stop, Ray persisted. “He was my friend and I trusted him,” Miller wrote. “I was in the process of pressing charges against him for all the trauma he gave me.” Miller also shared screenshots of alleged text exchanges where Ray seemingly acknowledges a lack of “anger” regarding her decision to come forward to his family members about the incidents.

    We Also Recommend – The 13 Most Brutal Metal Breakdowns Ever Recorded (Ranked)

    slam-dunk-festival-jenny-miller-accusations

    The Industry Connection: Slam Dunk and VIP Plans

    Beyond the personal accusations, Miller’s statements shed light on alleged plans Ray had for the Slam Dunk Festival brand. She claimed Ray approached her with a job offer to manage a stripping/dance component in the festival’s VIP area for performing “rockstars,” and that he harbored ambitions to open his own strip club.

    These claims add a layer of professional scrutiny to Ray, who has been the face of Slam Dunk since its inception as a club night in 2006. Over the last two decades, the festival has grown into a cornerstone of the UK festival circuit, hosting legendary acts like Paramore, Fall Out Boy, and Turnstile.

    Check This Out – The Black Book of Metal: 13 Heavy Metal Scandals That Shook the Music World

    jenny-miller

    The Future of Slam Dunk 2026

    As of this report, Ben Ray has not issued a public response to Miller’s accusations. The 2026 installment of Slam Dunk, scheduled to take place next month, features a massive bill including Good Charlotte, Knocked Loose, Sublime, and Taking Back Sunday.

    With the festival just weeks away, the community is awaiting word on how the organization will handle these serious allegations against its founder. The “one-day, two-site” festival model is currently one of the most successful independent operations in the UK, but these claims represent the most significant controversy in the event’s 20-year history.

    For the latest developments on this story and deeper analysis of the industry impact, make sure you tune into the Loaded Radio live stream and subscribe to the Loaded Radio Podcast.

    TL;DR:

    Jenny Miller, a British actress and performer, has publicly accused Slam Dunk Festival founder Ben Ray of sexual assault and rape. Miller alleges the incidents occurred during private encounters involving illicit substances. While Miller claims to be in the process of pressing charges, Ray has yet to respond. The allegations come just weeks before Slam Dunk’s 2026 event featuring Good Charlotte and Sublime.

    slam-dunk-founder-texts

    The post Slam Dunk Festival Founder Accused: Serious Allegations Surface Against Ben Ray Ahead of 2026 Event appeared first on Loaded Radio.

  • Sharon Osbourne Claims Legal Dispute Between Black Sabbath and Their Ex-Manager is Resolved

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    A legal battle over some rare early recordings of a little known band that would one day become Black Sabbath has come to an end, with the band now gaining full control of those tapes. And we know this because Sharon Osbourne shared the details on the recent The Osbournes podcast.

    For those that don’t recall, the whole thing originates with former Black Sabbath manager Jim Simpson. The guy had originally planned to release a series of demos recorded back in 1969 featuring a band named Earth. Of course, diehard metal fans know that band ultimately became Black Sabbath, so such recordings would be a major find/release since they feature Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward during the early years.

    Plans for their release went so far as it got the title Earth: The Legendary Lost Tapes. Yet when word of those plans got out, a law suit was filed by Osbourne to stop the release of those tapes. Now, during the most recent episode of The Osbournes podcast, Sharon revealed that everything’s been settled and Black Sabbath are now in control of those recordings:

    “We settled with Jim Simpson and the band now have their demos back. And all four of them [the original members of Black Sabbath] own it, which is where it should be. All of that stuff should be theirs. So it all ended well. So, yeah, they own them. We’re gonna talk about what everybody wants to do with it, and we’ll go from there.”

    Sharon said the tapes carry an extremely important significance for metalheads everywhere. Especially since the settlement also included photos that were taken during that time period. Being able to see and hear the men that ended up shaping heavy metal as a genre in their youth is a pretty unique opportunity.

    “I just think it’s historically important – for music lovers of that genre. And then we got [the rights to] the pictures that were taken at that time too. So, that is all so important.

