New York hardcore legends Agnostic Front have announced the final set of tour dates in 2026, covering the East Coast region. Joining them on the road will be Béton Armé and Restraining Order.
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Category: news
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Charli XCX Attempts American Accent Again In New I Want Your Sex Clip
Charli XCX’s wonderful new album Music, Fashion, Film is still the talk of the town, but she also has a role in Gregg Araki’s I Want Your Sex, which hit theaters Friday (July 31). To celebrate the release, the movie shared an exclusive clip with Pop Crave, and Charli’s attempt at an American accent stole the spotlight.
The post Charli XCX Attempts American Accent Again In New <em>I Want Your Sex</em> Clip appeared first on Stereogum.
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CHAOS THEORY!!! THE BROKEN MUSIC Review
CHAOS THEORY!!! THE BROKEN MUSIC Review
The album opens with “GOTHS IN SUMMER,” delivering a cinematic atmosphere enriched with 1980s sounds reminiscent of Carpenter’s film scores. The introduction of the vocals, enveloped in generous reverb, creates an oracle-like quality that draws the listener in. This ethereal touch sets a profound tone for the entire record.
Following this, “WINDOW TO WONDER” profoundly intrigues with its sinister start, transitioning into a chaotic and intense rhythm that engulfs the audience. This artist exhibits a visionary compositional approach, setting their music apart from conventional sounds. The track exemplifies an industrial yet avant-garde essence, stirring a sensory exploration in every note.
Next is “AMSTRAD SUGAR IS THE APPRENTICE,” which resonates like a cybernetic lullaby. The rhythm here echoes Depeche Mode’s electronic styles, crafting an atmospheric experience that feels suspended in a timeless limbo. This fusion of sounds transports the listener, evoking a sense of longing and intrigue.
THE BROKEN MUSIC – Sound and Atmosphere
The distorted arpeggio in “WHAT’S FRENCH FOR SELF IMPORTANT?” mesmerizes through its minimalist vibe. This track hypnotizes the listener, creating an environment of reflection and contemplation. The simplicity of its composition unleashes a powerful emotional connection, leaving an imprint long after it concludes.
“WHO WILL SURVIVE IN ’25?” takes this sense of suspension further. The artist’s vision reflects a desert-like landscape through sound, inviting listeners to embark on a fantastical journey. Unique tones in this track feel almost otherworldly, demonstrating the artist’s ability to compose music that transcends time and space.
In contrast, “ARGYLE” propels the listener into a cosmic realm. The blending of sounds ignites neuronal pathways, triggering vivid dream-like visions. This exploration of the universe through music invites listeners to reflect on their own thoughts and dreams, creating an immersive experience.
“A DEATHLESS DREAM OF THE WIND AND RAIN” begins with an intense and nostalgic piano motif, complemented by familiar keys that establish a rich foundation. As the voice enters, it feels suspended in time, reminiscent of a distant echo carried by the wind. This ethereal vocalization cradles the listener in a futuristic mirage, enhancing the emotional depth of the piece.
The album closes with “THE BROKEN MUSIC,” a song that maintains an urgent rhythm. This track embodies a blend of uplifting and nostalgic vibes, creating an impactful finale. The energy in this piece reinforces the artist’s distinctive ability to evoke a spectrum of emotions.
THE BROKEN MUSIC – Performance and Production
THE BROKEN MUSIC is a bold and unpredictable journey through industrial electronics, cinematic synths, avant-garde experimentation, and dreamlike atmospheres.
CHAOS THEORY!!! avoids conventional structures, allowing each track to exist as its own strange and immersive universe while still contributing to the album’s coherent identity. There is something deliberately disorienting about this record. At times, it feels nostalgic and familiar; at others, it sounds futuristic, alien, and impossible to define. Reverb-drenched vocals, distorted arpeggios, hypnotic rhythms, and unusual sonic textures constantly stimulate the imagination.
THE BROKEN MUSIC is not an album designed for passive listening. It demands curiosity and an open mind, rewarding the audience with a surreal experience that continues to resonate after the final note. CHAOS THEORY!!! has created a distinctive and visionary record that transforms disorder into atmosphere, emotion, and art.
Visionary
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Prem Byrne How Life Is Review
Prem Byrne How Life Is Review
This song dives straight into action without any introduction. The vocals begin immediately alongside a steady, direct drumbeat. The melody carries a nostalgic and slightly dreamy quality. From the outset, it is clear that this artist possesses significant refinement. The chord progression is well thought out, revealing intentionality in the songwriting.
The listener is swiftly enveloped in an experience that blurs the lines between reality and something metaphysical. This feeling is intensified by a flute solo starting at the one-minute and fifteen-second mark. The notes played during this solo evoke a sense of soaring imagination. It is a moment that invites the listener to escape into their own thoughts and fantasies.
The song explores the concept of dualities uniting within a universal energy. Themes of life and death intertwine, creating a profound exploration of existence. Despite its minimalist approach, the song remains intense and immersive. This reflects how an artist with a solid artistic vision can produce high-quality music.
How Life Is – Sound and Atmosphere
Byrne’s skillful arrangement highlights the beauty in simplicity. Each element, from the percussion to the melody, works harmoniously. This collaboration creates a rich emotional landscape, drawing the listener deeper into the experience. The minimalism does not detract from the intensity; rather, it amplifies it. Byrne’s voice pairs beautifully with the instrumentation, showcasing a deep connection to the thematic elements presented.
The production quality is solid, adding to the overall elegance of the track. Each instrument is given its space, allowing for a clear presentation of sound.
The combination of nostalgia and dreamlike qualities creates a soothing atmosphere. Yet, beneath this calm surface lies a complexity that engages the listener’s intellect. The artist navigates these themes with skill and insight.
How Life Is – Performance and Production
“How Life Is” emerges as a powerful expression of artistic vision. The combination of well-crafted melodies, insightful lyrics, and a clear thematic focus creates a significant impact. This track showcases the potential for music to explore profound concepts with simplicity.
Byrne proves that it is possible to convey deep messages through minimalist artistry. The journey offered by this single encourages reflection and contemplation. It invites listeners to explore their thoughts on life’s dualities and the universal experiences that connect us all. With each listen, new layers unfold, encouraging deeper understanding and appreciation.
This song offers a unique experience that resonates on multiple levels. Its themes invite introspection while providing an atmospheric auditory journey.
Ethereal
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Jay Saint James Cheap Rosé Review
Jay Saint James Cheap Rosé Review
The song opens with the beautiful voice of the artist, surrounded by a gentle guitar. This creates a refined atmosphere. A subtle groove enters, allowing the song to develop further. The voice guides you melodically through this delicate yet intense melody. The vocal timbre is confident, reminiscent of a mix between Chris Cornell and Elton John.
The song adopts a minimalist approach. The interplay of guitar grooves and strings gradually emerges, expanding the auditory experience. This method allows for a broader space in the sound, enriching the listening experience. The lyrics explore the feelings surrounding the end of a relationship. It captures that moment when you realize emotional distance has set in.
The memories that remain are those of the past, evoking feelings many can relate to. The song possesses a delicate and intense essence, making it suitable for all listeners. It resonates with emotional depth, allowing you to reflect on your own experiences with relationships.
Cheap Rosé – Sound and Atmosphere
In terms of arrangement, the song balances simplicity with sophistication. The gentle guitar perfectly complements the emotional weight of the lyrics. The strings add a layer of elegance, elevating the overall feel of the track. The instrumentation enhances the storytelling without overwhelming it.
The craftsmanship showcased in “Cheap Rosé” is noteworthy. The transitions between sections are seamless, creating an organic flow. The dynamic build offers a satisfying listening experience. This development mirrors the emotional journey depicted in the lyrics.
Listeners may find themselves drawn into the narrative. Each note and phrase builds upon the last, forming a coherent story of love and loss. The careful construction of each element showcases the artist’s understanding of songwriting.
Cheap Rosé – Performance and Production
Jay Saint James effectively communicates vulnerability through his performance. The emotional delivery engages the audience, encouraging them to reflect on their own lives. The chorus serves as an emotional anchor, repeating themes of nostalgia and longing.
While the verses are introspective, the chorus expands into a communal experience. It opens the song to shared feelings of heartbreak and reminiscence. This connection is vital, transforming the song from personal to universal.
Jay Saint James delivers a memorable piece with “Cheap Rosé.” It is a song that speaks to the heart and resonates with the listener’s experiences. The blend of sophisticated arrangements and emotional themes creates a strong impact.
It stands as a powerful ballad about love, loss, and memory. Its minimalistic approach allows the raw emotions to shine through. Anyone seeking an introspective musical experience will find this track enriching and relatable. For anyone navigating similar feelings, this ballad serves as a comforting companion.