    “I mean, listen, you [Jack] want those pictures. Everybody in the band’s kids and grandkids would love to see [them]… It’s special. And I’m just happy that it’s where it should be – with the band, and [they can decide] what they wanna do as a band, what they’re gonna do with it. So that’s great.”

    In the past, Simpson financed the 1969 sessions and later had the tapes restored. He argued, much like Sharon does, that the tapes had historical significance. He also claimed that he offered to cut the band in for the release, but that offer was reportedly declined.

    Sharon ultimately commended Simpson for deciding to settle the matter and give the tapes over to Black Sabbath.

    “He did the right thing at the end of the day. He did the right thing for the band.”

    The post Sharon Osbourne Claims Legal Dispute Between Black Sabbath and Their Ex-Manager is Resolved appeared first on MetalSucks.

  • Rupert Träxler Fear Factory Review

    Rupert Träxler Fear Factory Review

    This song begins with an atmospheric pad, inviting the listener to vocalize in the vast space. Following this ethereal introduction, an intense and mysterious guitar arpeggio emerges. This segment builds tension effectively, setting the stage for what unfolds next.

    Rupert Träxler Fear Factory

    Then, an intricate drum rhythm joins the mix, showcasing the artist’s refined vision and creative capabilities. The drums add depth, transforming the song into a multifaceted experience. Soon after, a female vocal enters, reminiscent of Enya’s style. Her voice introduces a haunting quality that merges seamlessly with a male vocal, generating a dystopian effect. The harmony between these two vocals creates a memorable auditory experience.

    Around the 1:35 mark, the song experiences a notable shift. Initially melodic, it morphs into something almost industrial, evoking the styles of Nine Inch Nails and a softer Korn. This transformation is striking, displaying a bold artistic direction that challenges the listener. The music is visionary and unpredictable, continuously engaging with harmonic and rhythmic changes that leave one breathless.

    Fear Factory – Sound and Atmosphere

    The composition demands attention through its dynamic shifts and unexpected turns. A futuristic perspective permeates the sound, inspiring and challenging the audience alike. The sonic elements traverse electronic vibes, metal rhythms, alternative influences, and melodic richness.

    An atmospheric quality defines the essence of this track; it transports the listener to distant places. Noteworthy is the guitar solo that appears after the 3:30 mark, which adds a beautiful layer to the composition. The entire piece is a fantastic journey, showcasing the artist’s ability to craft an unforgettable experience.

    From beginning to end, “Fear Factory” embodies a unique blend of genres and styles. The intricate layers and emotional interplay make the listening experience intensely immersive.

    Fear Factory – Performance and Production

    For those seeking music that challenges conventions and pushes boundaries, this piece is highly recommended. The merging of electronic and metal influences is executed with precision, reflecting the artist’s deep understanding of various musical elements. The compelling transitions throughout the track keep listeners on their toes, ensuring they remain fully engaged.

    “Fear Factory” is an impressive work that illustrates Rupert Träxler’s innovative approach to music. The atmospheric introduction, followed by striking melodic and rhythmic shifts, creates a piece that resonates on multiple levels. Anyone interested in exploratory music will find much to appreciate here.



    Dystopian

    🔥 If you love this music: Discover More


    Find Rupert Träxler here:
    Spotify | Instagram

    For fans of:

    Nine Inch Nails • Korn


    The post Rupert Träxler Fear Factory Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • ENSIFERUM Sets September 2026 North American Tour With FIREWIND

    Finnish folk metal mainstays Ensiferum are heading back to North America this fall with the Winter Storm Over North America 2026 tour, kicking off in September. Joining them on the run is Firewind, led by guitarist Gus G, widely recognized for his time playing with Ozzy Osbourne.

    The tour kicks off on September 9 at ProgPower USA XXV and wraps up a few weeks later on September 27 at the El Corazon in Seattle, WA. Tickets go on sale Friday, April 24 at 10 a.m. local time.