Delicate
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Caden Stone How Cold You Have Become Review
Caden Stone How Cold You Have Become Review
This song begins with a rhythm that transports listeners back to the 1990s. The intense and direct sound is characterized by powerful distorted guitars and a solid, pulsating drumbeat. As the verse enters, the tempo shifts, creating an atmosphere that gives space to the vocals. The voice features a slightly megaphone-like effect, adding an enigmatic and forceful quality to the performance.
Caden Stone’s compositional style possesses vibes of alternative rock and grunge that envelop the listener. The verse remains suspended in a unique limbo, creating an atmosphere that feels immersive and slightly hypnotic. Occasionally, there are backing vocals that emerge, enhanced by effects that lend them a sinister quality. The guitar periodically plays notes that open the sonic space, adding layers to the overall experience.
At the two-minute and thirty-second mark, a suspended solo begins, featuring psychedelic notes that inspire dreams and reflection. The song is anchored by a rhythmic intensity that reflects a dystopian and hypnotic quality. This fantastic soundscape invites listeners to explore the depths of its structure and emotion.
How Cold You Have Become – Sound and Atmosphere
Caden Stone’s artistry shines through in the careful layering of sounds and effects. The distorted guitars create an engaging backdrop, full of raw energy. The track’s atmosphere is thick and textured, showing a keen attention to detail that enhances the listening experience. Each element is thoughtfully woven into the whole, ensuring that no aspect feels extraneous.
There’s an overarching feeling of nostalgia, rooted in the fusion of modern and retro sounds. The way the instruments interact contributes to a sense of an ongoing journey, filled with tension and release. The use of a solid drumbeat anchors the track, solidifying its rhythmic foundation. The way it drives forward adds urgency, compelling listeners to stay engaged.
The overall sound takes risks, embracing an experimental tone that pays homage to past influences while paving the way for fresh expression.
How Cold You Have Become – Performance and Production
The transition between sections is organic, allowing the listener to flow with the song’s dynamics. The combination of solid instrumentation with the emotive vocal delivery creates an experience that is multifaceted. There is a brilliant contrast between the intense beginning and the more nuanced middle sections.
The interlude, featuring those psychedelic guitar notes, feels like a welcome departure from the established rhythm. It invites listeners to pause and reflect, creating space for personal interpretation. This part resonates with those who enjoy music that encourages thought and introspection. The choice to include such a solo elevates the track, showcasing a willingness to experiment creatively.
“How Cold You Have Become” is a well-crafted single that channels influences from the past while standing firmly in the present. Caden Stone effectively blends alternative rock and grunge, delivering a sound that is enriched with emotion and depth. Whether listeners are transported back to the 90s or inspired by the modern flavor, the song’s adventurous spirit speaks to a broad audience. It is a fantastic composition that deserves to be listened to by all music enthusiasts.
Intense
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PRESIDENT Releases “Dark Heaven” Visualizer From Upcoming Debut Album “Blood Of Your Empire”
President, the mysterious masked British rock band widely rumored to be fronted by Charlie Simpson of pop-punk act Busted and post-hardcore outfit Fightstar, will release its debut album, Blood Of Your Empire, on September 4 via Atlantic Records. The announcement is accompanied by a visualizer for the album track “Dark Heaven.”
President said of “Dark Heaven”: “‘Dark Heaven’ is a reflection on the contradictions of faith, and how something intended to unite humanity has so often been used to justify division, violence, and power. It’s about the way greed can wear the mask of righteousness. It isn’t an attack on belief itself; it’s about searching for something real beneath the noise, and asking what remains when certainty begins to crumble.”
The band added about the album: “Blood Of Your Empire was born out of my own struggle with existential crisis and trying to make sense of belief, mortality, and humanity’s relationship with faith. Religion has inspired incredible compassion, purpose, and beauty in the world — but it has also been responsible for unimaginable suffering and bloodshed throughout history.
“This album lives in the tension between those two truths. Writing it became a way for me to confront the fear, confusion, and questions I’ve carried for years, and turn them into something I’m truly proud of.”
The Blood Of Your Empire album cover is the painting “The Battle Of Poitiers” by French Romantic painter Eugène Delacroix, which hangs in the Louvre in Paris.