    The tour continues the push behind Winter Storm, released in October 2024 via Metal Blade Records. The album took shape during the COVID lockdown, when founding guitarist Markus Toivonen focused on expanding his songwriting approach. He handled nearly all the material, with bassist Sami Hinkka contributing the track “Fatherland”.

    Vocalist and keyboardist Pekka Montin continues to play a key role in the band’s evolving sound. After making an impression on Thalassic, his range is more fully integrated on Winter Storm, which follows a fantasy-driven concept written by Hinkka. The record leans into a more expansive and melodic direction without losing the band’s core edge.

    Production on Winter Storm was handled by Janne Joutsenniemi, with mixing and mastering by Jens Bogren. The album also features guest spots from Lassi Logrén on nyckelharpa and violin, Mikko Mustonen on orchestration, and Eleine vocalist Madeleine Liljestam, who appears on “Scars In My Heart”.

    The post ENSIFERUM Sets September 2026 North American Tour With FIREWIND appeared first on Sonic Perspectives.

  • The Lazz Observer Review

    The Lazz Observer Review

    “Observer” grabs you with an intense guitar riff that paves the way from the start. The atmosphere created is immersive and playful, drawing listeners into an intricate sonic environment. As the song transitions into the verse, the female vocal enters, enhancing the epic and dystopian quality reminiscent of a sci-fi film soundtrack or a video game score.

    The Lazz Observer

    The production quality shines with a polished finish, while the track’s rhythmic and harmonic shifts constantly command attention. This musical journey feels like a roller coaster, full of emotional ups and downs. There are moments where the sound seems to withdraw, only to surge forth again, flooding the listener with new layers of emotion and sonic texture.

    The track exemplifies melodic rock, offering a unique experience that envelops you fully. At around two minutes and fifty seconds, a guitar solo emerges that showcases the interplay between the guitar and the steady rhythm of the drums. This interplay creates a remarkable diversion in the energy of the song.

    The guitar is doubled an octave higher, producing an almost metallic effect that is both mesmerizing and captivating. This technical and melodic solo stands out, contributing significantly to the overall impact of the composition. The hard rock and melodic metal elements blend seamlessly throughout the piece.

    Observer – Sound and Atmosphere

    Listeners are likely to find themselves enthralled by the craftsmanship displayed in “Observer.” The song invites repeated listens, as each play reveals new subtleties in the arrangement and performance. The dynamics shift skillfully, leading to soaring moments that heighten the emotional stakes.

    Throughout the track, the instrumental and vocal elements communicate effectively, enhancing the storytelling aspect of the music. The sense of dramatic tension is palpable, keeping the audience on the edge of their seats. Each section is impeccably timed, allowing for both anticipation and release.

    Observer – Performance and Production

    The Lazz has created a remarkable piece of art that resonates with hard rock enthusiasts and newcomers alike. With influences that can appeal to a diverse audience, “Observer” deserves a place on any hard rock or metal playlist. The emotive power of the lyrics combined with the intense instrumental arrangements results in a well-rounded musical experience.

    “Observer” is a masterful exploration of sound and emotion, emerging as a highlight in The Lazz’s catalog. It embodies the essence of hard rock and melodic metal, delivering a powerful statement through its artistry. This single is highly recommended for all music lovers seeking depth and excitement in their playlists.



    Powerful

    🔥 If you love this music: Discover More


    Find The Lazz here:
    Spotify | Instagram

    The post The Lazz Observer Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Beth Hart to release deluxe edition of “You Still Got Me” with

    Beth Hart has announced a digital deluxe edition of her 2024 album You Still Got Me, set for release on June 17 via Provogue Records.

    The expanded edition adds six tracks that were previously only available on a limited-edition box set. Among them is the jazzy blues track “Mean Ole Man Of Mine,” along with “Stuff For You” and extended versions of “Savior With A Razor,” which features Slash. Additional tracks include “Wonderful World,” “Wanna Be Big Bad Johnny Cash,” and “Don’t Call The Police.”

    The original release of You Still Got Me topped the Billboard Blues Album chart and the UK Jazz and Blues chart, while also reaching the Top 10 in multiple European markets. The album has amassed more than 11 million streams worldwide.

    TRACK LIST

    1. Savior With A Razor (feat. Slash)
    2. Suga N My Bowl (feat. Eric Gales)
    3. Never Underestimate A Gal
    4. Drunk On Valentine
    5. Wanna Be Big Bad Johnny Cash
    6. Wonderful World
    7. Little Heartbreak Girl
    8. Don’t Call The Police
    9. You Still Got Me
    10. Pimp Like That
    11. Machine Gun Vibrato

    BONUS TRACK LIST

    1. Savior With A Razor (feat. Slash) (Extended Version)
    2. Wonderful World (Extended Version)
    3. Mean Ole Man Of Mine
    4. Wanna Be Big Bad Johnny Cash (Extended Version)
    5. Don’t Call The Police (Extended Version)
    6. Stuff For You

    Hart will support the release with an extensive European tour running from May through July, followed by a return to Europe in November. A U.S. tour is expected to be announced for September 2026.

    TOUR DATES


    May 4, 2026 – Auditorium Parco della Musica – Rome, Italy
    May 7, 2026 – Gran Teatro Geox – Padova, Italy
    May 9, 2026 – Dom Muzyki i Tanca – Zabrze, Poland
    May 11, 2026 – Hala Orbita – Wroclaw, Poland
    May 14, 2026 – The Beacon – Bristol, UK
    May 16, 2026 – Usher Hall – Edinburgh, UK
    May 18, 2026 – Royal Concert Hall Nottingham – Nottingham, UK
    May 20, 2026 – The Glasshouse International Centre for Music – Gateshead, UK
    May 24, 2026 – De Roma – Antwerp, Belgium
    May 26, 2026 – Rockhal – Esch-sur-Alzette, Luxembourg
    May 28, 2026 – Prague Congress Centre – Prague, Czechia
    May 30, 2026 – Freiluftarena B – Graz, Austria
    June 2, 2026 – De Roma – Antwerp, Belgium (sold out)
    June 4, 2026 – New Theatre Oxford – Oxford, UK
    July 1, 2026 – Lycabettus Theatre – Athens, Greece
    July 4, 2026 – Donaubühne – Tulln, Austria
    July 6, 2026 – Posthalle – Würzburg, Germany
    July 8, 2026 – Jahrhunderthalle – Frankfurt am Main, Germany
    July 10, 2026 – Parkbühne (Clara Zetkin Park) – Leipzig, Germany
    July 14, 2026 – COS Torwar – Warsaw, Poland
    July 16, 2026 – Veszprémfest 2026 – Veszprém, Hungary
    July 18, 2026 – Yunak Stadium – Sofia, Bulgaria
    July 21, 2026 – Schwabenhalle Augsburg – Augsburg, Germany
    July 23, 2026 – Z7 Open-Air – Pratteln, Switzerland
    July 25, 2026 – Winterbach Zeltspektakel – Winterbach, Germany
    July 27, 2026 – Stadthalle – Rostock, Germany
    July 29, 2026 – Seebühne Bremen – Bremen, Germany

    September 2026 – Dates to be announced


    November 4, 2026 – Helsingin Jäähalli – Helsinki, Finland
    November 7, 2026 – B-K – Stockholm, Sweden
    November 9, 2026 – Sentrum Scene – Oslo, Norway
    November 11, 2026 – Fiskepiren – Stavanger, Norway
    November 13, 2026 – USF Verftet – Bergen, Norway
    November 16, 2026 – Falkoner Salen – Frederiksberg, Denmark
    November 18, 2026 – Musikhuset Aarhus – Aarhus, Denmark
    November 21, 2026 – Kuppelsaal IM HCC – Hannover, Germany
    November 23, 2026 – Leverkusener Jazztage – Leverkusen, Germany
    November 25, 2026 – Lokschuppen Dillingen – Dillingen, Germany
    November 27, 2026 – Halle Münsterland – Münster, Germany
    November 29, 2026 – L’Olympia – Paris, France

    The post Beth Hart to release deluxe edition of “You Still Got Me” with appeared first on Blues Rock Review.