President will headline a sold-out North American fall tour in support of the record, launching September 4 — the same day as the album release — at Brooklyn Bowl in Nashville. The trek hits Chicago, New York, Toronto, Boston, Atlanta, Denver, Seattle and Los Angeles before concluding October 14 at the House of Blues in Dallas. Cenobia and Showing Teeth provide support on select dates; the tour is produced by Live Nation.
President launched in 2025 and released its debut EP, King Of Terrors, that fall. The project operates under a deliberate cloak of anonymity, prioritizing intent over image and refusing to conform to traditional genre or identity structures. The band completed its first-ever full U.S. run as support for Bad Omens before announcing the album. In a cover feature for Revolver, President said of its approach: “The music industry has elements of fast fashion to it these days. Things just come and go. Everything’s really quick. Everyone’s shouting for attention and there’s just so much noise, and it just becomes a f***ing conveyor belt.
“[We] wanted to step back and not be a part of that. But if people are interested, and they want to enter into this world, we’ll grab them with open arms.”
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Phish Set 2,051-Show Bustout Record With XTC Cover
Phish rang in 2026 with a salute to dairy. Now, halfway through the year, the definitive jam band is breaking their own records.
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AMG’s Unsigned Band Rodeö: Beware of Gods – Upon Whom The Last Light Descends III: Behead The Oracle
“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.”Flying well under the radar, Illinois-based psychedelic sludge/doom metal duo Beware of Gods would’ve released their third installment in their Upon Whom the Last Descends series, entitled Behead the Oracle in such complete obscurity that even Metallum doesn’t know about it yet. But thanks to our resident sludge expert Cherd, Behead the Oracle entered our consciousness just in time for an assortment of ne’er-do-wells to offer their entirely unearned judgment of its mettle. Little do the Gods know that when they enter the realm of dogs, there be risk of piles. Good luck out there, and may your souls be spared. –Kenstrosity
Beware of Gods // Upon Whom The Last Descends III: Behead The Oracle [July 10th, 2026]
Grin Reaper: Beware of Gods throws a lot of labels into their description of Upon Whom the Last Light Descends III: Behead the Oracle,1 all of which are apt. Cinematic, progressive, doom-laden metal toeing the line between sludge and post furnishes a rich backdrop where Beware of Gods details a dystopian narrative with elements like machine messiahs and the illusion of free will. Conceptually, this environment will feel familiar to fans of Fear Factory and The Matrix, but musically Behead the Oracle lands in an industrial-tinged sludge trudge that often reminds me of a doomy Nine Inch Nails (“Secondary Drowning,” “Disenchanted Enchanter”), even down to The Archetype’s Reznor-like croon. Instrumentally, Beware of Gods delivers convincing performances in service to Behead the Oracle’s story, where guitars and bass swell and groove in a deftly-mixed soundscape. Unfortunately, Behead the Oracle suffers a fatal flaw when it comes to length, compounded by a few tracks that can be challenging to listen to over repeated spins. “The Ghost of a One-Armed Comedian” draws my biggest complaint, as it’s a six-minute plod featuring a meandering voice-over that would be more effective if chopped in half or cut altogether. Meanwhile, closer “Starve My Eyes That I May See” drags an already overlong album on for another ten minutes. Ultimately, Beware of Gods delivers good ingredients undercut by an unsavory length and a few skippable tracks, but exhibits enough talent and intriguing ideas that I’ll check out whatever divine warning they offer next. Mixed.