  • Matt Law Days Like These Review

    Matt Law Days Like These Review

    A beautiful guitar riff opens this track, immediately engaging the listener. It features a rhythm that envelops you in an energetic, slightly nostalgic atmosphere reminiscent of The Beatles and The Lemonheads. The guitar tone is fuzzy and crunchy, creating a blend of retro punk mixed with 1960s and 1970s rock. This infectious sound keeps you entertained throughout the song.

    Matt Law Days Like These

    The vocals carry the right energy. The singer’s voice tells a story without exaggeration. It rests comfortably on the melody, guiding listeners through this musical journey. You can feel the camaraderie among the musicians. They enjoy playing together, and this joy radiates throughout the track. The song cultivates positive vibes by highlighting the magic that happens when a dream is realized.

    Bringing together various musicians sparks creativity and fosters collaboration. This cooperative spirit is evident in the final product, as they create something that is destined to be memorable. The overall vibe of the song is quite uplifting, perfectly embodying the essence of good times and rocky vibes.

    Days Like These – Sound and Atmosphere

    The rhythm section complements the overall energy, driving the song forward. Drumming adds a lively flourish with each hit, enhancing the track’s dynamic. Together, the instruments work seamlessly. There is genuine chemistry present. The beat makes it hard to resist bobbing your head or tapping your feet along with the music.

    Matt Law demonstrates a firm understanding of how to create a joyful experience through music. His skilled craftsmanship shines through the production. The overall mixing allows each element to shine without overshadowing others. Nothing feels out of place; everything aligns perfectly.

    Days Like These – Performance and Production

    The combination of retro influences and modern sensibilities makes the song intriguing. It connects generations with its timeless appeal. The blend of styles speaks to young listeners and those fond of classic rock. This fusion reflects the sincerity of an artist striving to honor his influences while creating something fresh.

    One of the standout features is the anthemic quality of the chorus. It invites listeners to sing along, creating a collective experience. It evokes the feeling of togetherness that’s often found in great rock music. This quality is precious and makes “Days Like These” memorable.

    The musical arrangements are tight, showcasing the band’s skills. Each section flows effortlessly into the next, holding the listener’s attention. The dynamics ebb and flow, keeping the song engaging throughout. This attention to detail adds depth and sophistication.

    As the song wraps up, it leaves listeners with a sense of fulfillment. The infectious spirit of the music lingers in the air, creating a lingering sense of happiness. It truly reflects how collaboration can lead to beautiful, timeless creations.



    Uplifiting

    🔥 If you love this music: Discover More


    Find Matt Law here:
    Spotify | Instagram

    For fans of:

    Beatles • Lemonheads


    The post Matt Law Days Like These Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Action Bronson – “Triceratops” (Feat. Lil Yachty & Paul Wall)

    “Tadow, Queens be the birthplace/ Turn you to a fuckin’ cheeseburger at a children’s birthday/ Yeah, I deserve a mermaid/ So I could buy my bitch fake Hermes.” It’s Bam Bam! No rapper other than Action Bronson would write those lines in a million years or deliver them with such casual panache. That’s the Action…

    The post Action Bronson – “Triceratops” (Feat. Lil Yachty & Paul Wall) appeared first on Stereogum.

  • ‘The Great Divide’ Review: Noah Kahan Is Caught in the In-Between

    The singer-songwriter’s “Stick Season” was an unexpected smash. On its follow-up he sings about fame, complex relationships and the future with a sharper perspective.
  • Daughn Gibson – “Quang Nam”

    After bringing debut album All Hell back online a few months back, Daughn Gibson is now rolling out Lake Mary not mysterious, his first digitally available album in over a decade. (He released the limited-edition physical-only The Bergundy Daughns in 2024, but you didn’t hear that one, did you?) This week brings the second single…

    The post Daughn Gibson – “Quang Nam” appeared first on Stereogum.