Spicie Forrest: The concept album strikes again! Centered around protagonist I, Nomad, Beware of Gods’ third LP, Upon Whom the Light Descends III: Behead the Oracle travels through an industrial, post-collapse hellscape. The album’s cinematic trappings of remind me of IPs like Mad Max, Fallout, and Casshern Sins, making Descends III feel more like the soundtrack to an unwritten movie than a typical album. Primary creative force The Archetype weaves riotous, stimpak-fueled sludge (“Tectonic Boogie with the Grief Eater”), the hard-boiled spoken word of seedy, smoke-filled hideouts (“The Ghost of a One Armed Comedian”), and 90s nu-metal (“Behead the Oracle”) into a surprisingly singular vision. While there are a lot of styles on display here, they’re stitched together well, with theatrical threading embodying the irreverence necessary to survive such a hopeless world. And for such a range of metallic styles, The Archetype’s pipes rise to each occasion and complement the music suitably well. I particularly enjoyed my nerves patiently fraying at the atonal hammering of “Disenchanted Enchanter” and “Starve My Eyes That I May See,” but those two are the longest tracks on the album, and they—along with a couple others—struggle to support their own weight. And while I can understand the narrative demands of Beware of Gods’ vision, getting through Descends III in one sitting proved a struggle, largely due to having three interludes (“Conflict Code_Cursed Blessed,” “Dead Radio Daylight,” “Correction Code_Pre-emptive Strikes Against Prophecy”). Nevertheless, of 56 minutes, there’s about 40-45 minutes of solid material here. 2.5/5.0
Sentynel: I know it’s a cliché for this sort of stoner-psych music, but wow, Behead the Oracle has a problem with songs that don’t go anywhere. I was misled by Beware of Gods’ promise of “cinematic sci-fi doom/post-metal,” but make no mistake: under the Scooby-Doo mask is but a meandering stoner album with a slight industrial edge to its sound palette. It sounds like it wants to be Isis (“Conflict Code_Cursed Blessed”) by way of Mutoid Man (“Tectonic Boogie With the Grief Eater”), with a reference here or there to Kyuss/QotSA (“Dead Radio Daylight”). But we’ve hit the fourth track (“Ocean of Teeth”) before we get a song with any trajectory at all. And that’s only if you survive the six minute spoken word plod of third track “The Ghost of a One Armed Comedian,” which will certainly haunt me. The rest of the album serves up an interlude and a repetitive Monster Magnet offcut for every additional track with any interest at all (“Disenchanted Enchanter,” “Dethroning the Delusion”). There’s lots of things I should like here, and when I put this on in the background it was very easy to tune in occasionally and hear something vaguely interesting. Actually sitting down and listening to the whole record, on the other hand, was a slog. Bad.
Alekhines Gun – Utilizing a flair for concept and story telling usually found in post-hardcore, Beware of Gods has emerged with a djenty, doomy, ethereal release. Fusing slabs of Conan heft with post-metalisms and a fantastically varied vocal approach from “The Archetype”, Upon Whom the Last Light Descends II: Amnesia Island is a real mixed bag of a listen. The vocals do a good job at selling the story, as our Archetype bounces from the expected howls and yowls to full on cleans and spoken-word passages, conveying a narrative to suit the ever-shifting soundscape. Upon Whom is definitely a journey, and an engaging one, though how gripping you find it depends entirely on what you’re looking for. It’s rather light on real riffs or songs of memorability, in the traditional sense, though some real might rears its head in the grin-inducingly titled “Tectonic Boogie with the Grief Eater”, and particularly in “Ocean of Teeth (Haunted by the Glimpse of a White Light)”, the highlight of the album. But what it might lack in the brutz it makes up for in sheer personality and charm, inviting one to listen in on the bizarre and inscrutable exploits of one armed comedians one minute, only to hear the bluesy laments of a “Disenchanted Enchanter” the next, with just enough curb stompage to keep boredom from setting in. Worth a few listens, but not casual ones; really lock in and let this light descend all around you. 3.0/5.0
Kenstrosity: I wasn’t sure what to expect from Beware of Gods when they were brought to my table. Despite a fair bit of lead time, it took a while for me to wrap my head around what Behead the Oracle meant to be, what it meant to achieve. An unexpectedly fluid mix of NIN-esque industrial with Mastodonic sludge and Psychonautic post-metal, slowed down to a doomed crawl and enriched with bouts of poetic spoken word, Behead the Oracle hypnotizes as often as it confuses. With hooky tracks like “Tectonic Boogie with the Grief Eater,” “Ocean of Teeth,” and “Secondary Drowning,” Beware of Gods makes a compelling showing in the style. Competent and varied vocals blend with trippy riffs and eerie melodies in these stronger cuts to create a kaleidoscopic, but dense and dark, bluesy shroud that envelops the senses. In other areas, like the spoken word “The Ghost of a One Armed Comedian” or the overlong “Disenchanted Enchanter” and meandering closer “Starve My Eyes That I May See,” Beware of Gods loses traction as muddy storytelling and abstract character development obfuscate the record’s message in flowery language, repetitive songwriting, and lack of propulsion. Over time, though, I found myself growing more curious to understand this enigmatic record, and found substantial enjoyment in the way it flows despite its lumbering pace and occasionally monotonous sequences. It’s possible that Behead the Oracle is a bit too smart or abstract for its own good, which makes connecting more deeply with its story a challenge. Nonetheless, it’s a curious and layered affair that deserves a spin or two even if it never finds permanent residence in your rotation. Mixed.
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